REVIEWED BY MIKE TOONEY:
(Give Me That) OLD-TIME DETECTION. Spring 2024. Issue #65. Editor: Arthur Vidro. Old-Time Detection Special Interest Group of American Mensa, Ltd. 36 pages (including covers). Cover image: Stuart Palmer’s The Puzzle of the Pepper Tree.
It goes without saying that Old-Time Detection is an indispensable repository of information for the devotee of classic detective fiction, mixing the old with the new in this particular literary genre; and who better than Arthur Vidro to curate it.
First up is a short 1976 EQMM interview with Stanley Ellin: “The problem here was to get an ending which was right.”
Next, Charles Shibuk continues his Paperback Revolution from 1974: “As I write this, 1973 is slowly dissolving into a hopeful new year, and 1973 has certainly not been a good one — especially in the reprint field.” Shibuk notes reissues from Margery Allingham (“an extremely erratic performer, but she seems to be her best in the short form”); James M. Cain (“hardboiled prose by a master of the genre”); Agatha Christie (“presents Poirot as a Nero Wolfe imitator”); Carter Dickson/John Dickson Carr (“exploits in farce and detection”); Dick Francis (“a superb work”); R. Austin Freeman (“the creator of Dr. Thorndyke was one of the giants in this field”); Jacques Futrelle (“they [his stories] still retain their freshness and devilish ingenuity today”); Frank Gruber (“a fast and funny romp”); John D. MacDonald (“the patented brand of MacDonald philosophy, which this reader could live without”); Ngaio Marsh (“not among Marsh’s best work”); Rex Stout (“one of Stout’s better early novels”); and Trevanian (“overpraised”).
Dr. John Curran, the foremost Christie expert extant, sadly traces the damage committed by meddlesome Hollywood and its even more heavily politicized ugly twin, the BBC, when adapting Agatha’s Murder Is Easy (a.k.a. Easy To Kill) and looks forward apprehensively to an upcoming “adaptation” of Towards Zero. Curran hits the truth button on why Agatha Christie’s “entire back catalogue is still in print”: “It is because she stuck to writing what she knew she could write: clever, entertaining whodunits. . . she rarely, if ever, weighed down her stories with discussion of religion or politics.”
The second part of Francis M. Nevins’s article about Erle Stanley Gardner has a wealth of information concerning ESG’s middle period (including the two largely unknown prototypes of Perry Mason and Della Street) and his first Mason novels, featuring a far different character than most readers and TV viewers are accustomed to (“The Mason of these novels is a tiger in the social Darwinian jungle . . .”). And there’s more to come.
In 1958 Julian Symons compiled a heavily annotated list of what he regarded as the “100 Best Crime Stories,” starting with William Godwin’s Caleb Williams (1794), and running up to 1957. Those familiar with Symons’stastes in detective fiction won’t be surprised at some of his choices, but it’s heartening to see that he didn’t overlook Freeman, Futrelle, Van Dine, and EQ, among deserving others.
Pietro De Palma offers up this issue’s fiction piece, “A Double Locked Room” (6 pages): “In the seafront office of the Bari Police Station, two men were discussing this fresh case, which seemed less a police matter than a matter for an escapologist.”
From the mid-80s we have Jon L. Breen’s in-depth reviews of three contemporary novels: Max Allan Collins’s Kill Your Darlings (1984: “excellent dialogue, characterization, and mystery plot”); Robert J. Randisi’s Full Contact (1984: “a well-crafted and quick-paced story”); and Reginald Hill’s A Clubbable Woman (1970, first U. S. publication 1984: “one of the outstanding firsts in detective fiction history”).
Editor Arthur Vidro shares his thoughts about the (usually) benign madness associated with book collecting, which sometimes becomes uncontrollable at auctions, and his own personal “game plan.”
From a 1979 issue of The Armchair Detective we delve once more into “The Non-Fiction World of Edward D. Hoch,” as he reminisces about “Growing Up with Ellery Queen” (“I think I wanted to be a writer even then”).
When he reviewed Doug Greene’s recently published John Dickson Carr: The Man Who Explained Miracles (1995), Michael Dirda rightly entitled it “The Houdini of the Mystery” (“Carr excels in his plotting and narrative pacing, in the rush of unfathomable, seemingly unconnected clues . . . reading a writer like Carr is being reminded that good fiction doesn’t require richly beautiful sentences or complex psychological probing . . .”).
Arthur Vidro returns with two concise reviews: Agatha Christie’s By the Pricking of My Thumbs (1968: “her enthusiasm comes through in the prose”) and Stuart Palmer’s The Puzzle of the Pepper Tree (1933: “The fourth outing for Hildegarde Withers takes her to California”).
Letters from OTD-ers and a fiendish puzzle wrap up what we’ve come to expect, a quality issue of Old-Time Detection full of good stuff.
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Web address: vidro@myfairpoint.net