Sun 14 Sep 2014
A 1001 MIDNIGHTS Review: EVELYN ANTHONY – The Tamarind Seed.
Posted by Steve under 1001 Midnights , Reviews[2] Comments
by Marcia Muller
EVELYN ANTHONY – The Tamarind Seed. Coward McCann & Geoghegan, hardcover, 1971. Dell, paperback, 1979. First published in the UK: Hutchinson, hardcover, 1971. Film: AVCO Embassy Pictures, 1974.
Evelyn Anthony’s novels are a cross between romantic suspense, espionage, and thriller. Romance is the most important element; her main characters are drawn together by immense physical and emotional attraction, often under circumstances of danger and stress. Exotic locales, international events, and political intrigue round out her successful formula.
The Tamarind Seed (made into a film in 1974 with Julie Andrews and Omar Sharif) opens with the arrival of Judith Farrow at Seaways Airport in Barbados. Judith, a young widow who is assistant to the director of the International Secretariat at the United Nations, is getting away from it all — mostly from the memory of a shattered love affair with a high-placed and very married British diplomat.
Within days she forms a friendship with a man staying at her hotel, but this time Judith resists romantic involvement: The man is Feodor Sverdlov, a Russian diplomat, most likely a spy, and also married, to a physician who has remained in the USSR.
Upon their return to New York, Judith and Sverdlov continue to see each other, but things are not simple for them. Judith, a British subject, is visited by members of her country’s intelligence establishment, warning her to steer clear of Sverdlov. And Sverdlov returns to find his male secretary mysteriously absent; his wife’s petition for divorce follows.
When Judith delivers a frightening message from one of his colleagues, he fears for his life, and he defects to the British. But doing that means involving Judith in a desperate and dangerous scheme.
This could be standard romance fare, except for Anthony’s strong characterization and skillful use of multiple viewpoint. Her backgrounds are well researched, and her grasp of international affairs keeps an otherwise typical love story moving along at a fast pace.
Other noteworthy novels by Anthony are The Rendezvous (1983), which deals with Nazi war criminals; The Assassin (1970), concerning a Russian assassination plot during an American election; The Malaspiga Exit (1974), about international art thievery; and The Defector (1981), another novel about tom loyalties to one’s country.
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Reprinted with permission from 1001 Midnights, edited by Bill Pronzini & Marcia Muller and published by The Battered Silicon Dispatch Box, 2007. Copyright © 1986, 2007 by the Pronzini-Muller Family Trust.
September 14th, 2014 at 6:20 pm
I agree about anything good said about Anthony, she may have been a romance writer but she had a realists eye, she wasn’t afraid of an unhappy ending, and there is a core of toughness in her work that any spy story reader should admire. I particularly admired ASSASSIN.
The movie was faithful and worth seeing but lost a little of Anthony’s edge despite good performances.
September 14th, 2014 at 7:33 pm
As good an author as she was, I suspect that Evelyn Anthony is more forgotten today than many of the Golden Age authors who came along some 30 or 40 years before her.
In spite of the star appeal of the two leading players, this is the first I’ve heard of the movie version of TAMARIND SEED. I may hav eto see if I can find a copy.