DAY KEENE – Dead Man’s Tide. Stark House Crime Classic, softcover, January 2021. Three-in-one volume with The Dangling Carrot and The Big Kiss-Off. First published as by Williams Richards (Graphic #60, paperback original, 1953). Expanded and revised from “Wait for the Dead Man’s Tide,” by Day Keene, published in the August 1949 issue of Dime Mystery Magazine. Also published as It’s a Sin to Kill, as by Day Keene (Avon T-814, paperback, 1958).

   After a short prologue consisting of following a woman’s nude body as it floats along with the tide in the Gulf of Mexico off the Florida coast, Dead Man’s Tide starts with a bang and never lets up until 120 pages later (in the soon-to-be-released Stark House edition). It opens for real with Charlie Ames, a fishing excursion boat captain waking up alone in a strange bed, on another boat with a woman’s clothing scattered about, a liquor bottle rolling back and forth on the floor, and $5000 in his pants pocket.

   Whose boat, whose clothes, and most importantly, whose $5000? And where is she? No one knows, including the police, who most definitely do not believe Charlie’s story of having a cup of coffee with a prospective client on his own boat, but everything going black and he not knowing what happened until he woke up the following morning.

   What’s worse is that he doesn’t think that his wife Mary Lou, a singer and hostess at a local night club, believes his story, either. That’s what pains him the worst. But when the woman’s nude body is finally found (see above), it’s the local police force who he finally realizes really is his greater concern.

   Fellow blogger Cullen Gallagher, who wrote the introduction to the Stark House Press edition, calls this a “man on the run” novel, a trademark theme of author Day Keene, and it’s a good one. There are lots of twists and turns in store for Charlie Ames in this one. Every time he thinks he’s reached a point of safety, fate extends him another finger. Eventually, in a final move of sheer desperation, he decides to take his destiny into his own hands, until at last comes the biggest twist of them all.

   Highly recommended.

THE CARIBBEAN MYSTERY. 20th Century Fox, 1945. James Dunn, Sheila Ryan, Linda Lane, Reed Hadley, Roy Roberts, Edward Ryan. Screenplay by Jack Andrews, Leonard Praskin, W. Scott Darling & Nicholas Ray (dialogue; not credited), based on Murder in Trinidad by John W. Vandercook. Directed by Robert Webb. Currently available on YouTube here.

   This was the third film adaptation (*) of famed newscaster John W. Vandercook’s first novel featuring his Cockney sleuth Bertram Lynch who previously appeared in Murder in Trinidad with Nigel Bruce in the role, as a Mr. Moto entry, Mr. Moto on Danger Island, and finally here with James Dunn (A Tree Grows in Brooklyn) as Brooklyn born ex-cop turned private eye Mr. Smith.

   Vandercook, who penned four adventures of Lynch between 1934 and 1959, had a solid formula mixing classic detection, adventure, exotic locales, and his unprepossessing Cockney detective Lynch, who seemed neither too bright or particularly tough, but who was in fact all of those things and more. It didn’t hurt Vandrcook had a lively writing style and a way with a plot.

   The plot is simple enough. Two scientists have disappeared in the jungle on a Caribbean island and the police are no where near finding them or why they disappeared. Enter Smith, a private detective who seems like nothing more than a Flatbush Flatfoot, but who is smart, tough, and hard to kill.

   The local police are not impressed, and indeed suspect, especially the head of the police whose daughter, Linda Lane, is enamored of young Edward Ryan.

   When Sheila Ryan’s character is murdered at the hotel where Smith is staying after suggesting she has something to tell him, it becomes obvious that whatever happened to the missing men is tied to someone in the city too, so Smith has to play his cards close to his vest, only taking Edward Ryan into his confidence when Lane and her father disappear into the jungle as well.

   Moving into the swamp’s inland, Smith uncovers a slave camp run by Roy Roberts where the girl and her father are held hostage and the two dead scientists are buried. After Roberts plans the same fate for Smith and his helper Smith manages to escape, turn the tables on Roberts, and take him prisoner.

