Conventions


WINDY CITY PULP CONVENTION 2022 REPORT
by Walker Martin

   A few years ago, one of my best friends attended Pulpcon, despite knowing he had a terminal illness. Hardcore collectors will survive just about anything except death. My health problems lately have not involved a terminal illness, but I suffer from claustrophobia, and I had to undergo two cataract operations in April. Despite being disappointed in these procedures, I somehow managed to, go with four other collectors in our usual van.

   Fortunately, this convention managed to cheer me up and here are my comments on the Windy City Pulp Convention. There have been over 20 of these shows and this was the 15th year at the Westin Hotel in Lombard, Illinois, which is about a half hour outside Chicago. Doug Ellis stated that there were about 500 attendees and 180 dealer tables.

   No masks were required, but many collectors wore them just to be safe. As usual the dealer’s room was very busy and set up was allowed on Thursday evening from 8 pm to about 11 pm. There were thousands of books, pulps, vintage paperbacks, original art, new pulp novels, movies on DVDs and comics.

   Some excellent books made their debut at the show. Ed Hulse of Murania Press had what looked like his biggest magazine on the pulps, Blood n Thunder 2022 Special Edition:336 pages, over 100,000 words, and over 100 illustrations. There are 10 essays in the book with the most important being the 120 pages devoted to the Doubleday Crime Club Golden Age, 1928-1940. Ed also had a preview copy of his new book, an updated edition of Wild West in Fiction and Film.

   Matt Moring of Steeger Press had several new books for sale on Mike Chomko’s table: Unremembered Murder by Carroll John Daly, volume 7 of the Race Williams series, all from 1944-1955, The Major by L. Patrick Greene, volume 4, The Life of Pinky Jenkins by H. Bedford Jones, volume 3, and the best one of all, The Complete Exploits of the Notorious Sea Fox by James K. Waterman. This last collects several stories from Frontier in the 1920’s and deals with the infamous slave trade before the Civil War. Steeger Books has passed the 600 book mark I believe. Amazing and quite an accomplishment.

   Also available was the new edition of the Windy City Pulp Stories, #21. 130 pages, all devoted to Fiction House. The best article was Will Murray’s “The Rise and Fall of Fiction House”. Also of note are articles dealing with Arthur J. Burks, the pulp magazine, Black Aces, and other Fiction House items of interest.

   The art show had several original cover paintings and illustrations from Fiction House magazines and I was really impressed by the excellent display. Ed Hulse ran the usual film show which showed serials and B-movies during the day and after the evening auction.

   Speaking of the auction, John Gunnison did his usual fine job as auctioneer. Friday night had 200 lots from the Robert Weinberg Estate and Saturday night had almost 200 lots from the Glenn Lord Estate. An entire set of Planet Stories was auctioned in several lots, many Weird Tales, including the Anniversary large issue from 1924 ($8000), and all sorts of correspondence. The Gent From Bear Creek by Robert Howard sold for several thousand.

   There were the usual panels and I attended the Fiction House discussion given by Roger Hill. On Saturday night David Saunders did his usual excellent job discussing such Fiction House artists as George Gross, Allan Anderson, and Norman Saunders. I’m looking forward to his Pulpfest presentation on Nick Eggenhofer this August.

   I’ve been collecting now for over 65 years and I don’t need much anymore, but I always find something. This year I’m rebuilding some of my sets such as All Western and Dime Detective. I found several copies of each that I need plus an Ace High from 1926 that I’ve been looking for.

   One of the problems of collecting for a long time is that you start to run out of things to collect. Most of my wants are very odd and hard to find, such as the five Sea Stories I lack. There were 118 and I have 113, so it’s not too likely that I’ll find issues I need. Same thing with Western Story and Detective Story. I only need a few issues of each for complete sets, but I’ll probably never find them. But you never know. I never thought I’d find all 444 All Story either but I did.

   Pulpfest is up next in August 4-7, 2022, in Pittsburgh. The 50th Anniversary of Pulpcon/Pulpfest! I never thought I’d see such a long run of conventions when I attended the first one in 1972. But here we are. See you there!

   

CON REPORT:
Pulp AdventureCon, November 6, 2021
by Walker Martin

   I’ve attended all these annual Pulp Adventurecons, over 20 of them, most of them in Bordentown, NJ (there also is a Florida show which I’ve never been able to attend). The first one was in the woods somewhere at a firehouse. Several of us got lost trying to find it. I remember there being maybe ten tables and about 50 attendees, maybe less.

Left to right: Nick Certo, Paul Herman, Richard Meli, Digges La Touche.

   But it certainly has grown! This year the show was held in a new hotel in Bordentown, and I liked the new venue though I wish the dealers were all in one big room instead of two smaller rooms. There were over 40 tables and what looked like well over 100 attendees. I was happy to see the hotel had free coffee and egg sandwiches available in the morning.

   A year ago I reported on the show held in November 2020 (Book Hunting during the Pandemic) and I received some negative criticism on one of the online discussion groups. But my entire life has been consumed by my desire to collect books and pulps, not to mention original cover and interior art.

Left to right: Ed Hulse, Steve Lewis.

   I’ve been a bibliomaniac now for over 65 years ever since I discovered Edgar Rice Burroughs, Erskine Caldwell’s Signet paperbacks with the sexy James Avati covers, and the SF digest magazines. I’m not going to go into hiding because of the virus. In fact what better death for a book collector than to die hunting for collectible books, vintage paperbacks, pulps, and artwork? With that attitude, I guess that’s why I have a large collection.

   Last year the hotels were requiring masks and social distancing, but this year masks were optional and we all happily squeezed into the two rooms and bought and sold books, magazines, and DVDs.

   Though this convention is a one day show, it feels a lot longer. Each year it seems to last several days. To give you an idea I will briefly list each day’s events at my house:

      Wednesday, November 3

   Matt Moring of Steeger Books has for several years arrived on Wednesday before the Saturday convention. He does some research for upcoming books, and we meet for dinner. There are plans for a special Thanksgiving sale, and he soon will announce the upcoming publication of around 40 new volumes in the Steeger Books reprint series.

Left to right: Scott Hartshorn, Nick Certo.

   That’s right, 40 new books! This has to mean that Matt has published over 500 books in the last few years. If not 500, then very close to it. There will be new books in the Dime Detective Library, the Argosy Library, and important releases reprinting Talbot Mundy, The Spider and others including perhaps H. Bedford Jones. There will be a great release coming soon dealing with The Campfire letter column in Adventure.

      Thursday, November 4

   Richard Meli and Scott Hartshorn arrive from Florida. I’ve been friends with Scott since 1976 when he was a teenager and thought I was an old man even then at age 34. He must think I’m really old now. Scott is a long time art and book collector with a love for film noir movies, a passion I share.

   Richard Meli is the man behind Heartwood Books and Art and also happens to be a physician. I mention this because every book convention should have a doctor on call in case an elderly collector collapses or faints from the terrific stress of trying to buy every damn book and pulp magazine in sight.

   Actually I thought Rich Meli might keel over since he bought so much and was so excited. Maybe we need two doctor/collectors, in case one collapses, the other could care for him. There were now five of us and we had lunch and dinner together.

      Friday, November 5

   This is the day of my annual brunch that I host every year just prior to the Bordentown convention. I can’t handle a big crowd of insane book collectors, so I try to keep attendance at around ten. I used to have hoagies, potato salad, chips and beer and soda but I couldn’t depend on the delis to have the food ready for Friday at 1:00 pm, so the last couple years I’ve ordered pizzas for everyone except for one collector who hates pizza. So I ordered a steak sandwich and fries for him.

Left to right: Walker Martin, Digges La Touche, Nick Certo, Ed Hulse, Scott Hartshorn, Paul Herman, Steve Lewis

   During this brunch, a lot of selling and buying goes on. To give you an idea, this year a nice condition set of Thrilling Wonder changed hands. Also nice sets of the Ziff Davis Amazing and Fantastic Adventures, two sets of Planet Stories, a nice stack of All Western and many individual issues of detective and western pulps.

