THE BACKWARD REVIEWER
William F. Deeck


VIOLA BROTHERS SHORE – The Beauty-Mask Murder. Richard R. Smith, US, hardcover, 1930, 384 pages. UK: John Hamilton, hc, 1932, as The Beauty-Mask Mystery.

   Luckily for the innocent suspects in this case, Gwynn Leith is in Hanaford visiting her brother, His Honor the Mayor. If it had been left to the mayor and the police, a whole series of suspicious characters would have been arrested for the multiple murder — by an overdose of morphine; poison, and throat slitting — of an extremely unpleasant woman who was also most unattractive at the time of her death.

   A widow of uncertain age, Leith is a most intelligent woman with a low opinion of the male mentality. She is, as it were, an early feminist. Her involvement in the case keeps the innocent from being prosecuted by official stupidity. As she says:

    “The trouble with you men is that you would rather have an innocent victim than nobody at all. Just so the poor chap looks guilty enough to cover any obvious stupidity. That’s why I think women would be a great improvement on the force. Their quick sympathies would keep them from leaping at conclusions just to gratify their vanity and their insatiable craving for results.”

   Where Hanaford is located, I don’t know. A little research should find it, for it’s in a state in which the Grand Jury determines guilt or innocence. There can’t be many of those.

— From The MYSTERY FANcier, Vol. 12, No. 3, Summer 1990.


VIOLA BROTHERS SHORE

Bio-Bibliographic Notes:   Included in the Revised Crime Fiction IV, by Allen J. Hubin, is one other book by Viola Brothers Shore: Murder on the Glass Floor (Long & Smith, 1932). The most interesting Gwynn Leith is a character in it also, but so is someone called Colin Keats, a fellow whose appearance in The Beauty-Mask Murder Bill Deeck did not happen to mention.

   An online website devoted to Jewish authors has a page with a long biography of the author, Viola Brothers Shore (1890-1970), from which I excerpt the following:

    “While attending New York University, Viola Brothers Shore began her career as a writer in a range of disciplines. She wrote poetry, biography […], stories and articles published in College Humor, Collier’s, and Saturday Evening Post; [and] plays […] Her short stories, many about Jewish American lives of the day, were collected in The Heritage and Other Stories (1921).

    “Shore wrote silent movie titles and original stories for many motion pictures including The Kibitzer (1929) and Walking on Air (1936). […] She wrote numerous mystery stories, including The Beauty Mask Murder (1930) and Murder on the Glass Floor (1932) and won several Ellery Queen awards.”