BARBARA FROST – The Corpse Died Twice. Coward McCann, hardcover, 1951. No paperback edition.

   Though suffering from a severe hangover, Jerome Carrigan doesn’t feel he deserves the obituary published in a New York City newspaper. He calls upon Marka de Lancey, attorney at law, to investigate it and also asks her to check on an insurance policy he is considering purchasing. She doesn’t have time for the latter since Carrigan is found dead in a Turkish bath at Coney Island under suspicious circumstances.

   This is de Lancey’s second murder investigation with Lieut. Jeff McCrae of Manhattan Homicide. It is a moderately amiable non-fair-play novel.

Bio-Bibliographic Data: According to Al Hubin in the Revised Crime Fiction IV, Barbara Frost (married name Barbara Frost Shively) was a publicity manager for J. B. Lippincott Co., an obvious rival to Coward McCann, who was the publisher of her four mystery novels.

   Bill is correct in saying that this is Marka de Lancey’s second appearance. He did not mention that there was a third, however, nor that Ms. Frost’s first crime novel was not a series entry. One source on the Internet suggests that the police lieutenant’s name was spelled “Macrae.” It is not presently known if he appeared with Marka de Lancey’s in all three of her cases.

FROST, BARBARA.   1903-1985.   Note: Marka de Lancey appeared in books two through four:

        The Unwelcome Corpse (n.) Coward 1947.
        The Corpse Said No (n.) Coward 1949.
        The Corpse Died Twice (n.) Coward 1951.
        Innocent Bystander (n.) Coward 1955.

Editorial Inquiry: Marka de Lancey’s first appearance was in 1949, making her perhaps one of the earliest female attorneys to appear in crime fiction. Who may have preceded her in this category?

[UPDATE] 02-08-10.   See comment #3. It isn’t a definitive answer, but if Jon Breen doesn’t know of any other female attorney who was a lead character in a mystery novel and who came before Marka de Lancey, then my money’s on the fact that there weren’t any.

BRAD LATHEM – The Hook #1: The Gilded Canary. Warner, paperback original; 1st printing, September 1981.

   Warner has been publishing books in several of its various new “Men of Action” series for some time now, and for mystery fans, here is the first appearance of the one that might seem the most promising. “The Hook” is Bill Lockwood, a 1930’s private eye who is as tough with his fists as he is energetic in bed.

   There seems to be little else to say. Lockwood’s case, as he investigates the theft of some jewelry from a rich girl singer named Muffy Dearborn, is nothing less than a flimsy excuse for him to jump in and out of a bed or two and beat up a few hoodlums in between with his patented left hook.

   There are a few good moments — once in a while I got a fleeting impression that there was some intelligent thought put into the writing of this mediocre excuse for a book — but they quickly pass.

   On the other hand, the result is probably exactly what Warner had in mind when they commissioned it.

[UPDATE] 01-28-10.   Whew. I seldom put down a book as solidly as this, and this review took me a bit by surprise when it turned up next to be put online. I thought of tempering the tone down a notch or two, but this is what my reaction was some 28 years ago, and (without re-reading the book) I decided at length that I ought to stand by it.

   There were, in all, five in the series. Here, taken from the Revised Crime Fiction IV, by Allen J. Hubin, is a complete list:

          LATHAM, BRAD. Pseudonym of David J. Schow.

    1. The Gilded Canary (n.) Warner, pbo, Sept 1981.
    2. Sight Unseen (n.) Warner, pbo, Sept 1981.
    3. Hate Is Thicker Than Blood (n.) Warner, pbo, Dec 1981.
    4. The Death of Lorenzo Jones (n.) Warner, pbo, 1982.
    5. Corpses in the Cellar (n.) Warner, pbo, June 1982.

MEDORA FIELD – Blood on Her Shoe. The Macmillan Co., hardcover, 1942. Paperback reprint: Popular Library #201, no date stated [1949].

   Despite the fact that her cousin, assumedly a levelheaded chap, calls to tell her not to come to St. Simon’s Island, Georgia, though with no explanation, Ann Carroll goes anyhow.

