S. A. DUNPHY – Lost Graves. Boyle & Keneally #2. Bookouture, paperback, January 2022. Setting: Contemporary Ireland.

First Sentence: A small boy stood in the clearing amid the oak and hazel trees and stared at the macabre object his dog had just excavated from the soil of the forest floor, gripping the animal’s collar to restrain it from tearing the severed human hand apart.

   Joe Keenan and his young son Finbar are Travellers who’ve made camp for the night at the edge of the Derrada Woods when Finbar comes across a corpse. Although Joe is arrested, the members of the National Bureau of Criminal Investigations; Jesse Boyle, criminal behaviorist, DS Seamus Keneally and historian and computer genius Terri Kehoe, who are called in to investigate under the command of Irish Police Commissioner Dawn Wilson, doesn’t believe Joe is guilty.

   More bodies are found, some dating back 20 years. Locals blame the deaths on a vampire, the Abhartach. Joe Keenan is hesitant about helping the investigation as he is on the run from a group of Travellers threatening to kill him.

   What an excellent opening. One is drawn immediately into the story and the characters. Even the chapter headings are evocative.

   Jessie Boyle, Seamus Keneally and Terri Kehoe make a great team. Jessie’s observations and analysis are interesting to follow, Seamus’ ability to eat constantly without ever getting a drop on himself, and Terri’s computer expertise bring the characters to life. One has become accustomed to investigative teams being able to find whatever information they want via computer. It is a nice change to have someone acknowledge the GIGO — Garbage In, Garbage Out — unreliability of data.

   In this second book of the series, once again the author  falls victim once again to over plotting.   (My review of the first, Bring Her Home, can be found here .) While the folklore is interesting, it somewhat overwhelms the story, as does the serial-killer trope. There is an attempt to introduce a sense of the paranormal with the idea of the Abhartach, a vampire-like creature, one never quite buys into it, and links to the seemingly omniscient character of Uruz from the earlier book.

   Dunphy excels at suspense. He creates a true spine-chilling creepiness that makes one catch their breath. However, he is guilty of overkill, he maintains a degree of logic to the plot. What was effective was the inclusion of case notes of a former detective. This added veracity to the story, as did information on the psychology of the Travelling people. They are a group on which there is rarely a focus. The epilogue is nicely done, while a major weakness is the use of completely unnecessary portents.

   Lost Graves is a good, fast, completely engrossing diversionary read. The thing that really holds it together is the principal characters. Dunphy falls into the category of a guilty pleasure read, and that’s not a bad thing. While this second book is a step forward, a much stronger editor is to be desired. Even so, the books are ripping reads, and the next is already in the queue.

Rating: Good plus.

JILL PATON WALSH – The Wyndham Case. Imogen Quy #1. Hodder & Stoughton, UK, hardcover, 1993; trade paperback, 2003. St. Martin’s, US, hardcover, 1993.

   Jill Paton Walsh, who died in 2020, was first best known as the author of a long list of children’s book. She rose to fame in “our” field for being chosen to complete one of Dorothy L. Sayers’ Lord Peter Wimsey novels, left unfinished at the time of her death (Thrones, Dominations, 1998), followed by three more Wimsey novels written on her own.

   Alongside these she wrote the four books in her Imogen Quy series, of which this is the first. Imogen is a young nurse at St. Agatha’s College, Cambridge University —  an interesting way to write detective mysteries involving college professors and deans in action, up close and personal, but yet from the outside, without having a major stake in the game.

   The “Wyndham Case” is actually (as a play on words) the spectacular shelving unit in a special, separately endowed scholarly library at St. Agatha’s, complete with arcane requirements for its care and financial upkeep . Found dead there one morning is a student who, because of his meager means, is suspected by many of being there for nefarious reasons. Thievery,

   A close male friend of Imogen is a police officer, which is always a good way to get a layperson involved in a murder case. Imogen is, in fact, invited by him to do just that when the students in the dead boy’s life stonewall the police.

   Walsh has to have been a good choice to continue to Peter Wimsey series. Her prose is clear, precise, witty, and just fusty enough to qualify. (I haven’t read any of them.) Imogen Quy (rhymes with “why”) is quiet but both perky and intelligent enough to be able spend a lot of enjoyable time with – perhaps too much so, as the fully absorbed reader (me) can easily find him- or herself so caught up in her personal life as to let the clues in the case slip  on by Me again).

   Do not lose yourself in the game, therefore,  and miss sight of the goal. Read and remember all the details as the case goes on. They will all be there (mostly).

   I enjoyed this one.
   

       The Imogen Quy series —

The Wyndham Case (1993)
A Piece of Justice (1995)
Debts of Dishonour (2006)
The Bad Quarto (2007)

ANDRE NORTON – Year of the Unicorn. Witch World series. Ace F-357, paperback original, 1965. Cover and interior art by Jack Gaughan. Reprinted many times. Collected in The Gates to Witch World (Tor, hardcover, 2001).

   Gillan’s story begins in an abbey, where she has spent the last eight years. She is of unknown origin, having been captured from the Hounds of Alizon by a lord of High Halleck as he fought to free his homeland. Her past is of importance, however, for she has the ability of true-sight, to see the thing behind the thing.

   As she tells her story, of her marriage to a Were-Rider as part of the Great Bargain, of the evil magic which produces two Gillans, and of her desperate struggle to reach the false one before she fades to the world of her dreams, this ability grows more controllable and both aids her and brings about the troubles she faces.

   Evidently she has blood of the witches of Estcarp, stories of whom have been previously told but not read; still, this book stands well enough on its own. This is an interesting world, where magic can be performed by some and swordsmanship is a necessary art. But, as fantasy, there is too much a feeling that the author has too much power at her command, especially at the end as Gillan and Herrel fight for their lives.

   The book begins slowly, difficult reading, but as the story becomes clearer so does interest rise. Then long chapters drag on without dialogue as she struggles her way alone to the land of the Were-Riders. On the other hand, many scenes are quite effective, and the quality of the archaic, picturesque language Norton uses adds a great deal to the tale.

Rating: ****

FREDERICK C. DAVIS – The Deadly Miss Ashley. Schyler Cole & Luke Speare #1. Doubleday/Crime Club, hardcover, 1950. Pocket #804, paperback, 1951.

   I read and collect Davis’s books mostly because he was an extremely prolific writer for the detective pulp magazines, but if you were to pin me down I couldn’t tell you anything significant that he wrote for them. Maybe the Operator #5 pulp-hero stories?

   Here the detective Agency is Scyler Cole’s, but the switch os that he plays Watson to his own legman, Luke Speare, who appears to have all the brains and energy. The problem is to discover which of the many women inn the case is the accomplice awaiting an embezzler’s return from prison, the loot still hidden.

   The deductions get tedious and self-contradictory, the plot contrived and essentially unreal, but the clues are fair and the killer is deadly. The case hinges to large extent on an undecipherable method of shorthand, invented and taught by a lady in Baltimore – a touch of insanity indeed.

Rating: C

      The Schyler Cole & Luke Speare series —

The Deadly Miss Ashley. Doubleday 1950.
Lilies in Her Garden Grew. Doubleday 1951.
Tread Lightly, Angel. Doubleday 1952.
Drag the Dark. Doubleday 1953.
Another Morgue Heard From. Doubleday 1954.
Night Drop. Doubleday 1955