MURRAY LEINSTER “The Fourth Dimensional Demonstrator.” First published in Astounding Stories, December 1935. Reprinted in The Other Worlds, edited by Phil Stong (Funk, hardcover, 1941), and The Future Makers, edited by Peter Haining (Belmont, paperback, US edition, 1971). First collected in Sidewise in Time (Shasta, hardcover, 1950), then The Best of Murray Leinster (Ballantine/Del Rey, paperback, 1978), and A Logic Named Joe (Baen, paperback, 2005).

   This one begins with a fellow named Pate Davidson complaining to his newly inherited man servant Thomas that his uncle had left him nothing of value after his death. He is especially upset because his fiancée Daisy (currently the star attraction of the Green Paradise floor show) expects (had been allowed to expect) … well, something more than that.

   “Not so,” says Thomas, and shows Pete one of inventions his late uncle was working on. It’s in the shape of a cylinder standing upright with an open side and all kinds of gadgetry lining the inner surface. On the floor, in the center of the opening is a small plate, and as Peter soon discovers, if something is on the plate when the machinery is turned on, the demonstrator (that’s its name) brings that same object back to the present from a few seconds earlier.

   Never mind the physics behind this. Pete has a mind that quickly begins to work overtime. Place a dime on the plate, turn the switch on, then there’s two. Turn the handle again, than there’s four; then eight, then sixteen. (I hope I’m explaining this correctly.)

   This is only petty cash, though, right? Dimes, pah! Why not dollar bills? You probably know as well I do why not, and as soon as Peter realizes why not too, the cops are knocking on the door. And so is Daisy, and somehow they all end up stepping on the plate, and …

   Most SF stories from 1935 are staid and serious. Not this one. This one is a lot of fun.

   I might have done without the cigarette-eating kangaroo(s), though.

MAX ALLAN COLLINS “Marble Mildred.” Nathan “Nate” Heller. First appeared in An Eye for Justice, edited by Robert J. Randisi (Mysterious Press, hardcover, 1988: A PWA Anthology). Collected in Dying in the Post-War World: A Nathan Heller Casebook, (Foul Play Press, hardcover, 1991).

   Running a one-man PI office in 1936 post-Depression Chicago, Nate Heller is hired by a woman who thinks her husband is cheating on her. It turns out that she’s wrong. In spite of following the man for several days, he manages to find incriminating at all. In truth he discovers that the story is quite opposite. His client has been lying to him, and quite badly.

   But when the non-erring husband is found with several bullet holes in him and close to dying, which he eventually does, it is Heller’s client who is suspected. Is he expected to clear her? Especially when, hired by a public defender, his efforts on her behalf just manage to uncover an even deeper – and sadder – story.

   Heller’s career over the years – and seventeen novels and four short story collections — has gotten him involved with people such as Charles Lindbergh, John Dillinger, Amelia Earhart, the Kennedys, and more. He may even, so rumors say, have gone to bed with Marilyn Monroe.

   So it comes as no surprise to read a short note at the end of this one that it too is based on a true story, with most but not all of the names changed. Collins is a very good writer. There’s no doubt about that. It’s just that the case itself is not very interesting. I can’t put my finger on it in order to tell you why. Maybe it’s as simple as this: the case it’s based on just didn’t have a lot of story value in it to begin with.

“A Clever Little Woman,” by the author of “Nick Carter.” Nick Carter. First published in the New York Weekly, 24 November 1894. (Real author unknown.) Reprinted in The Great American Detective, edited by William Kittredge & Steven M. Krauzer (Mentor, paperback original, October 1978).

   Of all the dime novels and other fictional exploits of Nick Carter (“Master Detective”) it is unclear why the editors of The Great American Detective chose this one to lead off their anthology of … guess what? Stories about great American detectives. But it’s not bad and in fact, it’s quite readable and only slightly stilted and not at all as fusty as you might expect a non-literary piece of fiction written in 1894 might be.

