DOROTHY BOWERS – The Bells of Old Bailey. Doubleday Crime Club, US, hardcover, 1947. Originally published in the UK: Hodder & Stoughton, hardcover, 1947, as The Bells at Old Bailey.

   While it would at first appear that my bias against detective-story characters who do not report information to the police ought to be shaken by the main event in this novel, later incidents validate my opinion.

   Miss Tidy, the proprietress of Minerva Hatshop, Beauty Parlor and Teashop, receives two poison-pen letters following a series of unlikely suicides in Ravenchurch, where her establishments are located, and Long Greeting, where she lives.

   Taking the letters to the police, Miss Tidy argues that the suicides were well-executed murders. Dubiety on the suicides greets her efforts, and there’s no small suspicion that Miss Tidy wrote the letters herself. But then —

   To go on would reveal information that some readers would rather not know as they begin the novel. Suffice it to say that Bowers has written a charming novel about an English village, with all that that implies — to wit, blackmail and murder — and including an antiquarian bookseller, a detective-story writer, and a mainstream novelist for the biblio enthusiasts.

   Also there is fair play for the most part. Bowers is another author I am adding to my long list of writers whose books are sought after.

Bibliographic Notes:   Dorothy Bowers wrote four crime novels before The Bells of Old Bailey, all featuring Chief Inspector Dan Pardoe. All were first published in the US by Doubleday Crime Club. They are difficult to find as first editions; if anyone might be looking for copies to read, all four have been reprinted by Rue Morgue Press.

    Postscript to Poison. Hodder 1938.
    Shadows Before. Hodder 1939.
    Deed Without a Name. Hodder 1940
    Fear for Miss Betony. Hodder 1941. US title: Fear and Miss Betony.

D. C. BROD – Error in Judgment. Diamond, paperback reprint, September 1991. Hardcover edition: Walker, July 1990.

   As you’ve probably noticed, paperbacks are making quantum jumps in terms of prices. I’m not sure where the upper limit is, in terms of public resistance to bigger and bigger chunks of available spending money, but so far nothing seems to be keeping the cost of reading material from jumping onward and upward, from one month to the next, or so it seems.

   (Compare the price of this book, $4.50, with the one by Stefanie Matteson that I reviewed just prior to this one, $3.95, from the same publisher. Compare it with the price of paperbacks at the time you’re reading this, several months from now.)

   But as for the question, “Is this book worth $4.50?,” I’d hesitate a little, but I’m going to say yes. I enjoyed it (and enjoyed it more than I thought I was going to, after the first couple of chapters). It’s a good-sized book, 258 pages of smallish print, and if you enjoy PI stories, I think you’ll be getting your money’s worth.

   On the other hand, a general rule of thumb is that you may want to be careful of PI books written by authors with initials for a first name. The “D” stands for Deborah, and by and large, women still don’t write hardboiled PI novels. (But neither did Rex Stout. All I’m saying is be wary.)

   Brod’s detective hero is Quint McCauley, a struggling PI new to the small town of Foxport, somewhere outside of Chicago. He’s already made the mistake of crossing one of the town’s leading legal lights, and jobs are getting hard to come by.

   One that he has in this case, accepted on a contingency basis, is that of trying to determine whether or not a judge’s death was really a suicide. A clause in an insurance policy means a difference of a million dollars, payable to the widow.

   The judge, by the way, was under indictment in an bribery case, but Quint still wonders why the case was closed so quickly by the police department. (He is also on the outs with the chief of police, you might be interested in knowing, ever since he tried to pick up the man’s wife in a bar some time earlier.)

   Quint does have the advantage over the police, as far as the case is concerned, in that he was the one who found the body. He was also the one who found (and went off with) the pictures he found stashed away in a filing cabinet. He shouldn’t have, and that’s where the title comes from.

   It’s a complex case, in other words. The difficulty I found with it, in the early going, is that the writing is talky and flat, and McCauley, who tells the story, sounds whiney and apologetic, almost to the point of exasperation.

   Points of the story where he should be angry, he says he’s angry, but he doesn’t seem angry and he doesn’t act angry. (Maybe he’s more cold-blooded than I thought he was.)

   If you decide to read it, though, bear with it, and you’ll eventually find the plot has enough twists, major and minor, to make it worth the effort. This is a mixed review, in other words, but in balance, it should read more positive than negative.

Rating:   B Minus.

