Obituaries / Deaths Noted


   An obituary for Nicholas William Wollaston, writer, born June 23 1926, died April 23 2007, appeared in the online Guardian, May 9, 2007, from which the following paragraphs are excerpted:

    “Nick was born in Gloucestershire, the son of the naturalist and explorer Sandy Wollaston, doctor and botanist on the first Everest expedition in 1921 […] A forebear was the eminent early 19th-century chemist William Hyde Wollaston.    […]

    “Wollaston also published seven novels. They contain passages of vivid and imaginative writing — the physical and mental trauma of being stuck in an Alpine crevasse in Jupiter Laughs (1967), the lovingly clinical account of a devout Indian bathing and self-administering an enema in Pharaoh’s Chicken (1969), […] the horrors of a Japanese prisoner-of-war camp in The Stones of Bau (1987), possibly his finest novel — and they were well received.    […]

    “The publisher who said he was incapable of a dull sentence and the reviewer who described his writing as ‘refreshing as a cool wind to a sweat-soaked wayfarer’ were right. Wollaston was a consummate stylist — the briefest book review in the Observer was perfectly shaped — yet what he wrote never suggested the careful polishing that undoubtedly went into it; it was supremely natural.”

   A complete online bibliography of Mr. Wollaston’s work can be found here.

Eclipse

   Not mentioned in the tribute taken from the Guardian was the only novel he wrote which is included in Crime Fiction IV, by Allen J. Hubin:

      WOLLASTON, NICHOLAS (1926-2007)
         * Eclipse (London: Macmillan, 1974, hc) Walker, 1974. Film: Celandine, 1977 (scw & dir: Simon Perry).

   The film is obscure enough that it’s not even included on IMDB.com, but a very short synopsis in the BFI database says “Story of the possession of one man – his mind, heart and soul – by his twin brother.”

   Of the book itself, one online bookseller says, “The author’s fourth novel, about identical twins, one of which is killed in a boating accident while sailing with the other.”

   There is only one entry for Mrs. Webb in Crime Fiction IV, by Allen J. Hubin:

      WEBB, MARTHA TOOKE
         * The Will and the Wilful (Dorrance, 1969, hc)

   And that’s all there is for her, nothing more. Until this past week, that is, when Al Hubin discovered that she was born June 23, 1908, and died on November 23, 2001. This information will, of course, appear shortly in the Addenda to the Revised Edition of CFIV.

   The book she wrote is not common, but neither is it terribly difficult to find. With the assistance of bookseller Jon Rieley-Goddard of Baldy Books in upstate New York, I have a scan of the front cover that I can show you, and from the back cover jacket flap, a lengthy profile of the author herself. I’ll get back to that shortly.

The Will and the Wilfull

   First, though, a short description of the book itself. From the blurb on the front flap:

    “A series of macabre murders shatters the peaceful existence of an affluent lakeside community in upstate New York. … First to die is lovely Janice Rhodes, electrocuted by a floor lamp, with which someone has tampered, turning it into a lethal weapon.

    “Sally Martin, a close friend and confidante of the two Rhodes girls, is the narrator of this tense and intricate thriller. She recoils with unbelieving horror at the news of the bizarre murders of three members of the Rhodes household and then barely escapes death, herself.

    “Suspicion falls on the guardians assigned to the Rhodes girls in the unusual will left by Dr. Rhodes before he and his second wife are killed in a highway accident, and on the girls’ two suitors. For Sheroff Brandon and Private Eye Rob Cummings, it is a perplexing case.

    “For Sally Martin and the frightened community, it is a nightmare.

    “For the reader, it is a masterpiece of suspense and intrigue. It is a safe bet that even veteran devotees of the whodunnit will never guess the outcome!”

   The last paragraph reveals the author’s intent with this book. In spite of the blurb’s early emphasis on bizarre deaths, this is a whodunnit of largely a cozy nature, with a little romantic suspense added in for good measure.

