It’s taken me longer than it should have, but this afternoon I finally finished the formatting of a checklist that should be of interest to everyone who reads and collects mysteries published during the Golden Age of Detection.

    Compiled by Victor Berch, the title is “A Checklist of HARPER’S SEALED MYSTERY SERIES,” and to tempt you even more, here are the first two paragraphs of Victor’s introduction to the list:

    This series of books, obviously very collectible today, was published between 1929 and 1934. The most prominent author included in the series was beyond a doubt John Dickson Carr, with nine books in the series (in six years!). It’s the cover of one of these that you see here up above. Other authors include Freeman Wills Crofts, Milton Propper, Mary Plum, Hulbert Footner and Albert Payson Terhune.

    Thanks to Bill Pronzini and his collection, covers of some two dozen or more are included. The list is too long to have posted on the blog. You’ll find it instead here on the main Mystery*File website. (Follow the link.)

    And just how many of the books were returned to Harper’s for a refund? You’ll have to read Victor’s article.

SARA ROSETT – Magnolias, Moonlight, and Murder. Kensington, paperback, March 2010; hardcover, April 2009.

   As can easily be deduced from the title, perhaps, this is a cozy mystery novel that takes place in the South, middle Georgia, in fact. Most cozies today have leading characters who solve mysteries involving their hobbies (making quilts or teddy bears) or who run into murders in their everyday line of work, which are usually unusual.

   Take Ellie Avery, for example. This is her fourth run-in with murder, but in her everyday life she’s a mother with two small children (lots of diapers!) and a professional organizer (lots of reasons for meeting lots of people, most of who are also suspects).

   In Magnolias Ellie discovers the remains of two bodies in one grave unearthed by rain in a cemetery near the house she and her Air Force husband have just moved into. (This, by the way, is another theme of the series: the constant moving from home to home that an Air Force wife has to get used to and endure.)

   Neither, however, is the body of the young reporter who’s been missing for several months, Jodi Lockworth, who as it turns out, lived in the house where the Averys are now residing, a fact that gets Ellie involved in another case to solve, much to husband Mitch’s displeasure.

   Whether there’s any entertainment factor in this novel for you depends, I would imagine, on you. I found it enjoyable enough to finish, certainly, or I wouldn’t be telling you about it, but I was a trifle disappointed when it came to the detective side of things. There are a couple of cases in Magnolias, somewhat tangentially connected. Ellie’s work as a sleuth is a lot more effective on the minor one.

   As to the major one, it takes a telephone clue out of the blue before she can put things to right. Nothing she does on her own, or could have done, would have cracked the case – one that also depends on a huge hummer of a coincidence, now that I’m thinking about it.

   One that’s managed in one single swallow, though, or maybe two. Detective and mystery fiction are full of them. Neither can leave home without them.

      The Ellie Avery “Mom Zone” Series —

1. Moving Is Murder (2006)

2. Staying Home Is a Killer (2007)
3. Getting Away Is Deadly (2008)

4. Magnolias, Moonlight, and Murder (2009)
5. Mint Juleps, Mayhem, and Murder (2010)

MICHAEL KORYTA – The Silent Hour. St. Martin’s Minotaur, hardcover, August 2009; reprint paperback, August 2010.

Genre:   Private eye. Series character:   Lincoln Perry, 5th in series. Setting:   Cleveland OH.

First Sentence:   He’d sharpened his knife just an hour before the killing.

   PI Lincoln Perry is on his own after his partner, Joe Pritchard, decided to spend the winter in Florida. Lincoln is receiving letters from a paroled killer wanting to hire him to find the missing daughter of mobsters. The woman and her husband disappeared a decade ago from a unique and valuable rural home where they ran an unlicensed half-way house for violent offenders.

   When the skeleton of the husband turns up, having a less-than-desirable client, and a case connected to the Mob, causes Perry to question his abilities and his commitment to being a PI.

   It is so frustrating to have an author whose previous books I’ve loved, write one I find disappointing. Perhaps because I liked the previous books so well, I didn’t notice them, but I did here: portents. I intensely dislike the use of portents, particularly where they broadcast the plot and thus, detract from the suspense or surprise of the story. They were unnecessary.

   The plot, itself, was interesting, but it bogged down in the middle. Lincoln’s introspection nearly overwhelmed the pace and appeal of the story, even though some of it was well done… “It stacked up on you, after a while. The violence.”

   I understand wanting to focus on a single protagonist in a series where the protagonists have been a team. In this case, having Lincoln without Joe reminded me of soda without carbonation: flat.

   I like Lincoln as a character. I appreciated learning more about is background, particularly his mother. At the same time, without Joe, an older, ex-cop who brought Lincoln into his PI agency, Lincoln’s inexperience showed in a frustrating way.

   The scenes where Joe is present are when the book came back to life. The biggest challenge was that beyond Joe, Lincoln and his girlfriend Amy, none of the rest of the characters was appealing or interesting. There was nothing in them to make me care whether the case was solved.

   If you’ve not read Koryta, I do recommend the first four books in the series and his standalone Envy the Night. Shall I continue reading Koryta? Probably, but I’ll hope the next book is much better.

Rating: Okay.

      The Lincoln Perry series —

1. Tonight I Said Goodbye (2004)

2. Sorrow’s Anthem (2006)
3. A Welcome Grave (2007)

4. The Silent Hour (2009)

Editorial Comment: Koryta’s next two books are scheduled to be stand-alones, as was Envy the Night, which LJ mentions. One wonders if, like Harlan Coben and Dennis Lehane before him, that’s the direction his career is taking him.