       The Quint McCauley series —

1. Murder in Store. Walker, 1989.

2. Error in Judgment. Walker, 1990.
3. Masquerade in Blue. Walker, 1991. Reprinted as Framed in Blue, Diamond, 1993.

4. Brothers in Blood. Walker, 1993.
5. Paid in Full. Five Star, 2000.

[UPDATE] 09-25-11.   Here it is, some twenty years later, not just a few months, and while prices of mass market paperbacks seem to have stabilized in the past year or so, it’s at a level that’s essentially double it was in 1991.

   The bigger problem, as far as I see it, is the total lack of diversity that exists in the way of detective fiction published today in MMP. Many publishers no longer have lines of genre fiction, and of those that do, almost all of it is of the “cozy” variety, with protagonists more interested in their hobbies (quilting, teddy bears) or small shops (antiques, herbs) than they are in solving murder cases, mostly incidental.

   In my opinion, ebooks will soon force MMP publishing into oblivion, a sad day as far as I’m concerned, but as other people have also pointed out, I’ll still have plenty to read.

STEFANIE MATTESON – Murder at Teatime. Diamond, paperback original, March 1991.

   This second installment of the adventures of noted actress and movie star Charlotte Graham takes place in Maine, where a world-famous professor and expert on herbal remedies is poisoned by one of the products found growing in his own garden.

   The motive may have been his stout opposition to the proposed economic development of the island where he’s living (golf course, hotel and condos), or it may have been connected to his valuable collection of herbal incunabula (books printed before 1500), discovered soon after his death to be missing.

   Charlotte Graham is deliberately modeled on the old-fashioned Katharine Hepburn type of movie star, independent, only occasionally regretting that she has put her career over love and marriage. She is, however, in love with the world and nearly everything in it.

   Although at first Charlotte finds herself nervous in a place that “didn’t have sidewalks,” she is soon won over by the raw beauty of Maine and its inhabitants. And where else in the country would she be asked by the harried chief of police to aid him in his investigation, simply because of her past exploits in the field?

   It has to be a chore for a mystery writer, book after book, to get his/her amateur detective involved in what should really only be police investigations. In a way it’s refreshing to see Matteson make no bones about it, and get Charlotte Graham right to work!

   This is but one example of how this case maintains itself as a direct descendant of the mysteries of the Golden Age of Detection. As another, there are only a few major suspects on the relatively isolated island. Their alibis have to be checked out individually, their motives examined in both direct and casual conversation, and in the end they are all gathered together in a final confrontation, during which the murderer bolts and pursuit must follow.

   A love of books and the lore of book collecting are also important ingredients of this novel, along with the herbs and the pitfalls of life in academia. If I thought Mattes0n’s first book, Murder at the Spa slowed down too often to nearly a halt by the intrusion of as much about the spa business as I wanted to know, she certainly makes up for it with this one, which has almost everything I’m looking for in a detective novel.

   Almost, but not quite. I did have a little bit of trouble with the ending, and with a

I’m going to tell you about it here. [Don’t read farther without having read the book first, if you’re going to.]

   The problem, as I see it, is that the evidence that eventually traps the killer is found carelessly left lying in a book as a bookmark. I don’t know about you, but if I’d ever murdered anybody, I’d be a little bit more careful about incriminating myself than this.

   (Of course, I’d be the kind of killer who keeps returning to the scene of the crime over and over again, looking and looking for anything at all that I’d missed!)

Rating:   B.

       The Charlotte Graham series —

1. Murder at the Spa (1990)

2. Murder at Teatime (1991)
3. Murder on the Cliff (1991)
4. Murder on the Silk Road (1992)

5. Murder at the Falls (1993)
6. Murder on High (1994)

7. Murder Among the Angels (1996)
8. Murder Under the Palms (1997)

DAVID M PIERCE – Down in the Valley. Penguin, paperback original, 1989.

   David M Pierce, a Canadian with a colorful background (songwriter, co-author of a musical and a cookbook, Shakespearean actor, and poet, most of this in England), arrives on our scene with Down in the Valley. This offers us V. (for Victor) Daniel, 6′ 7-1/4″, ex-con, wearer of Hawaiian shirts loud enough to wake the dead, and private investigator in the San Fernando Valley of LaLaLand.

   Here Daniel has a variety of cases in process, of which the most noticeable (and, apparently, most deadly) has to do with a local high school in which unlawful chemicals flourish.