   From the jacket flap inside the back cover, more on Martha Tooke Webb, who …

    “… was born in Syracuse, New York, where she attended the public schools and Syracuse University. After her marriage, she and her husband moved to Rochester, where she studied portrait painting under the late Harold Bishop. Her paintings have been exhibited at the Great Lakes Exhibition and the New York State Exhibition, as well as at local art galleries in Rochester.

    “The author and her husband now live on the beautiful Oneida Lake in central New York. She is proud of her flower garden, which abounds in many varieties of roses. …”

   Even though acting was what she did for a living, Morgan Taylor somehow also managed to find herself solving two cases of murder in her short-lived career as a detective fiction character. She was the creation of two longtime friends who lived in Chicago, Susan Sussman and Sarajane Avidon.

   A former journalist, Susan Sussman is the more prolific writer of the pair, as a visit to her website will show. A third book in the series, A Voice for Murder, is mentioned as being in preparation, but alas, it appears it was never completed.

   Sarajane Avidon, a professional actress and award-winning artist, was born in 1941 as Sara Jane Levey, and died in 2006 after a long struggle with cancer. See a photo of her here, along with a brief account of her battle with the disease.

   Their combined entry in Crime Fiction IV, by Allen J. Hubin, reads as follows, slightly revised and expanded:

      SUSSMAN, SUSAN with AVIDON, SARAJANE
         * Audition for Murder. St. Martin’s, hc, January 1999. Worldwide, pb, June 2000. SC: Morgan Taylor. Setting: Chicago, IL; Theatre
         * Cruising for Murder. St. Martin’s, hc, July 2000. Worldwide, pb, May 2002. SC: Morgan Taylor. Setting: Ship

AUDITION FOR MURDER

      Book Description:

Audition for Murder

   Welcome to the world of Morgan Taylor, a thirty-something struggling actress who is dying for a juicy role in a prestigious revival on the Chicago stage. She hasn’t had a role in months, and the chance to work with the esteemed director Martin Wexler has her practically salivating.

   Though Morgan shows up right on time for the audition, Lily London, her assigned auditioning partner and a cantankerous older woman Morgan has never really liked, seems to have forgotten. Morgan gets more and more anxious until it seems that nothing can salvage this chance. Her mood is shot, her nerves are frazzled, she’s got the stage manager for an auditioning partner. When it’s all over, of course, Morgan finally comes across Lily–dead, lying cold on the floor of the theater bathroom….

   The character of Morgan Taylor is fresh and thoroughly entertaining; she’s as dramatic as the most talented actresses and as shrewd as the most calculating investigator–in short, a perfect amateur sleuth. Her debut, Audition for Murder, peopled by a delightful supporting cast, including Morgan’s best friend, Beth, who suffers from MS, and Beth’s finicky dog, Hamlet, is one of those rare mysteries that delivers a wonderfully written story and an engaging, suspenseful puzzle.

      Review Excerpts:

Publishers Weekly: “From novelist Sussman […] and actress Avidon comes a sparkling first mystery, told in the present tense, that displays no opening night jitters as Chicago actress Morgan Taylor makes her memorable sleuthing debut. […] Even the bit players make notable contributions in Sussman’s entertaining and witty romp, which will have readers applauding for an encore.”

Booklist: “Anyone interested in the theater will especially appreciate this hilarious look at the mounting of a 40-year-old play in Chicago. Playing the lead in both the novel and the play is Morgan Taylor, a funny, smart-mouthed, totally endearing character who never forgets to thank the “theater gods” for her successes. […] Although this is Morgan’s first outing, one strongly hopes that Sussman and Avidon will give her an encore.”

Audition for Murder



CRUISING FOR MURDER

      Book Description:

Cruising for Murder

   Now that the touring production of Rent has just closed and a Chicago winter has descended, dancer/singer Morgan Taylor impulsively accepts a gig on a Caribbean cruise ship, anticipating three weeks of show tunes and suntans — not a stage set for murder.

