FIONA BUCKLEY – To Shield the Queen. Scribner, hardcover; first edition, November 1997. Paperback reprint: Pocket; 1st printing, October 1998. UK edition: Orion, hc, as The Robsart Mystery.

    A solid introduction for the Ursula Blanchard series, set at the court of Elizabeth I. Blanchard, a young widow with a daughter she must provide for, has just been made a Lady in Waiting in the Court of Elizabeth I, thanks to her ties to Sir William Cecil , the Secretary of State. While her job is to serve the queen, her keen eyes and bright mind soon find her with more important duties.

    The year is 1560, and Lord Robert Dudley, Master of Horse to the young Queen, is one of her favorites, and rumors are rife about his relationship with the queen.

    When Dudley’s wife, Lady Ivy, falls ill Ursula is dispatched to help care for her — and keep an eye on a dangerous scandal that could develop if, as some suspect, Lady Ivy Dudley is being poisoned to take her out of the way for the furthering of the queen’s romance.

    And when Ivy Dudley falls to her death in a suspicious manner, Ursula finds herself at the heart of a conspiracy against the throne involving a handsome Frenchman and traitors in the Court. Her heart and her courage are about to be severely tested as is her loyalty to the queen. And Ursula will go to extraordinary lengths to both guard her monarch and the Frenchman she loves and marries — not entirely voluntarily.

    Buckley smoothly blends history and fiction with a heroine who navigates the treacheries of the Tudor court with intelligence courage and wisdom.

    Whether her solution to the real murder (or not) of Lady Dudley bears any relation to reality, it is in the best tradition of historical mystery, and the depictions of both fictional and historical figures are well done, especially a human portrait of Elizabeth as both woman and monarch.

    Ursula protects her monarch and the realm, saves her new husband, and secures a unique position with both the Queen and her court as well as winning the respect of the Spanish Ambassador who will play more important role in later books.

    For fans of historical mysteries, this one is a pleasant discovery, and Ursula Blanchard a protagonist who is both pleasingly modern yet true to her time and place. An excellent debut for a well-written series.

       The Ursula Blanchard Series —

   1. The Robsart Mystery (1997), aka To Shield the Queen.
   2. The Doublet Affair (1998)

   3. Queen’s Ransom (1999)
   4. To Ruin a Queen (2000)

   5. Queen of Ambition (2001)
   6. A Pawn for the Queen (2002)

   7. The Fugitive Queen (2003)
   8. The Siren Queen (2004)

PHIL RICKMAN – The Smile of a Ghost. Macmillan, UK, hardcover, Nov 2005; Macmillan-Pan, UK, Nov 2006. Imported & sold in the US under the Trafalgar Square imprint.

   Merrily Watkins is a female Anglican priest. She’s also the diocesan exorcist, but there are elements within the local church that have little faith in her “calling,” and as she attempts to deal with a series of deaths of teenagers — deaths that may be something other than accidental — her special skills are put to tests that could end her special role in the church.

   Merrily has a daughter, a lover, and a belief in the importance of her role. She’s no conventional cleric, and in spite of her role as an exorcist, this is no retread of the usual horrific events associated with this rite.

   Most of the atrocities that are committed in the course of the novel are all too human in origin, although there’s a bit of flirting with the supernatural that may put off the conventional mystery reader. Merrily works within the church, with the local townspeople and in an uneasy alliance, with the local police, trying to keep her footing, not always successfully, among these often opposing elements.

   I’ll probably want to try another of the series. It satisfies two of my chief requirements for good mystery: a well-characterized protagonist and a well drawn setting. As for the meshing and weaving of these elements into a compelling plot, I can only say that if I wasn’t mesmerized by the telling (as the Publisher’s Weekly reviewer claimed to be), I wasn’t put off by it either.

   The series, at the least, merits another chance.

       The Merrily Watkins series —

    1. The Wine of Angels (1998)

    2. Midwinter of the Spirit (1999)
    3. A Crown of Lights (2001)
    4. The Cure of Souls (2001)

    5. The Lamp of the Wicked (2002)
    6. The Prayer of the Night Shepherd (2004)

    7. The Smile of a Ghost (2005)
    8. The Remains of an Altar (2006)
    9. The Fabric of Sin (2007)
   10. To Dream of the Dead (2008)

JONATHAN VALIN – Final Notice. Dodd Mead, hardcover, 1980. Paperback reprints: Avon, 1982; Dell, 1994. TV movie: USA, 1989 (with Gil Gerard, Steve Landsberg, Melody Anderson).