   In fact the weather was so nice and sunny that we were buying books and pulps outside at the curb in front of my house and out of the back of cars and pickup trucks. Two of my neighbors were walking by and commented on the mass of books and magazines on the grass and sidewalk. I’ve known them 25 years and little did they know I also had a house full of books! Non-collectors just don’t know the true insanity of collectors.

   Then after 5 pm we all met at Firkin’s Tavern for dinner. Matt Moring has sent some photos showing us in the Irish pub. In addition to myself, also in attendance were Matt Moring, Nick Certo of Certo Books, Scott Hartshorn, Ed Hulse of Murania Press, Digges La Touche, Paul Herman, book seller, Steve Lewis of Mystery*File, Richard Meli of Heartwood Books and Art. My wife, being a non-collector was absent because so many collectors in the house at one time freaks her out.

      Saturday, November 6

   The day of the convention! Matt Moring picks me up at 8 am and we arrive at 8:30. Matt quickly sets up five long boxes of pulps, all priced at only $5.00 each, easily the bargain of the convention. John Gunnison and his wife were already set up with what looked like five tables of pulps or an entire wall of the room. Cowboy Tony was there with three tables of all sorts of paper products: pulps, fiction digest magazines, slicks, comic strips, men’s adventure magazines and risque magazines.

   
   Ed Hulse was selling his brand new book on vintage paperbacks: The Art of Pulp Fiction. Martin Grams had his usual tables of DVDs, Paul Herman had hundreds of vintage paperbacks. Gary Lovisi and his wife were selling his excellent magazine Paperback Parade. Nick Certo had books and paperbacks. This is just a sample of the books available. There were many more dealers. After the convention closed at 5 pm, many of us ate dinner at Mastoris Diner, another long time tradition.

   The people behind this long running show are Rich Harvey, Audrey Parente, and Rich’s father was taking care of admissions. Thank you for your efforts and usual fine job!

      Sunday, November 7

   Matt and I went out for breakfast and we talked about a possible art trade but we couldn’t reach agreement. Maybe next year.

      Monday, November 8

   Scott Hartshorn and Digges La Touche met me for breakfast and afterward we took Scott to the airport.

   So ends another Pulp Adventurecon. See you at Windy City and Pulpfest!

   

   

   

From left to right: Matt Moring, Walker Martin.

   

Digges La Touche.

   

Paul Herman

   

   

Andy Jaysnovich

   

Gary Lovisi

   

Gary’s wife Lucille

WINDY CITY PULP CONVENTION 2021 REPORT
by Walker Martin


   A group of about five collectors have been making this trip out to Chicago for over 10 years but this year only three of us made the two day drive out to the convention. One of our group could not make it due to pandemic restrictions and one hurt his back moving bookcases just prior to the show. This injury was especially sad since he always looks forward to the pulp shows and has been attending them since the second Pulpcon in 1973.

   We had nice weather driving to and from the show and enjoyed several meals together, especially the ones at the Outback and Longhorn Steak House. The three of us discussed several topics during the drive, including memories of past Pulpcons and my adventures at the first one in 1972, a mere 50 years ago. Somehow it feels like only the other day that I drove out to St Louis and discovered so many great friends and great pulps.

   In fact we often hear about people entering their second childhood if they live long enough, and the same rule applies to pulp and book collectors. For instance back in the 1980’s I got rid of my almost complete set of G-8 and His Battle Aces and here I am 40 years later buying a complete set of the 110 issues again. I imagine I will dislike Nippy and Bull just as much as I did decades ago, but I also love the great insane covers just like I did so long ago. Thanks Doug. Just what I needed, another set of G-8 to complain about.

   What else did I buy? I have an almost complete set of Sea Stories, over 112 issues and I’ve always wanted an original cover painting. Thanks to Doug (again!) I bought the painting for the cover of the June 20, 1923 issue. True, this is not a great one like the ones Anton Otto Fischer painted, but then again I probably cannot afford such great art anyway.

   I’ve been buying paperback cover art by Larry Schwinger for over 30 years, starting in 1989 with two Cornell Woolrich covers. This convention I bought another one, a real bargain at only $100. But my old pal Scott Hartshorn beat me to another bargain by Schwinger, the cover to Hombre by Elmore Leonard. I tried to immediately buy it from Scott, but he’s so greedy that he refused my offer.

   I also bought some books including 3 volumes of the R.A. Lafferty collections presently being published by Centipede Press. They plan to publish 12 volumes but the print runs are only 300 each, so they go out of print fast and are expensive to find. Speaking of books, Ed Hulse had an advance copy of his new history of vintage paperbacks. Go to the Murania Press website to order. The book has over 450 paperback covers in color and will be shipping starting September 28. The title is The Art of Pulp Fiction: An Illustrated History of Vintage Paperbacks.

   There were some paintings I wanted to buy but I talked myself out of buying them because I have no space and I don’t want to add to the stacks of art leaning against the walls and bookcases, a common problem that collectors face as they accumulate art. Fred Taraba had a great Frontier Stories cover painting from 1925 and Craig Poole had a McCauley from Amazing Stories but I manage to escape the show without adding to the stacks of art.

   During the old days of Pulpcon in the 1970’s, 1980’s and 1990’s, there were often what we called “feeding frenzies”, where the entire dealer’s room seems to swarm around certain tables with rare and desirable pulps. This no longer happens that often but it did at this Windy City show. Andrew Zimmerli had several tables crammed with hundreds of rare old pulps.

   To give you an example of what happened, Matt Moring missed the first day of the feeding frenzy but still managed to find around 50 old Adventure’s that he needs, mainly from the hard to get teens. He now only needs 40 or 50 issues to complete the set of 753 pulp issues, 1910-1953. Non-collectors may not understand this but believe me it is a major achievement.

   Doug Ellis mentioned to me that attendance was 500 and there were 168 tables. Despite the pandemic, these are excellent numbers. Masks were required, maid service limited and restaurant hours limited. The auction was the main event for Friday and Saturday evening. In the old days’, Rusty Hevelin believed the comic book dealers should by banned from Pulpcon, but we live in The Brave New World today and so the comic book influence was evident. For instance the so called “bat girl” cover of Weird Tales sold for $11,000 and there were conversations about “slabbing” pulps.

   This is the future where we will see rare and expensive pulps slabbed like many comics in plastic. Readers Beware!! I guess we will have to change the old saying, “So many books, so little time” to “So many books, but since they are enclosed in plastic, we have plenty of time”. The “slabbers” say only the expensive books will be slabbed and there will be reprints to read but to me slabbing books is still sacrilege. I get it about slabbing baseball cards but pulps and books?

   The auction also included over 300 lots of other Weird Tales, rare pulps, Robert Howard items, and correspondence, including some great letters from Farnsworth Wright, the editor of Weird Tales. Most of the items were from the estates of Robert Weinberg and Glenn Lord.

   There were two panels. The Friday night panel discussed upcoming books by Edgar Rice Burroughs and the Saturday night panel discussed the magazine, Black Mask. I talked about how I managed to complete a set of the 340 issues back in the 1970’s and fellow panelists also discussed the Joseph Shaw era and the Ken White years of 1940-1948. The other three collectors on the panel were long time collectors John Wooley, Will Murray, and Matt Moring. We had to be tough and hard boiled to talk about such a subject in only 45 minutes!

   There was the usual art show and films. This year Ed Hulse ran the films only during the day and not at night or after the auction. As usual Sunday was New Pulp Sunday with panels discussing the subject. The 20th edition of Windy City Pulp Stories was excellent and all 158 pages dealt with Black Mask and Dashiell Hammett. This is a must buy if you have any interest in pulps or Hammett.