   Her friend Kathy, the show’s production director, neglected to tell Morgan that the entertainer she’s replacing died under mysterious circumstances. And when Morgan’s beautiful, backstabbing roommate is found floating in the turquoise waters of the Bahamas — neatly zipped into a garment bag — things look ominous indeed.

   Neatly sidestepping a stalker, dangerous threats and a sinister shipboard mystery, Morgan remains, as always, a seasoned performer. She may be in a killer’s spotlight, but the show must go on. Morgan just hopes it continues to be a live performance.

      Review Excerpts:

Publishers Weekly: “In her second appearance […] as an amateur sleuth, wisecracking Chicago actress Morgan Taylor grabs center stage and never lets go in this frothy, high seas murder mystery. […] The solution to the two murders that the authors conjure up hardly registers, since their heroine’s overwhelming personality has upstaged even the plot long before the end. A subplot involving Morgan’s Uncle Leo, who turns up on the cruise accompanied not by his wife, Bertha, but by a gorgeous blonde, presumably will be resolved another time Morgan hits the boards.”

Kirkus Reviews: “A bouncy, self-deprecating heroine holds the plot together with wisecracks. Not quite up to Stephanie Plum’s high jinks but still, like Audition for Murder, very cute.”

School Library Journal: “The first-person narration, lively and contemporary, quickly draws readers into the mind and world of the funny, feisty protagonist. Some unlikely plot devices and a rather complicated solution won’t detract from most readers’ enjoyment of this light and finely rendered diversion, and teens will probably come hurrying back for the first Morgan Taylor adventure, Audition for Murder.”

Cruising for Murder



[UPDATE] 08-14-07. An interview with Susan Sussman, including her answers to several of my questions about Morgan Taylor and Sarajane Avidon, appears in this later post on the M*F blog.

   Excerpted from an obituary in the online edition of The Guardian:

    “Wing Commander Peter Cooper, who has died aged 88, spent 22 years in the RAF — including a wartime posting as air attaché at the British Embassy in Ankara – and 22 years as a Middlesex probation officer. As ‘Colin Curzon,’ he wrote two lively, witty mystery stories, The Body in the Barrage Balloon (1942), and The Case of the Eighteenth Ostrich (1940), and a morale booster, Flying Wild (1941), describing the lighter side of training.

    “A sometime arts correspondent for the Times, he was passionate about music, particularly that of Schubert and Wagner. As a vice-president of the Ruislip Gramophone Society he presented programmes of recorded music to rapt audiences. He was perceptive and witty in his comments on musical performances, and could be seen, always immaculately dressed, sitting on a camping stool outside London’s opera houses.”

   Below is Curzon’s entry in Crime Fiction IV, by Allen J.Hubin. As you can see, not much had been known about the author until now, not even that the name he used was not his:

CURZON, COLIN. ca.1917- . With the R.A.F. during WWII.
      * The Body in the Barrage Balloon; or, Who Killed the Corpse? Hurst, UK, hc, 1941. Macmillan, US, hc, 1942. Series character: Mark Antony Lennox; setting: England.
      * The Case of the Eighteenth Ostrich. Hurst, hc, UK, 1943. Macmillan, US, hc, 1944. SC: Mark Antony Lennox; setting: England.

   More about either of the books or Major Lennox has proven difficult to obtain:

Barrage Balloon

   Of Balloon, one online bookseller says only: “R.A.F. mystery.”

   Of Ostrich, another bookseller says: “This is a humorous mystery story about an officer in the US Signal Corps and his disaster prone fiancee.”

   Any additional information provided about the books would be welcome.

   What’s a barrage balloon? That I can tell you. From wikipedia: “A barrage balloon is a large balloon tethered with metal cables, used to defend against bombardment by aircraft by damaging the aircraft on collision with the cables. Some versions carried small explosive charges that would be pulled up against the aircraft to ensure its destruction. Barrage balloons were only regularly employed against low-flying aircraft, the weight of a longer cable making them impractical for higher altitudes.”