   Despite the fact she would rather not be there, she attends a ghost-seeking session at a graveyard, where murder occurs.

   Despite the murderer being still at large and she possessing, or so it is presumed, information that might identify the murderer, she visits a lonely farm house alone at dead of night.

   Despite nearly dying from that dunderheadedness, she goes later to the graveyard by herself to gather evidence.

   At the end of the novel, the young man she is in love with has been arrested for being AWOL and has assaulted the M.P.’s. This novel isn’t a matter of had-I-but-known. She does know, and she deserves all she gets, including her future husband.

       Bibliographic Data:    [Taken from the Revised Crime Fiction IV, by Allen J. Hubin.]

FIELD, MEDORA. Working byline of Medora Field Perkerson, 1892-1960. Born in Georgia; newspaper columnist in Atlanta as “Marie Rose.”

    Who Killed Aunt Maggie? Macmillan, hc, 1939. Film: Republic, 1940.
    Blood on Her Shoe. Macmillan, hc, 1942. Film: Republic, 1944, as The Girl Who Dared (with Lorna Gray, Peter Cookson).

BARBARA LEONARD REYNOLDS – Alias for Death. Coward-McCann, hardcover, 1950.

   On her way by bus from Chicago to Dayton, Ohio, in 1945, Abigail Potter, prolific mystery writer under her own name and various pseudonyms, hears the plot for a perfect murder as planned by an Army corporal.

   By quick thinking, she discovers his real name and destination — Glen Falls, Ohio — and subscribes to the local paper awaiting news of an unexpected sudden death. Three years go by before one is reported, and then it is not the death of the person she believed was to be the corporal’s target.

   Knowing how the crime was committed and by whom, but not having any idea of why the victim was not whom she expected, Potter decides to go to Glen Falls, discover more about the crime, and unmask the murderer. However, all — indeed, very little — is not what she supposed, and she herself may have been the target of a poisoner.

   While not a first-class novel of a little-old-lady detective and not quite living up to its fine beginning, this is nonetheless good reading. Moreover, the author presented a situation that I considered nonsensical, explained it feebly, and thus caused me to overlook the essential pointer to the murderer. Excellent misdirection I thought, though it probably won’t fool anyone else.

   This was Reynolds’ only mystery. Why didn’t she write more?

Bio-Bibliographic Data:   As Bill says, this is the author’s only mystery. It’s a scarce book in nice condition; only good and/or ex-library copies can be more easily found — which I’ve done.

   There’s no information about Barbara Leonard Reynolds on the jacket, only the photo which you see to the left. Says Al Hubin of her in the Revised Crime Fiction IV: Born in Milwaukee (1915); lived in Ohio and then Hawaii. Year of death: 1990.

DOUGLAS FAIRBAIRN – Street 8. Delacorte, hardcover 1977. Reprint paperback: Dell, 1978.

   That’s the sentiment expressed by a Miami native in Street 8, a hot-blooded 1977 noir novel by Douglas Fairbairn.

   The title street, an English translation of Calle Ocho, the main drag of Miami’s Little Havana, is the site of Bobby Mead’s used car lot. Out of habit, Bobby still calls it by its original name, Southwest 8th Street, and from the office window of his lot, he’s seen Miami transformed from a sleepy, one-season tourist town into a vibrant Latin city.

   The Cubans are everywhere. They’re even buying cars from him, so for the first time, he hires a Cuban salesman, Oscar P?rez, to accommodate them. Oscar, however, soon becomes embroiled in the hornets’ nest of exile activity, and the trouble begins.

   The problem with Miami’s exile community in 1977 is that, while they’re committed to eliminating Fidel Castro, they also want to wipe out his sympathizers and spies who have infiltrated their organizations. But exactly who is who?

   Told entirely from Bobby Mead’s point of view, Street 8 allows him no letup. His world is contracting around him, threatening to choke him, and not even his ratty South Beach hotel room offers him any sanctuary. He has a teenage daughter, but his incredibly twisted relationship with her only serves to further cut him off from the city he once loved.