   The next Windy City Pulp show will be May 6, 2022 through May 8, 2022. Same hotel and hosted as usual by Doug Ellis and John Gunnison. Thank you for your efforts. I know a lot of work went into this convention. Thanks too to Paul Herman and Matt Moring for allowing me the use of the photos they took for this report. I hope everyone survives the plague and that we all meet again next year!

CONVENTION REPORT: PulpFest 2021
by Walker Martin

   Finally, after two years a Pulpfest! Last year there was no convention because of the virus and I had not missed a show in a very long time. I almost went to Pittsburgh anyway in 2020 just to morosely hang out at the hotel but I couldn’t talk anyone else into driving out. But this year there was a convention and I swore I’d make it, pandemic or no pandemic.

   Since one of our group decided not to drive with us, there was only four of us and we therefore did not need the larger van. Driving out was nice weather, unlike the horror story driving back at the end of the show. We arrived at 3 pm on Thursday and found the dealer’s room to be busy with most tables set up for business. I estimate well over 300 in attendance and a hundred or so tables. I heard that attendance was supposed to be a lot larger but there was a 25% cancellation during the past two weeks as collectors either bit the dust or decided to not attend due to the pandemic.

   The dealer’s room closed at 5 pm and was immediately followed by a great pizza party hosted by many of the dealers. I then hung out in the hotel bar with friends where I drank five pints of beer. I firmly believe that drinking a lot of beer helps scare away the virus. Also it was free, due to my fellow collectors who also believe that beer is the staff of life. Thank you Matt Moring, Richard Meli and the veteran whose name I did not catch. Later on the bartender claimed he did not pay the bar tab, and he came to me for payment. But I told him I only drink the beer. I don’t pay for it. Plus he’s a vet. He should get free beer.

   The next morning I got up and followed my usual practice of getting rid of hangovers by eating a large breakfast and drinking plenty of coffee. I have to admit the hotel serves the best and largest buffet breakfast that I have ever encountered. It was delicious.

   Then into action when the dealer’s room opened at 9 am. Masks were recommended and most started off wearing them but as the day progressed, the masks came off. I told Matt it was like a scene out of Fritz Leiber’s “Coming Attraction” in the November 1950 issue of Galaxy SF. Social distancing was followed, but then we stopped worrying and concentrated on buying pulps and books.

   What did I buy? Well Doug Ellis had some great art for sale, especially cover paintings and interiors by Hubert Rogers. I almost bought some but I talked myself out of buying any since I have stacks of art leaning against my walls and bookcases. However history was made as my old friend Digges La Touche bought a cover painting from a paperback. In 50 years he has never bought art, except for one Barbara Cartland paperback cover. He always concentrates on buying masses of pulps, but no more I guess. I stop buying art and he starts.

   I also found some of the extremely rare and hard to find large issues of Everybody’s from the WW I era. Sai Shanker had an excellent article in the new Pulpster about the history of Everybody’s. The magazine lasted 355 issues and went from slick to pulp. He will soon publish a collection of the best stories from the magazine. Speaking of upcoming books, Steeger Books, otherwise known as Matt Moring, will be coming out with a collection of “The Campfire” letters from Adventure in the twenties. These books are must buys if you collect fiction magazines.

   As usual I had a table and sold some rare items. This time I had some duplicates of of the Manhunt Detective imitators. These digest magazines were published in the fifties and sixties and have sexy covers showing girls fighting or killing some poor guy. Cool! I’ve been collecting these digest since 1956, so I’ve been at it for 65 years. Time flies when you are having fun, and I considering collecting magazines to be a hell of a lot of fun. My wife thinks different.

   The Pulpster 30 was given to all the attendees and it was the best issue yet of all the 30 issues. William Lampkin is the editor and Mike Chomko the publisher. Copies are available from Mike Chomko Books and I give this magazine my highest recommendation. It’s large format, 8 1/2 by 11, 60 pages, and in color. Several articles were on The Shadow, including interviews with artists Jerome Rozen and Graves Gladney. Other articles dealt with the love pulps (escape literature for three million maidens), the debut of online newgroups dealing with pulps, the history of Everybody’s by Sai Shanker, Tony Davis on editor Dorothy McIIwraith, and a Darrell Schweitzer interview with Hugh Cave.

   PulpFest is known for the great programming and all the panels and discussions were outstanding. If I had to pick one above all the others I would have to highly recommend Laurie Powers’ “The Queen and Her Court: Great Women Pulp Editors.” It is obvious that Laurie spent a lot of time on this presentation which deserves to be reprinted in a print magazine or book. It is a great example of original pulp research and not just the rehashing of well known facts.

   Other programming was also noteworthy like the discussion on Shadow artists. This was supposed to be presented by David Saunders but he could not attend and Chet Williamson stepped in. I also liked Doug Ellis on Margaret Brundage and the discussion on Eva Lynd: Countess, Actress, and Cover girl. Eva Lynd was supposed to be the Guest of Honor but could not attend but she sent a very nice thank you film.

   This was also the first year of ERBFest. I hope these Edgar Rice Burroughs scholars and fans will return next year. As usual the presentation of The Munsey Award was a highlight of the programming. This year’s award was given to Rich Harvey who has not only published many pulp books and magazines, but more importantly, has been the organizer behind the annual one day convention, Pulp Adventurecon. There have been more that 20 of these shows usually held in Bordentown during November of each year. Congratulations Rich!

   The auction was held Saturday night and though there was no estate auction, many collectors contributed items of interest. Halfway through the auction an overpowering thirst descended upon me, and I adjourned to the bar where unlike Thursday and Friday, I had to pay for my own drinks. I forget which night it happened but the fire alarm went off, and we had to leave the hotel. Fortunately I had a full beer in hand and simply strolled out the door hoping that not too many pulps would be destroyed. Many other collectors had to get dressed and leave their beds. That’s what happens when you go to bed too early.

   I was glad to see that Blood n Thunder had not bit the dust. The Blood n Thunder 2021 Annual made its debut as well as Sam Sherman’s When Dracula Met Frankenstein. Both published by Ed Hulse’s Murania Press.

   Next year will be the 50th Anniversary of Pulpcon/Pulpfest. The first one was held in 1972 and I was there! I sure as hell wish all the other attendees were still around and we could have a panel discussing the good old days. But it’s getting down to The Last Man Standing and hopefully I’ll be present to talk about the way things were and what happened. In 1972 I was one of the youngest collectors present and now in 2021, I’m one of the oldest. My advice for a long life? Drink Beer and collect books, pulps, and art. It worked for me!

   Driving home on Sunday was a mess. Heavy rain and the nagging fear of water in the basement. But I dodged the bullet again and my basement was dry. My pulps and wife welcomed me home.

   I would like to thank the Pulpfest committee: Jack Cullers, Sally Cullers, Mike Chomko, Peter Chomko, William Lampkin, William Maynard, Tony Davis, Barry Traylor. I know I’m leaving out someone else and maybe Mike or Jack could list the correct committee in the comments.

   Windy City Pulp Convention is only a couple weeks away. I hope to see you there!

Book and Pulp Collecting During the Pandemic
or a Report on Pulp Adventurecon 2020
by Walker Martin.

   

   This has been a terrible year for conventions. SF conventions, Windy City, and Pulpfest, all cancelled and postponed to next year. For 50 years I’ve had my choice of shows to attend, usually going to Pulpcon/Pulpfest and Windy City. But for the first time I had no convention to attend until Pulp Adventurecon on November 7, 2020. A couple months ago I would have said that there was no way the show could be held because of the NJ lockdown mandated by Gov. Murphy.

Left to right: Walker Martin, Matt Moring, Scott Hartshorn,
and William Maynard seated.

   But somehow, against all odds, Rich Harvey and Audrey Parente managed to organize a show despite the virus increasing in NJ. Social distancing was the rule with masks and hand sanitizer available. The venue was new with the location moved to Mt Laurel, NJ at the Clarion Hotel. I don’t believe we will be returning to the Bordentown location.

