ELLERY QUEEN’S MYSTERY MAGAZINE – May 1967. Overall rating: ***½ stars.

CHRISTIANA BRAND “Twist for Twist.” Novelette. Inspector Cockrill solves the murder of a man no one wanted to see married, especially the bride. Good detection. (4)

MORRIS COOPER “As It Was in the Beginning,” Quite possibly the first detective story, occurring some 20,000 years ago. (5)

ELAINE SLATER “The Way It Is Now.” In contrast to the previous story, a search for lost romance in a modern-day marriage ends in murder. (4)

ARTHUR PORGES “The Scientist and the Invisible Safe.” A diamond thief hides them in light bulbs. (2)

MICHAEL GILBERT “The Road to Damascus.” Novelette. Previously published in Argosy (UK), June 1966.  A Calder and Behrens spy story of a World War II impersonation discovered only when an old resistance post is uncovered, fascinating in its accounts of past and present espionage. (5)

ALICE SCANLAN REACH “Father Crumlish and His People.” The hypocrisy of a murdered social worker is discovered. Good social comment. (3)

HENRY STONE “The Impersonator.” Psychiatrical fare. (1)

NEDRA TYRE “A Case of Instant Detection.” A cop in a sociology class is forced to make deductions on the spot. Interesting background. (3)

ROBERT L. TILLEY “The Other Man.” An escaped convict finds refuge in a country cottage, an ideal sanctuary. Personal involvement clashes with the ending. (2)

VERA HENRY “What They Don’t Know Won’t Hurt Them.”  The hired help take advantage of two suspicious deaths. (2)

JON L. BREEN “The Crowded Hours.” First story. Pastiche. A murder investigation by the 97th Precinct Squad. McBain’s style deserves this. (4)

ED McBAIN “The Empty Hours.” Short novel. Previously published in Ed McBain’s Mystery Book #1, 1960. A murder investigation by the 87th Precinct Squad. A girl posing as her cousin is killed by a burglar, but the police must learn everything through determined work. The plot is obvious from the beginning, and it is the emotional involvement that makes the story at all attractive, McBain has a flair for detail, but his style can be overdone and irritating. ***

D. R. BENSEN, Editor – The Unknown Five. Pyramid R-962, paperback original; 1st printing, January 1964. Cover art by John Schoenherr.

   A collection of five stories in all, four of them reprinted from the pages of Unknown, plus one by Isaac Asimov which was accepted for publication shortly before that magazine folded, but never actually having appeared in print in it before it did. Strange to say, that one is also the weakest of the five. But even knowing that the other four were chosen from the best of the magazine, the only restriction being the stories never having been published in book form before, Unknown well deserves its reputation among fantasy fans.   Overall rating: ****

ISAAC ASIMOV “Author, Author!” Novelette. In which author Graham Dorn’s famous detective Reginald de Metzter comes to life and demands his say in future plots. Too slaphappy and hectic rather than truly funny.  (2)

CLEVE CARTMILL “The Bargain.” (From Unknown Worlds, August 1942.) Death gives immortality to a woman in exchange for information the world should not have. The “folksy” approach entertains.  (4)

THEODORE STURGEON & JAMES H. BEARD “The Hag Saleen.” (From Unknown Worlds, December 1942). A man and his wife and daughter living in a small cabin in the bayous arouse the anger of a swamp witch. Besides the basic background, the story’s excellence depends on balance between fantasy and the explainable.  (5)

ALFRED BESTER “Hell Is Forever.” (From Unknown Worlds, August 1942,) Short novel. Five degenerate people, in the search for newer and stranger sensations, enter into a bargain giving them their choice of realities. Their new worlds are not what they expect, however:
   An artist can create only in his own distorted image. A woman wishing the strength to kill her husband finds that strength only in an unhappy extension of herself. An imaginative man find truth only in hell, or is it heaven?  A woman without love becomes the Consort of a God. A logical man finds he cannot kill himself — for they are all dead already.
   The meaning of hell is twisted to suit each personality, resulting in a story that should be analyzed more deeply and thoroughly to reveal all its implications.  *****

JANE RICE “The Crest of the Wave.” (From Unknown Fantasy Fiction, June 1941.) A St. Louis gambler is tossed from a bridge, but his drowned body revenges his death. Extremely picturesque language adds to a rather average ghost story. (3)

ANTHONY BOUCHER – The Case of the Solid Key. Fergus O’Breen #3. Simon & Schuster, hardcover, 1943. Popular Library #59, paperback, 1945. Pyramid X-1733, paperback, 1968.

   A chance meeting in a Hollywood restaurant between Norman Harker, a would-be playwright fresh from Oklahoma, and Sarah Plunk, an actress of Carruthers Little Theater, involves them both in blackmail, attempted fraud, and murder.

   Fergus O’Breen is the detective, with Harker as his Watson and the assistance of Lieutenant Jackson of the LA police. Originally hired to investigate Carruthers, Fergus connects him an unsolved fifteen year old murder case and convinces an insurance company to allow him to investigate the death. “Probably the only case on record where a killer thanked the detective who spotted him.”

