Sun 25 Feb 2024
A 1001 Midnights Review: MIGNON G. EBERHART – The Patient in Cabin C.
Posted by Steve under 1001 Midnights , Reviews[2] Comments
by Marcia Muller
MIGNON G. EBERHART – The Patient in Cabin C. Random House, hardcover, 1983. Warner Books, paperback, 1985.
This recent Eberhart novel is typical fare. Sewall (“Sue”) Gates, a young upper-class lady whom financial reverses have forced into nurse’s training, is plucky, determined, and genuinely likes being a nurse; but now she is offered the opportunity to gain financial security for herself and her harmlessly alcoholic aunt Addie by marrying wealthy Monty Montgomery.
Monty. an entrepreneur who describes himself as a “peddler,” is only mildly alcoholic (compared to Addie) and quite well meaning, but Sue is not at all sure she wants to marry him. And she is still undecided when she and Addie board his yacht, the Felice, for a cruise that Addie believes is planned as a celebration of his engagement to Sue.
The yacht — a sort of seagoing version of the country estate — has a full complement of passengers: Monty’s younger half sister, Lalie, a budding alcoholic herself; Sam Wiley, a man with heart trouble from whom Monty bought the yacht; Dr. Smith, head of the hospital where Sue took her training and apparently Wiley’s personal physician; Lawson, Monty’s attorney; Juan, the steward, who is not the deferential Chicano he seems to be; and two others, whose presence is ill-advised-Stan Brooke, Sue’s former heartthrob, whom Monty hired on impulse to skipper the yacht; and Monty’s former mistress, Celia Hadley. It is a menage just made for murder — and indeed, as soon as the Felice sets sail in a thick fog, mysterious events begin to happen.
First Monty falls overboard, and swears he was pushed.
Sue sees the steward sharpening an evil-looking hatchet. The ship’s engines quit. The steward disappears, leaving a trail of bloodstains. Monty remakes his will in Sue’s favor and begins talking monotonously and ominously about someone being out to get him. Addie remains foolishly drunk. A storm is brewing; Sue thinks of shipwrecks and sinkings, and Addie begins seeing things that may be more than just the product of the DT’s. Finally Sue, typical Eberhart heroine that she is, begins to detect-with the usual satisfying results.
Like all of Eberhart’ s novels, this one is well crafted and well plotted, and her fans will feel right at home with the characters and situation. Sue Gates is not very different from Eberhart’ s heroines of the 1940s, and there is a curious, somewhat refreshing innocence to this seafaring tale. Perhaps the most surprising thing about The Patient in Cabin C is that it was written in the 1980s, rather than in those more gentle days.
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Reprinted with permission from 1001 Midnights, edited by Bill Pronzini & Marcia Muller and published by The Battered Silicon Dispatch Box, 2007. Copyright © 1986, 2007 by the Pronzini-Muller Family Trust.
February 25th, 2024 at 10:06 pm
Mignon Eberhart’s Wikipedia page begins thusly:
“Mignon Good Eberhart (July 6, 1899, Lincoln, Nebraska – October 8, 1996, Greenwich, Connecticut) was an American author of mystery novels. She had one of the longest careers (from the 1920s to the 1980s) among major American mystery writers.”
https://en.wikipedia.org/wiki/Mignon_G._Eberhart
Further down the page:
“She wrote a total of 59 novels, the last published in 1988, shortly before her 89th birthday. Eight of her novels were adapted as movies, beginning in 1935 with While the Patient Slept. The last adaptation, based on the book Hasty Wedding, was the movie Three’s a Crowd, released in 1945.”
and
“In 1971, she was awarded the Mystery Writers of America’s Grand Master Award. Eberhart also served as president of the Mystery Writers of America. In 1994, she received the Agatha Award: Malice Domestic Award for Lifetime Achievement.”
March 1st, 2024 at 11:55 pm
I suppose the surprising thing about Eberhart is just how readable she is throughout her career. Her formula of a woman in danger having to play sleuth was reliable, and she rang enough changes on it to keep it fairly fresh.
Here, later in her career, she returns to some themes from early early books with nurses turned detective.