R. D. [RODNEY] WINGFIELD – Frost at Christmas. PaperJacks, Canada, paperback original, 1984; 2nd printing, 1987. Constable, UK, hardcover, 1989. Bantam, US, pb, 1995.

   For a lover of detective stories I have to admit that I haven’t kept up with present day (or, at any rate, fairly recent) authors. This is not a plan, but a function of a slow reading rate and other things demanding attention.

   I have confessed several times to a close friend about not reading Wingfield, and he has always told me that I should. Of course I have watched and enjoyed all the episodes of the TV series but was aware that that series was not favoured by the author himself.

   I actually bought this paperback edition for 10 cents at Haslam’s bookstore in St Petersburg, Florida, on a visit in the early 1990s and finally I’ve read it.

   When the smoothly efficient Inspector Allen is taken ill, Frost has to take on the search for a missing 8-year-old girl, and his investigation keeps blundering into other cases, including a 32-year-old case of the murder of a bank worker and a missing £20.000.

   The story is told is short pithy passages and often from the viewpoint of Detective Constable Clive Barnard, the Chief Constable’s nephew who had been assigned to Denton C.I.D. for his first appointment and was accompanying Frost in his investigations.

   I have to say that I thoroughly enjoyed the book for a while and the first 100 pages shot by. After that, familiarity maybe set in for a while, but I still happily turned the pages, though without quite the same eagerness, until the end, 184 pages later. Still, overall it was an enjoyable read, and I will look out for a cheap copy of the second in the series, A Touch of Frost.

      The Detective Inspector Jack Edward Frost series —

    Frost at Christmas (1984)
    A Touch of Frost (1987)
    Night Frost (1992)
    Hard Frost (1995)
    Winter Frost (1999)
    A Killing Frost (2008)

STUART KAMINSKY – Murder on the Yellow Brick Road. St. Martin’s Press, hardcover, 1977. Paperback reprints include: Penguin, 1979; Ibooks, 2000.

   Stuart Kaminsky is a film writer and critic as well as a mystery novelist, and he has put his expertise to good use in his series about 1940s Hollywood private eye Toby Peters.

   The novels are a blend of fact and fiction — that is, of real Hollywood personalities (now deceased) and fictional characters.

   Peters, investigator for the stars, is wise to the ways of Hollywood; he shares an office with a dentist, Shelley Minck, who provides much of the comic relief in these books; he eats abominably — burgers, Pepsis, milk shakes; he lives in “one of a series of two-room, one story wooden structures L.A. management people called bungalows”; and he has a running feud with his brother, Homicide Lieutenant Phil Pevsner (the real family name).

   Murder on the Yellow Brick Road concerns the stabbing of a munchkin — one of L.A.’s many “little people” (they prefer that label to that of midget) — on the set on which The Wizard of Oz was filmed.

   Judy Garland finds the body and calls Peters in a panic. Peters goes to MGM, where he meets Miss Garland, PR man Warren Hoff, Garland’s costume designer friend Cassie James, and Louis B. Mayer himself. Mayer hires Peters to conduct an investigation and divert any adverse publicity.

   What follows is an entertaining story of Hollywood in its heyday, the inner workings of the film community, and the brotherhood of the “little people.” Peters meets such luminaries as Raymond Chandler, and pays a visit to Clark Gable at William Randolph Hearst’s fabled San Simeon.

   Kaminsky does a good job of evoking both Hollywood of the Forties and the personalities of the various stars; his portrayal of the child/woman Garland is especially good.

   Other Toby Peters novels include Never Cross a Vampire (1980), which features Bela Lugosi and William Faulkner in his screen-writing days; and He Done Her Wrong (1983), in which Mae West calls on Peters to find her missing, sizzling autobiography; and Down For the Count (1985), which features fighter Joe Louis.

         ———
   Reprinted with permission from 1001 Midnights, edited by Bill Pronzini & Marcia Muller and published by The Battered Silicon Dispatch Box, 2007.   Copyright © 1986, 2007 by the Pronzini-Muller Family Trust.