   Pierce has the PI patter down very nicely, keeps the plot well aboil, peoples it colorfully (to say the least), and entertained me exceedingly well. I could do with more of these, and in fact two more Daniel capers are in print, shortly to be sampled by me.

    The Vic Daniel series —

Down in the Valley. Penguin 1989.
Hear the Wind Blow, Dear. Penguin 1990.
Roses Love Sunshine. Penguin 1990.

Angels in Heaven. Scribner, UK, 1991. Mysterious Press, US, 1992.

Write Me a Letter. Scribner, UK, 1992. Mysterious Press, 1993.

As She Rides By. St.Martin’s 1996.

SHEPARD RIFKIN – McQuaid in August. Doubleday Crime Club, hardcover, 1979. No paperback edition.

   Even though Damian McQuaid is a homicide detective, for the NYPD, this is definitely not your average sort of police procedural. It’s August, it’s hot, and McQuaid has only two days to solve a case on his own before someone discovers the body of the girl in whose apartment he spent the night.

   Finding the killer is not enough. Without the usual power of the police department behind him to help gather the evidence he needs, McQuaid is forced to resort to an intricate cat-and-mouse game of active harrassment in order to produce a “voluntary” confession.

   As a leading character, his excursions beyond the letter of the law evoke both admiration and a surprising lack of sympathy; part of the fascination reserved to the reader appears to be watching him stay, barely, on the side of sanity himself.

Rating:   A Minus.

Bibliographic Data:

    The Lt. Damian McQuaid series —

McQuaid. Putnam 1974.

The Snow Rattlers. Putnam, 1977.
McQuaid in August. Doubleday, 1979.

   Not in the series is The Murderer Vine (Dodd, 1970), recently reprinted by Hard Case Crime (2008). It’s a work of fiction based on the murder of three civil rights workers in Mississippi (James Chaney, Andrew Goodman and Michael Schwerner) during the Freedom Summer voter registration drive.

   Rifkin’s other crime novel is Ladyfingers, a paperback original published by Gold Medal in 1969.

KEITH PETERSON – The Rain. Bantam, paperback original, December 1988. Softcover reprint by “Andrew Klavan writing as Keith Peterson,” Vista, UK, September 1997.

   The third tale about New York reporter John Wells by Keith Peterson takes place exclusively in a sweltering August in New York City. A lowlife acquaintance of Wells’ invites him over and tries to sell him sexually compromising photos of an ostensibly strait-laced senatorial candidate.

   Then the lowlife becomes a non-life, the photos disappear, and Wells’ paper is ignominiously scooped by the other rag in town. John’s popularity with his bosses reaches new lows, and a local mobster also takes a dim view of Wells’ meddling. It’s not clear he can work his way out of this mess even if he dies trying.

   Beautifully plotted and paced.

Editorial Comments:   I do not know whether the name behind the Keith Peterson pseudonym was known when Al wrote this review, but I suspect not, or it seems likely he would have mentioned it. The four “John Wells” books came out in a flurry, three in 1988 and one in 1989, then no more. I bought them all, and even though they looked interesting, I set them aside and almost totally forgot about them until now.   Perhaps I shouldn’t have; see below:

    The John Wells series, by Keith Peterson. —

There Fell a Shadow (n.) Bantam, August 1988.
The Trapdoor (n.) Bantam, 1988.   [Nominated for the Edgar Award, Best Paperback Original.]

The Rain (n.) Bantam, December 1988.   [Edgar Award for Best Paperback Original.]
Rough Justice (n.) Bantam October 1989.

C. ST. JOHN SPRIGG – Death of an Airman. Doubleday Crime Club, hardcover, 1935. First published in the UK: Hutchinson, hardcover, 1934.

   Fortunate it is for the minions of the law that Edwin Marriott, Bishop of Cootamundra, Australia, is in England on leave and wants to learn how to fly. For it is he who spots an anomaly when the flight school’s principal instructor expires after his plane crash: rigor mortis never sets in.

   A delayed post-mortem uncovers a bullet wound in the dead man’s head. It can’t be suicide. It also cannot be murder since the pilot was flying alone and no other plane was seen in the area.

   Scotland Yard Inspector Bernard Bray, one of Sprigg’s continuing characters, is called in to assist in the investigation. Even he can’t puzzle out the absence of rigor in the corpse, though he does get on the trail of drug smugglers and peddlers (yes, young people, like sex, this was not something invented in your generation).