   But Roberts is shot before he can reveal who the man back in the city is behind the whole business — did the girl’s father really have to shoot him or was he silencing him? — and Smith’s only chance is to lay a trap for the killer.

   As low budget mysteries go, the stronger than usual story-line and a decent cast help this one, though it has nothing on the first version (rightfully praised in William K. Everson’s The Detective in Film) or the Peter Lorre Mr. Moto outing.

   Dunn’s mugging is less annoying than in some films (at his best he was a fine character actor, but he did rely on the Irishness a bit heavily in some parts), and his Smith is a decent take on Lynch. Given a decent cast, better than average script and story, and decent mystery this one deserves a look.

   It’s worth a look, but if you have to make the call, stick with the Nigel Bruce or Peter Lorre version.

(*) I wouldn’t be the least surprised to discover there had been another adaptation of this on television or elsewhere, IMDb doesn’t seem to recognize there were two previous versions of the same book though, so there is not easy way to tell.

THE SUSPICIONS OF MR. WHICHER: THE MURDER AT ROAD HILL HOUSE. 90+ minutes. ITV, UK, 25 April 2011. Paddy Considine (Detective Jack Whicher), Tom Georgeson (Superintendent Foley), Peter Capaldi (Samuel Kent), Alexandra Roach (Constance Kent) and many others. Based on the real-life Constance Kent murder case of 1860, as interpreted by Kate Summerscale in her 2008 book The Suspicions of Mr Whicher or The Murder at Road Hill House. Director: James Hawes. Currently streaming on Amazon Prime Video.

   This historical based crime film takes place in 1860, and Inspector Jack Whicher is sent from Scotland Yard to give assistance to the local police in finding the killer of a young boy whose body is found in the privy of a large manor house. His presence is resented by the superintendent previously in charge of the case, claiming as an outsider does not know the people in the area as well as he does.

   Whicher is supremely confident, however, and is sure that a proper investigation is bound to bring out the truth. His hubris takes a severe beating, though, when after a long series of questioning and logical deductions comes to a complete halt when he cannot produce the evidence he needs to convict the person he is convinced is the killer.

   Need be he returns to London in disgrace, his career in shambles. (I am giving very little away. This is shown in the prologue to the story in the first five minutes.) I don’t know how closely the teleplay sticks to the actual story, but whether or not, it’s a fascinating one. I did not know any of the players, but between the direction, photography and the actors, the 90 minutes plus running time went by very quickly.

   The remaining three episodes in the series are purely fictional as they follow Mr. Whicher’s career as a private enquiry agent:

      The Mr. Whicher series –

1. The Suspicions of Mr. Whicher: The Murder at Road Hill House
2. The Suspicions of Mr Whicher: The Murder In Angel Lane
3. The Suspicions of Mr Whicher: Beyond the Pale
4. The Suspicions of Mr Whicher: The Ties That Bind

RANDALL GARRETT – Too Many Magicians. Lord Darcy #4 (first novel appearance), Serialized in Analog SF, August-November, 1966. Doubleday, hardcover, 1967. Curtis, paperback, 1969; Ace, paperback, 1979. Collected in Lord Darcy (Baen, softcover, 2002). Hugo finalist, 1967, Best Novel.

   A mystery novel which takes place in the alternative-history world where magic has developed rather than science, Two locked-room murders are committed in connection with secret plans for a new magical weapon, thus involving national security.

   One of the murders takes place at a Magicians’ Convention, making the number of possible suspects very large indeed. However, detection is made even more difficult by the fact that magic was not used; still, psychic talent was necessary to the extent that the murder would have been impossible in our world.

   The story is well done and consistent within, but does not always keep the reader’s attention well-fixed, since there is the continual uneasy feeling that the author may come up with an explanation for everything from nowhere. Garrett does play fair with the reader, though, and it is possible to at least guess who the killer may be.

