PHILIP K. DICK – The Man Who Japed. Ace Double D-193, paperback original; 1st printing, December 1956. Cover art by Ed Emshwiller. Published back to back with The Space-Born, by E, C. Tubb. Reprinted several times.

   The society of the future that Dick pictures in The Man Who Japed is often depressing, a world where life is simple, yet complicated, and out of touch with the common man, who doesn’t really seem to realize it.

   There is a lack of individuality, and incapability for making decisions, that permeates their lives. And it may very well happen that in the days following the next war, a program such as Moral Reclamation will come to power: sole power.

   With morality in the hands of the state, neighbors pry on neighbors, and attend weekly block meetings to hear the lurid details of friends having gone astray. Purcell’s agency is one of several that prepare packets for Telemedia, which has control of all communications industries.

   As guardian of the public’s morality and ethics, the position of Director of T-M is of considerable importance, but when Purcell is offered the position, he does not what is answer should be. For Purcell himself is guilty of immoral behavior which he cannot control, of pranks violating the statue of Morec’s founder, of japing Morec itself.

   A society without a sense of humor can be toppled by a man who does. And this one is, or at least the foundation of moral righteousness, is weakened by the program aired by Purcell before he can be ousted from the position he decides to accept.

   Dick’s plots require involvement on the part of the reader; as a master stroke of genius, Dick provides for that involvement himself with the inner excitement of the stories themselves. This is one well worth reprinting, with a promise of the future resting in the hands of youth, questioning the present.

Rating: *****

— November 1968.