STUART KAMINSKY, R.I.P. According to his obituary in the Chicago Tribune, Stuart Kaminsky “died of complications from hepatitis and a recent stroke Friday, Oct. 9, in Barnes-Jewish Hospital in St. Louis […] He was an Army medic in the 1950s, when his family believes he got hepatitis C.” He was 75 at the time of his death.

   Unusual for most mystery writers, Kaminsky was the creator of four distinctive series characters. Besides 1940s Hollywood PI Toby Peters, who appeared in 24 novels [see below] in which he rubbed shoulders with many movie stars of the day, Kaminsky also chronicled the adventures of (quoting again from the Tribune) “… Porfiry Rostnikov, a police inspector in Moscow [16 novels]; Abe Lieberman, a crusty but wise Chicago cop who works the streets with his younger partner, Bill Hanrahan [10 novels]; and Lew Fonesca, a former Cook County state’s attorney investigator now operating as a cut-rate private eye in Sarasota [6 novels].”

   Kaminsky also wrote two novelizations of the TV series The Rockford Files, three novelizations of CSI: New York, two stand-alone suspense novels, three story collections, and was the editor of two recent crime fiction anthologies.

   Without much fanfare, Stuart Kaminksy was without a doubt one of the more prolific mystery authors of recent years. He was a quiet giant in our field.

      The Toby Peters series —

1. Bullet for A Star (1977)

2. Murder on the Yellow Brick Road (1977)
3. You Bet Your Life (1978)
4. The Howard Hughes Affair (1979)
5. Never Cross a Vampire (1980)
6. High Midnight (1981)
7. Catch A Falling Clown (1981)

8. He Done Her Wrong (1983)
9. The Fala Factor (1984)

10. Down for the Count (1985)
11. The Man Who Shot Lewis Vance (1986)
12. Smart Moves (1986)
13. Think Fast, Mr. Peters (1987)
14. Buried Caesars (1989)

15. Poor Butterfly (1990)
16. The Melting Clock (1991)

17. The Devil Met A Lady (1993)
18. Tomorrow is Another Day (1995)
19. Dancing in the Dark (1996)
20. A Fatal Glass of Beer (1997)

21. A Few Minutes Past Midnight (2001)
22. To Catch a Spy (2002)
23. Mildred Pierced (2003)
24. Now You See It (2004)

BARTHOLOMEW GILL – McGarr on the Cliffs of Moher. Charles Scribner’s Sons, US, hardcover, 1978. Robert Hale, UK, hardcover, 1980. US paperback reprint: Penguin, 1982; reprinted as The Death of an Irish Lass: Avon, pb, 2003.

   Quite remarkably, when three young people from the same small village in County Clare, Ireland, come to New York City, they find nearly equal amounts of success. When it happens that they all return home at the same time, their troubles and their angers are brought with them, and one of them, the girl reporter after the truth about the IRA, dies, having been stabbed to death with a pitchfork at a lovely spot overlooking the sea.

   McGarr is Ireland’s top cop. Why he’s on this case from the beginning is never made clear. And with background of this sort assumed and never properly filled in, and with the failure of McGarr to investigate immediately the questions the reader wants asked (well, the ones I did), it’s no wonder that my mind wandered, having distinctly gotten the feeling that the mystery was only incidental.

   What we do have is a very Irish, very picturesque novel about the problems troubling Ireland today. As a worthy reflection on the objectives that the IRA should have (and doesn’t), you probably cannot do better. I wish that I had found it more interesting, but I am nearly ashamed to say that I did not.

[UPDATE] 10-05-09. It isn’t fair, I know, but on the basis of reading only the one book by Gill, it remains the only one I’ve read. He wrote a few of them over the years, and I’ll submit to you a list below. If I were to read another, which should it be?