   The dealer’s room was very large with 16 dealers and around 30 tables. The pandemic kept attendance down but there were 60 to 80 attendees. However, as you can see from the photo of the room, often the room appeared almost empty. Here are my snapshot impressions:

   Author and dealer Darrell Schweitzer had his usual table but did not appear to sell much.

   Matt Moring and I shared a table but between us we sold only four pulps. However we came to buy, not to sell.

   Gary Lovisi and his wife were present with the new Paperback Parade issue. Gary also filmed a report on You Tube.

   John Gunnison had six tables and appeared to be selling well.

   Ed Hulse said this show was better that the last two Pulp Adventurecons combined. At least for him.

Ed Hulse.

   Paul Herman had a table full of paperbacks and did well.

   William Maynard sold many books that he heavily discounted.

   Martin Grams shocked me with his “Going out of business” sale. For many years he has been selling DVDs and writing books about the old TV series. But he soon will be opening a Coffee shop and his last book will be the one on the Lone Ranger.

   Digges La Touche usually stays all day buying pulps but this year he was in and out before I even arrived. The virus has changed our buying habits.

   What did I buy? William Maynard sold me a set of the Sanders of the Rivers stories by Edgar Wallace. Ed Hulse sold me a couple nice looking books on L. Ron Hubbard, and John Gunnison sold me three pulps that I had once owned. It seems that I had traded off these issues but as I often do years later, I start collecting them again.

Dealers room.

   The big buy for me was the silver anniversary issue of Top Notch, March 1935. I had mistakenly sold it 20 years ago and it took me all this time to find another copy. I also bought a copy of the May 1939 issue of Dime Detective which I used to own. It has a great titled story by Cornell Woolrich, “The Case of the Killer-Diller.” I also use to own the Dime Mystery issue for October 1947. If you collect Black Mask and Dime Detective, you should also collect the other Popular Publication detective titles such as Dime Mystery, Detective Tales, New Detective. I’ve been in the pulp collecting game so long that I’ve started to collect titles for the second time around.

John Gunnison, on the right.

   For several years I’ve been hosting a brunch get together for my long time friends on the Friday before the show. This year, after much thought, I decided to go ahead and have a scaled down version of the lunch. There were six of my closest pals in attendance:

   Matt Moring–In addition to being in charge of Steeger Books and Altus Press, he also collects pulps and original art

   Paul Herman–Dealer, art collector, and Black Mask collector.

   Nick Certo–Book dealer and art collector.

   Scott Hartshorn–collector of all sorts of bizarre things and art collector also.

   Ed Hulse–Now for a couple friends who are not art collectors. Ed is editor and publisher of Blood n Thunder magazine and Murania Press books..

   Digges La Touche–Book, pulp, and dime novel collector. Not too many dime novel guys around anymore. He also is the last of the pulp excerpters. I remember when there were a lot of old time collectors excerpting pulps and making home made books of the excerpted stories.

C. M. Eddy material (Weird Tales author and friend of Lovecraft).

   I just added up the years I’ve known these guys. Over 200 years between them! Some good deals were made at the pre-convention brunch also. Matt sold a three volume Steeger Books edition of H. Bedford Jones complete John Solomon series. A set of preliminary Larry Schwinger drawings for his Cornell Woolrich paperback covers were sold. Several issues of Western Story were bought. After the brunch we found a new place to eat dinner near my house. PJ’s Pancake House and Tavern. Once again I noticed that I’m often the only drinker. This must mean something but I haven’t figured out what. Maybe a Nero Wolfe connection? Or tough private eyes?

   We stayed at the convention until almost 4 pm and then went to Mastoris Diner, another post-convention tradition. Good friends, good food, good drink, as my old friend Harry Noble used to say.

   So thank you Rich and Audrey for taking the big risk and putting on the convention. Hope to see you next year without the pandemic! Also thanks to Paul Herman for taking these photos.

   I hope to see many of you at Windy City in April and Pulpfest in August next year. I don’t know if I can survive another such year as 2020.

   Alas, I’ve been jammed up with too many things to do to be able to post Walker’s annual PulpFest report here on this blog in any timely fashion. We’ve asked Sai Shankar whether he’d be willing to post it on his Pulp Flakes blog, and he’s most graciously agreed. More than that, he’s done a masterful job.

   Here’s the link. Enjoy!

WINDY CITY PULP CONVENTION 2019 REPORT
by Walker Martin

   

   Next year will be the 20th anniversary of this great convention, and it seems to just be getting better and better. Everyone looks middle-aged or older, so there has to be a point where attendance declines, but it has not occurred yet. This year there were over 120 dealers, 180 tables, and over 500 in attendance. The dealer’s room was expanded and it was an amazing sight to see almost 200 tables crammed with piles of pulps, vintage paperbacks, slicks, first edition books, DVDs, original artwork, and just about every type of pulp related collectible that you could imagine. A heavenly sight for bibliophiles and art lovers!

   It’s beyond me how Doug, Deb, and John Gunnison manage to organize this show each year. Plus Doug and Deb manage to host a Thursday pre-convention brunch at their home for art lovers. I would like to thank everyone on the convention committee and staff for a job well done as usual.

   The auction this year was even better than usual with hundreds of lots from the Robert Weinberg and Glenn Lord estates. Held on Friday and Saturday the auction started at 8:15 each night and lasted to around midnight. It’s a puzzle to me how John Gunnison manages to handle 400 lots over 8 or so hours. His voice doesn’t fade and he keeps his sense of humor. Somehow his wife, Maureen, and Deb Fulton keep track of each lot and the accounting details. Here are some of highlights:

RAILROAD MAN’S MAGAZINE–two issues from 1918. Despite the title this pulp was a general fiction magazine and is extremely rare. Both issues went for $50 each.

WT letter to author Greye La Spina signed by Farnsworth Wright with his full signature. Due to Parkinson’s disease he soon stopped signing.—$525

Greye La Spina file of excerpts from THRILL BOOK, including a cover to THRILL BOOK from 1919. Too Bad the author didn’t keep the entire magazines because then the lot would have went for thousands of dollars instead of only $100.

WEIRD TALES, Canadian editions—There were several of these interesting issues which had different covers from the American edition. They all went for around $100 each except for one HPL issue which got $700.

ORIENTAL STORIES–nicely bound.—$475

WEIRD TALES–Many issues went for hundreds of dollars but several went for over a thousand, such as 2/24, 3/24, 12/32(first Conan story-$2500), 3/23(first issue–$3750), 9/23, 7/25( Howard’s first story–$1200).

The Case Against The Comics by Gabriel Lynn–Early 1944 pamphlet advocating censorship of comics. Very scarce–$3750

NOT AT NIGHT edited by Herbert Asbury, 1928. Signed by Asbury, Lovecraft, and Derleth—$4500

A MIDSUMMER NIGHT’S DREAM. The only volume in Wright’s Shakespeare Library. 25 illustrations by Finlay.–$425. I wanted this to go along with my WT set but I chickened out too early.

Errata sheet for “The Shadow Over Innsmouth” by HPL–$1500

Daisy Bacon signed letter from 1945. This did not go for much over a hundred but I must have fallen asleep during the bidding. I wanted it as an example that Daisy edited DETECTIVE STORY magazine in the forties and not just LOVE STORY. A tell all book will soon be out titled QUEEN OF THE PULPS by Laurie Powers(who some of us also consider The Queen of the Pulps).

ACTION STORIES, FIGHT STORIES, COWBOY STORIES–all crammed full of stories by Robert Howard. Prices were all over the place but usually over 100.

World Fantasy Award Statue, 1978. This is Glenn Lord’s which was awarded for his work in editing and publishing Robert Howard. A great image of HPL—$2000. I wanted this to go along with my Walter Baumhofer and Elmer Kelton Guest Of Honor Plaques from Pulpcon. But I dropped out at $2000 weeping bitter tears of disappointment.

