REVIEWED BY DAN STUMPF:

   

THE JANUARY MAN.  MGM, 1989. Kevin Kline, Susan Sarandon, Mary Elizabeth Mastrantonio, Harvey Keitel, Danny Aiello, Rod Steiger, Alan Rickman. Writer: John Patrick Shanley. Director: Pat O’Connor. Streaming online with ads on various platforms. Available for rent on Amazon Prime as well as other outlets.

   You have been unjustly fired from a job you did well,and now your ex-employers, faced with a crisis Only You Can Handle come crawling to ask you back. Along the way they almost interrupt you in a casual act of heroism, but you agree to come back, whereupon the Red Carpet is rolled out, you meet a sexy young girl who falls madly in love with you, your ex-girlfriend suddenly wants you back, and everybody who ever talked nasty to you is now at your beck and call.

   And wouldn’t it be great if they all brought Beer?

   Well, I suppose there are worse male fantasies, and although The January Man is neither as suspenseful as it should be nor as amusing as it could be, it still deserves some credit for realizing its limited aspirations in a light-hearted and relatively non-violent way. In fact, for a movie about a serial killer of women, it’s surprisingly un-sadistic in concept and execution (no pun intended — honest).

   The January Man also offers some decent thespic opportunities to its performers, who try not to look too surprised at getting them. Kevin Kline is engagingly off-beat as the Cop-turned-Fireman Hero called back to solve the Calendar Girl Murders, Danny Aiello and Rod Steiger are appropriately choleric as his superiors, and Susan Sarandon purveys her own brand of predatory sexuality as Kline’s ex-sweetie.

   Best of all is Alan Rickman, looking more than ever like a young Vincent Price, as the Maynard Krebbs to Kline’s love-happy Dobie Gillis.

— Reprinted from The Hound of Dr. Johnson #34, September 2004.