Sat 28 Mar 2015
A British TV Series Review by Michael Shonk: ADAM ADAMANT LIVES! (1966-67).
Posted by Steve under Reviews , TV Adventure[25] Comments
ADAM ADAMANT LIVES! BBC TV, 1966-67. Cast: Gerald Harper as Adam Adamant, Juliet Harmer as Miss Georgina Jones and Jack May as William E. Simms. Script Consultant: Tony Williamson. Producer: Verity Lambert. Theme written by Hal Sharper and David Lee, sung by Kathy Kirby.
The story of Adam Adamant Lives! began with Sydney Newman. Newman remains one of the most successful and influential TV Network executives in the history of television. While Head of Drama for ABC Television (Associated British Corporation) he helped develop The Avengers, both series: one, a standard spy drama with Patrick Macnee and Ian Hendry and the second version, a fashion conscious surreal spy adventure with Macnee and Honor Blackman.
Newman would leave ABC for the BBC where he became its Head of Drama. There he helped create Doctor Who and Adam Adamant Lives! Newman was influenced by a variety of elements in his creation of Adam Adamant. Aware of the success of James Bond, he wanted the theme music to sound like Goldfinger and even tried to hire Shirley Bassey to sing it.
Sydney Newman had brought serious quality programming for adults to British television. This lead to the rise of his nemesis Mary Whitehouse and her fight to protect the morals of the British viewer. Reportedly, Newman was wondering about Whitehouse’s Victorian values and thought about a character from the 1890s reacting to modern (1960s) society.
The BFI bio of Sydney Newman explains the development of Adam Adamant Lives!: “According to BBC documentation, Newman’s idea originally was to produce a series about the British detective character of Sexton Blake, a sort of two-fisted imitation of Sherlock Holmes first published in 1893. At the last minute, however, the Blake project was dropped (do to a failure of agreement with the publishers) and the would-be series’ basic format was developed into Adam Adamant Lives!â€
The creation did not go smoothly, with several writers unable to create a satisfactory story or even find the right name for the character. Sydney Newman would finally name him Adam Adamant, the word adamant meaning extremely hard substance. The pilot was not received well. It would never air, and only the part of it that was used in episode one survives. Ann Holloway, who had played the role of Georgina Jones in the pilot, was replaced by Julie Harmer, who fit the 60s style-look better. Tony Williamson finally was able to come up with the right script and the result was “A Vintage Year For Scoundrels.â€
“A Vintage Year For Scoundrels.†Written by Tony Williamson with material by Donald Cotton and Richard Harris. Directed by William Slater and David Proudfoot. Guest Cast: Peter Ducrow, Freda Jackson, and Frank Jarvis. *** Adam Adamant, English gentleman adventurer, is defeated by his archenemy, master criminal The Face, in the year 1902 when Louise the woman he loves betrays him. The villain uses a secret formula to give Adam a “living death.†Buried frozen but alive Adam would be uncovered in 1966 London. He has problems adjusting to modern times, especially with an unwanted sidekick, the young headstrong Miss Jones who refuses to leave him alone. However when young Miss Jones is threaten by a lady mobster Adam runs to her rescue.
https://www.youtube.com/watch?v=a_OubShiU8I
This was a time when the quality production values we expect from the BBC today did not exist. Shows such as Adam Adamant Lives! suffered from its low budget and limited shooting schedule. But such limitations did not stop the series from becoming a popular cult favorite then and now.
The creative world of British TV at the time was small and a look at the series’ credits reveal many familiar names, including Brian Clemens. (Yes, he was writing for The Avengers at the same time.) It is no surprise that the writing was one of the highlights of the series, featuring perfect Penny Dreadful plots with delightful dialog and action for the over the top characters. Producer Verity Lambert, who all ready had Doctor Who on her resume, knew talent and was one of the first to give a TV set designer named Ridley Scott a chance to direct.