   Nick is hired to learn who forged a check purported to have been signed by an old man with heart trouble. Only indeed by accident and happenstance was the deed discovered. Filling Nick Carter in on the details is the daughter of a distant relative from upstate New York who is currently living with the family, a bright young lady who has brought a good deal of recent cheer to the household.

   Only someone with uninterrupted access to Mr. Brandon’s checkbook could have forged the check, so all of the recent callers to the house must be investigated. Nick Carter does a good job of it, but today’s readers will know who the guilty party at once. (I assuming that those of you reading this are as good a detective in these matter as I am, which is a very low bar to hurdle, I assure you.)

GEORGE C. CHESBRO. “Candala.” Robert “Mongo the Magnificent” Fredrickson. First appeared in An Eye for Justice, edited by Robert J. Randisi (Mysterious Press, hardcover, 1988: A PWA Anthology). Collected in In the House of Secret Enemies (Mysterious Press, hardcover, 1990).

   Mongo the Magnificent appeared in quite a few novels by author George C. Chesbro as well as short fiction such as this one. You may have read some of them, but in case not, I’ll introduce him to you formally now as Dr. Robert Frederickson, private detective, criminology professor, martial arts expert, ex-circus acrobat, and dwarf. A unique individual, to say the least.

   Most of the work that I’ve read in which he appears has always seemed to be, including the cases he takes as a PI, to have more than a hint of mysticism to them, whether it’s actually there or not. So it is with “Candala,” in which he plays a dual role as college professor as well as a PI.

   He’s hired by a girl from India whose would-be fiancé, one of Mongo’s better students, has suddenly shut her out of her life, and she wants to know why. [WARNING: Plot Alert] With even that small amount of build-up, it probably will not surprise you if I tell you that he has not found another romantic interest, but what has happened has roots in the caste system still endemic in their homeland (at least at the time the story was written).

   Most fictional PI cases involve cheating spouses, missing children, dealings with mob bosses and the like. This, as you can tell, is not one of them. There’s no overt mysticism in it, but the hint is there, and it turns out to be a case I’m sure Mongo will never forget.

HARLAN ELLISON “Pretty Maggie Moneyeyes.” Novelette. First appeared in Knight, May 1967. First collected in I Have No Mouth and I Must Scream (Pyramid, paperback original; 1st printing, April 1967; cover by Diane Dillon & Leo Dillon). Reprinted in Best SF: 1967, edited by Brian W. Aldiss & Harry Harrison (Berkley, paperback original, 1968), among others. Nominated in 1968 for both the Hugo and Nebula awards for 1967.

   The soul of a blue-eyed, dyed blonde scrabbling her way from poverty, is trapped in a Vegas slot machine, and Kostner is betrayed into playing one time too many. An accurate expression of life as typified by Las Vegas. (5)

PHILIP K. DICK “Faith of Our Fathers.” Novelette. First appeared in Dangerous Visions, edited by Harlan Ellison (Doubleday, hardcover, 1967; cover art by Diane Dillon and Leo Dillon). Collected in The Best of Philip K. Dick (Del Rey, paperback, 1977). Nominated for the Hugo Award in 1968 for Best Novelette of 1967.

   A civil servant in Hanoi, which incidentally seems to have won the war, is given an anti-hallucinogen so that he can see the reality behind the television image of the Absolute Benefactor. But is it reality when people see twelve versions? Or is it God? Barely succeeds as a story. (3)

JANE LINDSKOLD “The Drifter.” First appeared in A Girl’s Guide to Guns and Monsters, edited by Martin H. Greenberg & Kerrie Hughes (Daw, paperback original, 2010). Collected in Curiosities (CreateSoace, trade paperback, 2015).

