A 1001 MIDNIGHTS Review
by Marcia Muller

   

IAN FLEMING – Doctor No. James Bond #6. Macmillan, hardcover, 1958. Probably millions of reprint editions, mostly in paperback. Film: United Artists, 1962, with Sean Connery & Ursula Andress.

   Agent 007, on the road to recovery following a long convalescence after a particularly rough case (From Russia with Love, 1957), is sent to Kingston, Jamaica, to look into the disappearance of fell ow agents Strangways and Trueblood. Both have vanished without a trace while working on a case involving a nearly extinct bird, the roseate spoonbill, which lives in a sanctuary on a private island, Crab Key.

   The key is owned by a half-Chinese, half-German called Dr. No, who claims to have bought the island for a guano factory. Members of the Audubon Society have become concerned about the birds’ welfare, but investigators they have sent to the key have died in mysterious circumstances. Bond goes to Jamaica and arranges to be put ashore on the key, but not before he has a chilling encounter with a poisonous tropical centipede.

   Once ashore, he meets with a naked girl, killer dogs, hostile “Chinese Negroes,” and Dr. No himself- – a man whose ever-present “thin smile” disguises his truly sinister designs.

   The novel proceeds to a slam-bang ending that includes a vicious torture scene, a harrowing encounter with a giant squid, and a clever coup de grace aptly labeled in the chapter heading, “A Shower of Death.”

   This entry in the series is a fine example of the standard plot structure Fleming employed, and ends on a more positive note than many of 007’s adventures.

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   Reprinted with permission from 1001 Midnights, edited by Bill Pronzini & Marcia Muller and published by The Battered Silicon Dispatch Box, 2007.   Copyright © 1986, 2007 by the Pronzini-Muller Family Trust.