In Season One Adam would face a different villain each week. The action would begin with the villain or crime. Learning of it Adam would begin to investigate. He would order Miss Jones to go home. When he arrives to question those involved he would discover Miss Jones working undercover at the villain’s location. There was always at least one young beautiful woman who would betray Adam, who would remain convinced she was a victim and mislead.
Gerald Harper played the Edwardian hero with Victorian tastes well, especially in the way he moved. Adam was disgusted with the modern world and convinced he was needed more than ever to fight evil. Adam never understood the sexual revolution. He revered women, certain each was a helpless delicate creature he must save. His determination to protect women’s innocence would often frustrate the weekly femme fatales. Adam rejected the modern karate style of fighting for old-fashion fisticuffs and his sword/cane. The London of 1902 was gone so Adam adapted by building his mansion on top of a car park. One modern convenience he accepted was the automobile and would drive around in a Mini, a car popular during the 60s in London.
Juliet Harmer’s performance gave the series much of its youthful energy and look at life as an adventure to enjoy. Miss Jones was the typical modern young woman in London’s 1960s. Her fashion sense was often a source of criticism from her elders, be it too revealing or too male. Georgina grew up with her beloved Grandfather telling her the exciting adventures of Adam Adamant, and now her hero had come to life she was not going to let him go. Always upbeat, Miss Jones was difficult to discourage no matter how many times the villains tortured her, Simms insulted her and Adam ordered her to go home.
Jack Dawson originally played Adam’s manservant Simms. But after he injured his back during rehearsals Dawson was replaced by Jack May. William E. Simms met Adam and Miss Jones during “Death Has a Thousand Faces†when the three were able to stop an evil plan to blow up the Golden Mile in Blackpool. Despite his mean spirited limericks and his constant insults to Miss Jones, James May was able to make the dour Simms likeable. Simms was happy to serve Adam but was most happy when he was not involved in a dangerous adventure. Dependable, capable if reluctant Simms often found himself teamed up with Miss Jones as they rushed to help Adam.
“Sweet Smell of Disaster.” Written by Robert Banks Stewart. Directed by Philip Dudley. Guest Cast: Charles Tingwell, Adrienne Corri and Pauline Munro. *** Adam discovers modern advances in laundry, advertising and a plot to take over the World.
In the second season it was decided to give Adam an arch nemesis to fight every week. The only woman Adam had ever loved, Louise returned to Adam’s life. After over sixty years Louise was now an old woman. Sadly, she would betray him again as she helped revive The Face, the evil Mastermind and only man to have ever defeated Adam Adamant. The Face had used the same formula he had used on Adam and now was ready to return to his life of evil. The series had never resorted to subtlety and now with The Face and Adam set to do battle the series grew weirder with a growing feel of early hero pulps.
“A Sinister Sort of Service.†Written by Tony Williamson. Directed by Laurence Bourne. Guest Cast: T.P. McKenna, Frances Cuka, and David Garth *** A series of robberies lead Adam to a Nazi-like security company that uses a new computer to figure out crimes. Series final episode.
https://www.youtube.com/watch?v=mg1fUaooo_8
The popular series lasted just two seasons and the cause of its cancellation remains a source of rumors and questions. Today only seventeen episodes of the twenty-nine survive. Hiding behind the absurdity of the series adventure premise was an attempt to look at how society was changing at the time. 1960s London was one of the most important centers for the growing youth culture and the “generation gap†that resulted.
Adam’s rejection of the modern society, and Simms insulting Miss Jones like a disapproving Father while Miss Jones ignoring him like an independent daughter was something viewers could identify with. Adam Adamant Lives! remains a fun entertaining escapist adventure, but it also reminds us that during this time James Bond was replacing Sexton Blake, and young damsels were no longer willing to do as they were told.