   To begin with, here’s the first paragraph:

   Jane Lindskold is an author known for her stories of mythological fantasy – werewolves, shape-shifters, satyrs, merfolk, and unicorns, according to her Wikipedia page – but she wisely holds off on telling the reader was exactly the “trouble” is that she is on the trail of, but you can take it from me that that Wikipedia description is right on the mark.

   I will tell you this. Prudence Bledsoe is the kind of woman that when she rides into town, people notice. Not many women ride into town, you see, a drifter, you might say, on horseback, not one of the usual arrivals on the train or by stagecoach. That first sentence also lets us know that she is a woman on a mission, and I think the townsfolk know that, too.

   Jane Lindskold is a very good writer. Besides setting up the story as she does in the very first sentence, she also conveys the dustiness and the on-the-edge of nowhere feeling of the town and the townspeople. Cattle and sheep have been gruesomely killed, she learns, and young children have gone missing. And at length, Prudence Bledsoe’s own personal secret is revealed.

   This is not a classic unforgettable story, but any means, but it’s an effective one, and it’s a fine choice for the leading one in a collection entitled A Girl’s Guide to Guns and Monsters.

ANNE McCAFFREY “Weyr Search.” Novella. Dragonriders of Pern #1. First appeared in Analog SF, October 1967, Reprinted in Nebula Award Stories Three, edited by Roger Zelazny (Doubleday, hardcover, 1968), among others. Nominated for the Nebula AwarD in 1968 for Best Novella of 1967. Winner of Hugo Award that year for that category.

   The traditions and ballads of Pern glorify the dragons and their masters, but the time of crisis is past, at least for the time being, and forgetfulness has come easily, A new Weyrwoman is needed for the dragon queen about to be hatched, and dragonmen venture forth to find a suitable girl.

   Well written, but there exists too much feeling of looking on from the outside, A sequel is definitely demanded. The map is of little use.

Rating: ***½

ROBERT SILVERBERG “Hawksbill Station”. Novella. First appeared in Galaxy SF, August 1967. Reprinted in World’s Best Science Fiction: 1968, edited by Terry Carr & Donald A. Wollheim (Ace, paperback, 1967). First collected in The Reality Trip and Other Implausibilities (Ballantine, paperback, 1973). Expanded to the novel of the same title (Doubleday, hardcover, 1968). Nominated for both the Hugo and Nebula Awards in 1968 for Best Novella of 1967.

   Governments of the 21st Century have found Hawksbill Station, located two billions years in Earth’s past, an excellent spot for deported political agitators. Jim Barrett, with greatest seniority, is the acknowledged king whose kingdom is going completely insane. A crisis seems to form with the new arrival of Lew Hahn, who is strangely different.

   The ending is a letdown from what goes before, is perhaps too simple in comparison with the masterful construction that precedes. It could be the background for a much longer story.

Rating: ****

ROGER ZELAZNY “Damnation Alley.” Novella. First appeared in Galaxy SF, October 1967. First collected in The Last Defender of Camelot (Pocket, 1980). Reprinted in Supertanks, edited by Martin H. Greenberg et al (Ace, 1987). Expanded into the novel of the same title (Putnam, hardcover, 1969). Nominated for a Hugo Award in Best Novella category (placed third). Film: 20th Century Fox, 1977, with Jan-Michael Vincent (as Tanner) and George Peppard.

   Damnation Alley is the cross-continent route from Los Angeles to Boston, some years after the Bomb. The plague has hit Boston, and Hell Tanner is one of the drivers sent out with the essential serum [they need]. Armored cars are necessary to avoid radioactivity, mutated monsters, and violent storms.

   Tanner is an ex-convict, a Hell’s Angel gangleader, who is forced into leading the caravan with the promise of a full pardon. It is his story, his changing reaction to the job he must do, with side glimpses into the resiliency of man. There is, of course, a tremendous build-up of tension and emotion as Boston gradually becomes reachable.

   Zelazny’s picture of a new world is both beautiful and horribly terrifying: do you believe that?

Rating: *****