   With the help of the Bishop, Bray and the locals break up the drug ring and finally figure out how the deceased pilot met his fate in an entertaining novel that provides some interesting information about the early days of flying.

   BIBLIOGRAPHY:    [Taken from the Revised Crime Fiction IV, by Allen J. Hubin.]

SPRIGG, C(hristopher) ST. JOHN. 1907-1937.

   Crime in Kensington (n.) Eldon 1933 [Insp. Bernard Bray; Charles Venables] US title: Pass the Body. Dial, 1933.
   Fatality in Fleet Street (n.) Eldon 1933 [Charles Venables] No US edition.
   Death of an Airman (n.) Hutchinson 1934 [Insp. Bernard Bray]
   The Perfect Alibi (n.) Eldon 1934 [Charles Venables; Insp. Bernard Bray]
   The Corpse with the Sunburnt Face (n.) Nelson 1935. US title: The Corpse with the Sunburned Face. Doubleday, 1935.
   Death of a Queen (n.) Nelson 1935 [Charles Venables] No US edition.
   The Six Queer Things (n.) Jenkins 1937.

Editorial Comments:   There is a longer biography of Sprigg on the Golden Age of Detection Wiki, along with a photo.

   A challenge I might present to you I’m sure I would win is to have you collect all of the books above, or try to. I do not believe you could do it. If you have a collection already, you must have put it together some 40 years ago or more. At one time the US editions of his books were relatively common, but no more, especially in jacket. (The one shown above came from a Sun Dial reprint.)

   As to this particular book, I’ve had a copy since forever, but I’ve never read it. I do wish that Bill Deeck had commented on how clever the “impossible crime” aspect was. At the moment, all it is is a tease.

CRAIG JOHNSON – Kindness Goes Unpunished. Viking, hardcover, March 2007. Penguin, softcover, February, 2008.

   This is the third Wyoming Sheriff Walt Longmire novel. He and his friend Henry Standing Bear are on a trip to Philadelphia. Henry is going because he has been invited to put on an exhibition of family Indian reservation photos at a museum, while Walt is going to visit his daughter Cady, who lives there.

   His daughter thinks she has met “the one” and wants to introduce him to her father. But Walt never gets to see her; he finds that she is hovering in a coma near death in the hospital after being attacked by an unknown male assailant outside the same museum that will host Henry’s photos.

   With the help of Henry, Walt sets out to find the person responsible. He discovers that the boyfriend is more than likely the guilty party; that he was a gambler and drug addict. But the boyfriend is thrown off a bridge to his death before Walt can question him, causing him to wonder if his daughter had discovered something about the boyfriend that would cause him to attack her.

   Walt continues to investigate trying to discover what is really behind the boyfriend’s death. Not as good as the first novel, but the Philadelphia locations feel very real and the writing keeps you turning pages.

Rating:   B.

       The Sheriff Walt Longmire Mysteries —

1. The Cold Dish (2004)

2. Death Without Company (2006)
3. Kindness Goes Unpunished (2007)
4. Another Man’s Moccasins (2008)
5. The Dark Horse (2009)

6. Junkyard Dogs (2010)
7. Hell Is Empty (2011)

        #6. BATTLE McKIM, by Edward Parrish Ware.

   The Battle McKim stories by Edward Parrish Ware were a short series of at least thirteen tales published in Detective Fiction Weekly between 1934 through 1937. The stories are about a detective who works for Sheriff Calloway in Zinc City, near the Ozark Mountains in what appears to be Missouri.

   Zinc City has a population of something over fifty thousand residents. “Brutus McKim, nicknamed ‘Battle,’ . . . stood five feet and five inches in his low-heeled shoes, and weighed one hundred and thirty pounds. His age was somewhat under forty, and his nature was as mild as milk. But this small, mild-mannered man had, on more than one occasion, proved his right to the nickname which had been bestowed on him originally in fun.” (The Clue of the Broken Chimney)

   In fact, in the first story McKim has to shoot two criminals who tried to kill him. However, Battle McKim “hated to use his gun. It was against his nature to kill. When he just had to do it, he did.” In one story, it was revealed that McKim was especially fond of circuses and circus people, and thought that circus bands “made the finest music of any other bands whatever.” (Clue of the Elephant’s Ear) McKim is never without his Stetson hat nor his gun.