       The Peter McGarr series, by Bartholomew Gill ––

1. McGarr and the Politician’s Wife (1977) aka The Death of an Irish Politician

2. McGarr and the Sienese Conspiracy (1977) aka The Death of an Irish Consul
3. McGarr and the Cliffs of Moher (1978) aka The Death of an Irish Lass

4. McGarr and the Dublin Horse Show (1979) aka The Death of an Irish Tradition
5. McGarr and the P.M. of Belgrave Square (1983)

6. McGarr and the Method of Descartes (1984)
7. McGarr and the Legacy of a Woman Scorned (1986)
8. The Death of A Joyce Scholar (1989)
9. The Death of Love (1992)
10. Death on A Cold, Wild River (1993)

11. The Death of An Ardent Bibliophile (1995)
12. The Death of An Irish Sea Wolf (1996)
13. The Death of An Irish Tinker (1997) aka Death of a Busker King
14. Death of An Irish Lover (2000)
15. Death of An Irish Sinner (2001)
16. Death in Dublin (2002)

DEAN OWEN – Juice Town.   Monarch 290; paperback original; first printing, December 1962. Cover art by Rafael M. deSoto.

   Over the years that he was writing, Dean Owen (born Dudley Dean McGaughey, 1909-1986) was perhaps better recognized for his westerns than for his crime fiction, but at the present time I doubt that he’s a well-known name in either field — except to regular readers of this blog, of course.

   If you follow the link that follows, though, you’ll find a fairly lengthy and what I hope is a complete checklist of all the fiction he wrote, starting out in the pulps, then moving on to writing paperback originals almost exclusively.

   Of the books already listed in Al Hubin’s Crime Fiction IV, I’ve found two errors. First of all, Juice Town is listed as only a marginal entry. Not so, as you will see in a minute. And A Killer’s Bargain (Hillman, pbo, 1960) is included, and I don’t believe it should be. From all I can tell without having it in hand, it’s a western, with no more crime elements than almost any other western has.

   And of the “sleaze” books Dean wrote, some may have definite crime elements, but while they’re included in the checklist, I don’t own any of them, so someone else will have to report in on those. (And in fact, two of the hard-to-find digests Owen wrote as Hodge Evens have since been confirmed as having substantial crime content.)

   It’s been a long time since I’ve read a book like this one. It starts out really, really tough and doesn’t let up until it’s over. It doesn’t matter too much if it’s also only a song with only one note. The one note is like a small incessant drumming in the background that just doesn’t go away until the book is finished.

   In a sense (speaking of westerns) this is a western in theme, at least, if not in reality. One guy in a white hat comes to town and cleans it up, one guy against the mob, one guy who’s left himself vulnerable with a wife and kids, but he does his job anyway.

   The guy in this book is Del Painter. Out of a job and looking for work – there’s a story behind that as well – he is persuaded to return to his home town of Southbay, California, and to join the same police department that he was so proud his Uncle Ray, now deceased, was a member of for so long.

   Little does Del know that his uncle was a crook, that the entire police department is crooked (and rather openly so), and that he on his first day on the job is expected to be a crook as well. Juice, in the sense of the title, means protection, as it is carefully explained to Del on page 34, and the police in Southbay make out very well, including the use of the services of the local ladies of the evening whenever they feel they have a need for them.

   Del has a hard head, though, and hard heads make for harder enemies in towns like this. He does make a few friends, however, although it difficult to tell at times – well, most of the time – on which side some of the friends are.

   Only 144 pages long, this book can be read in only one evening, and probably in only one sitting.

   And even though several weeks later you are probably not very likely to remember much of the details of what is admittedly a rather minor effort, this vividly jagged portrayal of a town with such a blatant disregard of the law may stick with you a whole lot longer than you think it will, when you’re done with it.

DOROTHY CANNELL – The Importance of Being Ernestine.

Penguin, paperback reprint; 1st printing, April 2003. Hardcover edition: Viking Penguin, 2002.

   As in most things in life, timing is everything, but especially when it comes to comedy. And when it comes to comic detective novels, it’s difficult to explain in words what works and what does not, and when (and why) the beat is off.