   The writer of the back cover blurb [of the Pyramid edition] obviously has not read the book. Lewis Jordan was not a blackmailer, did not die, and nobody wanted the killer not to be found. It was a locked room murder made to look like an accident, and everyone but Fergus would have accepted it.

   The [introductory description] inside the front cover is not much better – it gives away the first twist of the double-twist ending. Mr. Boucher should sue this publisher. The solid key is the key to the locked room, and not even Carr could have done it better. Occasionally the characters act strangely, but everything has its explanation. Quiet wit is unobtrusive and adds a great deal to the general Hollywood background.

   Amusing note: A description of the [totally fictional] pulp magazine Dread Stories is included.

Rating: ****½

ALGIS BUDRYS – The Iron Thorn. Serialized in If Science Fiction, January-April 1967, the latter issue of which was reviewed here. Published in book form as The Amsirs and the Iron Thorn (Gold Medal d1852, paperback original, 1967; cover art by Frank Frazetta).

   On a cold desert planet, later discovered to be Mars, two races live – men, and the Amsirs they hunt. Both colonies surround Thorn, metal towers which provide air and warmth within a small radius.

   Honor Jackson discovers that the Amsirs are intelligent, not vicious, and allows himself to be captured. In the Amsir settlement, he fins a spaceship and eventually the truth behind the experimental genetic colonization of Mars. Returning to Earth, he finds civilization has become sterile and the experiment forgotten.

   Three of the installments [in If SF] are exciting and well done, but the fourth is a distinct disappointment. Maybe Budrys has a point to make, but it doesn’t come through. Flat. Of characterization, the cybernetic spaceship and its robot doctor seemed the most real, and it was from the time of their destruction immediately upon bringing Jackson to Earth that the story faded fast.

   Jackson himself is sympathetically portrayed. Rugged and individualistic enough to escape Mars, but one wonders how he shall fare on the Earth of the future.

Rating: ****

ROCKET STORIES. July 1953. Vol. 1, No. 2. Edited by Wade Kaempfert [Lester del Rey]. Cover: Schomberg. Overall rating: 1½ stars.

ALGIS BUDRYS “Blood on My Jets.” Complete novel. Detached Operator Ash Holcomb of the SBI is hired to fly the first ship into hyperspace, but as old friend and his iwfe, known since Academy days, plot to steal it from him. Not much of a story, but it reads well enough. (2)

GEORGE O. SMITH “Home Is the Spaceman.” An experimental FTL ship is stopped by a policeman for speeding. (2)

MILTON LESSER “Picnic.” A husband, wife, and two brats stop on a living asteroid for a picnic. (0)

POUL ANDERSON “The Temple of Earth.” Novelette. Civilization on the Moon is headed downhill unless the priests and their knowledge of science can take over. Too much fighting. (2)

BEN SMITH “Sequel.” The paths of three former Academy students meet in space. (3)

CHARLES E. FRITCH “Breathe There a Man.” Rebellion on an Earth where the very air is taxed. The first plot twist really didn’t seem believable. (1)

IRVING COX, JR. “To the Sons of Tomorrow.” Novelette. The crew of a wrecked spaceship become the gods of a new Earth. Distortion of proper names didn’t help. (2)

WILLIAM SCARFF “Firegod.” A fair point to be made, but a basic flaw ruins story of a man playing god. [Pen name of Algis Budrys.] (1)

EDMUND COOPER – All Fools’ Day. Berkley X1469, US, paperback, 1967. Cover art by Hoot von Zitzewitz. Previously published in the UK by Hodder & Stoughton, hardcover, 1966, and in the US by Walker, hardcover, 1966.

   Beginning in 1971, solar radiation cause the world’s suicide rate to increase sharply. Ten years later, only the Transnormals are still alive – the creative, the fanatic, and the crazy [have] inherit[ed] the Earth. The book follows the life of Greville, a former advertising executive, in this new world as he searches for love, purpose, and direction.

   Perhaps written for a wider audience than the usual SF one, the story loses impact simply because of the overuse of its theme, particularly by [British] writers. Frustrating in its deliberate irrationality, the civilization of this savage world seems doomed, but Greville forms the basis of a new world from a group of anarchists.

   The sudden optimism of the ending comes as a relief from the previously established tone, but it is not altogether satisfying. One point of disagreement: mathematicians are among the first to die (page 17), symbolizing [the loss] of normality and supreme stability, but mathematicians can be as crazy as anyone.

Rating: ****½

GALAXY SF, April 1967. Editor: Frederik Pohl. Cover artist: [Douglas] Chaffee. Overall rating: ***½.