   I’m a little behind. This is the second adventure of private eye Harry Stoner — it’s just now in paperback — and the third is already out, begging to be read.

   The metaphor is apt. If anything, I found this one even more readable than The Lime Pit, which started to get more and more funny-tasting the deeper Stoner began to dig into the corruption surrounding the city of Cincinnati.

   There is more of the same in this one, plus lots of gore. Stoner is called in when a psychopath starts slashing up nudes in a library’s collection of art books. He thinks it’s only a prelude to the real thing.

   At his side in tackling this case is a library security guard named Kate Davis, who is both female and liberated. She makes Stoner feels old and tired at thirty-seven, old-fashioned and chauvinistic. Kate is of a younger generation, and falling in love with her leaves Stoner feeling slightly bewildered. He is also pleased.

   Valin has a fine feeling for what makes people what they are — not just the killer, but everyone. The constant attempts to psychoanalyze the killer could have been downplayed a little, and Valin doesn’t quite catch the same edge that exists between human relationships that Robert B. Parker usually does, but as a mixture of character study and action adventure, it is seldom done any better than this.

   The fast and furious climax works out almost the way you’d expect it to, but the twist that comes with it just might catch you leaning the wrong way.

[UPDATE] 10-27-09. Jonathan Valin wrote eleven Harry Stoner books over a period of 15 years, which is a pretty good run, but one I think should have been longer. I confess, though, that while I have all of the books in the series, I’ve never gotten around to the later ones. (I believe I’ve read all of the first seven.)

   But as to why the series ended, the usual guesses are as valid here as they are for many other authors. Sales may have fallen and/or Valin simply ran out of things to say about the character.

   Until I discovered it again just now, I’d totally forgotten that there was a TV movie based on this book. What’s strange is that I simply don’t remember if I watched it at the time or not. It’s not available on DVD, as far as I’ve been able to tell, so I just bought it as an out-of-print video tape. The reviews on IMDB (only 2 of them) aren’t very positive. The big complaint is that it was filmed in Toronto, not Cincinnati!

       The Harry Stoner series —

    1. The Lime Pit (1980)
    2. Final Notice (1980)
    3. Dead Letter (1981)

    4. Day of Wrath (1982)
    5. Natural Causes (1983)
    6. Life’s Work (1986)
    7. Fire Lake (1987)

    8. Extenuating Circumstances (1989)
    9. Second Chance (1991)
   10. The Music Lovers (1993)
   11. Missing (1995)

M. K. WREN – Wake Up, Darlin’ Corey. Doubleday, hardcover, 1984. Paperback reprint: Ballantine, 1990.

   When Corey Benbow, half owner of a kite making business, meets a tragic fate in a late night accident on the ruggedly beautiful Oregon coast, Conan Flagg is neither surprised nor fooled. He knows murder when he sees it.

   Flagg was the first series creation of Pacific Coast novelist Wren, who has also written a science fiction trilogy, mainstream fiction, and a second series about Neely Jones, a small town law officer in the same Oregon coastal setting she long lived in.

   Flagg is something of a paragon of virtues and skills, a sort of liberal Northwest Coast take on Travis McGee. He’s the scion of a wealthy ranching family, owner and proprietor of the Holiday Beach Bookstore, and a licensed private investigator.

   He is also darkly handsome with striking, almost oriental eyes, thanks to a mixed blood heritage. He lives by himself, of his own choice, in a fabulous house on the beach, and is frequently drawn into other people’s troubles, bringing the skills he learned in military intelligence in Cold War Berlin to bear.

   Beautiful Corey Benbow had enemies– mostly the family of Benbow patriarch Gabe Benbow, her father-in-law. Corey is the mother of the son the Benbows want to carry on the family name and heritage, and worse, a thorn in the side of their plans to sell a wildlife refuge known as the Spit as a housing development.