KATE ELLIS – The Armada Boy. St. Martin’s Press, hardcover, July 2000. Previously published in the UK: Piatkus, hc, 1999.

Genre: Police procedural. Series character: DS Wesley Peterson, 2nd in series. Setting: Devon, UK.

First Sentence: Norman Openheim lit a forbidden cigarette and inhaled deeply.

   The Americans have come back to Devon in tribute to the time spent there preparing for the Normandy Invasion. The reunion does not go without incident when Neil, an archeologist and friend of DS Wesley Peterson, find the body of a murdered veteran at the chantry chapel ruins, the site where sailors of the Spanish Armada are said to be buried and where in more recent times, couples went for a bit of privacy.

   The only thing better than discovering a new author I like, is when they have a backlist for me to read. Kate Ellis is such an author.

   It is nice that this book is set in the fictional town of Tradmouth in Devon. From the author’s website, I learned that she used Dartmouth as her guide. While it is nice to be outside a major city, providing a stronger sense of place would have been appreciated, particularly as I am completely unfamiliar with this area. Thank heaven for the Internet.

   I cannot, however, fault her for character creation. Although this is billed as “A Wesley Peterson Crime Novel,” it read more as an ensemble cast, and a good one. Again, quoting the website, “Each story combines an intriguing contemporary murder mystery with a parallel historical case.”

   Wesley received his degree in archeology prior to joining the police force and therefore provides the bridge to his archeologist friend, Neil. Wesley is polished and university educated, in contrast to his superior, DI Heffernan, whom I am delighted to say he gets on with well.

   To this pair add a bright, ambitious police woman; a young detective who’d really like the action of London; Wesley’s archeologist friend; and an unseen psychic who calls to tell them to look for the Armada Boy.

   What I particularly appreciated was that the background of all the characters is provided in bits throughout the story. The story’s plot is well constructed. It is intricate and filled with red herrings and twists but never feels contrived or manipulative.

   The clues are revealed to the reader as they are to the characters. The past is a critical element of the story as it relates to both location and motives. Ellis skillfully blends the historical information into the plot, even enabling a particularly poignant thread to the story.

   Ellis is an intelligent writer excellent at combining the past with the present and in her use of allegories and understanding the impact of the sins of the father. She has definitely joined my “must read” list.

Rating: Very Good Plus.

      The Wesley Peterson series —

1. The Merchant’s House (1998)

2. The Armada Boy (1999)
3. An Unhallowed Grave (1999)
4. The Funeral Boat (2000)
5. The Bone Garden (2001)

6. A Painted Doom (2002)
7. The Skeleton Room (2003)

8. The Plague Maiden (2004)
9. A Cursed Inheritance (2005)
10. The Marriage Hearse (2006)
11. The Shining Skull (2007)
12. The Blood Pit (2008)

13. A Perfect Death (2009)
14. The Flesh Tailor (2010)
15. The Jackal Man (2011)

Note: Kate Ellis has also written two detective novels featuring DI Joe Plantagenet, and one with Lady Katheryn Bulkeley, a 16th century abbess.

COLIN COTTERILL – The Coroner’s Lunch. Soho Crime, hardcover, December 2004; trade paperback: November 2005.

Genre: Licensed investigator. Series character: Dr. Siri Paiboun, 1st in series. Setting: Laos, 1976.

First Sentence: Tran, Tran, and Hok broke through the heavy end-of-west-season clouds.

   It is 1976 and one year after the Communist takeover of Laos. Dr. Siri Paiboun is 72 years old, a widower and ready to retire. Instead, he is appointed state coroner; in fact, he’s the only coroner in Laos and has three cases to deal with; the death of an important official’s wife, the discovery of bodies that could lead to an international incident between Laos and Vietnam, and uncovering the reason why the commanders of an Army base, located in northern Laos, keep dying.

   How have I missed Cotterill until now? Let me start with history. I am of the Vietnam era; I had friends who fought and died, there. Once the war was over, I had very little interest in that area of the world. Now I find it fascinating to see how Communism controlled every aspect of individual’s lives.

   What I particularly like is that Cotterill doesn’t present it in a heavy-handed manner, but through the character’s perspective of that being the way life is. In some ways, I find that more effective.

   The characters are wonderful. Dr. Siri, who performs his first autopsy with the help of a very old French book, his assistants, Dtui who reads Thai fan magazines, and Geung who has mild Down’s Syndrome, plus his friends are all delightfully portrayed with affection and, often, humor.

   But it is Siri who takes the lead and is our connection to the metaphysical world. With his white hair, uncontrolled eyebrows and shocking green eyes, Siri stands out on his own, but he can also see the dead and communicate with spirits.

   Rather than making the book unbelievable, it adds dimension and an element of suspense to the story in a way that is hard to quantify. There is a wonderful sense of place to the story, but different from the usual. It is very much tied in with the way people live, rather than descriptions of the location in which the story is set.

   I am so pleased to have found this author and have already ordered the rest of this series.

Rating: Very Good Plus.