   This is the 11th in Dorothy Cannell’s series of books about amateur detective Ellie Haskell, and it’s one of the funniest mysteries I’ve happened to read since the Inspector Dover books. Note to myself: It’s time to read Joyce Porter again, to see if Dover is as humorous as I remember, or if he was really only a rather obnoxious dolt. There’s a fine line, you see.

   Ellie, married, with three young children, is an interior decorator by trade, but — miffed at her husband, she takes up crime-solving with her housekeeper Mrs. Malloy, who’s been moonlighting as an would-be assistant to a private eye. Named Jugg. Nicknamed “Milk.” Of course.

   Here’s Mrs. Malloy explaining to Mrs. H. what her latest ambition in life is, before their first client arrives (page 15):

   The pause is a stroke of genius. It’s all in the timing, as I say. The client then comes in, and the case is on. An elderly lady who (she now believes) wrongfully fired a maid who was pregnant (possibly by the lady’s now deceased husband) and accused of stealing a valuable brooch now wants to find the child and make amends. To complicate matters, a number of Mrs. Krumley’s aged relatives have started to die off in highly unusual (and suspicious) circumstances.

   Taking over the case in Mr. Jugg’s absence, Ellie and Mrs. Malloy find no dark streets to go down. Most of the suspects live in or around the Krumley mansion, Moultty Towers (pronounced Moldy), and are for the most part, members of the upper strata of society.

   There are lots of red herrings and false trails and strange and stranger events that subsequently occur, and it comes as no great surprise that a huge muddle is made in wrapping everything up, presenting the reader with one awkward discombobulated package at the end. I read the last chapter a couple of times, and I confess, it all makes sense. Sort of.

   Would I read another? Absolutely. Weak ending or not, there’s a definite charm that’s present here, and I think it’s unique. Nothing similar comes readily to mind.

PETER TEMPLE – Bad Debts. Collins, Australia, pb, 1996. MacAdam/Cage, US, hc, 2005. Quercus, UK, pb, 2007.

   I read this author’s 2005 novel, The Broken Shore, which I enjoyed, even though I thought it had a few flaws and it probably wouldn’t have been my choice for an award. (I don’t know what would have been as I don’t read many newly published books.)

   [The Broken Shore was awarded the Duncan Lawrie Dagger (formerly the CWA Gold Dagger for Fiction) for 2007. Temple, born in South Africa, is the first Australian to win the award.]

   Temple previously wrote a four book series about a Melbourne private eye named Jack Irish, and this is the first in that series. Jack, who is the narrator, comes with many of the usual troubles.

   He had been a lawyer with a successful practice, but after a client had killed his (Irish’s) wife in revenge, Irish had become a drunk before straightening out a little. Now he does a little minor legal work but mainly works as an investigator for his old legal partner.

   Here he is approached by an old client who is out from jail, having been convicted on a hit-and-run death while he was drunk. Before Irish can follow up, the man is dead, shot in a police ambush. Irish has to re-investigate the case from ten years before when he had been going through the motions after his wife’s death. The investigation leads to a conspiracy on a governmental stage and soon he is the target of ruthless killers.

   On the whole, this was a readable book, though it dragged a little in places; and the plot twisted and turned, though in not wholly unexpected ways. I’m not sure I would classify this as absolutely top-notch but it was not bad. If the second book in the series falls into my hands, I might well give it a try.

      PETER TEMPLE – Bibliography:

   Bad Debts (1996).   [Jack Irish]
   An Iron Rose (1998)
   Shooting Star (1999)
   Black Tide (1999).   [Jack Irish]

   Dead Point (2000).   [Jack Irish]
   In the Evil Day (2002) aka Identity Theory.
   White Dog (2003).   [Jack Irish]
   The Broken Shore (2006).

   Truth (2008).   [Book 2 in “The Broken Shore” series.]

MERLDA MACE – Motto for Murder. Messner, hardcover, 1943. Hardcover reprint: Detective Book Club, 3-in-1 edition, November 1943. Digest paperback: Crestwood / Black Cat Detective #17, 1945 (abridged).