An out of print official (Pal format) DVD of the series can be found in the collector’s market. Most of my information came from the episodes and two documentaries on the series. Cult of… was a series on BBC Four that examined behind the scenes of old favorite TV series such as Adam Adamant Lives! The other was a TV special called This Man Is the One.
https://www.youtube.com/watch?v=hkZg-jpPg6I
March 28th, 2015 at 2:21 pm
I remember this series only vaguely (I was a child at the time) but with great affection. The Face terrified me, not so much his face but his voice! I listened to the theme song recently on YouTube and Kathy Kirby’s vocals brought tears to my eyes — suddenly I was right back in the Sixties again.
March 28th, 2015 at 2:24 pm
I’m a huge fan of the show. Given the Beeb’s reputation for destroying shows of this vintage it’s a minor miracle that as much survives as it does, although it’s still maddening that nearly all of the second series was destroyed. Viewed now, some of the drawbacks of videotaped drama becomes apparent in the fight sequences, where the actors look terrified that they might accidentally knock over the scenery. By the time that this was made THE AVENGERS had already become a film series, and the advantages of film become obvious when you compare the two shows.
However, everything else stands up marvellously. Harper, Harmer and May make a great team, and the scripts have a lovely quirky quality that matches THE AVENGERS. There’s a lovely moment in the second episode where Adamant and co meet up in greasy spoon cafe, and our hero keeps asking the baffled proprietor for the wine list.
With a lot of the writing talent shared with THE AVENGERS there is a certain family resemblance, although this might have led to its downfall. Sidney Newman didn’t want Adamant to be Avengers Mk 2, and he seems to have cancelled the new series because he felt that it had drifted too far into being a rather stylised adventure show rather than the critique of Victorian and 60s values.
AUSTIN POWERS was a sort of unofficial remake, but it’s the kind of show that could be remade today. Or perhaps it’s one fo those things that worked best in the 60s.
March 28th, 2015 at 4:30 pm
David A
This must be the theme song you referred to:
March 28th, 2015 at 5:00 pm
You have to give her credit, whoever recorded the theme song does a mean Shirley Bassey imitation.
I knew of this series, but like JASON KING with Peter Wyngarde never saw it until now. This is much more to my taste, and I noted Mark Gattis, who did the documentary on the series and now writes DOCTOR WHO and produces SHERLOCK, seems to have modeled his Lucifer Box a little on Adamant (though the latter is hardly the roguish bi sexual late Victorian/Edwardian killer of Gattis books).
The theme of travel to and fro in time in this manner dates at least to PETER IBBETSON and BERKLEY SQUARE (Remade as I’LL NEVER FORGET YOU) and dates through QUEST FOR LOVE and SOMEWHERE IN TIME, as well as Daphne Du Maurier’s THE HOUSE OF THE STRAND and John Dickson Carr’s FIRE BURN, though most of those had modern men traveling to the past.
Michael is right about all the drawbacks of the budget and interiors on tape, but the series is fun, the writing usually above average, and within their formula they manages some memorable villainy much as THE AVENGERS did.
I notice Tony Williamson, who wrote a few good adventure suspense novels also contributed to this one.
Ironic, but with a few changes and updates this one would work today, though I’m afraid that title would have most people thinking it was about Mark Whalberg.
Another one I have to thank YouTube for letting me catch up to.
I notice the episode titles seem particularly influenced by THE AVENGERS.
Fine piece Michael.
March 28th, 2015 at 6:14 pm
1. David A. fortunately the theme is a great one, because it is difficult to get it out of your head once you hear it.
March 28th, 2015 at 6:31 pm
2. Bradstreet, this story may have been in the CULT OF ADAM ADAMANT so I retell it here.
One of the guest actors was worried about doing a sword fight with Gerald Harper who had a reputation of overdoing the sword fights. The man who set up the stunts told the actor to immediately whack Harper on the back of his hand. It would get him to back off.
Harper was extremely short-sighted and needed glasses. Imaging facing an over eager actor who can’t see and swinging a sword at you.