AMRA bound set of first 20 issues—$1000. I wanted this since I’m lacking these early issues but I couldn’t convince myself that a 20 page fanzine is worth $50 each.

THE SHUNNED HOUSE by HPL and printed by Paul Cook.$5,500

DUNE by Frank Herbert. First Edition at $1800.

PEOPLE’S FAVORITE MAGAZINE 6/25/19–$950. True HBJ is in this but no way should it bring this price. Ridiculous.

DIME DETECTIVE–30 lots from 1933 through 1935. Most in beautiful condition–Some as low as $80 but many as high as $200 or $300.

   There were many other interesting and high bids but the above will give you an idea of the fun and suspense occurring at the auctions.

   Also of note and almost as interesting as the auction was a talk given on Friday night by Alec Nevala-Lee about his recent excellent book on ASTOUNDING and John W. Campbell. I agree absolutely that Campbell was responsible for The Golden Age of Science Fiction in the forties. Unfortunately he went off the tracks in the fifties with Dianetics, the Dean drive, and the Hieronymus machine. Just my opinion of course but Alfred Bester had a story meeting with Campbell in the early fifties and came away thinking that Campbell was unhinged. I won’t even go into his racial ideas but he was of great influence in magazine SF.

   On Saturday night there was a panel on “Remembering PLANET STORIES“. The funny thing is that the audience thought that we had forgotten Planet Stories since we were late in returning from dinner due to slow service at a restaurant. The panel was made up of Ed Hulse, Garyn Roberts and myself. I concentrated on my collection of PLANET and how I ended up with the world’s best condition set (the Frank Robinson issues) and the world’s worst condition set. It’s a story too strange and horrible to repeat but the audience seemed to enjoy it.

   Despite my respect for John Campbell I also mentioned on this panel that he seemed to have a major blind spot with certain quality writers. Once he made up his mind that you were not on the same wave length, he often would stop publishing your work. Three of the best PLANET STORIES authors suffered from Campbell’s dislike for example. Ray Bradbury had one early story in ASTOUNDING but had 20 appearances in PLANET STORIES. Leigh Brackett had a couple early stories in ASTOUNDING but also had 20 in PLANET. Philip K. Dick, who has claim to being one of the best and most influential SF writers, had one that I know of with Campbell but five with PLANET, including his first sale. As the fifties and sixties continued this trend became more and more obvious with authors who were once popular in ASTOUNDING in the forties. The found new markets in GALAXY and F&SF.

But if you don’t care for auctions, dealer’s room, or panels, then there are other diversions such as the art show, Ed Hulse’s film program, and the hospitality room. I love the hospitality room where I guzzled many a beer. Not to mention the snacks. There are plenty of great restaurants nearby, and I gained 5 pounds.

   The convention also published a book titled WINDY CITY PULP STORIES. This book comes out annually and the 19th edition is 188 pages and edited by Tom Roberts. Tom always does a good job on the book and also is the publisher of Black Dog Books. I hear he had to miss the show this year, and I hope to see him at next year’s event. The best and most interesting article in the book was by Frank Robinson written in 1951 and discussing the likely end of the pulps. Frank shows some interesting circulation figures leading to the decline and end by 1955. (There were a couple of exceptions lasting beyond 1955 like SF QUARTERLY and RANCH ROMANCES.)

   Three excellent books from Altus Press made their debut. Though Matt Moring couldn’t make it due to work, the books made it thanks to Mike Chomko. The books are:

1–OPERATOR 5, The Complete Purple Wars. Two volumes with the illustrations which are excellent. It would cost thousands to get the 14 issues in fine condition, so this limited edition is a bargain at $150. Often called The War and Peace of the pulps. WAR AND PEACE is my favorite all time novel, so I’ll be comparing Tepperman with Tolstoy. I wonder who wrote the better novel?

2—SHIPS AND MEN by H. Bedford Jones. Reprinted from BLUE BOOK for the first time.

3–The 2019 issue of the revived BLACK MASK. Matt Moring is doing a great job reviving this great pulp with new and reprinted stories. I urge you all to support this magazine. Copies are available from Altus Press, Mike Chomko, and Amazon.com.

   Another excellent book coming out by the end of the year will be QUEEN OF THE PULPS by Laurie Powers. Not only a life of editor Daisy Bacon but a great love story as Daisy carries on a torrid affair while editing LOVE STORY. By the way Daisy also edited DETECTIVE STORY MAGAZINE during the forties, so the book is just not about the romance pulps. McFarland Books has it listed on their website.

   What did I get at the show? Well, I don’t need too many pulps any longer and I managed to control my lust for original art but I did find a nice piece of preliminary cover art by Rosen for TEXAS RANGERS, April 1944. The interesting thing is this art was also used as the cover for a Popular Library paperback titled DRYGULCH TRAIL by William Macleod Raine. So in other words the art appeared on two different formats: pulp magazine and paperback.

   I also bought a stack of interior illustration proofs. We have all seen cover proofs but illustration proofs are a lot rarer. These came from the estate of Ryerson Johnson, who was a long time writer but also an editor for Popular Publications for a couple years in the forties. He told me as he was leaving on his last day of work, he was encouraged to take whatever art he wanted for free. He ended up taking three cover paintings, many interior drawings, advertising posters, and these illustration proofs.

   One of the few auction lots that I was high bidder on turned out to be a nice find. PM #42, dated Feb-March 1938 had a nice article on artist Lee Brown Coye. The cover and many interior illustration are by Coye and give a nice example of his early work,

   As usual, I have nothing but good things to say about the convention and the Westin hotel. But surely something must have gone bad, right? I can only think of three things:

1–On the drive to Chicago, we stayed at an inexpensive motel which was like only $60. I guess you get what you pay for because when I got up to take a hot shower to wake me up and loosen my back spasms, the water almost immediately turned cold. I almost jumped through the wall. How can a motel not have hot water?

2–On the ride back we stayed at another motel this time for $80. Unfortunately they had breakfast sausage that looked and smelled horrible. It probably is not a good idea to eat breakfast at inexpensive motels.

3–As we packed the rental van on Sunday, there seemed to be quite a bit of snow. So much in fact that we held a meeting and almost voted to stay over another night and leave the next day. But we decided to leave anyway despite the snow storm and eventually the snow turned to rain.

   Next up? Pulpfest! August 15 through August 18, 2019. The hotel is first class like the Westin and details are at pulpfest.com. See you there!

THE WINDY CITY PULP & PAPER CONVENTION, 2019
by Doug Ellis


   The 19th annual Windy City Pulp and Paper Convention is now just over a month away! The convention will take place on April 12-14, 2019 at the Westin Lombard Yorktown Center in Lombard, Illinois. As usual, we will have auctions on both Friday (April 12) and Saturday (April 13) nights, and this year’s auctions promise to be our best ever.

   The Friday night auction consists of 230 lots of material from the estate of famed collector Robert Weinberg, while the Saturday night auction begins with 100 lots from the estate of Glenn Lord, literary executor for the Robert E. Howard estate, followed by 56 lots from a few other consignors. And more lots will be added to the Saturday night auction at the convention, to include material consigned there by convention attendees.