   Motto for Murder was one of a trio of murder mysteries written by Merlda Mace during the 1940’s. The detective she deploys in this story is Timothy J. O’Neil better known as Tip to his friends. He is a 26 year old “special investigator” for Barnes and Gleason, a New York City investment firm.

   How he got this job is one of the big mysteries of this book since he readily admits that he is not much of an investigator and his performance during the story bears this out.

   This is, in essence, a country house mystery. The house is an isolated mansion located in the mountains of northern New York State near Lake Placid. The controlling and quite unpleasant matriarch of a wealthy family has gathered her extended family to tell them that she has screwed them out of their inheritances. A snowstorm descends on the region and several murders occur during a long Christmas weekend.

   This seems to me like a combination of a mediocre Mignon G. Eberhart mystery and a bad Ellery Queen mystery. The author can put words and sentences and paragraphs together in a coherent manner but the book, on the whole, is a disappointment.

   The physical and character clues are not first rate, and the author employs a HIBK technique that serves no valid storytelling purpose. Since the characters insisted on wandering around in the dark, leaving their bedrooms unlocked at night and napping in vulnerable spots, the killer did not have too much trouble carrying out the murders. The “mottos” from the title of the story refer to fortune-cookie type candies wrapped in little papers containing sayings which play a small part in the solution.

   Merlda Mace was a pseudonym of Madeleine McCoy. Apparently “Tip” O’Neil is not a series character, but according to Al Hubin’s Revised Crime Fiction IV, Mace’s other two mysteries utilize a female sleuth called Christine Anderson (the ‘blonde’ in Blondes Don’t Cry).

     Bibliographic data:   [Taken from the Revised Crime Fiction IV]

MACE, MERLDA. Pseudonym of Madeleine McCoy, 1910?-1990?

    Headlong for Murder (n.) Messner 1943 [Christine Anderson; Connecticut]

    Motto for Murder (n.) Messner 1943 [New York]
    Blondes Don’t Cry (n.) Messner 1945 [Christine Anderson; Washington, D.C.]

BORIS AKUNIN – Murder on the Leviathan. Random House, hardcover, April 2004; trade paperback, February 2005. Translated by Andrew Bromfield.

    One of the unexpected benefits of the fall of the former Soviet Union was the career of Russian mystery writer Boris Akunin, with his novels about Erast Fandorin now available in the west.

    Akunin is Grigori Chkhartichvili, a philologist, critic, essayist, and Japanese translator, who took advantage of the new freedom in Russia to create a popular series about 19th Century sleuth Erast Fandorin, a special agent of the Russian Police whose adventures take him from his youth to middle age and from Moscow to exotic adventures around the globe.

    Attractive, smart, and devastating to women, Fandorin is a human and likable hero who combines elements of James Bond, the original Nick Carter, The Wild West, and Ellery Queen in his bright clever adventures.

    The books veer from wild adventure to more or less straight detection, from con men to serial killers, and find Fandorin at various stages in his illustrious career, often caught between clever villains, dangerous beautiful women, and his own devious superiors.

    It’s no surprise Ruth Rendell has called Akunin the Russian Ian Fleming.

    In Murder of the Leviathan Akunin takes a note from Agatha Christie and Ian Fleming. When Lord Littleby and his family are found murdered in their mansion on the Rue de Grenelle in Paris in 1878, the legendary French sleuth “Papa” Gauche finds his only clue to the crime is a key in the shape of a golden whale, a ticket on the luxury steamship the Leviathan leaving Southampton on its maiden voyage to Calcutta.

    Arriving at Southampton and boarding the Leviathan, Papa Gauche finds himself joined by Erast Fandorin, a handsome callow Russian sleuth with a shock of white hair. It’s a reluctant teaming on Gauche’s part, though he admits Fandorin might be useful. He might be even more reluctant if he knew Fandorn was a walking arsenal of hidden weapons, and something of a genius at crime solving.

