Fri 2 Mar 2012
ADVENTURES IN COLLECTING: The FRANK M. ROBINSON Collection Auction, by Walker Martin.
Posted by Steve under Collecting , Columns , Pulp Fiction[22] Comments
The FRANK M. ROBINSON Collection Auction
by Walker Martin
Recently I was disturbed to notice that a pulp discussion group that I contribute to seemed to be ignoring or unaware of the fact that a major pulp collecting event had just occurred. In fact, I call it The Pulp Auction of the Century.
I am of course referring to the auction of the collection of Frank M. Robinson, science fiction author, Hollywood screen writer, movie actor (he appears in Milk), and world class collector of high condition pulp magazines. I stress the “high condition” part of the last statement. Frank has been written up many times because of his famous “wall of pulps,” all in fine or very fine condition.
First, what qualifies me to be making such a claim that this was The Pulp Auction of the Century? I’ve been a collector of magazines since February 1956, when as a child, I bought my first issue of Galaxy, a science fiction digest magazine.
I still have that very same issue that seemed to be on every newsstand and in every drugstore in the Trenton, NJ area. Not only does Galaxy no longer exist but most newsstands and drugstores no longer carry SF or crime fiction magazines. There are only five digest fiction magazines left and they all have decreasing circulations in this era of the electronic gadget and the e-book. We might soon live to see the end of an era, the death of the digest fiction magazines.
As the years progressed, I started to collect not only back issues of the SF and crime digests, but I also started to collect the pulp magazines, which ruled the newsstands during the 1900-1955 period.
First I collected complete runs of the SF and fantasy pulps and then I went on to collect all the major detective and adventure titles. Some of my articles concerning these activities have appeared on Mystery*File under the headings of “Memoirs of a Pulp Collector” and “Adventures in Collecting.” I am frankly a lover of old magazines and my collection includes not only pulp and digest, but also slick, men’s adventure, literary magazines and film journals.
So though I live in a house full of thousands of magazines and books, I never really became a “condition collector” like Frank Robinson. I wanted to compile complete runs of magazines and read them but this would be very difficult if I limited myself to only fine condition copies, not to mention the fact that readers are often very reluctant to read high quality magazines for fear of downgrading the nice condition.
This is not to say that I never obtained magazines in beautiful shape; I just did not limit myself to collecting them.
During this 55 year period of collecting I was witness to many pulp sales and auctions. I attended just about every Pulpcon since the first one in 1972. I bought pulps by the thousands and consider myself a serious collector.
So when the rumors started to circulate that Frank Robinson was going to sell his collection of 10,000 magazines, most of which were in beautiful condition, this was major news. No one had a collection of such fine condition magazines that could compare to the Robinson collection. Recently John Gunnison, who runs Adventure House, published a full color, 500 page book showing the complete collection in all its glory.
I first became aware of Frank Robinson when I was a kid and read one of his early stories in a 1951 back issue of Galaxy. Several years later I read his novel, The Power and then saw the movie that supplied him with the funds to amass such an astounding collection, The Towering Inferno.
In the 1980’s Frank and I started trading pulps back and forth and I noticed he was extremely fussy about condition. Later in the 1980’s, he started to attend Pulpcon on a regular basis and I got to actually meet and talk to Frank. He would actually sit at his table in the dealer’s room with two stacks of pulps, carefully comparing copies and choosing the better condition.
Condition was everything and like most such collectors, I don’t believe Frank actually read the magazines. At one time in his younger days he did read them, but now they were like beautiful works of art, to be admired and looked at. I know many collectors who love the covers and the condition but they don’t read the magazines.
Frank has a long article in the 500 page book titled “On Collecting”, where he explains his love of SF and how he got started collecting.
You might wonder why he decided to sell his collection. He says, “The collecting bug waned…” but I’ve seen many collectors who when they reach a certain age decide to find a younger home for their collection. Also, I think he reached the point that all collectors fear, the time when they realize that they have achieved all their major wants and goals.