   Among the highlights in this year’s auctions are:

● The first issue of the legendary pulp, Weird Tales
● A fine copy of the December 1932 issue of Weird Tales, featuring the first appearance of Robert E. Howard’s immortal barbarian, Conan
● Numerous other issues of Weird Tales, including several of the rare bedsheet issues, many in gorgeous condition

● “Not At Night” edited by Herbert Asbury; the 1928 American edition of this British horror anthology series, signed by contributors H.P. Lovecraft and August Derleth as well as by editor Asbury
● Several very scarce issues of the pulp, The All-Story, with serial installments of Edgar Rice Burroughs’ first two John Carter of Mars novels, “Under the Moons of Mars” (in book form as “A Princess of Mars”) and “The Gods of Mars”
● A complete run of the rare pulp, Excitement
● The first edition of Frank Herbert’s landmark SF novel, “Dune”
● Nearly a complete bound run of the pulp Double Detective, including all of the Green Lama issues
● “The Case Against the Comics” by Gabriel Lynn, an extremely scarce 32 page pamphlet published in 1944 by The Catechetical Guild, advocating the censorship of comics, predating Wertham’s “Seduction of the Innocent” (note that an 8 page version was also published, but this is the full version)
● H.P. Lovecraft’s “The Shunned House”, printed in 1928 by The Recluse Press but never bound by them, which Glenn Lord later had professionally bound
● Two of famed SF editor Ray Palmer’s bound copies of the legendary fanzines, Science Fiction Digest and Fantasy Magazine, later signed and inscribed by Julius Schwartz to Bob Weinberg
● 30 copies of the pulp Dime Detective Magazine, many in beautiful condition

● An original Kane manuscript by noted fantasy and horror author Karl Edward Wagner
● 20 of the 21 issues of the scarce Canadian fantasy pulp, Uncanny Tales
● Other rare Canadian pulps and books, including many issues of the Canadian edition of Weird Tales and the only issue of Eerie Tales
● Numerous Robert E. Howard and H.P. Lovecraft items
● Correspondence from SF author Philip K. Dick, signed by him, with great content regarding his “The Man in the High Castle”
● The 1935 Dragon-Fly Press edition of “The Goblin Tower” by Frank Belknap Long, printed in an edition of 100
● Rare U.K. and Australian books and magazines, including the only issue of The Weird Story Magazine, and many publications from Gerald G. Swan and Utopian Publications
● Rare items by Clark Ashton Smith, including “Odes and Sonnets,” “Sandalwood and Other Poems” and “The Hill of Dionysus: A Selection”
● The complete run of the bedsheet pulp Scientific Detective Monthly/Amazing Detective Tales, including the extremely scarce ashcan issue
● “The Dream Weaver: An Edgar Rice Burroughs Chapbook”
● Other rare pulps, including issues of Mind Magic, Flash Gordon Strange Adventure Magazine and People’s Favorite Magazine

● Many early Arkham House books, including Robert E. Howard’s “Always Comes Evening”, Clark Ashton Smith’s “Out of Space and Time” and “Spells and Philtres”, Donald Wandrei’s “The Web of Easter Island” and “August Derleth: Twenty Years of Writing, 1926-1946”
● Signed items by H.P. Lovecraft, A. Merritt, August Derleth, Clark Ashton Smith, Edmond Hamilton, Mary Elizabeth Counselman, Greye La Spina, Daisy Bacon and others
● A complete bound set of the legendary fanzine, The Fantasy Fan, edited by Charles D. Hornig
● Numerous issues of the pulps Action Stories, Fight Stories, Fantastic Novels, The Magic Carpet Magazine, The All-Story and Private Detective Stories
● The complete run of the pulp, Oriental Stories, attractively bound, in slipcase
● The 1938 edition of “The Sign of the Burning Hart: A Tale of Arcadia” by David H. Keller, published in France in an edition of 100 copies; it’s been noted that few of these survived WWII

   The complete auction catalog is now available on our website, and can be downloaded at this link:

       http://tinyurl.com/yxezoqgf

   Images will shortly be posted on our website (www.windycitypulpandpaper.com) and are now also available in the Photos section on our Facebook page — search FB for Windy City Pulp and Paper or go to:

       https://www.facebook.com/windycitypulp/

   The website will also soon have details on absentee bidding, for those who can’t make it to the convention.

   But the auctions aren’t our only highlight! Friday through Sunday, our expanded dealer room will be buzzing, bursting with 180 six foot long tables, with roughly 100 dealers from the U.S., Canada and the U.K. displaying pulps, vintage paperbacks, science fiction, fantasy & mystery hardcovers, golden and silver age comics, original illustration art, movie memorabilia and more!

   Our art show will feature a great display of the Burroughs’ art of Mark Wheatley, as well as art from the pulp Planet Stories, pulp and paperback art with a Chicago connection, and a unique display of original photographs featuring pulp authors, artists and publishers. As usual, our film programming, curated by Ed Hulse, will run Friday and Saturday, showing movies and serials based on pulp stories. Our evening programming will include a presentation on John Campbell and Astounding Stories by Alec Nevala-Lee (author of the recent “Astounding: John W. Campbell, Isaac Asimov, Robert A. Heinlein, L. Ron Hubbard, and the Golden Age of Science Fiction”), as well as a panel of pulp experts discussing Fiction House’s beloved SF pulp, Planet Stories.

   And Sunday morning will see the new Director of Publishing for Edgar Rice Burroughs, Inc., Christopher Paul Carey, leading a panel on the exciting things planned from ERB, Inc., followed by New Pulp Sunday, programming devoted to the vibrant and colorful world of New Pulp organized by Ron Fortier of Airship 27 Productions. And all attendees will get a copy of our fabulous convention book, put out by Tom Roberts of Black Dog Books.

   We hope you’ll join us for the fun and excitement at this year’s Windy City Pulp and Paper Convention! For more info, contact me, Doug Ellis, at pulpvault@msn.com.

CONVENTION REPORT: PulpFest 2018
by Walker Martin


Dedicated to the memory of Rusty Hevelin.

   A TALE OF TWO CITIES by Charles Dickens is one of my favorite novels and starts off with the famous passage, “It was the best of times, it was the worst of times, it was the age of wisdom, it was the age of foolishness”. It continues later, “…it was the spring of hope, it was the winter of despair, we had everything before us, we had nothing before us…” This just about sums up my feeling after Pulpfest 2018.

   So what happened? On the drive back home, what made me attack a vending machine which tried to keep my dollar bill? The thing was seven feet tall but somehow I was so energized and angry that I shook the small bag of pretzels loose. What made me walk away from arguing with a bunch of fellow collectors, muttering curses, and angry?

   People that have known me for a long time know that the love of my life is Pulpcon/Pulpfest. I’ve been attending them since the first one in 1972. My vacation plans are always scheduled around the convention, I’ve attended them with severe back problems, once against the advice of both my chiropractor and physician. I’ve even gone to the show when my employer said I could not go. Like my good pal Harry Noble, I’d probably attend even knowing I had a terminal illness.

   I see Pulpfest as a big event, a big party or picnic. I go to have a good time, not to argue with other collectors and finally walk away grumbling. I had heard rumors of a big announcement which was to be made at the business meeting. It still surprised me to hear the news that Pulpfest might go back to Columbus, Ohio next year and what’s more might be connected in some way with a comic book convention.

   The committee mentioned that assistance would be provided by an unnamed comic book dealer and convention organizer. As far as I know only very few collectors questioned this plan. I was one plus one committee member said he agreed with me and a couple other collectors were also doubtful.

   But most seemed to accept this news. You may notice I dedicated this report to Rusty Hevelin who was responsible for continuing Pulpcon for over 25 years. With Rusty I knew I could walk into the dealer’s room and not see piles of comic books, it would not be another science fiction convention, it would not be full of new pulp books written mainly by non-collectors and amateur writers. It would not be a nostalgia convention. By god, it would be a convention for pulp and book collectors even if only 100 to 200 showed up. They at least would be serious collectors often bringing boxes of pulps, books, vintage paperbacks, slicks, digest, and original art.

   Everybody seemed to be moaning about how the attendance was not growing but was stuck at about 375. Still, this was far more than the old Pulpcon ever achieved in 37 years. There may be a thousand or so pulp collectors in the US. But most of them won’t ever come to Pulpfest because of health problems, financial problems, or they can’t get away from their job or family responsibilities. 400 and something is about the maximum that we can expect, though the Windy City Convention has claimed to break the 500 mark. I really don’t see any big increase in attendance being possible unless we want to import a ton of comic collectors, new pulp people and walk ins that seldom buy anything.