    — Thanks to John Herrington for spotting the obituary and sending the link on to Al Hubin.

      From Publishers Weekly online, 07-13-07:

   Edwin McDowell, whose 26-year career as a reporter with the New York Times included a number of years covering book publishing, died Tuesday at his home in Bronxville, N.Y. He was 72. McDowell joined the Times in 1978 after working at several different newspapers, including the Wall Street Journal. McDowell was also the author of three novels and in 1964 wrote Barry Goldwater: Portrait of an Arizonian.

   From Crime Fiction IV, by Allen J. Hubin:

      McDOWELL, EDWIN (Stewart) (1935-2007)
         * The Lost World (St. Martin’s, 1988, hc) [New York City, NY]

      Book description:

   “The darker side of New York City comes to vivid life in this troubling yet touching story of a relationship between two very unlikely people and how this relationship changes their lives. New York ‘Free Press’ newspaperman Alex Shaw covers Times Square as his beat. And young Leonardo Ruis prowls the streets there trying to survive amid the drugs, danger, and decadence. After a violent first encounter, where Leonardo and his gang mug Alex, they both discover a mutual interest and a way to help each other. As their relationship develops, the reader is confronted with the horrors of street life in New York City.”

      Review excerpts:

New York Times: “Edwin McDowell, who covers publishing for The New York Times, has taken a look at what he calls ‘the lost world’ and has built his fiction upon a stock of horrified observation of the dopers, muggers and losers who scurry among the blank new constructions and such isolated monuments as the Harvard Club. […]

   “In his third novel Mr. McDowell is aiming more for a Frank Norris documentary, sometimes irately sociologizing ‘the whole panoply of pathologies,’ rather than a William S. Burroughs hallucinatory celebration. Though the madness appalls him, occasionally there are flashes of ironic invention, as when he evokes a mugger’s parrot, trained to say on command, ‘Give me all your money!’

   “In the end, the writer ties it all up but doesn’t blink. The lost boy is not found, the wild boy is not saved and Alex Shaw and his Jill are hurtling through Times Square in a cab, sending a jaywalker scrambling. This, of course, is not an invented irony. And come to think of it, probably the mugger’s parrot isn’t, either.”

Publishers Weekly: “Grittily realistic local color adds credibility and interest to this well constructed, suspenseful tale. Alex Shaw, like the author (To Keep Our Honor Clean) a New York journalist, covers the Times Square area, and one day is approached by a young hoodlum nicknamed ‘Dingo,’ teenage son of an aging hooker, who lives on the streets. […] What he learns from Dingo about respectable businessmen who prey on the bodies of young boys and girls may not be news to the reader, nor is McDowell’s theory, promulgated through Alex, of intentional neglect by real-estate moguls eager to make bucks once the area becomes completely desolate. But his mix of scrofulous lowlifes and crusty journalists is authentic, and the novel is suspenseful, funny and sometimes surprisingly tender.”

   Al Hubin and I are convinced that we have correctly identified the author of Murder in the Medical School (iUniverse/Writer’s Club Press, December 2000), as Dr. James Roy Schofield, who died on May 20th, 2007.

   The reason I’ve phrased that opening paragraph the way I have is on the page where the book is for sale on Amazom.com, the author is said to be Jill R. Schofield, M. D. The latter name is also somehow connected with the ISBN number, since at least half of the sellers on ABE have entered it that way, also referring to the author as Jill. A check on Google uncovers a Dr. Jill Schofield with a practice in Aurora CO.

   On the other hand, and even more convincing, is Dr. James Roy Schofield’s Who’s Who entry, and his book, a mystery novel which just managed to make the end of 2000 deadline for inclusion in Crime Fiction IV, is definitely mentioned, along with some other data about him.

