Wed 22 Apr 2015
CALL ME ISHMAEL! Windy City Pulp Convention Report, 2015 by Walker Martin
Posted by Steve under Collecting , Conventions , Pulp Fiction[21] Comments
Windy City Pulp Convention Report, 2015
by Walker Martin
MOBY DICK is one on my favorite novels and it’s fitting that I start off my report concerning my bizarre and insane adventures by quoting the beginning of this adventurous novel. Takes a lot of nerve but nobody ever said that collectors lack nerve, that’s for sure! As I’ve mentioned in the past reports, a gang of the usual collectors always rent a large van for the convention. Five of us went this time and the cargo space was filled going out and coming back. One of these days there will not be room for someone on the return trip.
I’ve known these fellow collectors for many years and between us, we have over 250 years of collecting experience. We call the big white van, “The Great White Whale”, but I also think we are searching for the white whale or that Holy Grail of pulp collecting. I’ve been attending these pulp shows for over 40 years and I hope to make it to the 50 year mark. I really believe the pulp conventions are the reason I have accumulated thousands of books and pulps.
I get excited each year and despite being a collector for 60 years, I’m always looking for new things to add to my book, pulp, and art collection. This year I had 6 goals:
1–Upgrade my 99 issue set of STARTLING STORIES. I’ve had a complete set since the 1950’s, but I decided to try for fine condition.
2–Get an issue of HUTCHINSON’S ADVENTURE STORY MAGAZINE. This British pulp is so rare that I’ve never had an issue.
3–Finally obtain a nice piece of art by Richard Powers. I’ve been looking for decades but I’ve never found the right piece.
4–Get an Emsh cover. Again, I’ve been looking for long time. (I did. Look to the right: ASTOUNDING SCIENCE FICTION, December 1958)
5–Lee Brown Coye has been a long time favorite but I’ve never found one of his better pieces of art.
6-And finally, trade off a DANGER TRAILS illustration by John Fleming Gould for some other pulp art. His son says it’s the first of the 15,000 illustrations that Gould did.
I consider the above to be an ambitious set of goals but I managed to complete all six at Windy City. This is proof, once again, of just how important it is to attend the pulp conventions. If I hadn’t gone to Chicago, I’d still be sitting here thinking about completing these six projects. There was a massive amount of material available at the convention. 150 dealer’s tables and around 500 attendees, all in a large room. Many of the tables had boxes and smaller tables set up filled full of additional books and pulps. For a book and fiction magazine collector, an amazing sight to see.
In fact, many collectors eat a large breakfast because they know they will not be able to leave the dealer’s room for lunch. I mean, who can think of eating in a big room full of books and magazines? Forget sex, drinking, dope, gambling, and all the other vices! We are collectors with a capital C and this is Windy City! All that other stuff can wait until the convention is finished.
In addition to books and pulps, there also is an emphasis on artwork from the pulps, slicks, digests, men’s adventure magazines, and paperbacks. I counted several dealers with art and I managed to buy quite a few pieces for my collection. In addition to the Emsh, Powers, and Coye pieces mentioned above, I also obtained three by Edd Cartier, a DIME MYSTERY double page spread, a WESTERN STORY illustration, and other items.
The theme of the show was H.P. Lovecraft’s 125th birthday and the art exhibit had several stunning pieces showing Lovecraft themed art. In addition the film festival showed nine films chosen by Ed Hulse that were based on Lovecraft’s fiction. I’ve seen most of them and besides, I couldn’t drag myself away from the dealer’s room. But I did see CALL OF CTHULHU the night before leaving for the convention and it was excellent. The Old Gentleman would have been proud to see such tributes. And The Great God Cthulhu must of been proud also, since he didn’t show up and destroy his worshipers.
I’ve been lucky on the art described above, but I did make two stupid mistakes, which enabled other collectors to swoop in and steal art from me. Of course both times I was spending too much time gawking at the great art, so I have no one to blame but myself. One showed a cover from SEA STORIES depicting a scene from a slave ship and the other was a nice painting by Beresford Egan. Since I managed to buy four other pieces by Egan, I doubt anyone will have any sympathy for my tale of woe. But as all collectors know, we always cry and whine about the one that got away.
What else did I buy? I’ve been a long time admirer of MANHUNT, the best of the hardboiled crime fiction digests and I saw one table with over a hundred of the MANHUNT copy cats that sprung up like weeds in the 1950’s. Titles like TWO-FISTED, OFF BEAT, TWISTED, KILLERS, SURE FIRE, and WEB TERROR. The stories can’t compare to MANHUNT but the covers are unbelievable. They are so risqué and objectionable, that many collectors refuse to collect them. I, of course, love them.
I was there for all four days and had a great time. Here are some glimpses of what I did:
I met Sai, who runs one of the very best pulp blogs at http://pulpflakes.blogspot.com. He took many photos, some of which are shown in this report. Talked to Rich Oberg and his wife about men’s adventure magazine art. Met Pete Poplaski, artist and expert on Zorro; saw a complete set of DOC SAVAGE; looked at the complete set of WEIRD TALES on view at John Gunnison’s table; talked with Bob Weinberg who I’ve known since the late 1960’s; obtained the new BLOOD ‘n’ THUNDER, another record breaking triple issue; and talked to Michelle Nolan about her forthcoming book on the sport pulps.