   Fairbairn deftly ushers the reader through the dark fringes of the byzantine world of Miami Cubans in 1977, and we eventually learn that some of them are more interested in acquiring power in Miami itself than they are in retaking their homeland to the south.

   This little-known novel is an excellent noir tale, highly recommended, as it offers an uncompromising look at one man caught up in a city’s convulsive transition.
   

Bibliographic Data:   While he has a number of other novels and creenplays to his credit, Douglas Fairbairn has only one other crime novel included in the Revised Crime Fiction IV, by Allen J. Hubin. That novel, Shoot (Doubleday, 1973) was also the basis for a movie of the same name.

   The film version stars Cliff Robertson and Ernest Borgnine. Here’s a short synopsis from the one found on IMDB: When a hunter is shot dead by another party also hunting in the Canadian hills, retaliation is the order of the day.

FREDERICK C. DAVIS – Another Morgue Heard From. Doubleday Crime Club, US, hardcover, 1954. Hardcover reprint: Detective Book Club, 3-in-1 edition, Jan 1955. Digest-sized paperback reprint: Bestseller Mystery B192 (abridged), no date stated [1956]. Published in the UK by Victor Gollancz, 1955, hc, as Deadly Bedfellows as by Stephen Ransome.

   In response to an appeal from a boyhood friend, Luke Speare, of the Cole Detective Agency, goes to Lake Haven in an unknown state to investigate he knows not what. Under protest, his boss, Schyler Cole, always uncomfortable outside of New York City and demanding the noisiest hotel room in the small town so he will be able to get to sleep, accompanies him.

   Speare’s friend is running a political campaign and has been receiving anonymous phone calls about some major problem. But is the problem political or personal? The friend won’t say, the friend’s estranged wife lies and tries to get Speare and Cole to return to New York, and then murder occurs.

   At one point Cole says: “Every woman is a special case, all right, and that’s for sure. Everyone of them thinks of herself as an exception, and what’s more she is.” The politician’s wife fits this description, and without her silence two murders and an attempted murder would not have taken place.

   A good investigation here, though not strictly fair play. Most enjoyable is Cole, who heads the two-man agency of which Speare is the brains. Cole would have pulled out of this investigation early on if he hadn’t been afraid he’d lose Spear and have to start doing some work himself.

Bibliographic Data:     [Taken from the Revised Crime Fiction IV, by Allen J. Hubin.]

         SCHYLER COLE and LUKE SPEARE:

       o The Deadly Miss Ashley (n.) Doubleday 1950.

       o Lilies in Her Garden Grew (n.) Doubleday 1951.

       o Tread Lightly, Angel (n.) Doubleday 1952.
       o Drag the Dark (n.) Doubleday 1953.

       o Another Morgue Heard From (n.) Doubleday 1954.
       o Night Drop (n.) Doubleday 1955.

JEREMY LANE – Death to Drumbeat. Phoenix Press, hardcover, 1944. Paperback reprint: Black Knight #17, no date stated [1946].

    Whitney Wheat, Lane’s series character, is a psychiatrist who also detects. In this novel his patient, a publisher and we know what they are like, hears drums, apparently portending his own death. Attempting a cure through a means that I didn’t quite understand when it was originally proposed and still don’t when all has ostensibly been cleared up, Wheat takes his patient to the estate of Humber Jacks.

    An authority on Indian Drums, Jacks is a wealthy man with an income of $25,000 a month but who rents out rooms at $1 a night to tourists and makes sure he gets the takings. He also has an ill-assorted household. After Wheat’s and the publisher’s arrival, murder occurs.

    Since my consciousness was recently raised, I make it a point to avoid novels in which the county attorney is gormless or corrupt, and sometimes both. But it was awhile before the county attorney appeared in Lane’s novel, and I continued reading, though I ignored the politician’s failings — alas, such are the absurdities one encounters in fiction — to find out if Lane was going to make sense of anything in the book.

    He doesn’t. Oh, he explains things; of course, that is not the same thing as making sense.