   Born July 12, 1923, Dr. Schofield received his MD from Baylor University in 1947 and a LLD from Queens University in Ontario, Canada, in 1988. As an educator, he was a member of the faculty of the Baylor University College of Medicine from 1947 to 1971, eventually becoming its Academic Dean. After leaving Baylor, he worked for many national medical associations, including the AMA, as a consultant on medical education.

Murder at Medical School

   All of which certainly means that the background for his mystery novel was authentic. Here’s a description of the book, as taken from the back cover:

   A particularly gruesome murder occurs in the Anatomy Department of a 1950’s medical school. Included is a graphic description of anatomical and pathological specimens in the Anatomists’ cadaver preparation room.

   The novel begins with preparations by the Anatomists to prepare a teaching exhibit of human structures in one-inch cross-sections of a human cadaver.

   The medical school is expanding into new clinical departments; recruitment of several departmental Chairs is described – showing the quite variable characteristics of several clinical specialists.

   The narrator describes life in and problems of the medical school. The reader can follow selection of new medical students, academic disputations about the M.D. curriculum behavior of some physicians in private practice, split opinions over the locations of the new charity hospital and a typical M.D. graduation ceremony – with the administration of the ancient Oath of Hippocrates to the graduates. The narration is flavored with references drawn from the History of Medicine.

   Was there a murder? A person on staff of the medical is missing; but no body could be found. The arrival of the missing person’s girl friend triggers the attention of the police; but, until the penultimate chapter, there is no solution until the two young anatomists convince the detective that they have solved the missing body question.

   Not until the Epilogue, is the identity of the murderer revealed, and how he did it.

   Perhaps it was never a bestseller, but more than six years later, Amazon still has copies of Murder in the Medical School in stock. Its sales ranking is #2,521,639, but the number must be put in perspective. Amazon offers well over four million books for sale.

   As often happens, a blog entry on one subject will produce one on another, often an author which inspires a comment that generates a lot of research on yet another author, only accidentally related to the first one.

   Case in point:

   I reviewed the movie Catch Me a Spy not too long ago, a film based on a spy thriller by George Marton. No death date for Marton was known, but some fast research readily came up with one, and a short profile for him soon followed.

   A comment left by Juri Nummelin wondered if the Marton’s story, “Play Dirty,” made into a film of the same name, meant that Marton and the pseudonymous “Zeno,” who wrote the novelization of the film, were one and the same man.

Play Dirty

   The answer, as it turns out, is no, the two are not the same at all. It was John Herrington in England who came up with the answer as to who Zeno was, although (with the advent of the Internet) it does not seem to have been a highly guarded secret.

   Taken from a succession of emails from John —

   This is a bio from the paperback of one of his books:

   Before being commissioned in the field Z was himself a sergeant in the British First Airborne Division. Served with them in North Africa and Central Mediterranean, and at Arnheim – though he managed to escape. For last few months of his service, was deputy Assistant Adjutant General of an area in Southern India.

   After the war, he has led an eventful life! Committed murder and jailed for it. Definitely eventful.

   Ah, tracked the murder down. According to the Times, on the evening of the 23rd March 1958 Eric Battye, proprietor of the Mackworth Hotel, Swansea, was stabbed to death by one Gerald Theodore Lamarque, aged 46, of no fixed address. (A comment by his daughter on another web page says a ‘crime of passion’).

   Found his death. His death is registered in London City in the fourth quarter of 1978, so October sounds correct. Date of birth given as 2nd June 1920, so the age in the murder report appears wrong.

   And found his birth. Gerald T. La Marque (mother’s name Norton) registered in West Ham 3rd quarter of 1920. A typo I presume, as his father was Robert Gerald Lamarque, born 1886, married Dorothy C. Norton in 1912. It seems his father lived in West Ham most of his life.

   Zeno’s prior entry in Crime Fiction IV, by Allen J. Hubin, previously contained only one title, and as you will see below, next to no other information about him:

      ZENO; pseudonym
         * Grab (London: Macmillan, 1970, hc) [Africa] Stein, 1970.