The two auctions were well attended, and most of the pulps were from the Jerry Weist estate. There were many lots of dime novels, western, romance, and sport pulps. But also many lots offering such rare titles as early issues of ALL STORY and ARGOSY. By early, I mean over 100 years old! There also was a complete set of STARTLING STORIES in several lots. I had bought a set in the dealer’s room but that didn’t stop me from bidding on another set. Lucky I didn’t win because then I would have three sets. Two sets should keep me busy comparing issues in order to pick the better condition. But you can never have too many pulps…
The Windy City program book was another enormous collection edited by Tom Roberts. Over 200 pages celebrating Lovecraft! Next year will celebrate science fiction, so I have to start saving so I can buy more duplicate sets of STARTLING, etc.
Fellow collectors, start preparing for the next pulp convention. Pulpfest will be held August 13-16. 2015 in Columbus, Ohio. The website is pulpfest.com and believe me it’s a convention that is a must. I ought to know. I’ve been attending them since 1972!
Nick Certo and me. I’m the one on the left. (Thanks to Phyllis Weinberg, who took the photo.)
April 22nd, 2015 at 2:58 pm
Walker,
My bank account, wallet, and credit cards are all giving me dirty looks just reading about this. I’ve been a widower for twenty years and I can still feel the daggers being stared at me just looking and reading about all that paper gold.
I would have to get a great deal in return to give up a Gould original though.
As for MOBY DICK I have a suspicion you and I are in a minority who read it on our own and liked it. When ever I mention it most people look like they smelled something bad or their gall bladder is acting up.
April 22nd, 2015 at 4:01 pm
David, I have to admit that I did get a lot in trade for the Gould original piece of art. If I didn’t get some good art, I was prepared to keep it.
I love MOBY DICK and most of Melville’s fiction. I believe it’s in the running for the great American novel. But most readers disagree.
April 22nd, 2015 at 4:17 pm
So how about showing us the cover of the HUTCHINSON’S ADVENTURE STORY that you got.
April 22nd, 2015 at 7:09 pm
Thanks, Walker, we miss the conventions so much. I still have a few wants I need to find, but likely won’t without attending, and that’s near impossible now. Where are the pulp ads today (sigh)? They used to be in every fanzine. Thanks for sharing. At least Ginger and I get to see some great photos from the conventions, thanks to you and some others.
April 22nd, 2015 at 7:12 pm
Tom, I’m sorry you and Ginger can’t attend the pulp conventions. I remember the fun we all had at the old Pulpcons. But Pulpfest is only 4 months away and I’m already planning my trip to Columbus, Ohio.
April 22nd, 2015 at 10:43 pm
Walker,
What a great report! I dearly love the Windy City Pulp & Paper Show… I always buy way too much stuff, and I never regret it.
I miss having a booth. I used to sell issues of my magazine, Black Gate, but we stopped publishing in 2011. Ah well!
John
April 22nd, 2015 at 11:37 pm
As John says, BLACK GATE is no longer published as a hard copy magazine, but they have a great website at http://www.blackgate.com. I especially like the SF magazine reviews that they often discuss. It’s fun talking about old issues of GALAXY, F&SF, etc.
I recommend BLACK GATE highly.
April 23rd, 2015 at 2:41 pm
Great writeup as usual Walker, thanks. Seems like a great time as usual. Love seeing all the photos Sai posted on his blog too.
April 23rd, 2015 at 6:54 pm
I had several conversations and meeting with Sai. In the dealer’s room, at breakfast, at the auction, in the hospitality room. That’s one of the great things about attending pulp conventions; you meet some great collectors. It’s not all about buying the books.
In fact I was telling Sai that I had intended to carry the MOBY DICK theme either further and mentioned that I was carrying my own coffin like one of the characters in the novel. But I couldn’t fit the damn thing into the van and anyways the other collectors would have just filled it full of books. Bummer.
April 23rd, 2015 at 11:05 pm
Great report, Walker. I always enjoy seeing you at Windy City and at Pulpfest. I just need to talk more! I’m glad you were able to meet all of your goals for the con. Coincidentally, I also picked up an Emsh painting at Windy City.
I’ll be looking forward to seeing you at Pulpfest and hopefully we can have some good conversations about collecting!
April 24th, 2015 at 6:51 am
Thanks Scott. I’m really looking forward to Pulpfest and there is nothing I like more than to talk about the joys of collecting.
April 24th, 2015 at 8:28 am
Great report! Almost went this year, but alas. Must go next year. Does anyone know who the original art dealers were. Trying to track down one of the pieces.
April 24th, 2015 at 6:20 pm
David, there were so many original art dealers: Fred Taraba, Craig Poole, Tim Issacson, the Eisensteins, Bob Weinberg, Midway Books, Doug Ellis and others that I’m forgetting. Really an amazing amount of original art was on display.
