I am reprinting this from Fatal Kiss #13, which was the name that my mystery fanzine was going by at the time, but no matter the name, it was still Mystery*File.

   Forty-three voters participated in all. Each voter was to supply me a listing of his or her top ten television shows of the detective, mystery, crime, or suspense genre. Not everyone did. Some obvious misunderstandings such as votes for Mary Tyler Moore, no matter how well intended, were discarded. I otherwise left it up to the individual voter’s discretion as to how far the limits of the category could be stretched, at least in all situations in which a case of any kind could be made for the marginal show in doubt.

   Point totals were assigned as follows: A show rated as a Number One was given 10 points; shows listed as a Number Two, 9 points; and so on. If a voter did not rank his or her choices, or in cases of ties, the corresponding point totals were split equally.

   If a person voted for 5 or fewer shows, that person’s Number One show was given only 5 points, and so on, on the grounds that someone voting for only one program could thus skew the voting point totals disproportionately. And, I’m sorry, all honorable mentions were likewise honorably ignored.

   Votes for the Sunday Mystery Movie were, rightly or wrongly, split between Columbo, McCloud, and McMillan & Wife, the most well-known and longest-lasting of that multi-part feature. This incorrectly ignores the lesser-known shows that appeared as part of that series, shows such as Hec Ramsey and Amy Prentiss. Sorry, Hec. In the point totals that follow, the NBC Sunday Mystery Movie did receive one first place vote which was not otherwise tabulated.

   Here then, finally, are the results:

SHOW     POINTS     VOTERS     NUMBER OF FIRST PLACE VOTES

COLUMBO     132     23     7
THE ROCKFORD FILES     123.5     23     2
THE AVENGERS (1)     119.5     17     5
ELLERY QUEEN (2)     102    17     2
PETER GUNN     72.5     13     3

      (1) Six voters specified only the version that starred Diana Rigg.
      (2) The version with Jim Hutton was either specified or assumed.

PERRY MASON     71     13     0
DRAGNET (3)     68     10     2
PETER WIMSEY (PBS)     60.5     10     1
THE OUTSIDER     53     7     2
QUINCY     46     9     1

      (3) Four voters specified only the Webb/Alexander version.

McCLOUD     41.5     9     0
POLICE STORY     41.5     7     0
BARNEY MILLER     40.5     7     0
HARRY O     38.5     8     0
THE UNTOUCHABLES     38     6     1

THE SAINT (4)     35     6     0
IRONSIDE     33.5     7     2
MISSION: IMPOSSIBLE     30.5     5     0
ALFRED HITCHCOCK     30     5     1
NAKED CITY     30     5     0

       (4) Four voters specified only the version with Roger Moore.

NOTE: Now that we’re out of the top twenty, I will no longer include the number of voters, and the number of First Place votes, if any, will follow the total points in parentheses.

I SPY     29
KOJAK     26
McMILLAN AND WIFE     26 (1)
THE MAN FROM U.N.C.L.E.     26 (1)
THE EDDIE CAPRA MYSTERIES     25 (1)

THE DEFENDERS     24.5 (1)
THE PRISONER     23
THE SNOOP SISTERS     23
MYSTERY! (PBS)     22.5
M SQUAD     21

BANACEK     20
T.H.E. CAT     19.5
MANNIX     18
THE ROGUES     18 (1)
DANGER MAN / SECRET AGENT     18

MR. AND MRS. NORTH     17 (1)
BURKE’S LAW     17
KAZ     16.5
THE RIVALS OF SHERLOCK HOLMES     15 (1)
MAVERICK     14.5

CITY OF ANGELS     13
HAVE GUN, WILL TRAVEL     12.5
DIAGNOSIS: UNKNOWN     12
ELLERY QUEEN [with George Nader]     12
THE FUGITIVE     11.5

CHECKMATE     11
HAWAII FIVE-O     11 (1)
KOLCHAK: THE NIGHT STALKER     11
THE THIN MAN     10
BARETTA     10

HIGHWAY PATROL     10
CHARLIE’S ANGELS     10 (1)
HEC RAMSEY     9
BARNABY JONES     9
COLONEL MARCH OF SCOTLAND YARD     9