   A further investigation on my part produced the following partial bibliography for him. It is incomplete, as I suspect that some titles that aren’t so indicated may have been published in the UK in hardcover, most likely by Macmillan.

The Cauldron. Stein & Day, hc, 1967; Dell, pb, 1968. Pan, UK, pb.

    “The savage new novel of World War II – by the most knowing, literate and moving writer of our century about war” and “The Author of this extrordinary novel is now serving a life sentance for homicide. He has been in the past a soldier, a sailor and a farmer. He fought with the British 1st Airborne Division at Arnhem. This is the story of a platoon in that ill-fated battle. It makes every other novel of war seem like a tale for children…”

   “The Cauldron traces the fortunes of the men of a single pathfinder platoon, from their pre flight briefing in afternoon sunlight on an English airfield to the bitter end nine days later, trapped with the shattered remnants of the parachute brigade in the smoking ruins of Arnhem, The Dutch village that came to be known as the cauldron.”

   Winner of an Arthur Koestler prize for prison literature.

The Cauldron


Life. Stein & Day, hc, 1968. Macmillan, hc, UK, 1968; Pan, UK, pb, 1970.

   The author’s experience in Wormwood Scrubs prison as a ‘lifer.’ “A startling human document and a biting triumph born out of one man’s conscience. A prison book with a difference.”

Life, by Zeno


Play Dirty. Dell, pb, 1969. Pan, UK, pb, 1969.   Novelization of the movie of the same title.  No hardcover editions.

   Led by a young demolition expert, with a callous mass-murderer as his deputy, a bizarre group of killers and perverts — the scum of the Middle East — are sent on a desperate mission behind Rommel’s lines… Hating the Germans a little more than they hate each other, the exploits of these ruthless saboteurs are studded with murder, treachery and heroism as they fight a bitter war — knowing the winner must play dirty.

Play Dirty


Grab. Stein & Day, hc, 1970. Macmillan, UK, hc, 1970; Pan, UK, pb, 1972.

   Thriller about an ex-MI6 agent hired to collect an Arab in the desert and finding himself pitted against a sinister syndicate called the Greeks.

Grab, by Zeno


The Four Sergeants. Atheneum, hc,1977. Pan, UK, pb

   World War II fiction: “In the summer of 1943, four platoon sergeants, with precarious orders from their generals, parachute into Sicily to blow up a bridge.” Another citation says: “The 21st Independent Parachute Company included at least 26 Austrian, German, Polish and Czech anti-Nazi Refugees, who volunteered from the Pioneer Corps, using mostly Irish and Scottish Nommes de Guerre — almost all of whom were Jewish. In the novel The Four Sergeants by Zeno, their courage is described as outstanding by the author, who fought with them.”

Four Sergeants


   Of these titles, Play Dirty has been included in Part 15 of the online Addenda to the Revised Crime Fiction IV, just uploaded, but with a hyphen to indicate marginal crime-related content.

   A long obituary for noted journalist and war correspondent Edward S. Behr appeared in yesterday’s New York Times. He died in Paris last Saturday at the age of 81. Among his many other jobs and positions, Mr. Behr was a reporter and editor for Newsweek magazine between 1965 and 1988.

   According to the Times, he “covered wars in Algeria, Albania, Congo, Vietnam, Lebanon, and Northern Ireland … wrote about China’s Cultural Revolution … went to Cuba after the 1962 missile crisis. And in 1968 alone he covered the Tet offensive in Vietnam, the student riots in Paris and the Soviet occupation of Prague.”

   Author of 19 books, including biographies of Nicolae Ceausescu and Emperor Hirohito of Japan, Mr. Behr began his career in journalism with Reuters in London while earning degrees from Cambridge University in 1951 and 1953.

   Of interest to mystery readers, especially those who enjoy spy and suspense fiction, is his one entry in Crime Fiction IV, by Allen J. Hubin:

      BEHR, EDWARD (Samuel) (1926-2007)
        * Getting Even (Harper, 1980, hc) [Paris] H. Hamilton, 1980. (No paperback editions.)

