NORA ROBERTS – Midnight Bayou.

Jove; paperback reprint; first printing, December 2002. Hardcover edition: Putnam, October 2001.

   I may or may not have mentioned this recently, but among other things, I collect gothic paperback romances. In the decade from roughly 1965 to 1975, they were immensely popular, with a thousand or more different titles published. Every publisher did several a month, or so it seemed, and readers must have gobbled them down like candy.

NORA ROBERTS Midnight Bayou

   Eventually historical romances took over, “bodice-rippers” as they were called for a long time, and the gothics died away, never quite completely, but never again to make a sustained comeback. (Novels of romantic suspense — heroines in jeopardy — are still with us, and seem to be rising in popularity, but without the overtones of the weird and occult, most of them cannot be properly called gothics.)

   Some books hover right on the borderline, and this latest romantic novel from Nora Roberts is one of them. The prologue certainly has all of the right elements, beginning with the rape and murder of a young woman by her husband’s twin brother in Louisiana’s turn-of-last century’s bayou country. Her young daughter is left alive, but abandoned to her mother’s backwoods family, she’s forcibly separated from her father’s heritage, rightfully hers.

   It’s a strong, intense start, and the ghosts of the past that still haunt Manet Hall in the year 2002 are what keeps the book loosely in the gothic genre. But it’s largely the story of two modern-day lovers, Boston raised-and-born Declan Fitzgerald, Manet Hall’s new owner, determined to refurbish it, and Angelina Simone, Cajun descendant of the young murdered woman and her infant daughter.

   Nora Roberts writes romance (if not sublimated lust) that simply oozes with electric tension on the printed page, with dialogue that continually crackles with chemistry and wit. It’s hard to imagine more perfect people than Declan and Angelina; even their flaws are perfect. This is the stuff of fantasy.

   As for the ghost story, it’s chilling at first, but it fades in significance in comparison with Declan’s efforts to persuade Angelina that he’s the man for her, then it collapses altogether with no logic behind which spirit is doing what and for what reason.

   Well, most of the old-fashioned gothics ended in much the same way, the hints of mysticism waved away, and wedding bells in the offing. Nora Roberts just may have you believing it all, however, especially during the telling. It’s no wonder she’s one of the most popular authors writing today.

— December 2002 (slightly revised)


[UPDATE] 12-11-08.  And of course she still is today, and if possible, even more so. Quoting from her Wikipedia entry:

LAUREN STAMILE

    “Nora Roberts was the first author to be inducted into the Romance Writers of America Hall of Fame. As of 2006, her novels had spent a combined 660 weeks on the New York Times Bestseller List, including 100 weeks in the number-one spot. Over 280 million copies of her books are in print, including 12 million copies sold in 2005 alone. Her novels have been published in 35 countries.”

   The best bibliography, with the most covers, is as usual at the UK FantasticFiction website. Go and prepare to be amazed. (But not if the numbers in the previous paragraph have sunk in.)

   Also, from HollywoodReporter.com: “October 27, 2008. Lifetime has lined up big-name talent for the first two of its four upcoming movie adaptations of Nora Roberts novels. […] Jerry O’Connell, Lauren Stamile and Faye Dunaway lead the cast of Midnight Bayou.”

   It looks like perfect casting to me.