KRAFT MYSTERY THEATER     9
THE NAME OF THE GAME     9
77 SUNSET STRIP     8
THE LINEUP     8
MAN AGAINST CRIME     8

TOMA     8
IT TAKES A THIEF     7
HAWK     7
ADAM-12     7
THE BIONIC WOMAN     7

THE BOLD ONES     7
DEAR DETECTIVE     7
THE LONE WOLF     7
MADIGAN     7
STARSKY AND HUTCH     6.5

TENSPEED AND BROWNSHOE     6.5
CANNON     6
DRAGNET [the later version]     6
THRILLER     6
TIGHTROPE     6

MARK SABER     6
DELVECCHIO    5.5
THE MOONSTONE     5.5
WHIRLYBIRDS     5.5
GET SMART     5

RICHARD DIAMOND     5
LOU GRANT     5 (1)
JOHNNY STACCATO     5
MIKE HAMMER     5
MR. LUCKY     5

REX STOUT’S “THE DOORBELL RANG”     5
WILD WILD WEST     5
STREETS OF SAN FRANCISCO     4.5
BANYON     4
THE EDGE OF NIGHT     4

FOREIGN INTRIGUE     4
JOURNEY TO THE UNKNOWN     4
WONDER WOMAN     4
AMY PRENTISS     3
ELLERY QUEEN [with Hugh Marlowe]     3

ESPIONAGE     3
MRS. COLOMBO / KATE LOVES A MYSTERY     3
OWEN MARSHALL     3
THE SIX MILLION DOLLAR MAN     3
THE TWILIGHT ZONE     3

ADAMS OF EAGLE LAKE     2
87TH PRECINCT     2
THE MAN CALLED X     2
THE NBC TUESDAY NIGHT MOVIE     2
NIGHT GALLERY     2

THE PERSUADERS     2
SWITCH     2
YANCY DERRINGER     2
CAIN’S 100     1
McCOY     1

NANCY DREW     1
WHO DONE IT?     1
WIDE WORLD MYSTERY     1

[UPDATE] 10-05-11.   In the original presentation of these poll results, I included the names of all the voters. I’ve decided not to at this later date, but if there’s a consensus that suggests they’d be relevant, then I will.

   Otherwise, you may take this as a small snapshot in time, with an insignificant number of voters, but nonetheless with a number of surprising and interesting results. I hope you agree!

M. K. WREN – Dead Matter. Conan Flagg #7. Ballantine, paperback original, 1993.

   I thought this series was dead, but after a nine year hiatus, it’s back. Conan Flagg, bookstore owner, private detective, and wealthy man, returns from a trip to his hometown in Oregon to find chaos.

   While he was gone, his store manager has arranged a book signing for a local boy made good, and the bookstore is swarmed. During the signing, a local logger, being a little put out with the author for bedding his wife, threatens him with a chain saw in the store, but is disarmed by Flagg.

   The next day, after a party which Flagg attended, the unpopular fellow is found with is throat ripped out — by a chain saw.

   I liked the Flagg series in its original incarnation. Wren, who has written in several fields, knew how to tell a story, and in Flagg had created a sympathetic if not outstanding character. The books were not designed to make any top 10 lists, but were decent examples of their craft.

   I see no reason to revise any of these judgments for this.

    The Conan Flagg series —

1. Curiosity Didn’t Kill the Cat (1973)

2. A Multitude of Sins (1975)
3. Oh, Bury Me Not (1976)
4. Nothing’s Certain But Death (1978)
5. Seasons of Death (1981)
6. Wake Up, Darlin’ Corey (1984)

7. Dead Matter (1993)
8. King of the Mountain (1994

        #7. TUG NORTON, by Edward Parrish Ware.

   Tug Norton is a private detective and creation of prolific author Edward Parrish Ware (1884-1967?). These stories are told first hand by Tug Norton:

   Norton notes that when business is dull, he entertains and instructs himself by studying his casebook (The Devil Winks). This is how some of the Norton stories begin, with him reliving the case he has looked up in his files.

   Tug Norton is a former cowboy and policeman. He formerly served in the police department in Kansas City, but lost his position there when new police commissioners came into office and fired “all those politically off-colored,” including him. (Lost Lake)

   His past as a cowboy is brought out in the story “The Sow’s Ear”, in which Lafe Spear, a friend of his from Oklahoma, shows up at the agency to hire him. Lafe Spear and Norton had worked together as cowboys some twelve years previously. This story is written as a contemporary Western: horses are used, and the principals dress as cowboys (including Tug Norton). The setting is rural Oklahoma.

