CIPHER BUREAU. Grand National Pictures, 1938. Leon Ames, Charlotte Wynters, Joan Woodbury. Don Dillaway, Gustav von Seyffertitz, Tenen Holtz. Directed by Charles Lamont. Available for viewing on YouTube here.

   Joan Woodbury as a foreign spy?!? Tell me, Maury, that it isn’t so. But even if true – and that’s a big if – she’s as beautiful as ever. And do you know? With the hint of an exotic foreign accent, maybe she should have been cast as a beautiful foreign spy in the movies more often. (And who knows, maybe she was. I haven’t watched all of her movies yet.)

   I didn’t happen to catch what country the bad guys were working for, or what the plans they are trying to steal are all about. Just that they are important plans, and do you know, that’s all we really need to know.

   The real reason this movie may have been made, though, and I’m just guessing, is to show the movie-going public back in 1938 what governmental code breaking is all about. Or at least what Hollywood thought it was all about back in 1938, with letters in a message called out by one person in the Cipher Bureau, while another uses a chalkboard to keep  a tally on how many times each letter is used.

   To be honest, some other techniques are used, but they’re never really explained, not really, which makes it seem as though the head of the bureau. Major Waring (Leon Ames) is relying on hunches and guess work as much as anything else.

   There are a couple of semi-romantic subplots, and the major’s obsession with the work at hand only results on his brother getting kicked out of the Navy, a fact that the script seems to take in stride, as he is soon back in good graces again.

   Even though the movie drags a lot (that is to say, it is rather dull) it was successful enough to produce a sequel, Panama Patrol (1939), starring both Leon Ames and Charlotte Wynters as his faithful secretary, Helen Lane.