   The stories mostly have titles that involve a clue which is important to the solution of the story. Ware had other series which were published in DFW: the Ranger Jack Calhoun series (1926-1938), Tug Norton (1926-1934), and Buck Harris (1930-1934). So Ware wrote many stories for the magazine, but nothing after 1938.

   The first known story in the Battle McKim series is “The Clue of the Broken Chimney” which sets forth some background facts and in its plot shows what the series was going to be like. McKim sees in the death of a mining owner by a fall from a height to be murder, when everyone else disagrees and claims either accident or suicide.

   McKim’s investigation into the matter causes some trouble for him with criminals, but he is not deterred. The sheriff seems to have great confidence in McKim’s abilities and will go along with whatever he says.

   â€œClue of the Bandit’s Beard” involves the false beard one of the criminals wears. The story involves the holdup and murder at a mining encampment. In this story Battle McKim shows his sleuthing and tracking abilities by tracking down the criminals.

   As seems to be usual in this series, he has gunfights with the criminals. However, he takes such a long time tracking down the criminals that Sheriff Calloway becomes angry at his absence. It seems that the sheriff depends a bit too much upon his resident detective.

   â€œThe Clue of the Animal Crackers” actually involves the contents of a box of animal crackers. These crackers seem to have been around a long time; I assume they are still available nowadays. The scene is the county fair, where a carnival is taking place. One of the carnival people has been murdered, and McKim must figure out who committed the crime. The animal crackers play a significant role in the solution of the mystery. For a change, there is no gunfight between McKim and the criminal.

   â€œClue of the Battered Bullets” involves a mysterious case of murder and a kidnapping of a banker. Upon investigation, Battle McKim also finds plenty of clues leading in various directions. He suspects that there is more to the case than first appears, and by the end, he has to gunfight with a criminal who was behind it all. A number of the stories in this series involve gunfights with the criminals. Occasionally McKim does capture the criminals alive.

   â€œClue of the Elephant’s Ear” takes place at the Moseby’s Marvelous Circus, which is visiting Zinc City. The headliner of the circus and its greatest attraction is the intelligent elephant Bong the Great, or Bong, the Elephant with the Human Brain as he is billed on advertisements. Battle McKim investigates after the elephant kills its trainer during a performance.

   The killing by the elephant was due to a sudden rage that came over the elephant, and McKim wants to know if there are reasons for this behavior. Sheriff Calloway objects to this, saying that he has already decided to kill the elephant as a dangerous beast. McKim doesn’t pay any attention to this and investigates anyway.

   â€œClue of the Persian Cat” involves two Persian cats and a murder mystery at a roadhouse. One of the two owners has been mysteriously killed, and the first thing Battle McKim must decide is whether it was suicide or murder. There aren’t very many suspects, so the mystery angle is a bit slim. The cats’ involvement turns out to be important in the mystery, and leads McKim to the solution.

   â€œClue of the Poisoned Dog” presents Battle McKim with a murder mystery that has taken place at a rich man house where several people are guests. It also takes place in the midst of a snowstorm, which shows that no on entered or left the house at the time of the murder. In addition, unset diamonds valued at a hundred thousand dollars have been stolen from the dead man. McKim cleverly solves the crimes and recovers the diamonds.

   â€œClue of the Hard-Boiled Eggs” has a slim clue for Battle McKim to work on. A local farmer had sold some land for $10,000 and decided to hide the money on his property rather than putting it in the bank. McKim becomes involved after the man supposedly died accidentally, leaving his money still hidden.

   After investigating, McKim deduces that the farmer was actually murdered and his money stolen. McKim has to resort to trickery to force the criminal to give himself away as the guilty man.

   â€œClue of the Pekin Ducks” is another good story. The clue of the ducks involves their reputation as a night alarm, alerting their owner as to trespassers. The crime here is of the murder and robbery of their owner, a stingy, miserly, person who is disliked by virtually everyone. Plenty of suspects in a case of this nature. But the duck clue led Battle McKim to the only person who could have committed the crime.

   â€œClue of the Crawling Cows” deals with a different kind of crime. A train baggage car of the Missouri Central Railroad has been robbed, one of the car workers tied up and the other man missing as well as fifty thousand dollars gone.

   Battle McKim must find out where the missing train worker went as well as find the missing money. The story is clever, and McKim finds the definitive clue in the behavior of some cattle next to the train tracks.