April 27th, 2015 at 12:29 pm
Due to health issues I wasn’t sure I’d ever get to meet my mentor again but did! Scott Hartshorn told me you’d be at Windy City and I knew I had to be there to see you again. It’s amazing what a scooter will do when you can’t use your feet so well anymore. I really did miss not spending more time discussing collecting with you. It had been so long since I’d been able to go to one I was mesmerized at the above mentioned collector treats everywhere. So many folks were kind to want to spend time chatting with us and we didn’t cover nearly as much ground visiting as we wanted to. I guess there’s never enough time on a weekend which is why you say you have to get out to more of these and you’re right. If there’s any way and I know you’ll be wherever we’ll try to make others more often. Great summary from a great guy!
April 27th, 2015 at 12:59 pm
Rich, I certainly wish we lived closer together because we have a lot in common as collectors who are serious about their collecting goals. The weekend really went by fast but I’m glad we were able to talk a couple times in the dealer’s room. I hope to see you again but this time we will schedule a meal and long conversation about collecting.
April 27th, 2015 at 2:43 pm
I’m really looking forward to that soon Walker!
April 30th, 2015 at 4:13 pm
Walker, I’m waiting to find out exactly which piece of Powers artwork you bought. As you know, I’ve got a whole bunch of his stuff, and I get to look at them every day. Hope you got a doozy, and didn’t pay an arm and a leg for it!
April 30th, 2015 at 10:47 pm
The Richard Powers painting that I managed to buy was used on the cover of THE SUNDIAL by Shirley Jackson. Ace K-166 paperback. I’ve always been impressed by Powers but I never found the right piece that I could afford to buy. This painting impressed me right away and was within my budget.
May 2nd, 2015 at 4:22 pm
Hi Walker,
Wonderful report, as always! It was great chatting with you, especially since I appreciate your interest in my next book, on how American baseball and football pulp fiction ties in with American society in mid-1930s through the 1950s.
I’m pleased to read you met all your admirable goals. Those were not a cinch, by any means.
I read Moby-Dick my junior year in high school. I may have been the only student in the class who actually read the entire book, and for good measure the Classics Illustrated version, too. I was intrigued when I first saw the movie with Gregory Peck in 1956.
It was so great to see the usual dozens and dozens of friends. The Windy and PulpFest are definitely worth attending, if you have not. If you can go, you should — Doug Ellis, Deb Fulton, John and Maureen Gunnison and Tom Roberts put on a truly great show. I enjoyed participating on the Street & Smith comics panel with moderator Anthony Tollin and famed historian Will Murray.
I was commissioned by a collector friend to bid on many western and sports pulps in those large lots. I drove home with 14 boxes of pulps and related material, only 2 of which were my own boxes! My 1999 Taurus groaned under the strain, but Jiffy Lube passed approval after I got home. Total trip, with a side trip to see family in Kansas, was nearly 5,000 miles.
I was thus fortunately able to obtain — among all those 20 lots — seven more sports pulps among the 1,054 issues during the era beginning with Dime Sports #1 in 1935 and running through the end of sports pulps in 1957. Only 85 issues to go to have them all! (I’m not a completest on Street & Smith Sport Story except for the 1935-1943 issues, and not a completest on The All-American Sport Story Magazine 1933-1938. But I pick up these two titles when I can.)
I also picked up 10 Thrilling/Standard pulps, putting me over the half-way mark of the 3,776 issues published 1931-1958 (and continued only with Ranch Romances through 1971). I’m not a Walker Martin type completest, but I would like to collect almost all the 1940-1958 issues along with some of the late 1930s issues.
Also went over the 4,000 mark in total pulps. My want lists feature only about 2,000 more pulps, at most, although there are always impulse buys, especially among the mystery and romance pulps! I found 11 very cool romance pulps in decent shape with great covers for less than $50 total!
I saved more than $150 in gas over last year, enabling me to buy 36 more films from Martin Grams. Now have all but one serial from 1936 through the end of serials in 1956 (does anyone have “The Great Alaskan Mystery” from 1944?). Also now have all but a handful of 1950-1960 science fiction and fantasy/horror films that I want — now have more than 150 in all. Saw almost all of the fantastic genre as a child, because my dad loved them!
Martin sold me a complete copy of the greatest of all western serials, Republic’s “Daredevils of the West” (1943). This was thought for many years to be lost until the only known complete copy emerged at Brigham Young University.
Thanks again, Walker. PulpFest, here we come!
May 2nd, 2015 at 6:57 pm
Michelle, thanks for your comments. It’s always a pleasure to read about another collectors adventures and goals. There are two big books on the pulps that I’m looking forward to reading: Laurie Powers book on Daisy Bacon and LOVE STORY and your book on the sport pulps. Pulpfest is indeed getting closer, just around the corner! August 13-16(pulpfest.com)
May 8th, 2015 at 3:17 pm
By the way, I’m always encouraging collectors to attend the pulp conventions, not only because of the books and pulps that you can buy but also because of the important contacts you can make with other collectors.
While at the convention I talked with several collectors about Lee Brown Coye, the artist and today I just received a great piece of art which was used in WHISPERS as a Weirdism. Attending Windy City is directly responsible for this success.
If you missed Windy City, Pulpfest is August 13-16.