   But I’m a pulp collector and I want to talk and deal with other pulp collectors. Many comic book collectors seem to like slabbing the books. I’m completely against this because I want to read the things. I don’t want them in a sealed plastic case. But comics are big money and pulps are not. I don’t see us co-existing at all. True, the committee has some personnel problems. Ed Hulse left a few years ago which I saw as a big blow. Bill Lampkin could not make it this year due to family responsibilities, Chuck Welch will soon be moving to Canada, Jack Cullers and Barry Traylor are my age which means they are getting older, to put it kindly.

   It’s time for me to talk about the convention and stop with my complaints, especially since I seem to have few supporters. Nothing has been decided yet by the committee and we will have to see what happens. I really like the Double Tree Hotel however and hope we return next year.

   First, the programming was outstanding as usual. I skipped the new pulp presentations because I don’t care about new pulp. They mainly strike me as non-collectors and as I have said many times, collectors are my favorite type of people. But Thursday the best thing on the program was Sai Shankar talking about the great WW I author, Leonard Nason. I’ve often wondered why people travel to Pulpfest and then miss the programming due to the fact they are stuffing their face.

   Well, I’ll be damned if I didn’t miss Sai Shankar, who is one of my friends, talking about one of my favorite ADVENTURE writers, Leonard Nason! His talk was scheduled for 8:40 and we sat down to eat in the hotel restaurant at 7:00 or perhaps even before 7:00. But the service was so slow that we were there forever and as a result we all missed Sai’s talk. Laurie Powers complained to the manager that due to the slow service we missed the program.

   Friday, there were three panels I enjoyed mainly because I have problems with the subjects. I love the art of the men’s adventure magazines and have collected it in the past. I mean what is there not to love about Nazis turning girls into gold ingots? No wonder they lost the war! Bob Deis and Wyatt Doyle talked about the art and the fiction. I often have problems with the fiction but I love the magazines anyway. I know the WW II vets loved them also! They had a table full of their latest books including POLLEN’S WOMEN: The Art of Samson Pollen. I hope they can publish a reference book listing and discussing the many men’s adventure titles. We need such a guide book.

   Then I liked the panel on the air war pulps hosted by Don Hutchison. Bill Mann, Chris Kalb and company are doing a great job reprinting many authors of the aviation magazines. I have problem reading these stories but I’m working on it and hope to someday be able to appreciate the fiction. Finally the son of John Fleming Gould talked about his father’s art.

   Saturday, started off with the dreaded business meeting which just about ruined my evening but the announcement that Bill Lampkin had been awarded the Munsey Award cheered me up. Bill edits the excellent PULPSTER magazine and is also on the committee. Then the guest of honor, Joe Lansdale, was interviewed. David Saunders gave an excellent talk on the Art of the War Pulps. David discusses art at each Pulpfest and I hope this tradition continues.

   For just about the first time the auction was scheduled for two evenings at Pulpfest. Usually the auction is only one night but there was so many lots, over 400 total! Both nights the auction lasted from 10 pm to past 1 am. Some collectors griped that there was nothing at the auction. I disagree. Friday night saw a run of ARGOSY from the thirties, almost 600 issues of WILD WEST WEEKLY from 1927 through 1943, a set of PLANET STORIES, and many miscellaneous lots. The highest priced item by far was the five boxes of Al Tonik’s research papers. It went for $2000.00.

   Saturday night saw many lots of WESTERN STORY, many sport titles, and the best conditioned set of SF digests that I have ever seen, and I’ve been collecting for over 60 years. The entire run of these magazines were in astonishing beautiful condition. Nice paper, new looking covers, that great scent of new magazines. I had them all but I was tempted to buy them all just for the beautiful condition. Seeing these lovely magazines reminded me once again about why I am a collector. They are beautiful. Sets of AMAZING, FANTASTIC, GALAXY, ASIMOV’S, ANALOG, F&SF, IF, NEW WORLDS, SCIENCE FANTASY, NEBULA, and IMAGINATION. The IMAGINATION set may be the prettiest thing I’ve seen in a long time. Though I had them all already, I bought the 5 lots making up the over 200 digest issues of AMAZING because the condition was just so much better than my own set.

   THE PULPSTER, number 27, was the usual excellent issue. 48 large size pages discussing Arthur Sullivant Hoffman’s ADVENTURE, the American Legion in ADVENTURE, artist George Evans and the aviation pulps, Philip Jose Farmer, and a great letter from a college student talking about her the summers she worked for Popular Publications.

   I was told that attendance was around the 375 mark which I think was great. The dealer’s room was always buzzing with a lot of activity. The hospitality room was well stocked with craft beer and one night about a dozen pizzas were delivered.

   Hopefully soon we will see two new magnificent books about pulp titles we seldom talk about. Laurie Powers book on the romance pulps and the life of Daisy Bacon, the excellent editor of LOVE STORY and DETECTIVE STORY. Michelle Nolan’s book on the sport pulp titles should also be a groundbreaking book on a seldom discussed topic. We desperately need books like these two because I’m tired of the same old hero pulp discussion. I know, I know, everyone loves the hero pulps but after all they were aimed at the teenage boy market and are not really adult fiction. Let’s talk about something new like love and sports!

   So, you may be wondering what did I buy? Actually this was one of the better Pulpfests for me finding unusual items. As I mention already above, I bought at the auction a lovely set of AMAZING, 1953-1980’s. Simply stunning condition. Here is a listing of what else I found of great interest:

1–Lot of 54 of the 71 isssues of AMRA. AMRA was a SF fanzine published between 1959 and 1982. Edited by George Scithers, it was famous mainly for the articles on Swords and Sorcery. The famous artists and authors that appeared in the magazine are too numerous to name but include Roy Krenkel, Poul Anderson, L. Sprague de Camp, Avram Davidson, Fritz Leiber, Michael Moorcock, and many more. AMRA won the Hugo for best fanzine in 1964 and 1968.

   I bought these from Chet Williamson who also sold an interesting Hammett item to someone else and some rare ALL STORY issues. I was a subscriber to AMRA but I sold my issues a long time ago and now I’m rebuilding the set, something I done so many times, with so many magazines.

2–THE AGE OF THE STORYTELLERS: British Popular Fiction Magazines, 1880-1950 by Mike Ashley. This book was published at a hundred dollars but at only $25 I had to get this second copy to add to my first copy. That’s right, the book is so great that you must buy two copies!

3–A framed, signed drawing by the great Edd Cartier. This was only $225 so I had to add it to my Cartier collection which now numbers over 15 drawings. You can never have too many Cartier drawings.

4–A framed painting by pulp collector Lester Belcher showing Sonny Tabor riding on a horse. I knew Lester and he was not an artist but he loved WILD WEST WEEKLY, so he attempted to paint one of the characters from the magazine. I consider it a great piece of “outsider” art done by one of my former friends that I miss. Price at the auction was only $10. Everyone thought it poorly done but to me, knowing Lester, it is priceless.

5–A Richard Powers painting for the Ballantine 1964 paperback, TARZAN AND THE CITY OF GOLD. Done in a different style than usual with Powers. After I bought it the art dealer told me two other collectors stopped by and were disappointed to learn that it had been sold.

6–Two Guest of Honor plaques from Pulpcon. I already have the one given to Walter Baumhofer but I couldn’t pass up these two. One was from 1994 and given to artist R. G. Harris in Tucson. It shows four cover paintings that he did for the pulps. The second is a real treasure since Elmer Kelton was one of the great western writers. It was given to him when he was the guest at the Pulpcon in 1998. It shows four covers from RANCH ROMANCES containing four of his early stories. I hunted for these plaques for decades, now I have three of them!