Not only did THE AVENGERS have a larger budget it got two weeks to shoot one episode while ADAM got one week.
The leading theory for the series cancellation was the stuffy old white men that was the BBC at the time hated the show, they didn’t understand it and thought it was beneath the BBC dignity where WEDNESDAY’S PLAYS was more their idea of BBC type of TV.
ADAMANT reached 10 million viewers (very high for the time) but less than the 12 million THE AVENGERS were getting.
I got the impression that during the second season the BBC put ADAMANT opposite of THE AVENGERS, is that true?
March 28th, 2015 at 6:45 pm
4. David, waking up in the future stories remind me of Buck Rogers (“Armageddon 2419 A.D. by Philip Francis Nowlan), but your examples are better.
Thanks for the compliment.
I may not always find the time to comment but I have yet to read a post by you that does not inform and entertain me.
March 28th, 2015 at 8:57 pm
Fans might want to track down the DVD set for the bonus features alone. While 12 of the episodes are lost, PDFs of those scripts were included on the 5th disc (as well as PDFs of the complete Adam Adamant Annual and several other stories, comic strips and articles from various publications).
March 28th, 2015 at 9:35 pm
8. Darrell, I agree, except when dealing in the collector’s market you can get dubs off a DVD without extras. My copy even has the copyright notice but won’t let me run the scripts in PDF form. Adam would approve I am paying for my crime of not buying the official copy.
Amazon is selling it for between $45 and $200. $200? Oh, Amazon your private sellers can be so delusional.
March 28th, 2015 at 11:38 pm
Michael,
I’ve seen on Amazon private seller have a book for 0.01 cents and the same book in the same condition for $500 from another private seller.
Thanks for the nice words, I think we both try.
Whether England or over here the mysterious minds of the people who determine what gets on the air and stays on the air are enigmatic to the point of schizophrenia.
I suppose if we were doing the time travel theme right we could go back to RIP VAN WINKLE.
I had been crediting Harper with a unique acting style until you revealed he was shortsighted. He wasn’t boring in on people fiercely, near sighted people take longer to focus and seem to stare at times. And here I thought it was acting and not optometry.
At least this one seems to have gone out on top and not dwindled the way THE AVENGERS did.
I’m not sure one of the charms of the series was in the constraints regarding budget. Sometimes a bigger budget seems to overwhelm creativity with this sort of thing.
The sword cane reminds me both of Doc Savage’s Ham, and of John Creasey’s Mark Kilby (as by Robert Caine Fraser). Alas they are illegal in most of this country if not all — though you can buy one hollowed out with a thin glass tube that holds whiskey, for the man who really needs something to lean on.
This may be one of those curiosities we should just be grateful we got to see at all.
March 29th, 2015 at 12:56 am
David, the digital world has done wonders for keeping worthy works of entertainment alive. The wish list I used to have for lost books and TV keeps getting shorter and expanding at the same time. I will find a lost treasure I had only heard about such as ADAMANT and find shows I never heard such as MR ROSE than sends me out looking for the rest of the series.
For us there is a charm with the low budget black and white shows of our youth because that is how we saw them and are willing to accept the limitations. But when I hear or read people claiming a show is bad because its special effects are not advance I worry about the limits of such people’s imagination.
Its the story and characters people not the HD!
Producer Verity Lambert felt ADAMANT was a failure because they got the action and comedy right but didn’t make best use of using the story to comment on changes in society at the time. It was the BBC so I understood what she meant, but if this had been on ITV they would have been happy to just be entertaining.
March 29th, 2015 at 1:45 am
Michael,
I know what you mean about the effects. I heard someone complaining about the poor effects in the early Star Wars films the other day — and they were talking about Phantom Menace.
Ouch.
Keep in mind that period was social commentary crazy and everyone thought everything had to be relevant. Entertaining wasn’t enough, you had to make a statement.