   The Dr. Siri Paiboun Series —

       1. The Coroner’s Lunch (2004)
       2. Thirty-Three Teeth (2005)

       3. Disco for the Departed (2006)
       4. Anarchy and Old Dogs (2007)

       5. Curse of the Pogo Stick (2008)
       6. The Merry Misogynist (2009)

       7. Love Songs from a Shallow Grave (2010)

At 03:53 PM 4/14/2010, you wrote:

Dear Steve,

    I hope I am not asking too much of you guys again but I was wondering if you had a list of “couples on the run” films. Bonnie and Clyde comes to mind but perhaps something from the 40’s or 50’s? Or more recent than the 60’s? I like the urban man-on-the-run movies [see this previous post] and have seen several from the list already. Do any tales of a (possibly mismatched) couple running from bad guys ring bells? Again, I hope this is not too specific but I have great faith in your encyclopedic knowledge of cinema. Thanks again,

       Josh

          — —

   This is, of course, another follow-up to David Vineyard’s four Top Ten lists of “Man on the Run” thrillers posted here a month or so back. Once again I graciously offered to let him see what he could come up with. Here’s his reply:

   First of all, I’ll limit this to films before the seventies. Saves trying to remember all those bad road pictures of recent years, and I don’t have to include Stallone and Brigitte Nielson in Cobra. Since most of the “man on the run” films end up “couple on the run” at some point this could be a long list, so I’ll just list ones that come to mind fairly easily and hope some others contribute too.

   I’ll also include one or two “two men on the run” films, but the “two girls on the run” films don’t really start until Thelma and Louise, which I’ve already set outside this purview.

   These are neither chronologically or qualitatively ranked. And just so this doesn’t go on forever, I’ll skip team comedies like Laurel and Hardy, Abbot and Costello, and the “Road” pictures of Hope and Crosby since they often ended up with the boys on the run.

   I’m also avoiding the type film where the heroine hides the hero out, but they aren’t really on the run together at any point. I’ve also tried to avoid most buddy pictures — though many technically fit the bill. I’ve also included a few “groups on the run” films.

The 39 Steps. The classic with Robert Donat and Madeline Carroll handcuffed together. One of the brightest films of this sort and the model for all that came after.

The 39 Steps. Good remake from Betty Box, in color with Kenneth More and Tania Elg. Recently re-done for the fourth time for Masterpiece Theater and currently being filmed as a major theatrical release by Robert Towne for 2011 release.

Young and Innocent. Earlier Hitch based on a Josephine Tey novel and with that famous dance hall scene with the killer drummer in black face with a twitch. The innocent man of the title ends up on the run aided by the young daughter of a Scotland Yard Inspector hunting him. Very much a template for The 39 Steps.

Saboteur. Robert Cummings and Priscilla Lane end up on the run together when he is falsely accused of sabotage done by Norman Lloyd. Yet another attempt by Hitch to remake The 39 Steps — it wasn’t until North By Northwest he finally got it the way he wanted.

You Only Live Once. Fritz Lang classic with Henry Fonda and Sylvia Sidney as the Bonnie and Clyde stand-in’s. Recreates the famous bank robbery sequence from Lang’s Spies.

My Favorite Blonde. Conscious comedic version of The 39 Steps with vaudevillian Bob Hope on the run with British Agent Madeline Carroll.

My Favorite Brunette. Early noir send up with Hope and Dorothy Lamour on the run from the law and the crooks after her inheritance. Alan Ladd’s guest shot is surprisingly the only time he played a private eye.

They Live By Night . Solid crime classic with Farley Granger and Cathy Downs as a reluctant Bonnie and Clyde on the run, based on the novel Thieves Like Us by Edward Anderson and remade under that title.

Bonnie Parker Story. Somehow they did Bonnie and Clyde without mentioning Clyde. Dorothy Provine and Jack Hogan. What I remember about this one is that the car the real couple was killed in toured with the film.

Once Upon a Honeymoon. Cary Grant and Ginger Rogers in offbeat comedy as stripper Rogers marries Nazi agent Walter Slezak and is romanced by radio newsman Grant. They both escape after Poland and end up having to escape from Slezak and other Nazis who try and force Grant to become an American Lord Haw Haw. At one point Cary is imprisoned in a concentration camp and just misses being sterilized. From Leo McCarey who directed Going My Way.

Man At Large. Terrific B which has escaped Nazi POW George Reeves and Marjorie Weaver on the run in the US and contacting the fifth column to escape. Very fast and bright in the 39 Steps vein. Though just from the casting you can guess where this is going.

I Wake Up Screaming. Victor Mature ends up being hidden by Betty Grable, and they have to hide from police so technically they are on the run together. Great early noir film with good performances all around and an outstanding one by cop Laird Cregar. Based on Steve Fisher’s novel.

The Defiant Ones . Important racial film has Tony Curtis and Sidney Poitier on the run from a chain-gang. Great film with Curtis surprisingly good.

Colorado Territory. Remake of High Sierra as a western from the same director (Raoul Walsh) and writer (W.R. Burnett from his novel), with Joel McCrea and Virginia Mayo in the Bogart and Lupino role, but her role in the chase is somewhat larger in this one.

The Redhead and the Cowboy. Well done western with Confederate agent Rhonda Fleming ending up on the run with cowboy Glenn Ford, who could care less about the Civil War until he comes face to face with choices.

Knight Without Armor. British spy Robert Donat, who has long been undercover in Imperial Russia, ends up on the run with aristocrat Marlene Dietrich in Revolutionary Russia, based on the novel Without Armor by James Hilton. One of the best and classiest pictures no one seems to have seen. Very bright, funny, and wonderfully staged film from the Kordas (Thief of Baghdad, Four Feathers …)

The Adventures of Tartu. Donat again as a Brit spy in Rumania at the beginning of the war to sabotage the Ploesti oil fields with help from Valerie Hobson. Light but enjoyable.