So on February 25, 2012, at 7:00 pm began the first of 12 scheduled auctions which Adventure House will run the next few months. This first one I considered the most important because it would put complete sets of pulps and digest up for bids. Some major pulp titles were sold and I’ll list some of the results, though these figures may not be final since the dust has not settled yet.
I watched the entire auction online, minute by minute, and lot by lot. I also bid on some items but most of the sets I either have or at one time had and then disposed of after reading all that I wanted:
Doc Savage (complete set) — $50,000
Astounding SF (these are the pulps, bedsheets, and digests) — $30,000
Startling Stories (complete set in fine condition) — almost $5,000
Adventure Magazine (complete set of over 700 issues)— $40,000
Blue Book (not complete but an extensive run) — $48,000
Weird Tales (the crown jewel of Frank’s collection and the best condition set in existence) — $250,000
Planet Stories (all 71 issues in very fine condition, also probably the best set in the world) — $14,000
Also up for bids were such sets as Wu Fang, Thrilling Wonder, Golden Fleece, Magic Carpet, Oriental Stories, etc. In addition to the above prices there was also a 10% buyer’s premium.
According to John Gunnison who ran the auction, sales almost hit the $500,000 mark and he considers this to be the most successful sale he has ever been involved in.
Now looking at the above prices you might consider them high. But you have to remember, these are not your usual good condition pulps with the usual browned paper, spine and cover flaws. These mainly are fine to very fine condition and thus bring much higher prices than the standard condition magazine.
Think of it this way, most of us have bought cars, sometimes paying over $25,000 and ten years later we have nothing to show for our hard earned money. To a collector, it is just as important to have a nice collection, so the prices may not be as out of line as you think.
In addition, where else are you going to find such important and significant titles as Adventure and Blue Book? During the period of around 1910-1950 these magazine carried the best adventure fiction written by the best authors.
And of course Weird Tales is in a class by itself. Can anyone really argue that it was not the best fantasy and supernatural magazine ever published? Well maybe Unknown Worlds, but it only lasted 39 issues.
So I would like to thank Frank Robinson and John Gunnison for providing a great and noteworthy pulp auction. After all these years, I thought I’d seen it all but this auction proved once again to me that collecting books and pulps is the grandest game in the world.
Previously in this series: Is Completism Fatal?.
March 2nd, 2012 at 11:16 am
A great posting, and one that makes me wonder if I shouldn’t dash off an order for the 500-page book. Does it reproduce all of the pulps in color? If so, what’s the size of the reproductions? Some years ago, a project got under way to publish all the covers of WT in a collector’s volume, but, as far as I know, it never went very far. If it does reproduce all of the WT covers that would certainly be of interest to many collectors. So my question is: how complete is the volume in its reproduction of covers from the collection?
March 2nd, 2012 at 11:18 am
To me, while pulps and digest fiction will continue on in new forms, the original print form will not be forgotten. That seeing print fade to the e-books have made readers appreciate the old pulps when before they were fading from the readers’ memories.
March 2nd, 2012 at 12:56 pm
I recommend this book. It’s 8 1/2 by 11, 526 pages, in full color. It shows the entire Frank Robinson collection. Price is $65 plus $5 postage. It can be ordered from adventurehouse.com.
All the issues of ADVENTURE, ARGOSY, and BLUEBOOK are shown, as well as all the other pulps and digests. All 340 issues of WEIRD TALES are shown: 1 cover is 5×7; 11 are 4×6; 53 are 3×4; and 275 are 1 1/2 by 2 inches.
I say buy it though one of my friends complained some of the cover photos were off register. I still think this is a great pulp book showing a historical event, the auction of the biggest group of fine condition pulps ever seen.