   There’s not much doubt her killer is one of the six Benbows present on the night of her accident, when she left after a confrontation about the fate of the Spit. The only question is which of the six Benbows killed her.

   Although he’s a far cry from Travis McGee, in many ways Flagg has a tendency to use the same high handed tactics and doesn’t mind bending or even breaking laws in the name of justice — or vengeance.

   To be honest, I’ve liked other entries in this series better than this one. The big confrontation at the end seems contrived and rings false, and Flagg comes across as the most self-satisfied and smug sleuth since the heyday of Philo Vance in his righteous wrath. An act of God at the end that was probably meant as irony simply seems heavy handed and pasted on to bring a satisfactory ending to the proceedings.

   It may be the McGee-like justice figures work better in the first person where we are privy to all their thoughts and feelings. With a third person narration, such as Wren uses, the added distance from the protagonist is enough that you may find yourself asking how he is much better than the bad guys, other than his motives.

   Flagg reveals the killer with a particularly nasty bit of business that Vance or McGee would likely have drawn the line at, and one even Mike Hammer might have found a bit outside the bounds.

   That said, Wren is a fine writer. The Oregon setting is handsomely presented and if Flagg is at times a bit full of himself, he is presented as a well developed creation. The motives and plot elements are well handled, and only the denouement is a disappointment, a bit contrived, melodramatic, and frankly preposterous.

   Put it this way: you wouldn’t have accepted it as the ending of seventies television mystery series, much less in a novel.

   Darlin’ Corey is a minor entry in the Conan Flagg series. It’s worth reading, but only if you have read some of the others first and gained some affection for the writer and the series. Don’t skip this one by any means, but don’t let it be your introduction to Wren or Flagg either. She has done much better and so has he.

   Note: The title is taken from the 1941 song “Darlin’ Corey” by John A. and Alan Lomax:

        The Conan Flagg series —

    Curiosity Didn’t Kill the Cat. Doubleday 1973.

    A Multitude of Sins. Doubleday 1975.
    Oh, Bury Me Not. Doubleday 1976.
    Nothing’s Certain But Death. Doubleday 1978.
    Seasons of Death. Doubleday 1981.
    Wake Up, Darlin’ Corey. Doubleday 1984.
    Dead Matter. Ballantine 1993.

    King of the Mountain. Ballantine 1995.

V. C. CLINTON-BADDELEY – Only a Matter of Time.

Dell, paperback reprint; 1st printing, July 1981; Murder Ink Mystery #23. Hardcover edition: William Morrow, 1970. Prior UK edition: Victor Gollancz, hc, 1969; pb reprint: Arrow, 1974.

   Not knowing very much about the author, and assuming that perhaps that you don’t either, I’ve taken the liberty of reproducing the autobiographical blurb that was included at the end of this book:

   This explains a lot, and I’ll get to that in a moment. His full name, according to the Revised Crime Fiction IV, by Allen J. Hubin, was V(ictor Vaughan Reynolds Geraint) C(linton) Clinton-Baddeley, 1900-1970, and his mystery writing career consisted of five detective stories that came out between 1967 and 1972, all featuring Dr. R. V. Davie as his continuing series character. (I’ll list the five books at the end of this review.)

   But what struck me when I was reading Only a Matter of Time was how erudite both the author and his sleuth were, and the brief biographical notes above only confirmed my thoughts. Not in a snobbish way, though. Not at all. The author has a dry if not wry sense of humor that had me smiling if not laughing throughout.

   The novel takes place in a small town called King’s Lacy during a week in the summer when a week-long classical music festival is going on.

   The town also has a multitude of antique and small curio shops, and every so often the murder investigation stops and we (the reader) are treated to a knowledgeable discussion involving something to do with the fine arts. Either major or minor tidbits of information, it doesn’t matter, they’re still a treat.

   There is a slow, leisurely pace to this novel. I mentioned a murder investigation, but the first death is not known until the book is half over, although the victim had disappeared some time before that. Dr. Davie cooperates with the police, but since the second victim was known to him, that is his only rationale for continuing to stay involved.

   As the title suggests, you might be wise to keep close tabs on the timing of events, including watches that stop or run erratically and a church bell that does not chime overnight.