KEITH LAUMER “Thunderhead.” Novelette. A lieutenant of the Fleet Navy, who has manned his planetary post for twenty years, though it is clear that he has been forgotten, receives a message at last. In response, he climbs to the mountaintop beacon and sets a diversion for a fleeing enemy. Deliberately sentimental, the story is obvious from the beginning, but still succeeds. (4)

ROBIN SCOTT “Fair Test.” Aliens consider a segregated Earth. (2)

CHRISTOPHER ANVIL “The New Member.” Bangolia joins the UN and immediately becomes a pest to everyone. Humorous. (2)

JAMES McKIMMEY “The Young Priests of Adytum 199.” The childish survivors of the war do not tolerate deviation from their norm. (5)

HOWARD HAYDEN “The Purpose of Life.” Novella. Dr. West, in telepathic control of Mao III, precipitates a crisis that buries hem and fifty Esks 4000 feet below Peking. The Esks multiply furiously, threatening the food supply, and a tunnel to the surface must be dug. The discovery and fulfillment of the purpose of the Esks on Earth is rather anticlimactic. Immortal life after death requires the death of billions. Dr. West dies too. ***½

[Note: This was number seven of eight stories Hayden wrote about the Esks. These were indigenous Canadian Inuits transformed by an Alien presence into an apparently benign, fast-breeding new species called Esks. (From the online SF Encyclopedia.)]

PIERS ANTHONY “Within the Cloud.” Clouds have a sense of humor also. (3)

KRIS NEVILLE “Ballenger’s People.” Burt Ballenger operates as a nation, as a democracy. (3)

HARRY HARRISON “You Men of Violence.” A mutation of homo spaiens develops, one unable to kill. At least, actively. (3)

IF SCIENCE FICTION – January 1954. Editor: James L. Quinn. Cover art: Ken Fagg. Overall rating: **½ stars.

EVAN HUNTER “Malice in Wonderland.” Short novel. The world of the future is bizarrely (and accurately?) portrayed as the arena of conflict between the Vikes, or vicarious pleasure-seekers, and the Rees, or realists. Van Brant, agent of authors of pabacks and sensos, is caught in that conflict as the Ree reaction takes over. The ending comes a bit too fast, and the background seems a little shallow, but a very good effort. (4)

ALAN E. NOURSE “Letter of the Law.” A planet of logical liars comes up against the expected paradox. (1)

HARRY HARRISON “Navy Day.” The Navy, about to be abolished, fights back. (0)

JAMES E. GUNN “A Word for Freedom.” An analogy is made between narrowness of language and encroachments upon individual freedoms. (2)

RICHARD WILSON “Double Take.” A young man has difficulty separating reality from filmed fantasy. (2)

DAMON KNIGHT “Anachron.” A time-machine enables a man to steal treasures from the future but becomes too ambitious. (3)

MACK REYNOLDS “Off Course.” A collector for the Carthis zoo is mistaken for an envoy. (1)

JOHN JAKES – When the Star Kings Die. Dragonard #1. Ace G-656, paperback original, 1967. Cover by Jack Gaughan. Second printing, 1978.

   When Max Dragonard, ex-Regulator, is broken out of prison by his old commander, he is assigned to investigate the revolutionary organization called Heart Flag. The Lords of the Exchange, rulers of II Galaxy and previously immortal, are dying, and no one seems to know why. Dragonard is captured by the High Commander of the Regulators and betrays his friend.

   At the command of Lord Mishubi II, he is sentenced to die. Escape to the Heart Flag movement reveals to him the secret of immortality which has been kept from the ordinary people of the galaxy.

   Quite better than expected, the story improves as it continues. One can hardly help but think of the old Planet Stories tradition, but it would seem that there is more complexity and development in this novel than the usual stereotyped space-adventure.

   Dragonard’s own mental defect, correction of which was denied him, helps persuade him of the Lords’ treachery, a nice touch. The girl he loves is killed under bitter circumstances, but there is another who is waiting for his love. And Jeremy’s dream of life for all must be destroyed, but only temporarily, to free the galaxy from one man’s control.

Rating: ***½

         The Dragonard series –

1 When the Star Kings Die (1967)
2 The Planet Wizard (1969)
3 Tonight We Steal the Stars (1969)

ANALOG SCIENCE FICTION, April 1967. Editor: John W. Campbell. Cover art by John Schoenherr. Overall rating: **½ stars.

JAMES BLISH & NORMAN L. KNIGHT “To Love Another.” #4 in the authors’ “A Torrent of Faces” series. [The four stories were expanded and combined as A Torrent Of Faces (Doubleday, 1967).] Novelette. A love story between a human woman and tectogenetically created Triton. Too extreme in its contrasts from the depths of the Pacific to the overcrowded city of Philadelphia. The unexpected result that their marriage would produce keeps the story from a lower rating. (2)

MACK REYNOLDS “Enemy Within.” A small child locks himself in a flying saucer. (1)

JOSEPH P. MARTINO “To Change Their Ways.” Novelette. Wilm Kirsten, Sector Supervisor, has to help convince settlers to use new grains to prevent famines. Analogous to problem of India, but one easier to solve. (3)

HARRY HARRISON “The Time-Machines Saga.” Serial; part 2 of 3. [Reprinted in book form as The Technicolor® Time Machine (Doubleday, 1967).] Review of full novel to be posted later.

COLIN KAPP “Ambassador to Verdammt.” The inhabitants of Verdammt, totally alien to alien minds, can control their environment at will. Somewhat the effects of LSD? (4)

Note: Reprinted in World’s Best Science Fiction: 1968, edited by Terry Carr & Donald Wollheim (Ace, paperback, 1968).