March 2nd, 2012 at 1:12 pm
I forgot to mention that this book has a nice 8 page introduction by Robinson on collecting and there is a great large photo of Frank standing in front of his “wall of pulps”.
March 2nd, 2012 at 4:39 pm
W W W !!
Wow , Walker, Wow !
I don’t collect anything anymore, used to have some fighting knives, never through away books, and have some old issues of MAD- magazine.
So this is a look into a strange and fascinating world.
I will not start collecting, but I see this world with different eyes, also, I admit, due to the $ amounts mentioned, but also the age of this collection, versus its pristine condition.
A time tunnel, a piece of man’ s culture.
The Doc
March 2nd, 2012 at 5:57 pm
Yes Doc, I share your feelings about this auction being a sort of time tunnel and a piece of our popular culture. During the period 1900-1955 these 7×10 inch fiction magazines ruled the newstands with scores of titles and bright covers. Now sadly, I look at the newstands and see no fiction magazines at all. I’ve been buying the 5 remaining fiction digests at my local Barnes & Noble and today when I went for the 3 SF titles, they were not on the magazine stand and the employees did not know what I was talking about.
They actually told me maybe the magazines were not being published any longer. My response was, “I’ve been buying these things for 50 years”! I hate to say it, but one day the fiction magazine will no longer exist.
March 2nd, 2012 at 6:59 pm
Walker, I know what you mean. The Dime Digest, the Pulp, the pocket digest are time capsules of important eras in reading.
But the fiction will keep those formats from being forgotten. I found Harlan Halsey and now I know about Dime Digests. When I bought a paperback version of THE AVENGER, I sought out the original pulps.
Yesterday, I bought the e-magazine BLOOD AND TACOS that hopes to recreate the men adventure paperback series of the 70s and 80s. Comic books have shown a new life as downloading copies on a tablet is becoming more common and allowing the print version to survive and attract new readers.
I was a magazine buyer for retail in 1994-2001 (in Los Angeles) and magazines were dying then. I brought in those fiction digest magazines and never sold one copy. I’d tear the covers off, send it back for a full refund on return, and the publisher continued to lose money. Distribution of titles was a nightmare, and shipping costs made it even harder for the print magazine to make a profit.
I completely agree it is sad the print formats of the past are gone, but today’s magazines readers seek “Entertainment Weekly” and “People” and find their fiction elsewhere.
But as long as people can read those stories, there will be people seeking out them in their original formats.
March 2nd, 2012 at 8:15 pm
Was there a copy of ZEPPELIN TALES in the set?
I’ve always wanted to read “Gorilla of the Gas Bag”.
March 2nd, 2012 at 8:27 pm
Yes Tim, Zeppelin Stories is in the collection but only in vg-fine condition. Estimate is $750 to $3,000. This magazine is extremely rare and should go for a high price.
March 4th, 2012 at 3:44 pm
I would have loved to have that collection of ASF, but sure don’t have that kind of money for such an extravagance. Would I be correct in assuming these are being purchased by collectors who already have many or most of the magazine but not in nearly as good condition? Or does it seem purchases are by people who are jumping in to get the one set they always wanted, but didn’t have any?
March 4th, 2012 at 6:31 pm
Richard, I remember awhile back you saying that you would like to obtain the digest ASTOUNDINGS, so I was thinking of you when I saw this auction. But I knew the final price would be more than you would want to pay. I’m not at liberty to identify the high bidder of the ASF set, who also probably won more lots than anyone else, including the WEIRD TALES and BLUEBOOK sets.
He’s a well to do doctor that is just about only interested in fine condition pulps. He’s not a reader like us and in fact collects only for condition. In my own case, I won some lots just to have a piece of pulp history so to speak. I’m a reader and collector of complete sets; I’ve never been a condition collector because I know I’d never be able to complete my runs if I held out for only fine condition.
About a dozen years ago I sold a set of magazines and have regretted it ever since. This was my chance to pick them up again in Robinsonian condition.