   One definition of a cozy mystery is perhaps one in which no commotion occurs when the murder does, and if so, that makes Only a Matter of Time the perfect example of a cozy mystery. The festival is not canceled, the show goes on, and Dr. Davie continues to take his afternoon nap, right on schedule.

   Overall, then? If you don’t mind leisurely, discursive detective novels with plenty of clues and false leads, this is the perfect one for you to try on for size the next time you’re looking for a book precisely like this one to read.

V. C. CLINTON-BADDELEY. Dr. Davie in all. First UK editions only:

      Death’s Bright Dart (n.) Gollancz 1967.

      My Foe Outstretch�d Beneath the Tree (n.) Gollancz 1968.

      Only a Matter of Time (n.) Gollancz 1969.
      No Case for the Police (n.) Gollancz 1970.
      To Study a Long Silence (n.) Gollancz 1972.

HUGH AUSTIN – The Milkmaid’s Millions. Charles Scribner’s Sons, hardcover, 1948.

   This is the second and apparently last in the “Sultan’s Harem” mysteries. The Sultan is Wm (that’s the way he spells it) Sultan, the only surviving member of Sultan, Sultan & Sultan, counselors at law.

   Wm is thirty-five years old, but talks and thinks as if he were in his seventies. His staff, all female and thus “the harem,” treats him as if he were their grandfather, though his secretary appears to regard him as a possible swain.

   Wm’s main interest in life is compiling his late uncle’s “Life & Letters.” His staff is typing up the forty-second chapter of the second volume, which seems to comprise the twenty-seven thank-you letters the uncle sent for presents received on his fourteenth birthday.

   One shudders to think what the other forty-one chapters in volume two might consist of, and volume one doesn’t bear thinking about at all.

   One of Wm’s few clients has prepared a codicil to his will, having recently discovered a direct descendant, and Wm is called upon to prove the bona fides of the new family member. Shortly after Wm arrives at the client’s home, however, the testator is murdered.

   The investigators think that Wm did it, evidence arises that Wm probably didn’t do it, and then new developments seem to demonstrate that he did indeed do it.

   Wm’s harem, who were responsible for his getting involved in the mess, arrives on the scene to vamp some of the suspects and rig some evidence so that Wm will not be convicted of the crime. Those who enjoy the pedantic and stuffy, mixed with the preposterous, will find this novel delightful. The crime’s rather good, too.

   Bibliographic Data. [Taken from the Revised Crime Fiction IV, by Allen J. Hubin.] —

         AUSTIN, HUGH. Pseudonym of Hugh Austin Evans.

    It Couldn’t Be Murder (n.) Doubleday 1935 [Peter Quint]
    Murder in Triplicate (n.) Doubleday 1935 [Peter Quint]
    Murder of a Matriarch (n.) Doubleday 1936 [Peter Quint]
    The Upside Down Murders (n.) Doubleday 1937 [Peter Quint]
    The Cock’s Tail Murder (n.) Doubleday 1938 [Peter Quint]

    Lilies for Madame (n.) Doubleday 1938.
    Drink the Green Water (n.) Scribner 1948 [Wm Sultan (Sultan’s Harem)]
    The Milkmaid’s Millions (n.) Scribner 1948 [Wm Sultan (Sultan’s Harem)]
    Death Has Seven Faces (n.) Scribner 1949.

   Peter Quint was a lieutenant in the New York City police department. The small cover image of The Cock’s Tail Murder seen above (by Artzybasheff) is the only one of Austin’s books that I’ve been able to come up with so far in jacket. No other information about the author, other than his real name, seems to be known.

[UPDATE] Later the same day.   British bookseller Jamie Sturgeon has just supplied me with another cover, this one for The Upside Down Murders. It came from a Grosset reprint, but both he and I believe it to be the same as the Crime Club edition. Art by Duggaru:

[UPDATE #2] 10-26-09.   Thanks to the combined efforts of Victor Berch, Jamie Sturgeon and Al Hubin — and Google! — it has been learned that Hugh Austin Evans was born in 1903 and died in 1964.

LAURENCE GOUGH – Serious Crimes.

Viking Press, US/Canada; hardcover, 1990. Paperback reprint: Penguin, Canada, 1991. British editions: Gollancz, hc, 1990; pb, 1992 (shown).