   The Kaw Valley Detective Bureau is based in Kansas City, Missouri, but the cases are also spread out in numerous other locations. Norton states in one story that he was not interested in out-of-town cases, and that he was “confining my practice—what there is of it—to the city.” (The Tomahawk)

   However, contrary to this declaration, Norton does take cases outside Kansas City. In the Norton series there are some stories in an urban setting, but the series is a wide-ranging one and has quite a few stories in rural settings. For example, one story, “The Silent Partner”, begins in Kansas City but most of the action takes place in the wilds of Arkansas.

    “Empty Pouches” takes place in Arkansas, “The Trackless Trail” and “The Tomahawk” cases are in Kansas, “The Queen’s Patteran” in and around Joplin, Missouri, and so forth for many other cases. “The Devil Winks” is mostly in Kansas City, but the climax and finish take place in rural Arkansas.

   In “A Dead Man in the Cast,” Norton discusses an early case in his career, before he had any assistants. At that time the agency consisted of just himself and his secretary-receptionist Mary Malloy. The offices at that time were in suite 606 (sixth floor), Gateway Building.

   Norton never used the front entrance to his offices, instead using as the entrance another door along the hall that showed the words: Andrew Harper, Stocks & Bonds, Private. This suite masked an entrance to his real offices next door.

   In another early story from his career as a private detective, “The Wheels Turn,” shows a client hiring him at his hotel. Norton mentions that a year after this case his offices were in the Sandstone Building. In his early cases Norton seems to have been aided by having cases referred to him by Chief Enger, his former boss at the Kansas City Police Department.

   He does use other operatives in his work, and they show up in the stories from time to time. As of the early 1927 stories, Jim Steel was his chief assistant, and worked with him on “The Queen’s Patteran” case among others. Other unnamed detective operatives also show up in stories such as “When Fate Wants a Man.”

   Norton has an office boy named Spec, who announces visitors and would-be clients. Spec is noted as being “something of a mimic.” (A Game With Death) No doubt he is also a detective in training.

   Norton on occasion is called in to help various law enforcement officials in Missouri. The story “A Game With Death” features one of those cases. A sheriff named Hap Craker calls on Tug Norton in his Kansas City office and asks for help against a gang of criminals infesting his county.

   In another case, Sheriff Sam Sneed from Arkansas, an old acquaintance of Norton’s, comes to him for help in solving a series of robberies and murders. (Empty Pouches) In a third case, Sheriff Rube Wallace of Cold Springs County called for Norton’s assistance in a multiple arson and murder case. So it appears that Tug Norton had gained a good reputation for solving difficult cases.

   The Kaw Valley Detective Bureau is also on retainer with various clients, or in other words paid at regular intervals in case their services are needed. “The Dumb Spot” is an example where one of these clients calls them in to help solve a bank robbery and murder.

   The agency has connections with other detective agencies around the country, and they could call in for help on a case if necessary. This is the case in “Dynamite and Six-Guns,” where a friend from a Chicago detective agency has a case that is taking him to Kansas City. He calls Norton and asks for his agency’s assistance in the matter. It turns out to be an exceedingly violent case for Norton, but he wins a big fee.

   Some of his cases are just downright offbeat and strange. The first is “The Seven Coffins”, a story late in the series. Norton’s agency is hired to guard six empty coffins in a deceased millionaire’s mansion, but the mystery of the seventh coffin causes murder. The mortician and his assistant are involved, and one scene takes place at the funeral home.

   In another case, “The Tomahawk,” a rich man has suddenly become a hermit in his own mansion, and Norton has to find out why. In this case, an old Gypsy curse from a nearby tribe is the reason for the man’s behavior.

   Even though there is plenty of violence in the series, with numerous gunfights, Norton is not a big believer in using guns to solve every problem. In the story “Hell’s Backyard,” he puts forth his philosophy upon the use of guns. He says that any sleuth, either police or private detective, who is overly fond of using guns to solve problems is asking for trouble. He either gets shot or fired for using his gun.

   This attitude is interesting for that time, considering that the pulps are filled with violence, and gunfights are common in this series. In fact, Ware’s own Ranger Calhoun series are probably some of the most violent in the magazine, and rarely does a story end without the criminal being shot. However, even this series couldn’t compete with Judson Philips’ series about the Park Avenue Hunt Club when it comes to violence.

   Norton is a bit of a philosopher, and begins many of the stories with some of his philosophy (based on experience and observation). Here is an example:

   Norton’s idea of a vacation from work is to go fishing. In “Trouble Up the Stream,” he and his assistant Jim Steel go on a week-long fishing trip. However, as expected, they run into trouble and have to solve a murder.