    Fandorin is a contrast to Papa Gauche, who lives up to his name:

    But the two form a working relationship, and Gauche soon comes to respect Fandorin’s wisdom and intelligence.

    There are ten un-ticketed passengers on the Leviathan, and one of them is the killer: the Japanese doctor, the professor who deals in rare Indian artifacts, a pregnant Swiss woman, a wealthy Englishman who collects Asian antiquities, being among them. And then in true Christie style the passengers on the Leviathan begin to die at the hand of the desperate killer.

    These books feature grand villains, femme fatales, desperate espionage, and action enough for a dozen books. The Fandorin tales are great fun, playful and intelligent, as Alan Furst said, as if Tolstoy had set out to write a murder mystery. Fandorin is a cross between Sherlock Holmes, James Bond, d’Artagnan, and a Dostoevsky hero, brilliant, swashbuckling, and romantically melancholy.

    I’m not sure anyone in the west is writing anything like Akunin’s Fandorin novels, but thankfully we have them, and so far of the eleven books in the series, at least eight have been translated, with five published so far in the US. Akunin has also written a trilogy about Sister Pelagia, all of which are now available in English.

    Get acquainted with him. His books are literate, playful, and page turning reads. You will find nothing quite like him and no one quite like Erast Fandorin in Western literature — more’s the pity.

    It’s not often you find a writer or a hero who can honestly be said to mix elements of dime novels, Ian Fleming, Dostoyevsky, Dumas, and Ellery Queen, but Akunin and Fandorin manage the feat. There is nothing else quite like them on the shelves.

       The Erast Fandorin series. [Note that so far only the first five have been published in the US.]

1. The Winter Queen (2003)
2. The Turkish Gambit (2004)

3. Murder on the Leviathan (2004)
4. The Death of Achilles (2005)
5. Special Assignments (2007)

6. The State Counsellor (2008)
7. The Coronation (2009)
8. The Lover of Death (2009)

       The Sister Pelagia series

1. Sister Pelagia and the White Bulldog (2006)

2. Sister Pelagia and the Black Monk (2007)
3. Sister Pelagia and the Red Cockerel (2008)

LUIZ ALFREDO GARCIA-ROZA – The Silence of the Rain.

Picador, trade paperback; 1st printing, July 2003. Hardcover edition: Henry Holt and Co., July 2002.

   This moody sort of detective novel was first published in Brazil and translated from the Portuguese, and I recommend it to you. It starts out in a mildly light-hearted fashion, as a mixup over a wealthy executive’s suicide in a parking garage — someone went off with the gun and the suicide note — leads Inspector Espinosa of Rio de Janeiro’s First Precinct into handling the case as though it were a murder.

   (Not unlike Columbo of TV fame here in this country, we are privy to certain events that Espinosa is not, and even by the end of the case he is still running through endless speculations as to what actually happened.)

   The mood becomes gradually edgier, though, until page 121, which is where the reader is forcibly confronted with the realization that this is no cozy, if not before. Reading mysteries taking place in other countries also makes you realize that the rules are often totally different. Here’s a quote from page 161:

   And from page 238:

   Espinosa is, the dead man’s widow decides, a rare bird, a cultivated policeman. He is attracted to her. She is so wealthy she does not seem to notice. Espinosa is a reader of Dickens and Thomas De Quincey, is afflicted by loneliness and self-doubts, and he is also better than decent as a reader of character.

   Besides an almost other-worldly atmosphere and surroundings, there are enough twists and turns of the plot to keep any detective story buff more than satisfied, even with the aforementioned Colombo-like prologue, with an ending I know I’ve never read before — I couldn’t possibly have forgotten a scene like this, and you won’t either.

   And yes, the telling of tale does switch back and forth between first person and third. Just in case you were wondering.