Television on both sides of the pond became terribly self conscious and self important in the late sixties and through the seventies. Frankly I’m just as glad I was busy at university and then living in France for most of that period and not watching television.
The word “relevant” is my Kryptonite. It turns me green. Entertain me, then if you are clever enough you can make a point without standing on my toes with your finger up my nose to do it. Movies and television at that period had their finger up my nostril far more than I cared for.
March 29th, 2015 at 3:54 am
David Vineyard: I’m pretty much in agreement with you there. It’s quite telling that the stuff from the 60s that set out to be ‘merely’ entertaining has often managed to survive far more triumphantly than the serious stuff, which often looks hilariously dated. That said, a lot of popular dramas from that era still work very well.
Like Michael says, progs like MR ROSE remain enormously enjoyable. There’s a show called THE MAIN CHANCE from the early 70s, about a pushy, ruthless lawyer, that remains compulsive viewing. THE MAN FROM ROOM 17 was another ITV drama that cleverly played with the limitations of the videotape technology of the time by having the crime-busting/spy smashing heroes never leave their office! Technology dates within about a year, but witty and intelligent writing has a much longer life.
The BBC has always had a slightly schizoid attitude to popularity. They’re a huge public service broadcaster, funded by compulsory licence, but they’re also competing with commerical channels. How is the balance going to be struck between ‘important/serious’ stuff an pure entertainment? There is an interview with Francis Matthews on the PAUL TEMPLE DVD (if you’ve never seen it, imagine CASTLE with flared trousers) where he bemoans the fact that the show was hated by the high-ups at the BBC. It was too much the sort of stuff that Lew Grade was making, too much like THE SAINT and such like. They really wanted to be making historical dramas or literary adaptions.
March 29th, 2015 at 1:04 pm
The BBC had a hard time learning the difference from good TV and what works on the stage. One can argue the value of stage-trained actors, but stage like productions don’t always work well on TV.
My favorite decade of television is the sixties. After the fifties and a decade of conformity, TV and society began to experiment with other choices. Fictional forms of satire and surrealism rose to meet with some success on TV.
You can have arguably TV’s best and most realistic spy drama DANGER MAN and watch it evolve into the best surreal series TV has had THE PRISONER. It was time of Dennis Potter and Ken Loach and of Brian Clemens and Dennis Spooner. It was the time of Gerry Anderson and Ken Russell. It was the time of DAD’S ARMY and UP THE JUNCTION. It was happening to a lesser extent in America but it began it England.
What would BBC done with THE AVENGERS? We never would have been blessed with this hit record “Kinky Bootsâ€
https://www.youtube.com/watch?v=j0mTRiZGvvw
March 29th, 2015 at 5:04 pm
I was over there when this show premiered. I always wondered what happened to its run.
March 29th, 2015 at 6:46 pm
Bradstreet
I’ve only seen one Paul Temple episode with Matthews, but two of the movies with John Bentley, and several of the BBC radio serials, plus I’ve read several of the books and other works by Durbridge and several runs of the comic strip by Mazure and others.
From what I saw of the one television episode they turned it into a sort of HART TO HART, but that wasn’t far off the Nick and Nora vibe of the original.
Michael,
Maybe its my age, but for me from about 1959 to 1968 is the era of the best of popular television here and in England. There is a playfulnesss and inventiveness in the era with the bonus that there seemed to be a plethora of leading men like McGoohan, Moore, Vaughn, Conrad, Shatner, Craig Stevens, David Janssen, Efrem Zimbalist, and so on who perfectly fit the series they starred in — and in some cases carried single handedly — something few actors do or could do today.
Even a shallow series like 77 SUNSET STRIP with little or no serious purpose experimented with things like a silent episode with Roger Smith with no dialogue. I can’t see them doing something like that in a comparable series like CASTLE.