The Burglars. Jean Paul Belmondo and Dyan Cannon evade pursuit by cop Omar Sharif while planning big caper in smart fast film with a classic car chase. Remake of The Burglar with Dan Duryea and Jayne Mansfield and both based on a David Goodis novel.

Belle Starr. The outlaw Gene Tierney and Randolph Scott on the run while pursuing their criminal career. Great cast, but slow as mud.

Ice Cold in Alex. John Mills and Sylvia Syms as an ambulance team and girl trapped in the desert with Nazi soldiers — which side will reach them first?

Blindfolded. Psychiatrist Rock Hudson is hired to help agent who has had a breakdown after torture, but not told where he is taken to treat him, so when everything goes wrong he has to find the locale with sexy Claudia Cardinalle caught up in the chase. Mix of comedy and espionage doesn’t always work, but film has some bright spots.

Escape From Zahrain. Yul Brynner is one of five escaped prisoners along with Madelyn Rhue who’s caught up with them as they escape across the desert from a cruel prison.

Figures in a Landscape. Arty film based on Barry England’s novel with Robert Shaw and Malcolm McDowall on the run after they escape prison. Nice cinematography, but awfully pretentious.

Arabesque. Bright follow up to Stanley Donen’s Charade with scholar Gregory Peck and Arab millionaire Alan Badel’s mistress Sophia Loren on the run as they try to decipher a mysterious message in time to stop the assassination of an Arab prince. It’s no Charade, but gorgeous to look at a much fun with Peck and Loren well matched.

State Secret. Dr. Douglas Fairbanks Jr. is secretly brought in to do brain surgery on dictator of Yugoslavian style country behind the Iron Curtain. When dictator dies Secret Police Chief Jack Hawkins wants him dead and he ends up on the run with actress Glynnis Johns. From Sidney Gilliatt.

Highly Dangerous. Margaret Lockwood is a British etymologist sent behind the Iron Curtain to find out what the bad guys are up to with bugs, but when she is tortured she wakes up thinking she is a the heroine of a BBC radio serial and American journalist Dane Clark her partner. Together they find the secret and end up on the run from dangerous police chief Marius Goring. Original screenplay by Eric Ambler.

Uncertain Glory . Arsene Lupin style French crook Errol Flynn has been caught by policeman Paul Lukas in Nazi occupied France, but together they hideout and plan for Flynn to surrender to the Gestapo instead of real saboteur to save hostages about to be executed — but will Flynn go through with it, or is it just a ploy to escape the guillotine? Screenplay by Max Brand.

Torn Curtain. American defector Paul Newman and girl friend Julie Andrews on the run behind the Iron Curtain when his real mission is revealed. Disappointing Hitchcock film, but the murder of the East German agent in the farm house is a classic piece of Hitchcock.

This Gun For Hire. Alan Ladd is assassin Raven on the run with undercover agent and magician Veronica Lake while her cop boyfriend Robert Preston hunts them as Ladd avenges the double-cross planned by traitor Laird Cregar.

Ministry of Fear. Amnesiac Ray Milland on the run while hunting a spy ring in London during the Blitz with Marjorie Reynolds along for the chase. A Fritz Lang classic. Watch for Dan Dureya in a fine role.

Decision Before Dawn. German soldiers Oskar Werner and O.E. Hasse agree to go back behind German lines in desperate mission as the war is coming to an end. Good film, dark and very stark. Richard Basehart and Gary Merrill are the men who train and dispatch them.

Night of the Hunter. Two children escape psychotic lay preacher Robert Mitchum in Charles Laughton’s classic version of Davis Grubb’s novel. Haunting and beautiful with Lilian Gish and Mitchum wonderfully matched as good vs evil. Fine performances by Gish and Mitchum sometimes overshadow how good the kids are in this one.

Heaven Knows Mr. Allison. Charming John Huston film of marine Mitchum and nun Deborah Kerr evading Japanese when they are wrecked on a small Pacific island.

Raw Deal. Escaped convict Dennis O’Keefe on the run with girl friend Claire Trevor and innocent Marsha Hunt finds himself divided between the two while seeking revenge on sadistic and kinky Raymond Burr. One of Anthony Mann’s best films with a terrific ending. This and T-Men are the two Mann must-see film noirs.

The Great Race. Blake Edwards frenetic comedy is more a couple running than a couple on the run film, but Tony Curtis and Natalie Wood are attractive together, and Jack Lemmon and Peter Falk are a delight as the inept villains of the piece.

It Happened One Night. Frank Capra classic with reporter Clark Gable trying to get the scoop on wacky heiress Claudette Colbert while trying to evade the nation wide search for her. Remade as a musical with Jack Lemmon and June Allison, but see the original.

The Runaround. Fine screwball B film that lifts much of the plot of It Happened One Night, but does it so well no one could possibly care. Rod Cameron and Broderick Crawford are maverick private eyes who leave their hated bosses’ agency and vie with him to recover runaway heiress Ella Raines (heiresses on the run were a staple of films in this era) evading their old bosses men and double crossing each other. Cameron is surprisingly good in a largely comic role and perfectly teamed with Crawford.

The Bride Came C.O.D.. Yet another It Happened One Night variation as pilot James Cagney and runaway heiress Bette Davis battle and fall for each other while on the run from press and private eyes.

