Sat 18 Oct 2025
A 1001 Midnights Review: JONATHAN GASH – Firefly Gadroon.
Posted by Steve under 1001 Midnights , Reviews[6] Comments
by Susan Dunlap
JONATHAN GASH – Firefly Gadroon. Lovejoy #6. St. Martin’s, US, hardcover, 1984. Penguin, US, paperback, 1985. Published previously by Collins, UK, 1982.
Jonathan Gash’s Lovejoy series is one you will either adore or viscerally dislike.
Lovejoy is immersed in the world he loves — that of antiques, legitimate or fake. (His own run heavily to the latter.) For Lovejoy, antiques are everything — well, nearly everything. His secondary passion is women. Readers who share Lovejoy’s first fascination will be rewarded with descriptions of, for example, hammering a reverse silver gadroon (oval fluting) or identifying Shibayama knife handles.
In auction scenes, Gash takes his fans into the English village world of off-the-wall bids, “miffs,” “nerks,” “groats,” those who “pong” or “do a beano,” and the “cackhanded,” “narked,” or “sussed.”
Lovejoy is charming and not above bending the law or the truth in the pursuit of a true antique. The romantic escapades and amours of this sprightly rogue are a delight. But for readers with no interest in or prior knowledge of antiques, the unexplained trade slang and the unabating discussion of old treasures can be overwhelming and tedious.
Firefly Gadroon is the sixth in the series. Lovejoy’s trouble begins — as it often does — when he spots a luscious woman with beautiful legs at an auction. The object of his admiration “frogs” (gets) a small Japanese box he’s had his eye on, and not only will she not sell it to him, she doesn’t even appear to know its value.
Why, then, does she insist on keeping it? That question leads Lovejoy into encounters with killers, police, international smugglers, and, of course, still more beautiful women. Lovejoy is at his roguish best in this adventure, and the background is as colorful as ever.
The first Lovejoy novel, The Judas Pair (1977), involves a hunt for a lost pair of sinister dueling pistols. In The Vatican Rip (1982), the dealer undertakes the tricky task of stealing a Chippendale table from the Vatican. And in Pear\hanger (1985), Lovejoy tries his hand at locating a missing person — and ends up suspected of murder.
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Reprinted with permission from 1001 Midnights, edited by Bill Pronzini & Marcia Muller and published by The Battered Silicon Dispatch Box, 2007. Copyright © 1986, 2007 by the Pronzini-Muller Family Trust.
October 19th, 2025 at 2:32 am
I have fond though very fuzzy memories of the TV series adaptation with Ian McShane. Presumably they made the antiques patter more accessible for a TV audience.
October 19th, 2025 at 11:57 am
I watched only a couple of episodes of the TV show, but this was on DVD and without captioning, so with a lot of dialogue in an unfamiliar accent, it was easy to miss a lot of what was going on. I had less problems with the books, as it wasn’t difficult to put the patter into place, so to speak. In fact I found it fun to do so. Gash seems to have had the knack of working it into the story very very well.
October 19th, 2025 at 12:17 pm
The first several seasons with Ian McShane worked well for me, but when Chris Jury and Phyllis Logan left, along with others, I was loyal to the show but cranky with it.
October 19th, 2025 at 12:45 pm
Add Dudley Sutton to the missing above.
October 19th, 2025 at 11:10 pm
Gash had the gift for creating a rogue hero with style and attitude and creating a milieu perfectly suited to him. The series was probably at its best adapting his novels and short stories (likely written for the series) and found the ideal Lovejoy in Ian McShane.
What attracted me was the characters mix of the venal and the unexpectedly noble harkening back to early rogue heroes like Smiler Bunn or Raffles. Lovejoy like Harry Flashman was a bad (ish) sort who was delightful company.
October 20th, 2025 at 1:24 am
David, that may be smarter than any television series warrants. For me and the people in my world, I am the only one who watched the show, and when I re-watched it, I found the series difficult to get through, despite my affection for the original cast.