It didn’t hurt either that there were creators like Huggins, Blake Edwards, Frank Gilroy, the young Aaron Spelling, Frank Gilroy, Roddenbury, Serling, and even Hitchcock creating series and involved with them on a more intimate basis than some of today’s name creators.
Then too, you had Lola Albright, Beverly Garland, Joanna Barnes, Anne Francis, and no shortage of good actresses as well as character people and actors soon to make names on the big screen.
I won’t call it a golden age, and it may have been my impressionable age, but it is easily my favorite era of television.
March 29th, 2015 at 8:25 pm
15. Rick, I remember before the internet when shows would disappear and never be heard from again…or at least until we all got together on the internet.
16. David, it is hard to establish an end date for this period but 1959 was the start. 1969 had DEPARTMENT S and 1970 has JASON KING (which had the nerve to have the first episode be Jason pitching a TV series idea to a TV network executive). I would even like to slip in DEPHI BUREAU from 1972 but that is probably bias on my part.
As for PAUL TEMPLE… “Games People Play†(in two parts)
https://www.youtube.com/watch?v=ENKniyi9H18
https://www.youtube.com/watch?v=bsP16sVVVYs
March 30th, 2015 at 12:44 am
Michael – I thought I was the only one who remembered THE DELPHI BUREAU, a series I enjoyed during its short run.
March 30th, 2015 at 1:02 am
Gary R. unfortunately Warner Brothers release the DELPHI BUREAU pilot TV Movie on DVD but edited it by removing the limerick that appeared a line at a time before the commercials. When Collector’s market have a better copy than the studio official version something is wrong.
I was lucky to find one of the seven hour episodes in the collector’s market and was pleased the show held up – something I can’t say about all my old favorites.
I did a review of the TV Movie here (before Warners butchered it for official release) https://mysteryfile.com/blog/?p=13963
March 30th, 2015 at 1:54 am
Michael – Thanks, your review helped refresh my memory of the show. Too bad it didn’t get a chance to stand on its own as a weekly series.
March 31st, 2015 at 12:57 am
David: Temple was undoubtedly influenced by THE THIN MAN, but he was also part of a long list of ‘writers-who-solved-crimes’ including Ellery Queen, Jason King and…Castle (and I caught an episode of that recently where the titular hero had married the female lead).
I can see what you mean about the 60s, but from my perspective there seem to have been a load of clever and challenging shows from the seventies through to the late 80s (including a plethora of excellent adaptions of Doyle, Christie, Allingham and so on). Mind you, I imagine younger viewers looking back from twenty years in the future and deciding that now was the Golden Age of TV…
March 31st, 2015 at 1:32 pm
There is another PAUL TEMPLE TV episode on YouTube besides the one I linked to (see #19). The other episode took place in a TV studio where some mystery writers including Temple were being interviewed. That episode came off more like a typical traditional with lots of talking heads.
While I am not a CASTLE fan I will give it some credit for pushing the limits of its premise (BONES does this as well). One of the few CASTLE episodes I made it through all the way was the Noir episode where the actors played roles in the hardboiled past and in the present.
March 6th, 2016 at 11:39 am
Rediscovered series on YouTube seems only way to watch it since most DVds are not set for region 1.Very interested in sword stick he carried does any one know the length of the blade on it and were it is at now I hope it wasn’t destroyed like so many things that the BBC had at one time.
March 6th, 2016 at 10:57 pm
James Campbell, I don’t know any details about the sword stick, but I would guess it just went back to the BBC prop department. After that who knows?
Multi-regional DVD players are easy to find and are now priced cheap – I got one for $30 at Amazon. Also try collectors at sell.com or ioffer. I have bought copies of British series from dealers who have converted their copies to Region 1.
February 16th, 2022 at 8:27 pm
[…] same fate of many BBC genre series of that era such as DOCTOR WHO, and ADAM ADMANT LIVES (reviewed here ) when the stuffy old men at BBC in a fit of snobbery purged its entertaining non-socially […]