Getting Even

   A bookseller on ABE describes the book this way, most likely taken, at least in part, from a blurb on the cover:

    “Espionage novel about a French spy who seeks revenge for the betrayal of his Chinese lover. It was a note left in a supermarket which set everything in motion, a cry for help from a beautiful young secretary in a Western embassy of the Chinese People’s Republic which led to her forcible liberation, a brief but passionate love affair with her liberator, their betrayal, and his intricate and extraordinary revenge. Novel based on two true events — a Chinese diplomat defected from the embassy of the People’s Republic of China in The Hague in 1970 returning voluntarily to China in 1973. Similarly, a Chinese mission official requested political asylum while passing through Orly Airport in May 1971, but was handed back to the Chinese authorities against his will. Beyond these two events, none of the characters or institutions in this book exist.”

   Mr. Behr was also the co-screenwriter for Half Moon Street, a film based on Paul Theroux’s Doctor Slaughter (H. Hamilton, UK, hc, 1984; U.S. title: Half Moon Street, Houghton Mifflin), a book also included in CFIV.

Half Moon

   The film starred Sigourney Weaver and Michael Caine, with the plot line described on IMDB as follows:

   Dr. Lauren Slaughter, a research fellow at the Arab-Anglo Institute in London is utterly frustrated by her job. To supplement her income, she starts moonlighting at the Jasmine Escort Service, where she has more control over men and money than she does at the office. On one of her ‘dates’, Lauren meets the politician Lord Bulbeck who is trying to mediate a peace accord between the Arabs and Israelis. Bulbeck falls in love with his escort, and unwittingly, Lauren becomes a pawn in some very dirty politics.

   A review in the New York Times says in part:

   As directed and co-written by Bob Swaim, Half Moon Street displays an odd eagerness to stay within the bounds of familiar genres, even where none exist. A change that takes the sting out of Mr. Theroux’s ending, and a bit of miscasting designed to drum up an impossible romance, are only two of the unhelpful modifications that have been made. And as played by Sigourney Weaver, Lauren becomes a good deal less complex. She merely seems arrogant, patronizing and unbearably smug.

   Mr. Behr also wrote a history of Prohibition in the US and large illustrated books about the Broadway musicals Miss Saigon and Les Misérables.

Les Miserables

   A few posts back, mystery writer George Marton was discussed, this in conjunction with my comments on the movie based on a thriller mystery he co-authored with Tibor Méray, Catch Me a Spy.

   I listed there the books he had to his credit in Crime Fiction IV, a list that’s repeated below. I also pointed out he was born in 1900, but that no year of death had been noted, and that that was all I knew of the man.

   Thanks the investigative endeavors of Victor Berch and Ted Murphy, working separately, I can now tell you more. First, a repeat of George Marton’s entry in CFIV, adding his year of death and correcting his year of birth.

    MARTON, GEORGE (1899-1979)
         * The Raven Never More [with Tibor Méray] (n.) Spearman 1966.
         * Catch Me a Spy [with Tibor Méray] (n.) Allen 1971; Harper, 1969.
         * Three-Cornered Cover [with Christopher Felix] (n.) Allen 1973; Holt, 1972.
         * The Obelisk Conspiracy [with Michael Burren] (n.) Allen 1975; Stuart, 1976.
         * Alarum (n.) Allen 1977
         * The Janus Pope (n.) Allen 1980; Dell, 1979.

   While the books above all fall generally into the category of spy fiction, I’ve yet to come up with much in terms of story descriptions — and this is rather surprising — nor have I found scans of any of the covers, not one. Both of these omissions will be taken care of in a later post.

   His full name was George Nicholas Marton. Born June 3, 1899, in Budapest, Hungary; died April 13, 1979, in West Hollywood, California. Of the Jewish faith, Mr. Marton earned a PhD from the Sorbonne in 1924 and was a internationally known literary agent in Vienna between 1925 and 1937, and in Paris from 1937 to 1939.