    For those who are interested in such matters, the narrator of the novel, on an intellectual level with the county attorney, has the same name as the author.

Bibliographic Data: The following checklist is taken from the Revised Crime Fiction IV, by Allen J. Hubin:

LANE, JEREMY. 1893-1963. Note: Dr. Whitney Wheat appears in those titles indicated with an asterisk (*).

    Like a Man (n.) Washburn 1928.
    The Left Hand of God (n.) Washburn 1929.
    * Death to Drumbeat (n.) Phoenix 1944.
    * Kill Him Tonight (n.) Phoenix 1946.

    * Murder Menagerie (n.) Phoenix 1946.

    * Murder Spoils Everything (n.) Phoenix 1949.

BABETTE HUGHES – Murder in Church.  D. Appleton-Century, hardcover, 1934.

   Sir Arthur Quinn is a famous astrophysicist who is the bane of the religionists. He had shown “the theologians to be charlatans, religions to be apologies, and his more cautious confreres to be opportunists.”

   Besides that, he is given to amorous intrigues, mushrooms for breakfast, and the sucking of fruit lozenges. It is the latter habit, possibly combined with the second, that brings about his death as he rather uncharacteristically attends Sunday services at St. Barnabas Church. Someone had coated several lozenges with muscarin, a poison that is derived from mushrooms.

   Among the possibilities for the distinction of bumping him off are President Radford of the Western Institute of Technology, a pompous oaf who tries vainly to reconcile religion and science; Yozan Saijo, a Japanese physicist whom Quinn has insulted; Quinn’s “sexless” wife who worships him despite his philandering; a professional dancer whose movements were harsh and whose interpretations were grotesque and often venomous, and who had been one of many of Quinn’s inamoratas; George Coburn, Quinn’s valet, an ex-English jockey who sports a black eye given him by Quinn; a fanatically religious Russian technician, and others too numerous to mention.

   Quinn had religious, scientific, and personal enemies, it seems.

   Ian Craig, professor of Oriental literature at Stanford and frequent quoter of the aphorisms of Ti Li, is the amateur investigator. He gained some little renown when he solved the case chronicled in Murder in the Zoo (1932), another academic mystery.

   This is one of the selections in “The Tired Business Man’s Library,” chosen to “afford relaxation and entertainment for everyone interested in Adventure and Detective Fiction.” Murder in Church meets that goal, but only barely.

    Bio-Bibilographic Data. [Taken from the Revised Crime Fiction IV, by Allen J. Hubin.]

HUGHES, BABETTE (Plechner).   1906-??   Born and resident in Seattle; graduate of University of Washington; wife of playwright Glenn (Arthur) Hughes; author of numerous one-act plays.

       Murder Murder Murder. French, pb, 1931. One-act play.
       Murder in the Zoo. Appleton, 1932. [Prof. Ian Craig]
       Murder in Church. Appleton, 1934. [Prof. Ian Craig]

   
SUZANNE BLANC – The Green Stone. Carroll & Graf, reprint paperback, 1984. Previous editions: Harper & Brothers, hc, 1961. Detective Book Club, hc, 3-in-1 edition, February 1962. Lancer, pb, 1966.

    “Perhaps it is not prophecy at all but the belief in prophecy that fulfills it…” and destiny that brings certain people together in a given place, at a given time. For Mr. and Mrs. Randall, their destiny is to be murdered on a Mexican highway by bandits. And for Mrs. Randall’s emerald ring to be responsible for the danger and near death of Jessie Prewitt and ruin for Luis Pérez.

    Jessie Prewitt comes to Mexico to flee the painful memories of her broken marriage. Luis Pérez, a tourist guide, hankers after a life of ease and wealth — and feels the possibility brush his fingertips when the beautiful emerald comes into his possession.

    As quickly, police suspicion also brushes against Pérez, and he passes the gem onto Jessie (without her knowledge) when the police come to question him. Pérez intends to reclaim the jewel later — no matter what danger or force results.