Arrest Bulldog Drummond. Good entry in the John Howard Drummond series when he is framed and goes on the run with fiance Phyllis (Heather Angel) to hunt down master criminal George Zucco. Fast paced entry in the series. Hugh and Phyllis’s much postponed marriage was a running gag in the film series.

Desire. Car designer Gary Cooper falls for jewel thief Marlene Dietrich in Spain as she and partner John Halliday try to elude police with his unwitting aide — a bright Frank Borzage film produced by Ernst Lubitch (To Be Or Not to Be, Heaven Can Wait …)

City Streets . Carnival worker Gary Cooper and racketeer’s daughter Slyvia Sidney end up hunted by cops and crooks in this rare Rouben Mamoulian film of Dashiell Hammett’s only original screen story (though he did scenarios for at least one of the Thin Man films and contributed to the script of several Lillian Hellman films). Outstanding look thanks to director and cinematographer Lee Garmes, and co-stars Guy Kibbee and Paul Lukas are unusually nasty pair of bad guys. Just barely fits the definition, but I wanted to get it in.

The Getaway. I’ll extend the date a bit to get this Sam Peckinpah film of Jim Thompson’s novel in with Steve McQueen and Ali McGraw on the run from cops and crooks as he plans one last caper.

Where Danger Lives. Intern Mitchum ends up on the run with Faith Domergue in slight but involving film noir, with Claude Rains wasted as her husband..

The Big Steal. Robert Mitchum and Jane Greer on the hunt and the run in Mexico in a great little noir film which is better than it has any right to be.

Borderline. Undercover cop Claire Trevor is after smuggler Raymond Burr with help from tough Fred MacMurray in Mexico. Burr is even slimier than usual in this one.

Nightfall. Innocent Aldo Ray teams with Anne Bancroft to prove his innocence of crime sadistic that Brian Keith committed in a well done noir based on a David Goodis novel.

Me and the Colonel. Jewish business man Danny Kaye and Polish aristocrat Curt Jurgens along with Jurgen’s servant Akim Tamiroff and mistress Nicole Maurey try to escape of the Nazi’s based on Franz Werfel’s Jacubowsy and the Colonel. “More and more I dislike this Jacubowsky.”

They Met in Bombay. Jewel thieves Clark Gable and Rosalind Russell on the run from thieves help to defeat Japanese invaders with British army in off beat film.

China. Alan Ladd, Loretta Young, and William Bendix fight the Japanese in China on the cusp of the war. Well done.

Detour. Tom Neal runs afoul of one of noir’s most fatal femmes, Ann Savage, in legendary film noir by Edgar Ulmer.

Strange Cargo. Based on Richard Sale’s allegorical novel Not Too Narrow, Not Too Deep about group of men led by Clark Gable and one woman, Joan Crawford, who escape from Devil’s Island and discover salvation or damnation on the voyage. Cast includes Peter Lorre, Albert Dekker, Paul Lukas, and Ian Hunter — who may, or may not, be Christ.

Blood Alley. John Wayne is a drunken sea captain who tries to help Lauren Bacall organize the escape of an entire Chinese village as the Reds close in, based on the novel by A. S. Fleishman. May be the only “city on the run” film.

Beachhead. Tony Curtis and Frank Lovejoy are marines who have to help Mary Murphy and her plantation owner father elude the Japanese occupiers and get message off of Japanese held island.

Assignment in Brittany. Jean Pierre Aumont and Susan Peters elude Nazi’s in WW II thriller from the novel by Helen MacInnes.

Above Suspicion Oxford don Fred MacMurray and bride Joan Crawford help British agent Reginald Owen escape Germany with aide of roguish Conrad Veidt while pursued by Nazi Basil Rathbone. Again based on a novel by Helen MacInnes.

Background to Danger. American agent George Raft and Red agent Brenda Marshall evade the police and Nazi’s in Istanbul with help from Peter Lorre and villainy from Sydney Greenstreet in Raoul Walsh film based on Eric Ambler novel. Screenplay by Frank Gruber and W. R. Burnett.

Pied Piper. Monte Wooley finds himself reluctantly teamed with young Roddy McDowall in France as the Nazis move in, and ends up with a small army of refugee children, based in Nevil Shute’s novel, remade for television with Peter O’Toole. Otto Preminger excellent as a Nazi officer with a secret.

Interrupted Journey. Richard Todd runs off with Valerie Hobson in fine thriller that goes head over heels into the toilet thanks to finale, after a fine effort along the way.

Desperate Moment. Dirk Bogarde is a displaced person framed for homicide and aided by Mai Zetterling in post war Berlin well done film from Martha Albrand’s novel.

Night Has 1000 Eyes. Gail Russell is helped by John Lund in this dark John Farrow film based on Cornell Woolrich’s novel (as George Hopley) when psychic Edward G. Robinson predicts her father Jerome Cowan will die — and he’s never wrong. They are on the run from fate, not the law or bad guys, but the tension is even greater and the sense of being pursued by something inevitable potent.

The Man Between. When Black marketeer James Mason helps Claire Bloom in post war Berlin, he finds himself on the run from both sides.

The October Man. John Mills is aided by Joan Greenwood when he is accused of murder and even he doesn’t know if he did it or not. A fine film, with one of Eric Ambler’s best screenplays.

Brighton Rock. Richard Attenborough is the slimy thug Pinkie hunted by the police for the razor slashing of a journalist and aided by Carol Marsh who loves him despite what he is. Dark film with literate screenplay by Terence Rattigan and Graham Greene based on Greene’s novel replete with the novel’s cruel and devastating ending.