   Fleeing the Nazis and coming to the US aboard the SS Normandie on March 30, 1939, he became president of the Playmarket Agency in Los Angeles from 1939 to 1944, later working for MGM. During World War II, Mr. Marton served in the Office of Strategic Services (OSS) and the National Guard. Returning to Paris, he became the literary agent for 20th Century Fox in Paris until his retirement in 1963 or 1969. (There are conflicting dates given for the latter.)

   It was not until his retirement that he turned seriously to writing. Besides the film based on one of his novels, one other, Play Dirty (1968), came from an original story he wrote. The movie, a “Dirty Dozen” type of war drama, was directed by André De Toth and starred Michael Caine in the leading role.

   His final novel, The Janus Pope, did not appear until after his death from cancer at the age of 79.

   You probably won’t recognize Rod MacLeish, nephew of poet Archibald MacLeish and noted NPR commentator who died in 2006, as having written a novel that was nominated for an Edgar by the Mystery Writers of America, but as it happens, he did.

   Here’s his complete entry in Crime Fiction IV, by Allen J. Hubin, only slightly expanded:

   MacLEISH, RODERICK (1926-2006 )
      * The Man Who Wasn’t There (n.) Random House, hc, 1976; Fawcett Crest, pb, 1977 [Washington, D.C.]
      * Carnaby Rex (n.) Weidenfeld, UK, 1976; See: The Man Who Wasn’t There (Random House,1976)
      * Crossing at Ivalo (n.) Little Brown, hc, 1990, as by Rod MacLeish. Zebra, pb, 1992.

Ivalo

   In case you may be wondering, it was the latter that caught the eye of the MWA. One online seller describes it thusly: “The principal architect of the Soviet ‘Star Wars’ system is kidnapped and his abductors offer him for sale to the Soviets and Americans. The Russians don’t want anyone to have him and the Americans want to learn all that he knows.”

   His earlier book having crime-related components, The Man Who Wasn’t There, is cryptically described by one seller thusly: “Millionaire film star, claiming to be his twin, reads of his death.” A second synopsis provided by another seller, probably from the back of the book itself, says: “From the quiet elegance of Georgetown to Hollywood and Paris, this novel moves inexorably toward the innermost recesses of a man’s mind. The suspense builds to a terrifying pitch in a climactic scene – a scene no reader will soon forget.”

Man Who Wasn't There

   Another book, this one with no criminous overtones, is A Time of Fear (Viking Press, 1958), the “story of a small town in the way of development.” Yet another, a science fiction fantasy thriller, is Prince Ombra (Congdon & Weed, hc, 1982; Tor, pb, 1983) in which the title character, “Prince Ombra is the lord of every mortal nightmare. He has appeared in the world a thousand times, and the rememberers have given him a thousand names – Goliath, the murderous Philistine; Mordred, enemy of Camelot. The heroes of legend have offered their lives in confrontation with the evil one. Among them have been David and Arthur, king of the Celts.”

Prince Ombra

   Or in other words, a book about a boy with magic powers in modern-day New England. During his journalist days, Mr. MacLeish also wrote a non-fiction book, The Sun Stood Still, about the 1967 Arab-Israeli war.

   According to an National Public Radio [NPR] tribute to one of their long-time contributors:

   MacLeish worked as a news director for WBZ radio in Boston in the early 1950s and later moved to London, where he was assigned the job of establishing a foreign news department for Westinghouse Broadcasting Co. He also worked for CBS News in Washington in the early 1970s, doing political commentary, and was a commentator and news analyst for NPR [during the early days of Morning Edition.]

   When he wasn’t covering foreign conflicts, he traveled the country writing social and political commentaries, including producing a program focused on race relations, A Month in the Country, with Bernard Shaw.

   MacLeish was also […] the broadcast voice of the Philadelphia Orchestra, and […] his documentary on the Hermitage in St. Petersburg was nominated for an Emmy.

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