7–Now the most unusual story of them all. I now have three cover paintings of the paperback western BADLANDS BOSS by Bradford Scott. All by the same artist, Rudy Nappi. It’s possible that there is no other cover painting that was painted three times by the same artist. Back in the early 1980’s I bought the original cover painting at Pulpcon for $100.

   Then several years later I was at Al Tonik’s house for a Tonikcon and there was the same cover by Rudy Nappi also. Al explained that he was not aware the the original cover had survived and so he commissioned Rudy Nappi to paint an exact recreation of the cover. Price he paid was also $100. But the painting was damaged in the mail when the board was bent in order to stick in Al’s mailbox. So he contacted Nappi and told him the sad story and Nappi agreed to paint the painting again for no charge. So now Al had two paintings.

   He gave me the damaged one and kept the good one. Actually you can’t see the damage until you look closely and see the board has been bent. Then after Al Tonik’s death what comes up for auction? The third Rudy Nappi cover painting of the same paperback. Since I had two I had to buy the third one also and got it for only $30 at the auction. You can’t make up such an insane story.

   So ends my report. Despite my complaints, I truly appreciate the hard work of the committee. Thanks Mike Chomko, Jack Cullers, Sally Cullers, Bill Lampkin, Chuck Welch, and Barry Traylor. Plus the many helpers, and of course thanks to for Sai Shankar for the use of some of the photos he took during the convention. Stay tuned to pulpfest.com for news of next yea’s show.

WINDY CITY PULP CONVENTION 2018 REPORT
by Walker Martin

   The older I get, the longer this drive gets! Five of us drove from New Jersey to Chicago in the usual 15 seat white rental van. We take out the last two rows of seats to make the cargo area bigger. We need the space for all the books, pulps, and artwork that we will buy during the convention. During the long drive I pondered the age old question of which is worse: to forget your want list or to forget your medication. I know of two collectors who had to deal with these mistakes. I think forgetting your want list is worse. How can you collect without your lists?

   First stop was the Thursday pulp brunch at the house of Doug Ellis and Deb Fulton, otherwise known as the Windy City Pulp Art Museum. Doug had recently added an addition to the large house because he needed more wall space for the hundreds of cover paintings and illustrations. After three hours of eating, drinking, and gawking at the art, we drove to the Westin Hotel, home of the convention for the last several years.

   This year dealers were allowed to set up Thursday evening and I believe everyone was happy with this arrangement. Friday morning the convention officially began and there were approximately 150 dealer tables and somewhere around 400 to 500 attendees. This made for a busy three days of hunting for pulps, paperbacks, books, digests, slicks, DVDs, and artwork.

   But if you were not into collecting or short of money, then there were other things to do, such as the enormous art show showing scores of pulp and paperback paintings and the film festival which ran mainly during the day on Friday and Saturday. The evenings consisted mainly of John Locke discussing “The Secret Origins of Weird Tales” and GOH F. Paul Wilson being interviewed.

   Then of course there was the auction, which is one of the main attractions of the convention. It was held on Friday and Saturday evening and lasted about 4 hours each night. Friday night consisted of over 250 lots from the estate of Glenn Lord, who was the literary executor for the Robert Howard estate for many decades. Robert Howard collectors had the opportunity to bid on many magazines that contained Howard stories, such as WEIRD TALES, FIGHT STORIES, SPICY ADVENTURE, SPORT STORY, ACTION STORIES, GOLDEN FLEECE, ORIENTAL STORIES, MAGIC CARPET, STRANGE TALES, and ARGOSY.

   Many of these pulps went for hundreds of dollars and two of the highest amounts were for the rare fanzine, THE PHANTAGRAPH. $1400 and $1000 for two issues that I noted, but a friend bought down some beer from his room and I had several bottles which resulted it me not noting the prices for the rest of the issues.

   Saturday night I avoided the beer for awhile and noted some good prices for pulps from the Ron Killian estate. This auction also had material consigned by the attendees at the show. It’s good to see pulps come up for auction but sad to realize that they are from the estates of collectors that you will never see again. At the break I went up to hospitality room for a beer and somehow never did make it back down to the last of the auction. Is it possible that I’ve reached the stage in my collecting life that I would rather have a cold beer? Could be! I’ve been at this game for a long time now.

   I bought my usual amount of books but I don’t need many pulps according to my want lists. However I did manage to find some excellent and bizarre art. I bought as Emsh interior from IF in the fifties, a very large drawing by one of the decadent artists, Beresford Egan, and a stunning Lee Brown Coye interior from FANTASTIC, February 1963. It illustrates the Mythos story “The Titan in the Crypt”. Some of my friends don’t like Lee Brown Coye but I find his art to be perfect for bizarre horror stories. There are presently three books published about his art recently and this indicates that people are realizing his greatness.

   Another paperback cover I bought was one of the strange paintings that show two novels. In the early fifties there were a few fat paperbacks that had two novels and the cover shows two paintings, one upper and one lower. I remember buying PRIME SUCKER and THE HUSSY. Looks like the work of Walter Popp. I always wanted one of these strange paintings. Finally after decades of hunting!

   But the biggest sale of the show was a copy of ALL STORY for October 1912. That’s right the Tarzan issue! The Holy Grail of pulps! It went for $30,000 and sold right away soon after the doors opened. I’ve never seen a complete copy at a pulp convention. I once was high bidder on a copy at an early Pulpcon but it lacked the covers and the Tarzan novel was excerpted. That’s right, some crazy Breaker had cut out the Tarzan novel reducing a $30,000 to $50,000 magazine to a $400 curiosity piece.

   Another high priced item was a sexy cover painting from PRIVATE DETECTIVE by Parkhurst. It was priced at $18,000 but I believe sold for $16,000. One piece of art that did not sell was a Kelly Freas cover painting from ASTOUNDING, February 1955, showing a tough guy dressed as a woman. Price was $30,000 and I guess the owner did not want to sell it but just to exhibit it.

   Each year, I swear that I’m not going to buy any more art because I’ve run out of wall space. I have paintings stacked up against bookcases, etc. But being a collector is a hard job and someone has to do it…

   The program book, titled WINDY CITY PULP STORIES #18 is the usual excellent book edited by Tom Roberts. 136 pages mainly dealing with the air war pulps and Harold Hersey. I noticed three books making debuts at the show:

1–ART OF THE PULPS. This is a must buy and the title says it all. Several essays by well known collectors discuss all the genres including those often forgotten such as the love and sport pulps.

2–HALO FOR HIRE by Howard Browne. This is the complete Paul Pine mysteries and published by Haffner Press.

3–BLACK MASK, Spring 2018 is the fourth issue of the revived BLACK MASK. Published by Altus Press.

   Over the years, after writing one of these convention reports, I’ll hear from fellow collectors who regret not attending the show. Windy City may be over for another year but coming up is the next big pulp convention on July 26 through July 29. It’s in Pittsburgh and the details are at pulpfest.com. I highly recommend this show, and I ought to know what I’m talking about since I’ve been to almost all of them since 1972 when the first Pulpcon was held in St Louis. Almost all my pals who attended are gone now except for a handful such as Caz, Randy Cox, maybe Jack Irwin attended also, I forget. But of the hundred or so who eagerly went in 1972, we are getting down to the last man standing. Or the last Collector standing!

   Don’t miss out on Pulpfest. It’s a must for collectors. We have to support Windy City, Pulpfest, Pulpadventurecon and the other one day shows or one day we won’t have any conventions and then we will be like the dime novel collectors.

   I know one collector who says the two conventions are the same. No, they are not. Windy City is different and the emphasis is on art, films, and the auction. Pulpfest is also different with the emphasis on the dealer’s room and an evening full of panels and discussions.

   The hotel is great and I recommend that you stay there. Sure you can get a cheaper rate down the road somewhere but the convention hotel is where all the action is.

   I hope to see you there!

PS. Thanks to Sai Shankar once again for the use of his photos. All of the larger ones are ones he took. To see many more of the photos he took at Windy City, check out his Pulpflakes blog here.

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