Tiger Bay. Pre-teen Haley Mills has a crush on fugitive Horst Bucholtz pursued by her cop dad John Mills in a fine film.

The Moonspinners. English tourists Haley Mills and Peter McEnery on the run from smugglers in modern Greece. A Disney film based on Mary Stewart’s novel.

The Angry Hills. Robert Mitchum and Elizabeth Mueller are on the run from Nazis in occupied Greece, based on the novel by Leon Uris.

Kidnapped. Multiple versions, but I prefer the Disney with James MacArthur and Peter Finch as David Balfour and Alan Breck on the run in Scotland. Also made with Warner Baxter and Freddie Bartholomew; Dan O’Herlihy and Roddy McDowall; and Michael Caine and Armand Assante. Look for Peter O’Toole in the Disney version.

The Clouded Yellow. Ex-spy Trevor Howard takes a job assisting a butterfly collector and ends up on the run with possibly mad possible killer Jean Simmons in this delightful Brit film on classic lines. A great little thriller.

Lisa. Stephen Boyd is a Dutch policeman who helps a Jewish survivor of the Holocaust (Dolores Hart) evade detention and get to Palestine without papers in this film based on Jan de Hartog’s novel The Inspector.

House of Cards. Ex-boxer turned bodyguard George Peppard helps a French aristocrat boy and his American mother (Inger Stevens) evade the father’s Machivellian military family who plan a right wing coup in wake of the loss of colonial Algeria in a thriller based on the novel by Stanley Ellin. With Keith Michell and Orson Welles.

The Last Run. George C. Scott is an aging gangland driver who helps Trish van de Vere and Tony Musante in one last run. Sven Nykvist photography looks great. John Huston started it, but it was finished by Richard Fleisher.

The Narrow Margin. Cop Charles McGraw must protect witness Marie Windsor on a train on the way to testify in mob case. Great little noir suspense film with a neat twist and a well staged finale. Forget the remake with Gene Hackman.

Espionage Agent. When his marriage to Brenda Marshall ruins his diplomatic career, Joel McCrea poses as traitor, and he and Marshall end up on the run in Nazi Germany.

Berlin Correspondent Foreign Correspondent Dana Andrews helps Virginia Gilmore and her father escape Nazi Germany.

Bomber’s Moon. French farm girl helps American bomber pilot George Montgomery escape when he is shot down over Occupied France.

Cloak and Dagger. Scientist Gary Cooper goes undercover in Europe during WWII to find nuclear secrets with aide of Lili Palmer and OSS agent Robert Alda when the Axis closes in. Tense spy film from Fritz Lang, based on a missions by a former New York Yankees owner Michael Mann and the baseball player turned OSS agent, Moe Berg.

Golden Earrings. When British colonel Ray Milland is trapped behind enemy lines he is hidden by and escapes with gypsy Marlene Dietrich. Dietrich is wonderful and usual heavy Murvyn Vye sings the title song. And how often do you get to see the leading man get his ears pierced? Silly sounding film is actually high quality Hollywood romantic hokum and expertly done all around. Also one of my father’s favorite films.

The High Wall. Excellent minor noir as psychiatrist Audrey Totter helps war hero pilot Robert Taylor escape a mental institution when she becomes convinced he was framed for the crime he thinks he committed. Fine little film with good performance by Taylor, Totter, and Herbert Marshall.

Island Rescue. A hard to categorize film as Glynnis Johns aides commando David Niven in rescuing a prize cow from occupied Guernsey islands during the war — and it’s based on a true story.

Never Let Me Go. Clark Gable and Richard Hadyn try to rescue their Russian wives Gene Tierney and Belita out of Soviet Russia in the post war freeze with help from Kenneth More. Based on the novel Two if By Sea by Andrew Garve.

Break in the Circle. Forest Tucker and Eva Bartok help Polish scientist escape in minor film based on a much better novel by Philip Loraine.

Action of the Tiger. Van Johnson is a tough American skipper helping Martine Carol rescue refugees from Albania, with Herbert Lom great as a colorful and less than trustworthy bandit. Based on John Welland’s novel and directed by James Bond director Terence Young, which makes the presence of Sean Connery as Van’s drunken buddy doubly amusing.

Mister Moses. This one sort of fits. Robert Mitchum and Carroll Baker try to lead African villagers out of valley that is to be flooded by new dam.

The Secret Ways. Richard Widmark helps Sonia Ziemann and her father escape from behind the Iron Curtain based on the novel by Alistair MacLean.

Tarzan the Magnificent. And he pretty much is in one of the best films in the series. Gordon Scott as Tarzan lead Betta St. John, Lionel Jeffries, Alexandra Stewart, and Earl Cameron out of the jungle while escorting brutal criminal Jock Mahoney to trial while being pursued by Mahoney’s insane family, led by psychotic John Carradine. The final battle between Scott and Mahoney is beautifully staged. Rare grown-up Tarzan film. Mahoney replaced Scott later on in the role of the Ape Man.