March 6th, 2012 at 7:24 pm
Att. Tim,
Zeppelin Stories bid is up to the reserve of $2,000. plus the 10% buyers premium.The auction doesn’t end til sometime late on May 19th. You still have time!
March 9th, 2012 at 2:52 am
Thanks, Walker, for a nifty essay, as usual. I always enjoy reading your viewpoints, perhaps because they match my own so closely. Fortunately, new “pulp” stories are being published in book form, and thousands of original pulp stories are now available during this current Golden Age of pulp reprints.
Frank’s a great guy and I’m thrilled to see his gorgeous collection go to good homes, even though I can’t afford his pulps. I doubt if any collector has ever matched his determination and skill at acquiring beautiful pulps, though for sheer interest, it would be hard to beat people like Walker, Doug Ellis and Randy Vanderbeek, among others.
I’ve collected more than 3,500 original pulps (along with more than 5,000 reprints of pulp stories and novels) and, while I’ve read many of them, still have many more yet to read. I’ve never cared much about fine condition as long as the pulp was readable (not brittle) and had covers. Good or very good condition is fine with me (to make a poor pun). Like you, I truly enjoy reading the pulps, even though I also read a wide variety of non-fiction and other types of fiction.
I guess what I like best about the pulps and digests (I consider pre-1960 digests to be pulps, though I count them separately on my collection lists) is that they enable us to go back to a time of far greater economic fairness and the ability of most people to make a middle-class living (at least following the Depression). Current life is so beastly for so many people compared to the 1940s and 1950s when it comes to economics. I’m still working at age 64 (though I don’t mind and actually enjoy much of it), but I make less than at any time in the past 46 years, with regard to buying power, despite my bachelor’s and master’s. For example, even after gas doubled in price during the 1973-74 crisis, I could buy about 10 gallons with one hour of pay. Now I’m lucky if I can buy two to three gallons with one hour of pay. This applies to so many other things that I have taken to doing most of my shopping at rummage sales and garage sales, living “off the grid” in a sense.
Through most of the 1970s, if you were dedicated to improving and were willing to work hard, employers often treasured you. I remember how much my dad and mom were so very much appreciated for their skills and dedication, and how well my employers treated me for being both skilled and dedicated. Both my mom and dad lived into the 1990s and were utterly appalled to see how poorly I was treated despite having the same skills and dedication. They were happy, though, that I never let some pretty dire economic situations ever defeat me. Believe it or not, I received some inspiration from the fantastic heroics of characters I read about, whether the pulp setters were sci-fi, mystery, romance, sports, western or whatever. I’m not sure most of today’s readers would appreciate the character, determination and morals shown by pulp characters. They may have been fantasy, but they were fun and inspiring — or should I say are fun and inspiring, since a collector can still enjoy them.
Pardon the digressions, but I couldn’t help thinking about how much more good, hard workers were appreciated during the era of the pulps (primarily the 1920s-1950s), even many of them during the Depression years. My parents and grandparents told me they had to struggle during the Depression, yet could always find work, albeit not always what they wanted. Before she died in 1998, my mom told me she was angry that I had to work far harder for far less income than she ever did, even though I went farther in school and was just as accomplished if not more so, or so my folks would tell me.
Even so, it’s better to focus on the good things in life rather than the depredations of corporate America. And collecting pulps is definitely one of the good things!
March 9th, 2012 at 1:47 pm
I know what you mean about not being able to afford Frank’s pulps. I feel the same way but I figured I have to have at least one set in very fine condition! So I have a piece of history now even though like you, I never really tried to collect just for condition only. We are collectors yes, but we are readers also and both of us like to have our own personal library of books, magazines, movies. Every day I wake up, I’m thinking about what to read or what film noir I’ll watch.
March 12th, 2012 at 5:53 pm
OK Walker!
Now the real question comes from someone who’s known you for years. Did you remove the FINE/Very FINE Pulps from the mylar bags before putting them on your shelves?
