Fri 31 May 2024
Reviewed by Dan Stumpf: MICHAEL & JOHN BRUNAS and TOM WEAVER – Universal Horrors.
Posted by Steve under Horror movies , Reference works / Biographies , Reviews[4] Comments
MICHAEL & JOHN BRUNAS and TOM WEAVER – Universal Horrors.The Studio’s Classic Films, 1931-1946. McFarland, hardcover, 1990, softcover, 2017.
Fans of that sort of thing should drop what they’re doing and rush out in the street to buy this book. Handsomely produced, exhaustive but never tedious, this is the survey of those wonderful (and sometimes wonderfully inept) Horror Films put out from 1931 to 1946 by the Horror Studio.
There are fascinating bits of information on budgets and stock footage, intelligent interviews with the surviving principals and minor character actors, and even an occasional bit of critical depth.
It’s all too rare that a book manages not to insult the reader’s intelligence even while seriously discussing films that do, but Universal Horrors actually manages to chart its way from the giddy heights of Bride of Frankenstein and The Black Cat all the way down to things like Night in Paradise and The Brute Man without putting a foot wrong.
Of course, there are a few mistakes in critical Judgement, by which I mean that the authors don’t always agree with me. I have always been struck by the contrast in Universal Monster Movies between the bland, unengaging “heroes” of these films and the intriguing treatment of the hairy outcasts who are supposed to be the Bad Guys.
I’ve reflected that kids watched these things in movie houses, where they were re-released right up to the early 50s, then stayed up late a night to catch them on television through the 60s, and I’ve always wondered if this was how the Hippies got their start.
Weaver and the Brunases don’t bring this up — perhaps just as well — nor do they cite the bit of Invisible Man stock footage that was always [any good Sherlockian’s] favorite bit of Holmesian Trivia, but they do manage to run to earth just about every other bit of stock footage, retreaded script and reused actor from almost a hundred movies that most film historians wouldn’t give the time of day.
And they do it in a way that is almost compulsively readable. I recommend this one highly.
June 1st, 2024 at 8:46 am
Wonderful book! I was one of those who first encountered the great Universal horrors as a kid on late nite “Shock Watch” in the early ’60s. I even like the ones that the critics usually despise, such as the Ape Woman trilogy and the later, no-budget Mummy pictures.
June 1st, 2024 at 8:30 pm
Even the least of the Universal films are worth watching just for fun, they are as distinctive as Warner’s gangster and working man pictures both with a curious kind of social conscience for the time.
One aspect of the films that attracted kids was they were to some extent forbidden fruit, critics and adults tended to thumb their noses at them while we identified with the outsider monster who didn’t quite fit in. And because they went beneath the notice of adults and critics for the most part they got away with subversive elements we never noticed, but that were inherent in many of the plots.
June 1st, 2024 at 10:15 pm
As a teenage horror-movie fan and wannabe film historian, I wrote for a fanzine called PHOTON in the mid and late Sixties. At that time it was mimeographed and had a gimmick of giving away a duped photo from classic horror films with each copy. The Brunas brothers also contributed. I met them in person once, in 1967. Wonder if they’re still alive?
June 1st, 2024 at 11:52 pm
According to ISFDb, Michael Brunas was born in 1952, while his brother John was born in 1949, so they could easily still be alive. Doing some additional Googling, one or both were apparently living in New Jersey at one time. Maybe, Ed, not so far from you. Wouldn’t that be something?