It’s a Wonderful World. One of the best screwball comedies ever made, from W. S. Van Dyke. Private eye James Stewart and poet Claudette Colbert are reluctantly teamed together when Stewart escapes a train to prison in desperate attempt to save his playboy client (Ernest Truex of all people) from the chair, while pursued by Nat Pendleton and Edgar Kennedy. Guy Kibee is Stewart’s exasperated but loyal boss. This film is not only a good mystery, but it rises to heights of zaniness seldom seen with Stewart and Colbert arcing off each other like bare electrical wires. One of the great gems of screwball comedy. Look for the scene where Stewart poses as a nearsighted Eagle Scout. I swear by my eyes. Screenplay by Ben Hecht from his story with Herman J. Mankiewicz.

   This ought to get anyone started — it’s a pretty wide variety on the subject. As usual, any additions are welcome.

BILL CRIDER – Cursed to Death. Walker, hardcover, 1988. Paperback reprint: Ivy, 1990.

   We’re back in Blacklin County, Texas, for Cursed to Death, the third in the Sheriff Dan Rhodes series, and it is a pleasure to be there again.

   The pace is relaxed, the main characters decent, and the mystery involving the disappearance of a dentist against whom someone had leveled a curse is reasonably challenging. The time is just before Christmas, and the holiday season always provides a nice contrast when one is reading about crime.

   There aren’t a whole lot of clues and there is a bit of padding involving several fracases at a local nursing home. Also, Rhodes keeps getting into fights and dangerous situations because, like Pronzini’s Nameless, he doesn’t like to draw his gun.

   Still, the book is extremely readable, and one walks away satisfied after spending a couple of hours in rural Texas, without either air fare or jet lag.

    The Sheriff Dan Rhodes series —
      1. Too Late to Die (1986)

      2. Shotgun Saturday Night (1987)
      3. Cursed to Death (1988)
      4. Death on the Move (1989)
      5. Evil at the Root (1990)

      6. Booked for a Hanging (1992)
      7. Murder Most Fowl (1994)
      8. Winning Can Be Murder (1996)
      9. Death By Accident (1997)
      10. A Ghost of a Chance (2000)

      11. A Romantic Way to Die (2001)
      12. Red, White, and Blue Murder (2003)
      13. A Mammoth Murder (2006)

      14. Murder Among the O.W.L.S. (2007)
      15. Of All Sad Words (2008)
      16. Murder in Four Parts (2009)

      17. Murder in the Air (2010)

CHRISTOPHER FOWLER – Bryant & May on the Loose. Bantam, hardcover, November 2009; trade paperback, September 2010.

   At the end of The Victoria Vanishes the Peculiar Crimes Unit was forced to close down and its members resigned in protest while its premises were turned over to another squad. Since then the elderly Inspector Bryant has been spending his time sitting around in his pajamas. Or pyjamas, if you will.

   Other members have taken jobs, including Constable Colin Bimsley, working as a handyman. He’s hired by a young Arab who has taken over a Fish & Chips restaurant and is turning it into a pottery and rug store when he discovers the headless body of a man in an old freezer. Meanwhile, another ex-member of the unit, Meera Mangeshkar, out late one night sees a man dressed as a stag with horns made out of knives.

   Both of these events occur in the area of London around St. Pancras Church which is being redeveloped in preparation for the 2012 Olympics. Since the murder looks like it could be the work of organized crime, it’s decided that it will be investigated by the Peculiar Crimes Unit though they will have no official connection with Scotland Yard and will be housed in a dilapidated old warehouse in the area. Before the case is over there will be four more victims of the killer including a member of the Unit.

   Another very enjoyable adventure of the Peculiar Crimes Unit that manages to blend history, mythology, corporate crime and even the Beatles into the tale.

    The Bryant and May series —

      1. Full Dark House (2003)
      2. The Water Room (2004)
      3. Seventy-Seven Clocks (2005)

      4. Ten Second Staircase (2006)
      5. White Corridor (2007)

      6. The Victoria Vanishes (2008)

      7. Bryant & May on the Loose (2009)
      8. Off the Rails (2010)

DONALD CLOUGH CAMERON – Death at Her Elbow. Henry Holt; hardcover; 1940. Paperback reprint: Green Dragon #20, digest-sized, 1945 (abridged).

   I don’t know about you, but until I read this book, Donald Clough Cameron was only a name to me. Using Hubin’s Revised Crime Fiction IV as a guide, here’s a list of the mysteries he wrote:

       * Murder’s Coming. Holt, 1939.

       Death at Her Elbow. Holt, 1940.

       * Grave Without Grass. Holt, 1940.

       * And So He Had to Die. Holt, 1941.

       Dig Another Grave. Mystery House, 1946.

       White for a Shroud. Mystery House, 1947.

   Those marked with a [*] are cases handled by one Abelard Voss, about whom at the moment I can tell you nothing. I did find an old Dunn & Powell’s mystery catalogue that contained the first two in jacket, the first for $175, the second for $75, but without spending the money, assuming the books were still available, that told me nothing more about Abelard Voss than I knew before. Except that Abelard Voss is a neat name for a detective.

   Even the digest 1940s paperbacks are hard to come by, but they aren’t likely to cost you more than $10 to $20 each, if you were interested.

   [At which point a light finally goes on in my head, and a small amount of time elapses here while I go rummaging around in some stacks of books I bought at the most recent New York City paperback show.]

   And guess what. I’ve just discovered I own a copy of the aforementioned softcover version of Grave Without Grass, and inside the front cover is this description of Abelard Voss: “a unique young criminologist with the mind of a philosophic bloodhound.” Without reading further, he sounds like perhaps a young Philo Vance, and it only set me back a paltry $2.00 to obtain it.