    As pressure builds for the police to find the emerald and solve the Randalls’ murder, so does the tension and suspense surrounding Pérez’ determination to regain the gem, and Jessie’s unwitting thwarting of his aim.

    Told from the omniscient viewpoint, Suzanne Blanc creates very human characters, and allows the reader to understand their frustrations, anxieties and pleasures. Like a finely tuned piece of machinery, all the parts of this book work together in unison. The result is an exquisite “gem” of a story — seemingly plain and simple, but full of depth and color when held to the light.

    Don’t neglect this one!

   
Bibliographic Data: [Taken from the Revised Crime Fiction IV, by Allen J. Hubin.]

        BLANC, SUZANNE. Ca. 1915-1999

    The Green Stone (n.) Harper 1961 [Insp. Miguel Menendes]   Edgar winner: Best First Mystery, 1962.
    The Yellow Villa (n.) Doubleday 1964 [Insp. Miguel Menendes]
    The Rose Window (n.) Doubleday 1967 [Insp. Miguel Menendes]

    The Sea Troll (n.) Doubleday 1969

ALFRED EICHLER – Alfred Eichler. Death of an Ad Man. Abelard-Schuman, hardcover, 1954; paperback reprint: Berkley #105, 1955. British edition: Hammond, hc, 1956, as A Hearse for the Boss.

   It is a rather frantic time at the Malcolm and Reynolds Advertising Agency. Reynolds has retired, and Malcolm has just had what appears to be a heart attack.

   While various officials of the agency are struggling for power in an attempt to replace Malcolm as the agency’s head, someone makes sure that Malcolm won’t be around to protest. A pair of scissors is shoved into his chest while he is in the hospital.

   Kindergarten was never like this advertising agency. Children do have some sense, but precious few employees of this agency have any. The only sensible person is Martin Ames — who appears in several of Eichler’s novels — head of the radio department, which also includes television.

   Even he is erratic. He is at one point firmly convinced that an agency employee is Malcolm’s murderer and a few moments later is brooding because he didn’t stop the murderer from killing the employee.

   Ames has inherited the agency from Malcolm, and he had an opportunity to commit both murders. For this reason, and in a hope to keep the agency from disintegrating, Ames investigates. He spots the killer by discovering a new motive for murder, or what would have been a new motive if it had had anything to do with the murder.

   He also says things like “Holy hatpin!” which I guess is typical advertising talk. And he is one of the few people who have visited a psychiatrist with a “crowded anteroom.” Does this mean a ten-minute hour?

   The novel isn’t well written and the plot isn’t that great, but the insights into advertising agencies may appeal to some.

Bio-Bibliographic data: According to the Revised Crime Fiction IV, by Allen J. Hubin, Alfred Eichler, 1908-1995, was a advertising copywriter based (it is to be presumed) in New York City, an easy inference, since that’s where he was born.

    He was the author of nine detective novels, many of which seem to reflect the author’s own occupation in the advertising and radio business, especially the first two, Murder in the Radio Department and Death at the Mike.

    Each of these also have as their leading characters Martin Ames and Inspector Carl Knickman, the latter of whom Bill didn’t happen to mention as being the detective of record in Death of an Ad Man, as well as several other cases told to us by Eichler. See below:

EICHLER, ALFRED. 1908-1995.

      Murder in the Radio Department (n.) Gold Label 1943 [Insp. Carl Knickman; Martin Ames]
      Death at the Mike (n.) Lantern Press 1946 [Insp. Carl Knickman; Martin Ames]
      Election by Murder (n.) Lantern Press 1946 [Martin Ames]

      Death of an Ad Man (n.) Abelard-Schuman 1954 [Insp. Carl Knickman; Martin Ames]
      Death of an Artist (n.) Arcadia 1955 [Insp. Carl Knickman; Martin Ames]
      Moment for Murder (n.) Arcadia 1956 [Insp. Carl Knickman]
      Bury in Haste (n.) Arcadia 1957 [Insp. Carl Knickman]
      Pipeline to Death (n.) Hammond 1962 [Martin Ames]

      Murder Off Stage (n.) Hammond 1963.