   This series was begun during the formative period of the hard-boiled private detective type of story, but still uses features of the more formal detective story, such as the use of logic and deduction to solve crimes. It does have some features of the hard-boiled story; the stories are still very violent in the private detective way, with the conclusion often resolved with gunshots.

   Tug Norton is definitely a tough, hard-boiled detective with plenty of experience, and his speech and behavior show this. He doesn’t act like the stereotypical lone wolf private detective. He is more of a descendant of the older detective characters of the dime novels type. Many, but not all, of the new private detective stories are primarily urban in setting.

   Ware had many stories published in Flynn’s/Detective Fiction Weekly in the 1920s-1930s. The Tug Norton series numbered 40 stories from 1926-1934, including two in Dime Detective. The Ranger Jack Calhoun series, also by Ware, numbered at least 59 stories from 1926-1936.

   A third series by Ware was the Buck Harris series of 12 stories 1930-1934. Battle McKim was another series by Ware, counting 12 stories 1934-1935. Ware’s character Sheriff Bob Stratton appeared in 2 stories in 1929.

   So Ware was very busy writing for this one pulp title. His Calhoun stories seemed to be the most popular, and the character appeared on the magazine’s cover a number of times. Tug Norton, although seemingly not as popular, was in my opinion the better written series.

      The Tug Norton series by Edward Parrish Ware:

    From Detective Fiction Weekly:

The Tree-Top Trail     January 30, 1926
The Fifth Gate     March 13, 1926
The Queen’s Patteran     January 1, 1927
Hell’s Backyard     March 26, 1927
The Silent Partner     April 2, 1927
Lost Lake     May 14, 1927
The Hole in the Hill     October 1, 1927
Empty Pouches     December 3, 1927
The Tomahawk     February 18, 1928
The Devil’s Pocket     February 25, 1928
The Devil Winks     March 3, 1928
Hitched to the Wind     April 14, 1928
The Wheels Turn     April 28, 1928
When Fate Wants a Man     October 20, 1928
When Thief Catches Thief     December 1, 1928
Signed With Lead     December 15, 1928
The Death Stone     November 2, 1929
The Trackless Trail     November 30, 1929
The Locomotive Mystery     February 22, 1930
Hot Eyes     July 5, 1930
A Game With Death     May 24, 1930
The Sow’s Ear     October 18, 1930
Prison Shoes     November 22, 1930
The Jade Boomerang     December 6, 1930
Snow Camp     December 13, 1930
A Background of Vendetta     April 11, 1931
Consider the Sphinx     October 24, 1931
Trouble Up the Stream     November 28, 1931
The Yellow Demon     July 16, 1932
The Devil’s Do-All     July 23, 1932
The Pole-Axe Problem     October 1, 1932
Behind the Green Mask     November 12, 1932
Monkey Blood     February 25, 1933
Red Skies     May 27, 1933
A Dead Man in the Cast     August 12, 1933
Dynamite and Six-Guns     January 20, 1934
The Seven Coffins     February 17, 1934
The Dumb Spot     June 9, 1934

    From Dime Detective Magazine:

The Skull of Judgment     March, 1932
The Gallows Clue     July 15, 1933

    Previously in this series:

1. SHAMUS MAGUIRE, by Stanley Day.
2. HAPPY McGONIGLE, by Paul Allenby.
3. ARTY BEELE, by Ruth & Alexander Wilson.
4. COLIN HAIG, by H. Bedford-Jones.
5. SECRET AGENT GEORGE DEVRITE, by Tom Curry.
6. BATTLE McKIM, by Edward Parrish Ware.

RICHARD ROSEN —

    ● Fadeaway. Harper, hardcover, September 1986. Onyx, paperback, September 1987.

    ● Saturday Night Dead. Viking, hardcover, June 1988. Onyx, paperback, June 1989.

   Though I don’t really understand why Harvey Blissberg abandoned baseball at age thirty to become a private eye, and Richard Rosen doesn’t satisfactorily explain it, I am nonetheless glad to welcome him to the shamus corps.

   Rosen’s second book, Fadeaway, does for basketball what his first, Strike Three, You’re Dead, did for baseball. Rosen writes better sports mysteries than anyone I know, except, of course, Dick Francis. I also like the way Rosen uses Providence, R.I., not your everyday mystery locale. Sure his solution is telegraphed, but Western Union has to live also.