   One of the characters, the Marquis of London, bears more than a striking resemblance to Nero Wolfe, and the connection is made obvious when one realized that name of his Chief Investigator is Lord Bontriomphe. Also (p.116, November issue) there is a version of the most famous Holmesian piece if dialogue between Darcy and his assistant, forensic sorcerer Sean O’Lochlainn.

   More such references may be present; these are the most obvious.

Rating: 3 stars.

AGATHA CHRISTIE – A Caribbean Mystery. Miss Marple #9. Collins Crime Club, UK, hardcover, 1964. Dodd Mead, US, hardcover, 1965. Pocket Book #50449, US, paperback, 1966. Reprinted many times in both hardcover and paperback. TV adaptations: (1) A Caribbean Mystery, US, TV movie, 1983 with Helen Hayes as Miss Marple. (2) Agatha Christie’s Miss Marple. BBC (Series 1, Episode 10), 1989 starring Joan Hickson as Miss Marple. (3) Agatha Christie’s Marple, BBC (Series 6, Episode 1) with Julia McKenzie as Miss Marple.

   The appeal of Christie’s Miss Jane Marple books is their deceptive simplicity. They are quiet, full of thought and conversation. which is seldom interrupted by action. Miss Marple, elderly maiden lady of the village of St. Mary’s Mead, is considered an “old dear” or “old pussy” by the other characters. But in her many years of village life she has observed character, and pondered over the failings of her fellow villagers. “So many interesting human problems-giving rise to endless pleasurable speculation.” St. Mary’s Mead is a microcosm of the larger world outside; and her years of watching events there have honed Miss Marple’s perceptive faculties to a fine point.

   This novel proves Miss Marple to be as acute while on holiday in the Caribbean as on her own turf. The manager of the Golden Palm Hotel where she is staying resembles a headwaiter from St. Mary’s Mead; another guest reminds her of a village barmaid; yet another is like Lady Caroline Wolfe, a local who committed suicide. Thus Miss Marple is able to relate the principles she has evolved in her native village to these new acquaintances.

   In this tropical setting, Major Palgrave (you can cell by his name he’s not long for this world) chatters to Miss Marple, retelling his repertoire of tedious tales, including one of a man who killed two wives and escaped. “Do you want to see the picture of a murderer’?” he asks.

   But as he is extracting it from his wallet, he sees someone over Miss Marple’s shoulder, turns purple, stuffs the picture back in his wallet – and is dead before the day is over. Only Miss Marple suspects murder. Far from St. Mary’s Mead, unaided by her usual friends, but armed with the discovery of similarities to her own villagers and their own – albeit simpler – intrigues, Miss Marple must unearth the truth.

   Miss Marple sees her fellow characters as stereotypes – which indeed they are. Christie is as up front about that as she is in laying her clues, reminding her readers they are there, and daring them to outguess her which, after all, is the fun of a Christie novel.

———
Reprinted with permission from 1001 Midnights, edited by Bill Pronzini & Marcia Muller and published by The Battered Silicon Dispatch Box, 2007.   Copyright © 1986, 2007 by the Pronzini-Muller Family Trust

SHELDON SIEGEL – The Dreamer. Mike Daley/Rosie Fernandez #11. Sheldon M. Siegel, Inc., hardcover/softcover, March 2020. Setting: Contemporary San Francisco.

First Sentence: The Honorable Elizabeth McDaniel glanced at her watch, rested her chin in her palm, and spoke to me in a world-weary tone still bearing a trace of her native Alabama.

   Mercedes “Mercy” Tejada is a Dreamer who was brought to the United States as a baby. Now she’s accused of murdering her boss, celebrity chef and James Beard Award recipient, Carlos Cruz. Carlos was known for sexually harassing his female staff, particularly Mercy. Now, he is dead in an alley, Mercy kneeling over him, and her prints on the knife next to him. San Francisco Public Defenders Rosie and Mike are against the clock to prove Mercy innocent, and to keep her, and her family, from being deported.