Or will you keep them sealed up for future slabbing? Any funny aroma from those pristine copies?
March 12th, 2012 at 10:44 pm
In past years I usually removed the pulps from the bags because I’m always reading them, handling them, stacking them, looking at them, etc. Most collectors like to keep them in the bags for protection.
But I spent so much money on the very fine condition pulps that I have to admit I’m keeping them in the bags. The covers are newstand fresh, the spines are complete, the paper is mainly white.
Speaking of the aroma, the scent is something that I have not smelled for decades, mainly the heavenly aroma of pulp paper fresh off the newstand!
Though slabbing is now common in the comic book field, I have yet to see a slabbed pulp. I hope I never do see one as my reaction might be harmful to myself and the owner of the slabbed pulp. Can you imagine a slabbed copy of a book? Such a sight would be obscene.
March 20th, 2012 at 6:37 pm
Most interesting article. Pardon what is probably a very stupid question. What exactly is “slabbing”?
March 20th, 2012 at 8:28 pm
Hi Jon
The idea of “slabbing” originated with comic book collecting, or maybe it was baseball cards before that. Either way, the concept slabbing collectibles comes about when the price of something is high and condition is a key factor in determining how much it’s worth. Companies have been formed as disinterested outside parties to grade an item’s condition on a scale from 1 to 10 (poor to mint). They then seal it up in a clear hard plastic sleeve (“slab” it) and in so doing, preserving the condition it was in when it was graded.
It makes sense for baseball cards and movie posters, but it’s caught on in comic book collecting as well, with scarce high-graded comics getting huge premium sales over non-slabbed comics. It makes a lot less sense for comics, but when comics sell for four or five figures and higher, the buyers aren’t obtaining them to read anyway, only to store them away in safety deposit boxes.
Will the idea carry over to pulps and pulp collecting? Well, you know what Walker thinks about that.
— Steve
May 19th, 2012 at 10:30 pm
The Robinson Auction is now officially over. A couple comments above mention ZEPPELIN STORIES, which was the last pulp to be auctioned. It went for a high bid of $3,900 plus 10% buyers premium. In other words it cost the bidder over $4,000 for one magazine.
ZEPPELIN STORIES may have received the highest bid for an individual pulp. WALL STREET STORIES went for $3,000 and two issues of HARLEM STORIES went for over $2,000 each.
See you at the next auction at PulpFest, August 9-12, 2012.
May 19th, 2012 at 11:56 pm
Thanks for the update, Walker. I’ve have thought the auction would be a big topic of discussion on several newsgroups both you and I are on, including PulpMags, but if there was, I missed it.
Did you ever own copies of ZEPPELIN STORIES, or WALL STREET STORIES and HARLEM STORIES? They never particularly interested me, but I wonder if I’d been looking for them 30 years ago, whether they could have been easily found.
Or have they always been rare and hard to find?
May 20th, 2012 at 11:23 am
I have to admit to being very disappointed about the lack of interest on certain discussion groups. Some of these groups are supposed to be interested in old fiction magazines but many of the group members evidently want to talk about other topics.
ZEPPELIN STORIES, WALL STREET STORIES, and HARLEM STORIES have always been rare and hard to find. I suspect one of the reasons being low circulation. These 3 titles certainly did not interest the majority of magazine readers back in the 1920’s and 1930’s. Not many copies survived simply because the titles lasted for such a short period of time and were not big sellers.
I’ve often wondered what the publishers were thinking with these oddball titles. I do remember having at least one WALL STREET STORIES but the other titles I never had an interest in collecting.
May 8th, 2015 at 11:27 pm
Another complete collection of WEIRD TALES was offered for auction on May 1, 2015 by Adventure House. But this time, instead of receiving high bids, the collection received zero bids. For a discussion of what happened see https://mysteryfile.com/blog/?p=33192