   In Saturday Night Dead, Rosen and Blissberg almost desert sports, though Harvey gets his case through an old baseball buddy. His work is more as a bodyguard than a detective, but what would one expect of a detective from the same town as Spenser.

   Rosen worked for many years in television, and he does a great job with a comedy show that, as the title indicates, is remarkably like Saturday Night Live. He even includes some brand-new sketches, including one, “Death of a Mailman,” which is a hilarious send-up of Arthur Miller.

   Despite an overly melodramatic ending, this book does nothing to detract from Rosen’s status as one of the best new writers of the 1980s.

      The Harvey Blissberg series —

1. Strike Three You’re Dead (1984)    [Edgar Award winner for Best First Novel.]

2. Fadeaway (1986)
3. Saturday Night Dead (1988)
4. World Of Hurt (1994)
5. Dead Ball (2001)

DOROTHY BOWERS – The Bells of Old Bailey. Doubleday Crime Club, US, hardcover, 1947. Originally published in the UK: Hodder & Stoughton, hardcover, 1947, as The Bells at Old Bailey.

   While it would at first appear that my bias against detective-story characters who do not report information to the police ought to be shaken by the main event in this novel, later incidents validate my opinion.

   Miss Tidy, the proprietress of Minerva Hatshop, Beauty Parlor and Teashop, receives two poison-pen letters following a series of unlikely suicides in Ravenchurch, where her establishments are located, and Long Greeting, where she lives.

   Taking the letters to the police, Miss Tidy argues that the suicides were well-executed murders. Dubiety on the suicides greets her efforts, and there’s no small suspicion that Miss Tidy wrote the letters herself. But then —

   To go on would reveal information that some readers would rather not know as they begin the novel. Suffice it to say that Bowers has written a charming novel about an English village, with all that that implies — to wit, blackmail and murder — and including an antiquarian bookseller, a detective-story writer, and a mainstream novelist for the biblio enthusiasts.

   Also there is fair play for the most part. Bowers is another author I am adding to my long list of writers whose books are sought after.

Bibliographic Notes:   Dorothy Bowers wrote four crime novels before The Bells of Old Bailey, all featuring Chief Inspector Dan Pardoe. All were first published in the US by Doubleday Crime Club. They are difficult to find as first editions; if anyone might be looking for copies to read, all four have been reprinted by Rue Morgue Press.

    Postscript to Poison. Hodder 1938.
    Shadows Before. Hodder 1939.
    Deed Without a Name. Hodder 1940
    Fear for Miss Betony. Hodder 1941. US title: Fear and Miss Betony.

D. C. BROD – Error in Judgment. Diamond, paperback reprint, September 1991. Hardcover edition: Walker, July 1990.

   As you’ve probably noticed, paperbacks are making quantum jumps in terms of prices. I’m not sure where the upper limit is, in terms of public resistance to bigger and bigger chunks of available spending money, but so far nothing seems to be keeping the cost of reading material from jumping onward and upward, from one month to the next, or so it seems.

   (Compare the price of this book, $4.50, with the one by Stefanie Matteson that I reviewed just prior to this one, $3.95, from the same publisher. Compare it with the price of paperbacks at the time you’re reading this, several months from now.)

   But as for the question, “Is this book worth $4.50?,” I’d hesitate a little, but I’m going to say yes. I enjoyed it (and enjoyed it more than I thought I was going to, after the first couple of chapters). It’s a good-sized book, 258 pages of smallish print, and if you enjoy PI stories, I think you’ll be getting your money’s worth.

   On the other hand, a general rule of thumb is that you may want to be careful of PI books written by authors with initials for a first name. The “D” stands for Deborah, and by and large, women still don’t write hardboiled PI novels. (But neither did Rex Stout. All I’m saying is be wary.)

   Brod’s detective hero is Quint McCauley, a struggling PI new to the small town of Foxport, somewhere outside of Chicago. He’s already made the mistake of crossing one of the town’s leading legal lights, and jobs are getting hard to come by.

   One that he has in this case, accepted on a contingency basis, is that of trying to determine whether or not a judge’s death was really a suicide. A clause in an insurance policy means a difference of a million dollars, payable to the widow.

   The judge, by the way, was under indictment in an bribery case, but Quint still wonders why the case was closed so quickly by the police department. (He is also on the outs with the chief of police, you might be interested in knowing, ever since he tried to pick up the man’s wife in a bar some time earlier.)