   Siegel begins with an amusing vignette that pleases and establishes Mike Daley as a sharp, clever, and well-established lawyer. The way in which we meet the others in Mike’s life, especially his ex-wife and boss, Rosie Fernandez, is handled succinctly, but with clarity.

   A murder case is always the perfect base for a legal mystery. Add the element of a Dreamer with an undocumented mother, and the level of suspense immediately escalates. The decision of Rose to be the lead attorney, with Mike as second chair, makes one smile.

   Siegel excels at throwing back the cover on the legal system. He shows just how unjust justice can be, especially if one is a woman, a person of color, and undocumented. Siegel takes on the issue of undocumented workers. What is nice is that the story addresses the issue from a moral perspective, rather than a political one.

   Reading about a city one knows well always adds a personal touch. However, even when it is a city unknown to the reader, some things have become sadly universal in urban areas— “A homeless man asked me for change. A man in a Warriors jersey offered me a fentanyl. A woman in a halter top asked me if I was looking for a date.”

   There is an excellent twist and good questions raised during the investigation. One doesn’t normally think of the initial, information-gathering phase of a case as being suspenseful. Under Siegel’s deft hand, it is.

   It may be a classic trope, but it is always interesting to have a victim everyone wants to kill. But watching Rosie and Mike prepare a case with no other suspects, and no witnesses, based on a defense of SODDI (“some other dude did it”), and with the prosecution not meeting the burden of proof beyond a reasonable doubt makes things all the more engrossing.

   The Dreamer has a major plot twist and a very satisfying affirmation at the end. Siegel is an under-appreciated author who writes excellent legal procedurals.

Rating: Very Good.

ANALOG SCIENCE FICTION, November 1966. Overall rating: 2 stars.

MURRAY LEINSTER “Quarantine World.” Short novel [50 pages]. Calhoun of the Med Service. There is no possible reason for the length of this story, except payment by the word. Why can’t a reader to be expected to remember that plot as it has occurred without requiring a summary every two or three pages? Why must characters be shocked at the disclosure of political perfidy once on page 41 and identically again on page 42? (1½)

Comment: Collected in S.O.S. from Three Worlds (Ace, paperback, 1967), The Med Series (Ace, paperback, 1983), Quarantine World (Carroll & Graf, paperback, 1992), Med Ship (Baen, paperback, 2002). Leinster’s “Med Service” series was one of his most popular.

CHRISTOPHER ANVIL “Facts to Fit the Theory.” [Federation of Humanity.] A series of communications between commanders of Terran force trying to save colonists of Cyrene IV from invaders. Psychic powers of colonists make outside assistance unnecessary, but of course that can’t be included in reports to superiors. (2)

Comment: Collected in Interstellar Patrol II: The Federation of Humanity (Baen, hardcover, 2005; paperback, 2007). Baen has published several collections of Anvil’s work, real name Harry Christopher Crosby. A large percentage of the stories he wrote over the years fall into this same overall series.

STEWART ROBB “Letter from a Higher Circle.” Ingenious debunking of American history by a future historian. (4)

Comment: According to ISFDb, Robb’s only other work of speculative fiction was “The Doom of Germany According to the Prophecy of St. Odile,” a chapbook published in 1940.

RANDALL GARRETT “Two Many Magicians.” Serial, part 4 of 4. See separate report, to be posted soon.

LONE STAR. “Pilot.” Fox, 20 September 2010 (Season 1, Episode 1). James Wolk as Robert “Bob” Allen, a Texas con man married to Cat, the daughter of one of his marks in Houston, while simultaneously maintaining a relationship with Lindsay in Midland, Texas. He is in love with both women and begins to wish for a normal life; Adrianne Palicki as Cat Thatcher, Clint’s daughter; Eloise Mumford as Lindsay, Robert Allen’s unsuspecting girlfriend in Midland; David Keith as John Allen, Robert Allen’s father, who raised his son to be a con man; Jon Voight as Clint Thatcher, a Texas oil tycoon and father of Cat and her two brothers. Written by Kyle Killen. Director: Marc Webb. Currently available on YouTube here.