   As far as police procedurals go, if they’re published in Canada by a Canadian author, not to mention ones that take place in Vancouver, BC, they might as well have never been written at all, as far as American readers are concerned. Generally speaking, of course.

   Which is not to say that none of Laurence Gough’s thirteen books in his “Willows and Parker” series have not been published in the US, but most of them haven’t, or if they have, it was barely.

   Take the test for yourself (assuming you live in the US). Take a look at the thirteen books below, for some of which the covers have been provided, and see how many of them you recognize. An easier test: Raise your right hand if you’ve heard of Laurence Gough. I hope you have, but I have a feeling that he’s all but unknown in this country.

   There is a little bit of soap opera going on along with the cases that Jack Willows and his partner Claire Parker are assigned to. Just how much, I couldn’t tell you, as this is the first one of them I’ve happened to read. But in the opening few chapters of Serious Crimes, Willows’ wife has left him, along with their two kids, and he’s getting ready to sell his house.

   There is something going on, I think, between him and Parker, but if it is, it’s awfully subtle and/or it simply doesn’t come up this time. A little investigation on my part has revealed, however, that things heat up in the books that follow. Parker, by the way, is all but completely invisible in this book. She’s always around whenever Willows is; other cops look at her when she’s with Willows with ogling eyes, and that’s about it. Tune in for more next time, or so it appears.

   Dead is a local Chinese businessman, found frozen in a pond covered with several layers of ice. A botched kidnaping? It looks like it. Interspersed with the two cops’ investigation are the adventures of two young hoodlums, one of whom falls in lust with one of his victims, a bored housewife who seems (unknown to him) to have similar feelings about her attacker.

   There’s not much in the way of detection involved, which is par for the course as far as work of most homicide cops is concerned. But the tale the author weaves is as gripping as it is understated, as paradoxical as that may sound. The case (or cases) are never boring, and more, at least one of them ends in a blazing hell-raiser of a finale.

      The Willows and Parker series —

    1. The Goldfish Bowl (1987)

    2. Death on a No. 8 Hook (1988)
    3. Hot Shots (1989)
    4. Serious Crimes (1990)
    5. Accidental Deaths (1991)

    6. Fall Down Easy (1992)
    7. Killers (1993)
    8. Heartbreaker (1995)

    9. Memory Lane (1996)
   10. Karaoke Rap (1997)

   11. Shutterbug (1998)
   12. Funny Money (2000)
   13. Cloud of Suspects (2003)

MARK GATISS – The Vesuvius Club: A Bit of Fluff. Simon & Schuster, UK, hardcover, November 2004; Scribner’s; US, trade pb, October 2005.

   So speaks Lucifer Box (“I have a horror of artichokes.”), Edwardian portraitist, and His Majesty’s most daring — and decadent — secret agent, spy, and when the need arises, assassin, the hero of Mark Gatiss’s novel of mystery, conspiracy, dirty doings, and — of course a threat to the future of the Western world and particularly the waning sun of the British Empire post Victoria.

   Box, who lives at Number 9 Downing Street (because somebody has to), has been assigned to find the missing agent Jocelyn Utterson Poop aided by his hench-woman and nude model Delilah, who has just helped him dispose of his late luncheon guest Everard Supple, a treasonous diplomat:

   The decidedly bi-sexual Box is dispatched by his chief (Joshua Reynolds, a dwarf who gives out his assignments from a bathroom, “Three foot something in his stocking feet and ever so jolly.”) to a case involving the beautiful Miss Bella Pok, his boy assistant handsome Charlie Jackson, and the grizzled vulcanologist Emmanuel Quibble, as well as poisoned centipedes, foggy London chases, kidnapped scientists, and a plot to set off Mount Vesuvius by a Neapolitan secret criminal society.

   It’s a wild chase, equal parts Oscar Wilde, Fu Manchu, H.P. Lovecraft,. Monty Python, The Avengers, James Bond, and Austin Powers. The tale is spun by Gatiss, an award winning star and co-creator of the British comedy, The League of Gentlemen and sometime writer for Doctor Who, in a perfectly toned voice that sparkles with witty epigrams and playful adventure.

