Mon 29 Aug 2022
Pulp Stories I’m Reading: CORNELL WOOLRICH “Finger of Doom.â€
Posted by Steve under Pulp Fiction , Stories I'm Reading[2] Comments
CORNELL WOOLRICH “Finger of Doom.†First published in Detective Fiction Weekly June 22, 1940. Included in Great American Detective Stories, edited by Anthony Boucher (Tower, hardcover, as “I Won’t Take a Minute.†Reprinted in Ellery Queen’s Mystery Magazine, January 1957, as “Wait for Me Downstairs.” Collected in The Ten Faces of Cornell Woolrich (Simon & Schuster, hardcover, 1965) as “I Won’t Take a Minute.†Radio plays: Suspense (CBS), December 6, 1945, as” I Won’t Take A Minute†and Escape (CBS), March 19, 1949.
It probably wasn’t the first novel or story to fit the theme, but it came early, and the movie made of it was a big hit at the time. I’m speaking of Ethel Lina White and her book The Wheel Spins (1936), and the Alfred Hitchcock movie The Lady Vanishes (1938) that was based on it.
Nor do I believe that “Finger of Doom†was the only time that Cornell Woolrich used the story line to good – no, great – advantage. A young man picks up his girl as she leaves from work. They are in love and the wedding day is less than two weeks away. He has an evening of fun planned for them, but first she must do a small errand for her employer. There is a small package she has to drop off for someone living in an apartment building which is on their way.
She rings the bell, she is allowed in, she goes up – and she doesn’t come down. He waits outside, shifts his feet, walks up and down a little, and waits some more. The young man’s thoughts go from a vague unease, to worry, and finally to near panic.
Although he has doubts, a policeman comes to help, but no one in the building has seen her, the room she was to deliver the package to is empty, and the final blow comes when they return to her place of work, and another woman working there says her name is the same as the young man’s girl.
Cornell Woolrich is the out-and-out master of this kind of “everyday gone wrong†type of story, and even so, this is one of his best. The smallest details fit perfectly, especially in describing the young man’s thoughts standing outside the apartment building where his girl has vanished into. I suspect that everyone reading this has gone through situations similar to this, although perhaps never so serious as this. It must explain why his panic as it grows and grows is so very very contagious.
Rating: 5 stars.
August 29th, 2022 at 7:53 pm
Perhaps Woolrich’s greatest gift is he was able to trigger that willing suspension of disbelief needed to buy this kind of paranoid urban fantasy almost effortlessly.
I don’t think any writer ever did apprehension and unease better. Admittedly his prose could get a bit purple, and it didn’t always do to think about his plots, but the whole idea was to turn yourself over to the master and let him take you for the ride, and the reward was worth it.
Great as his novels were I’m not sure he wasn’t better at short story or novella length where the reader really didn’t have time to think too much.
Like many great writers whose skill lies in tapping into our unconscious fears, desires, fantasy, and uncertainties it doesn’t always do to drag the thing out into the light and examine it too closely, but then you could say the same of Poe and even Doyle (“The Speckled Band” or HOUND OF THE BASKERVILLES) or Agatha Christie and Ian Fleming.
At his best, and this one is close to that mark, he just doesn’t let you worry about things like applying to much logic the process.
You just buckle in and let the master take over.
August 29th, 2022 at 8:14 pm
What you said, and quite so.
I do regret that the ending of “Finger of Doom” is not completely satisfying, but how could it? It does fit the facts and the times, and it does that very well. Maybe more that we should not ask.
I also do not know where the title “Finger of Doom” comes from. The several alternate titles that were used when it was reprinted are far better.