   But surely I digress. The detective in the one I did read, and which this review is nominally about, Death at Her Elbow, is Lieutenant Peter Gore, of the New York City homicide bureau. That’s mostly incidental, though, as the book focuses more on the actions of Miss Ann Potter and her at-arm’s-length boy friend and suitor, Alec Hunter, after her former fiance Paul Buell is found murdered in her apartment.

   It’s one of those stories, in other words, in which each tries to confess to protect the other, and to clear themselves, they’re forced to solve the murder, with or without the assistance of the police.

   Quoting from pages 110-111:

   And here’s Gore some more, from page 115, still taking to Ann:

   As a detective novel, the book’s only flaw is that there are so few suspects, as even one of the characters points out himself on page 168. For the armchair reader, it shouldn’t be difficult to run through the handful of possible perpetrators, pick out the one most likely to have done it, and go back over the crucial passages to determine — but, just in case you ever do read this book, I’ll stop here, just as a precaution.

   Cameron’s no Christie, but on the other hand, who else can you think of who was?

ALLAN GUTHRIE – Slammer. Houghton Mifflin Harcourt, US, hardcover, November 2009. Mariner Books, trade ppbk, September 2010. First Edition: Polygon, UK, softcover, March 2009 (shown).

   This is a tough minded noirish thriller from British writer Allan Guthrie, who has previously been nominated for the Debut Dagger from the British Crime Writer’s Association and won Theakston’s Old Peculiar Crime Novel award for Two Way Split. His novel Kiss Her Goodbye was nominated for an Edgar and an Anthony.

   The man has some credentials for writing his particularly bleak version of the British crime novel. And bleak it is. Compared to Guthrie, Jim Thompson and David Goodies were cockeyed optimists. This one is the literary equivalent of those mad British crime films like Lock Stock and Still Smoking Barrel, but that sort of thing works better on screen than in print.

   Nick Glass is a prison guard at the ‘Hilton,’ a Scottish prison with a bad reputation, and between the inmates and his fellow officers he finds himself in a special hell caught between two equally brutal and dehumanizing forces.

   You might expect this to develop in classic noir form of a ‘hero’ who stands up to and defeats the forces on both sides after a brutal and bloody struggle, but that isn’t where Guthrie is going, though at times it seems so.

   Nick’s life takes an even worse turn when a group of cons in the prison uses outside pressure to threaten Nick’s wife and daughter to force him to do them a ‘favor’ on the outside.

   I’d like to quote from the book, but frankly there isn’t much that could be quoted here without heavy editing, and even then it wouldn’t give the feel of the book.

   One problem I found with this is that I never cared what happened to Nick Glass. He’s an unappealing protagonist and it’s hard to care about his grim ironic fate. The novel takes a dark turn that I can’t discuss in fairness to Guthrie and anyone planning to read this, but I neither believed it nor felt he brought it off. I’m not sure any writer could bring it off.

   Frankly I haven’t decided whether I like this or not. I’ll have to put it aside and come back in a different mood to be sure. The writing is assured and strong, but there is something about this book that made me feel like I needed to stop an take a shower when I finished it.

   If the point of the book is that prison is a dehumanizing brutal place, I think most of us knew that going in. If it is that men break in strange ways I think we knew that too. And that’s the problem. I’m not sure exactly what Guthrie is trying to say, other than most of us would be better off to avoid a career in prison from either side of the law.

   I suppose there is a certain black humor is watching Nick Glass shatter (sorry, couldn’t resist — and neither does Guthrie or the publisher), but for the life of me I can’t say I cared. He’s a singularly weak and unattractive character, and his attraction to a femme fatale named Lorna only makes him less appealing.

   This type of book turns on the reader’s ability to identify with or at least emphasize with the protagonist’s grim predicament. In the case of Nick Glass I’m not sure his fate would have been much better if he had taken a job in the postal service or the mail room. He’s not merely a loser, but a high profile loser of the first order.

   I don’t know where this book was supposed to take me. Where it did take me was to a depressing and bleakly unrelieved place with only a few grim moments of black humor to relieve the pressure — and I’m by no means certain they were even meant to.

   Guthrie can write. No question there. And if you want a strong, even stomach churning crime novel with no redeeming characters or features and an outlook as bleak as the gray walls of a Scottish prison, then this is the book for you.

   But I’ll have to be honest. I’m not sure if I would want to take this trip again, and when I do read a bleak novel of brutal crime I usually need some sort of cathartic release — even only a sort of grim irony or a satisfyingly operatic blood bath. I didn’t get that from this one, and that may be strictly me and where I am, but we all read books from that subjective point of view, and based on that, the most I can say is you’ll have to decide for yourself.

   Ted Lewis’s Get Carter and Gerald Kersh’s Night in the City both did this much better and Georges Simenon’s Stain on the Snow showed us even the most unappealing protagonist could hold out attention. For that matter I can think of a half dozen stunning little British crime films from the last decade that all would be a better investment in time and money.

   I wanted to like this one better. I went in expecting pretty much what I got, but I have to say that for me this one is an unappetizing and disappointing outing. That said, I’ll look up Guthrie’s previous novel and probably read his next. The talent is there if he can just tie it to some human element that we can identify with and care about.

   I’m not sure Guthrie failed at what he sat out to do, only that he failed to make me care.

Bibliography: ALLAN GUTHRIE.

      Two Way Split (2004)
      Kiss Her Goodbye (2005)
      Hard Man (2007)

      Savage Night (2008)

      Slammer (2009)
      Killing Mum (2009)