A 1001 MIDNIGHTS Review
by George Kelley

   

STEVE FISHER – Saxon’s Ghost. Sherbourne, hardcover, 1969. Pyramid, paperback, 1972.

   Steve Fisher had a long career of writing mystery fiction. He wrote for the pulps — Black Mask, Adventure, and Argosy, among many others – and for the leading slick magazines: Esquire, Cosmopolitan, and the Saturday Evening Post. Fisher also wrote more than thirty motion picture screenplays, including Lady in the Lake (1946), Johnny Angel (1945), The Big Frame (1953), I, Mobster (1959), Johnny Reno (1966), and Rogue’s Gallery (1968).

   Steve Fisher’s writing style can best be described as hardboiled laced with sentimentality: His characters are prone to strong emotions; his plots are action-packed and melodramatic. But Fisher’s strengths are his professional style and honest presentation of characters pushed to their limits.

   The arguable best of Fisher’s twenty novels is Saxon’s Ghost. Joe Saxon. one of the world’s best stage magicians, known as the Great Saxon. finds himself involved in the occult arts when his beautiful young assistant, Ellen Hayes, disappears. Saxon has to use all his arts of legerdemain to arrive at the chilling truth: The ESP powers he and Ellen fooled audiences into believing in are real. When Saxon learns Ellen has been murdered. he uses these ESP powers to reach out to her beyond the grave to deliver a special brand of earthly justice.

   Other recommended novels by Fisher include The Night Before Murder (1939) and his most famous novel, Wake Up Screaming (1941; revised edition, 1960), which was filmed in 1942 starring Victor Mature and Betty Grable.

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   Reprinted with permission from 1001 Midnights, edited by Bill Pronzini & Marcia Muller and published by The Battered Silicon Dispatch Box, 2007.   Copyright © 1986, 2007 by the Pronzini-Muller Family Trust.