REVIEWED BY WALTER ALBERT:         


MURDER BY THE CLOCK

MURDER BY THE CLOCK. Paramount, 1931. William (Stage) Boyd, Lilyan Tashman, Irving Pichel, Regis Toomey, Sally O’Neil. Based on the novel by Rufus King (Doubleday/Crime Club, 1929). Director: Edward Sloman. Shown at Cinefest 19, Syracuse NY, March 1999.

   This was an end-of-day screening (after 11 p.m.) that I would probably have skipped had the notes not pointed out that the film is “celebrated” by William Everson in his Classics of the Horror Film.

MURDER BY THE CLOCK

   Tashman had a brief Hollywood career (she died shortly after the release of this film, according to the notes), but she was worth staying up for. She’s the sultry villainess who masterminds three homicides and appears to be getting off Scot-free until Boyd upstages her in the final minutes of the film.

   This is an old-house mystery with a crusty dowager heiress who rigs her coffin in the family crypt so that an alarm can be sounded if she’s buried alive. As indeed, she appears to have been. Pichel (whose most memorable screen performance was as Gloria Holden’s minion in Dracula’s Daughter) has a hoot playing a deranged legatee and he almost manages to steal kinky acting honors from Tashman.

   An improbable but delicious early sound romp among the corpses.