        The Inspector Espinosa series —

1. The Silence of the Rain (Holt, hc, 2002; Picador, trade pb, 2003)
2. December Heat (Holt, hc, 2003; Picador, trade pb, 2004)
3. Southwesterly Wind (Holt, hc, 2004; Picador, trade pb, 2004)

4. A Window in Copacabana (Holt, hc, 2005; Picador, trade pb, 2006)
5. Pursuit (Holt, hc, 2006)

6. Blackout (Holt, hc, 2008; Picador, trade pb, 2009)
7. Alone in the Crowd (Holt, hc, 2009)

[UPDATE] 09-17-09. My local Borders store stopped carrying these after the first three or four. I hadn’t realized there were more in the series until now. I’ve also searched thoroughly, and there doesn’t seem to have been a softcover edition for #5 — why that should be, I certainly can’t tell you.

WILL THOMAS – The Limehouse Text. Touchstone, hardcover & trade paperback, July 2006.

   This is the third book in the series by Oklahoma librarian Will Thomas about late Victorian sleuth Cyrus Barker (the ‘Guv’) and his assistant/Watson Thomas Llewelyn who made their debut back in Some Danger Involved followed up by Kingdom Come.

   This time out Barker and Llewelyn follow the trail of a pawn ticket that leads them into the shadowy environs of Limehouse, London’s Chinese district, where opium dens and honest shopkeepers meet, and the influence of the Chinese tong societies and their hatchet men haunts them.

   The pawn ticket leads them to a rare book that conceals an ancient fighting technique, dim mak, long hidden from the west, and Llewelyn and Barker find themselves caught between a killer seeking the ancient wisdom and the dangers of the growing tension between the British Empire and China as well as the mysterious man at the heart of all the crime in Limehouse, Mr. K’ing (and any reader of Sax Rohmer and August Dereleth’s Solar Pons should have no problem identifying him).

   Through the smoky dream-ridden opium dens to the back room blood sports indulged in by the high and the mighty, Barker and Llewelyn hunt a killer and try to keep their heads while preventing virtual war from breaking out in the streets of Limehouse. Israel Zangwill, the author of the classic The Big Bow Mystery even features in the plot. (Thomas often features a historical and often literary figure like Zangwill in the books.)

   Luckily for them, Barker is an expert on all things Chinese, from the lethal razor sharp pennies he carries in his pockets to the martial arts he engages in. He even keeps a courageous little black Pekingese, Harm, who frequently features in the novels plot, as he does here. Before the game is brought to bay Barker will have to fight a battle to the death in one of those back rooms to save both his and Llewelyn’s life.

   Will Thomas is an admirer of Sherlock Holmes and Doyle obviously, but also familiar with his Nero Wolfe, and Llewelyn is much closer to Archie than Watson, despite his admiration for Barker, his enigmatic boss.

   The books manage a neat blend of action, mystery, and atmosphere that make them a real pleasure to read, as the action moves, the plot twists, and Barker and Llewelyn find themselves in increasingly hot water and trouble. Thomas knowledge of Victorian literature and history also shows in his casual but in depth portrait of his heroes environs.

   These books are great fun, never letting the research get in the way of the action or plot, Barker and Llewelyn a testy and intelligent match as a team, and the observations of just how close our disparate worlds really are a reminder that the more things change the more they stay the same.

   Playful, smart, fast paced, and involving, this is one of the best historical tec series ongoing, and certainly to become a classic. Once you meet them you will want to get to know Barker and Llewelyn and their worlds better.

    * Should anyone think they have caught Thomas in an anachronism, the term “mean streets” was first coined by Victorian writer Arthur Morrison to describe London’s less wholesome districts, in the book Tales of Mean Streets (1895). Morrison is probably better known today for his stories about Sherlock Holmes rival Martin Hewitt.

    That said, I will grant that in The Limehouse Text Thomas uses the term a number of years before Morrison’s book was published.

       The Cyrus Barker & Thomas Llewelyn series:

1. Some Danger Involved (2004).
2. Kingdom Come (2005).
3. The Limestone Text (2006).
4. The Hellfire Conspiracy (2007).

5. The Black Hand (2008).

6. “In progress,” according to the author’s blog, August 2009.