   Quint does have the advantage over the police, as far as the case is concerned, in that he was the one who found the body. He was also the one who found (and went off with) the pictures he found stashed away in a filing cabinet. He shouldn’t have, and that’s where the title comes from.

   It’s a complex case, in other words. The difficulty I found with it, in the early going, is that the writing is talky and flat, and McCauley, who tells the story, sounds whiney and apologetic, almost to the point of exasperation.

   Points of the story where he should be angry, he says he’s angry, but he doesn’t seem angry and he doesn’t act angry. (Maybe he’s more cold-blooded than I thought he was.)

   If you decide to read it, though, bear with it, and you’ll eventually find the plot has enough twists, major and minor, to make it worth the effort. This is a mixed review, in other words, but in balance, it should read more positive than negative.

Rating:   B Minus.

       The Quint McCauley series —

1. Murder in Store. Walker, 1989.

2. Error in Judgment. Walker, 1990.
3. Masquerade in Blue. Walker, 1991. Reprinted as Framed in Blue, Diamond, 1993.

4. Brothers in Blood. Walker, 1993.
5. Paid in Full. Five Star, 2000.

[UPDATE] 09-25-11.   Here it is, some twenty years later, not just a few months, and while prices of mass market paperbacks seem to have stabilized in the past year or so, it’s at a level that’s essentially double it was in 1991.

   The bigger problem, as far as I see it, is the total lack of diversity that exists in the way of detective fiction published today in MMP. Many publishers no longer have lines of genre fiction, and of those that do, almost all of it is of the “cozy” variety, with protagonists more interested in their hobbies (quilting, teddy bears) or small shops (antiques, herbs) than they are in solving murder cases, mostly incidental.

   In my opinion, ebooks will soon force MMP publishing into oblivion, a sad day as far as I’m concerned, but as other people have also pointed out, I’ll still have plenty to read.

STEFANIE MATTESON – Murder at Teatime. Diamond, paperback original, March 1991.

   This second installment of the adventures of noted actress and movie star Charlotte Graham takes place in Maine, where a world-famous professor and expert on herbal remedies is poisoned by one of the products found growing in his own garden.

   The motive may have been his stout opposition to the proposed economic development of the island where he’s living (golf course, hotel and condos), or it may have been connected to his valuable collection of herbal incunabula (books printed before 1500), discovered soon after his death to be missing.

   Charlotte Graham is deliberately modeled on the old-fashioned Katharine Hepburn type of movie star, independent, only occasionally regretting that she has put her career over love and marriage. She is, however, in love with the world and nearly everything in it.

   Although at first Charlotte finds herself nervous in a place that “didn’t have sidewalks,” she is soon won over by the raw beauty of Maine and its inhabitants. And where else in the country would she be asked by the harried chief of police to aid him in his investigation, simply because of her past exploits in the field?

   It has to be a chore for a mystery writer, book after book, to get his/her amateur detective involved in what should really only be police investigations. In a way it’s refreshing to see Matteson make no bones about it, and get Charlotte Graham right to work!

   This is but one example of how this case maintains itself as a direct descendant of the mysteries of the Golden Age of Detection. As another, there are only a few major suspects on the relatively isolated island. Their alibis have to be checked out individually, their motives examined in both direct and casual conversation, and in the end they are all gathered together in a final confrontation, during which the murderer bolts and pursuit must follow.

   A love of books and the lore of book collecting are also important ingredients of this novel, along with the herbs and the pitfalls of life in academia. If I thought Mattes0n’s first book, Murder at the Spa slowed down too often to nearly a halt by the intrusion of as much about the spa business as I wanted to know, she certainly makes up for it with this one, which has almost everything I’m looking for in a detective novel.

   Almost, but not quite. I did have a little bit of trouble with the ending, and with a

I’m going to tell you about it here. [Don’t read farther without having read the book first, if you’re going to.]

   The problem, as I see it, is that the evidence that eventually traps the killer is found carelessly left lying in a book as a bookmark. I don’t know about you, but if I’d ever murdered anybody, I’d be a little bit more careful about incriminating myself than this.

   (Of course, I’d be the kind of killer who keeps returning to the scene of the crime over and over again, looking and looking for anything at all that I’d missed!)

Rating:   B.