   Of course you may find Lucifer Box a bit of a scoundrel, but his raffish adventures among the seedier side of the Edwardian demimonde are outlandishly entertaining and addictive.

   There is even a twist in the tale of near poetic justice for our hero. Which of course he escapes — you can’t very well succumb in the first book in a series. Simply bad taste, that.

   And you’ll be smiling too, though perhaps not as dashed devilishly. A tasty and charming bit of fluff, exactly the thing for a cold winter’s night.

       The Lucifer Box series —

    1. The Vesuvius Club (2004)
    2. The Devil in Amber (2006)
    3. Black Butterfly (2008)

LISA LUTZ – The Spellman Files. Simon & Schuster, hardcover; First Edition: March 2007. Trade paperback: February 2008. Mass market pb: Pocket, January 2009.

   This darkly humorous series debut is told in the first person from the point of view of Isabel Spellman, a P.I. in her family’s San Francisco firm.

   The organization of this book is a post-modern revelation. Ostensibly it’s a series of reports in the case file that Isabel produces as she’s trying to track down her missing 14-year-old sister Rae, who is already skilled in certain investigative techniques.

   In the process, a cold case from her parents’ archives also comes into play. There are sections and subdivisions, rather than traditional chapters. The text utilizes footnotes, varying type fonts, and passages of script-like dialogue.

   This organized chaos accurately maps Isabel’s character — as an investigator, she’s trained to record everything, and she does so obsessively, in part because she’s a bit of a basket case. A fantastic academic challenge would be to try to outline the various chunks of the novel; I may yet try to do this.

   Have I mentioned this book is very funny? Although the 14-year-old has disappeared, no kidnap is involved. In the end, it’s not a traditional crime novel at all; it’s a portrait of a very quirky family, as seen by its most messed-up member.

       The Spellman series —

    1. The Spellman Files (2007)
    2. Curse of the Spellmans (2008)
    3. Revenge of the Spellmans (2009)

    4. The Spellmans Strike Again (March 2010)

ROBERT GREER – The Devil’s Hatband. Frog Books, trade paperback, September 2004. Originally published by Mysterious Press, hardcover: March 1996; paperback: March 1997.

   CJ Floyd, a Denver African-American bail bondsman, is also a bounty hunter who goes after bondskippers, but the job he takes on in this first of a series is something quite different, the search for the missing daughter of a black federal judge.

   According to two men to who show up in CJ’s office, Brenda Mathison had joined the Grand River Tribe, a splinter group of what the two men call a “loony” environmental organization, PlanetFirst, then disappeared with a document that belonged to the men’s employer, Carson Technologies, a veterinary research organization.

   Something seems fishy to CJ, but with a sizable bonus promised if she’s found and the document returned within 30 days, he’s willing to take on the job.

   When CJ heads into the back country where Brenda was last known to be living, he finds that somebody else has already found her, a sheriff who’s discovered her body.

   As CJ continues his investigation of what has become an even more sensitive case, he learns that the Grand River Tribe is planning to destroy the Western cattle industry, and the connection with on Technologies involves a deadly virus that can wipe out not only a good portion of the cattle industry but untold numbers of people as well.

   This tense techno-thriller shifts back and forth between the search for the murderer or murderers of Brenda and an attempt to thwart the terrorist attack, CJ’s business in Denver, his ties to the black community, his uneasy alliance with the other bail bondsmen, and a threat posed by a local gangleader who has it in for him.

   CJ is also a collector, most notably of vintage license plates (hence, I suppose, the introduction by bookman and mystery writer Dunning for the Frog edition), and the narrative pace moves at times with gut-wrenching speed, then slows down for a more leisurely take on aspects of CJ’s life that have no direct connection with the Mathison case.

   CJ Floyd is one of the best-drawn and most interesting fictional characters I’ve come across recently, one that I hope to spend more time with in the future.

       The CJ Floyd series —

1. The Devil’s Hatband (1996)
2. The Devil’s Red Nickel (1997)

3. The Devil’s Backbone (1998)
4. Resurrecting Langston Blue (2005)

5. The Fourth Perspective (2006)
6. The Mongoose Deception (2007)

7. Blackbird, Farewell (2008)