   â€œClue of the Second Death” involves a murder by somewhat improbable means, but the author seems to make it work in the story, although it is a bit far-fetched that Battle McKim should be able to figure it out. The murder victim is Colonel Shel Allen, who is stricken dead by aconite poisoning while driving his car.

   Because Allen was the county prosecutor, suspicion comes down on a crooked judge and his friends, but McKim tends to believe in a different group of suspects and devotes his investigation to them. The second death clue gives McKim the evidence he needs to figure out who committed the first murder.

   â€œClue of the Tallow Candle” was the last story in the series, and much of it takes place underground in some caves near Zinc City. A noted judge has been killed in one of the caves, and Battle McKim must first prove it was deliberate murder rather than an accident.

   As usual, hidden clues contribute to the story, and a second death makes the mystery more difficult to solve. However, McKim draws the suspects around with the addition of others in the sheriff’s department, and proves who committed the murder and why. As often happens, McKim shoots it out with the killer.

   This is an average series, with very good stories. There is not any humor in the stories, just a basic storytelling technique that does a decent job of the adventures of Battle McKim in his quest for the truth.

   The stories are at least a change from the sameness that had crept into Ware’s series about Ranger Jack Calhoun. Interestingly, Ware must have disliked veterinarians, as he makes them the villain in two of the stories.

      The Battle McKim series by Edward Parrish Ware:

The Clue of the Broken Chimney     October 27, 1934
Clue of the Bandit’s Beard     November 10, 1934
The Clue of the Animal Crackers     November 24, 1934
Clue of the Battered Bullets     March 16, 1935
Clue of the Elephant’s Ear     April 20, 1935
Clue of the Persian Cat     May 4, 1935
Clue of the Poisoned Dog     August 3, 1935
Clue of the Hard-Boiled Eggs     August 10, 1935
Clue of the Pekin Ducks     September 21, 1935
Clue of the Putty Paper     November 2, 1935    *
Clue of the Crawling Cows     December 21, 1935
Clue of the Second Death     March 21, 1936
Clue of the Tallow Candle     October 9, 1937

* I don’t have this story, but the title indicates it might be part of the series. [And so it is. See Comment #1.]

    Previously in this series:

1. SHAMUS MAGUIRE, by Stanley Day.
2. HAPPY McGONIGLE, by Paul Allenby.
3. ARTY BEELE, by Ruth & Alexander Wilson.
4. COLIN HAIG, by H. Bedford-Jones.
5. SECRET AGENT GEORGE DEVRITE, by Tom Curry.

KATE ROSS – Cut to the Quick. Viking, hardcover, 1993. Penguin, paperback, 1994.

Genre:   Historical mystery. Leading character:  Julian Kestrel (1st in series). Setting:   England/Regency era, 1824.

First Sentence:   Mark Craddock paced slowly, deliberately, back and forth behind the desk in his study.

   After Regency dandy and detective Julian Kestral rescues young Hugh Fontclair from embarrassment at a gambling hall, he is, in turn, asked to serve as best man for Hugh’s forced marriage to Maud Craddock.

    Kestral, along with his man Dipper, travels to the Fontclair country home for a weekend with both families. The last thing he expected was to find the body of an unknown murdered woman in his bed or having to provide Dipper innocent of the act.

    For those of us who love period mysteries, Ross is one of the best. She captures the period with exquisite detail from dress, manners, speech. Her characters are wonderfully drawn portraying all levels of society.

    Kestrel is the character at center stage. He is the personification of the Regency dandy, exhibiting droll cynicism and detachment. Upon meeting Hugh’s young sisters, he comments:   “I rather like making friends with women before they’re old enough to be dangerous.”

    However, under the veneer is a consideration for others, an admiration for goodness, awareness of people’s natures and a determination for justice. Although there are quite a number of characters in the story, each is so well drawn as never become confused.

    The plot is very strong. It’s not a locked-room mystery as the key is on the hall table. It is very much a case of who is the victim, how did she get there and what was her relationship to the people in the house. It’s a step-by-step investigation with plenty of twists and turns along the way. Best of all, I certainly did not predict the killer.

    While sadly, Kate Ross only published four books before her death in 1998, this, as are all of her books, is very well worth reading, and reading again.

Rating:   Very Good Plus.

    The Julian Kestrel series —

Cut to the Quick (1993)
A Broken Vessel (1994)

Whom the Gods Love (1995)
The Devil in Music (1997)