THE TOUGHEST MAN ALIVE. Allied Artists, 1955. Dane Clark, Lita Milan, Anthony Caruso, Ross Elliott. Screenplay: Steve Fisher. Director: Sidney Salkow.

THE TOUGHEST MAN ALIVE

   When it comes down to it, all things considered, they couldn’t have made a better choice to play the title character than Dane Clark. Short, wiry, but not overly pugnacious, he still carried himself in all of the films he made as if he had a chip on his shoulder, one that he all but asked anyone who crossed his path to knock off.

   To nab a gang of crooks who’ve been stealing US government munitions and selling them to the highest bidder on the open market, Dane Clark as agent Lee Stevens goes underground, posing as the notorious soldier-of-fortune (and all around bad guy) Pete Gore (Anthony Caruso) to make contact with the gang.

   And where is Pete Gore? Locked up in some Latin American prison, and of course we all know what’s going to happen down there. Stevens’ means of tracking down the high honcho of gang is Lida Velasco (the statuesque Lita Milan, who later married Ramfis Trujillo, the son of the well-known Dominican Republic dictator). Lida herself is the daughter of a recently deposed banana republic dictator, and she needs guns to overthrow the current regime.

   That about sums it up, except for agent Cal York (Ross Elliott), Stevens’ primary contact with his own office. Once it’s known that his buddy is happily married, we know how that particular sidebar of the story is going to work out. Actually we pretty much how the entire story is going to end up, once it’s properly underway.

   No surprises here, nor anywhere along the way.