       The Charlotte Graham series —

1. Murder at the Spa (1990)

2. Murder at Teatime (1991)
3. Murder on the Cliff (1991)
4. Murder on the Silk Road (1992)

5. Murder at the Falls (1993)
6. Murder on High (1994)

7. Murder Among the Angels (1996)
8. Murder Under the Palms (1997)

DAVID M PIERCE – Down in the Valley. Penguin, paperback original, 1989.

   David M Pierce, a Canadian with a colorful background (songwriter, co-author of a musical and a cookbook, Shakespearean actor, and poet, most of this in England), arrives on our scene with Down in the Valley. This offers us V. (for Victor) Daniel, 6′ 7-1/4″, ex-con, wearer of Hawaiian shirts loud enough to wake the dead, and private investigator in the San Fernando Valley of LaLaLand.

   Here Daniel has a variety of cases in process, of which the most noticeable (and, apparently, most deadly) has to do with a local high school in which unlawful chemicals flourish.

   Pierce has the PI patter down very nicely, keeps the plot well aboil, peoples it colorfully (to say the least), and entertained me exceedingly well. I could do with more of these, and in fact two more Daniel capers are in print, shortly to be sampled by me.

    The Vic Daniel series —

Down in the Valley. Penguin 1989.
Hear the Wind Blow, Dear. Penguin 1990.
Roses Love Sunshine. Penguin 1990.

Angels in Heaven. Scribner, UK, 1991. Mysterious Press, US, 1992.

Write Me a Letter. Scribner, UK, 1992. Mysterious Press, 1993.

As She Rides By. St.Martin’s 1996.

SHEPARD RIFKIN – McQuaid in August. Doubleday Crime Club, hardcover, 1979. No paperback edition.

   Even though Damian McQuaid is a homicide detective, for the NYPD, this is definitely not your average sort of police procedural. It’s August, it’s hot, and McQuaid has only two days to solve a case on his own before someone discovers the body of the girl in whose apartment he spent the night.

   Finding the killer is not enough. Without the usual power of the police department behind him to help gather the evidence he needs, McQuaid is forced to resort to an intricate cat-and-mouse game of active harrassment in order to produce a “voluntary” confession.

   As a leading character, his excursions beyond the letter of the law evoke both admiration and a surprising lack of sympathy; part of the fascination reserved to the reader appears to be watching him stay, barely, on the side of sanity himself.

Rating:   A Minus.

Bibliographic Data:

    The Lt. Damian McQuaid series —

McQuaid. Putnam 1974.

The Snow Rattlers. Putnam, 1977.
McQuaid in August. Doubleday, 1979.

   Not in the series is The Murderer Vine (Dodd, 1970), recently reprinted by Hard Case Crime (2008). It’s a work of fiction based on the murder of three civil rights workers in Mississippi (James Chaney, Andrew Goodman and Michael Schwerner) during the Freedom Summer voter registration drive.

   Rifkin’s other crime novel is Ladyfingers, a paperback original published by Gold Medal in 1969.

KEITH PETERSON – The Rain. Bantam, paperback original, December 1988. Softcover reprint by “Andrew Klavan writing as Keith Peterson,” Vista, UK, September 1997.

   The third tale about New York reporter John Wells by Keith Peterson takes place exclusively in a sweltering August in New York City. A lowlife acquaintance of Wells’ invites him over and tries to sell him sexually compromising photos of an ostensibly strait-laced senatorial candidate.

   Then the lowlife becomes a non-life, the photos disappear, and Wells’ paper is ignominiously scooped by the other rag in town. John’s popularity with his bosses reaches new lows, and a local mobster also takes a dim view of Wells’ meddling. It’s not clear he can work his way out of this mess even if he dies trying.

   Beautifully plotted and paced.

Editorial Comments:   I do not know whether the name behind the Keith Peterson pseudonym was known when Al wrote this review, but I suspect not, or it seems likely he would have mentioned it. The four “John Wells” books came out in a flurry, three in 1988 and one in 1989, then no more. I bought them all, and even though they looked interesting, I set them aside and almost totally forgot about them until now.   Perhaps I shouldn’t have; see below:

    The John Wells series, by Keith Peterson. —

There Fell a Shadow (n.) Bantam, August 1988.
The Trapdoor (n.) Bantam, 1988.   [Nominated for the Edgar Award, Best Paperback Original.]

The Rain (n.) Bantam, December 1988.   [Edgar Award for Best Paperback Original.]
Rough Justice (n.) Bantam October 1989.