   Thanks again to Wikipedia for the scorecard of players and their roles, somewhat condensed. If you were one of people who watched this show back in 2010, you are one of a very few, relatively speaking. An estimated 4.06 million watched this first episode, and only 3.2 the following week. Six episodes were filmed but only two were actually aired.

   This sort of TV drama with just a tinge of crooked activity at heart isn’t my usual watching fare, but I enjoyed this. The players are all personable, especially James Wolk (Mad Men, Zoo), the leading man, and that always helps. You can easily believe him as a smooth-talking con man who can separate investors in Texas-based oil wells from their life savings as slick and easily as an eel in a fresh water pond. You can also easily believe him as a man with both a wife and a girl friend, neither of which knows anything about the other. And when offered a chance at a honest life, and he tells his father he’s going to take it, you can easily believe that too.

   I don’t know why this didn’t catch on. It was heavily promoted ahead of time, but obviously no one paid any attention. Perhaps the shows it was on opposite had something to do with that. I’d surely like to know where the story was going to go from here, but I’ve resigned myself to the fact that the chances I ever will are very, very slim, if not outright none.

MAN MADE MONSTER. Universal, 1940. Lon Chaney Jr, Lionel Atwill, Anne Nagel, Frank Albertson, Samuel S. Hinds, and Corky. Screenplay by Harry Essex, Sid Schwartz, Len Golos and George Waggner – who also directed. Currently available on YouTube here.

   The distillation of all earlier “Mad Scientist” movies and the template for those that followed.

   Lon Chaney Jr, in his first horror film, stars as “Dynamo” Dan, a circus performer whose act enabled him to survive a crash into an electric line pole that killed five others. Recruited by kindly old Electro-Biologist Hinds, he quickly falls into the clutches of Hind’s assistant, the redoubtable Lionel Atwill, who is convinced he can create a race of mindless, obedient Supermen—if only he can find the right subject.

   Bwaa-(as they say)-ha-haaah!

   No surprises here, but a bit of actual pathos as Lon becomes increasingly dependent on Atwill’s “treatments” and ends up a super-charged (and somewhat preposterous) zombie. He kills kindly old Hinds at Atwill’s bidding… and is sent to the Electric Chair, with rousing results.

   All this is much less awful than it sounds, thanks to a fast-moving script, Waggner’s brisk direction, and some moody lighting by Elwood “Woody” Bredell, who went on to define the look of film noir with classics like Phantom Lady, The Killers, and The Unsuspected.

   And credit must also be given to “Corky” an incredibly expressive little dog, who went on to Criss-Cross, The Danny Thomas Show, and Mexican Spitfire Sees a Ghost.

REED STEPHENS – The Man Who Killed His Brother. Mick Axbrewder #1. Ballantine, paperback original, 1980. Forge, hardcover, 2002; Tor, paperback, 2003, the latter as by Stephen R. Donaldson.

   Introducing a new private eye, Mick “Brew” Axbrewder, a non-licensed alcoholic who scrapes out a living doing legwork for Ginny Fistoulari, owner and operator of Fistoulari Investigations. The reasons for the title and for his unusual non-employed state of drunken stupor are one and the same – five years ago he accidentally shot and killed his brother, a cop named Rick.

   Since he tells his own story, there is a distinct note of whininess that permeates the opening introductions. His brother’s thirteen-year-old daughter has mysteriously disappeared, however, and when he discovers it and the action picks up, he seems for a while to feel less sorry for himself.

   Together, he and Ginny discover there has been an epidemic of missing young girls, although the police department has quietly kept a lid on the news. Axbrewder’s presence on the case promises to change all that, not to everyone’s delight.

   While in general the characters are shallow and predictable, the events that follow are tough and gritty. When Axbrewder is not engulfed in self-pity, he functions with rough-hewn directness and urgency. He’s not a great thinker, though. Maybe it’s the effect of being forced to sober up so quickly, but it takes a long while before he puts the clues he finds together.

   Will he be a new series character? He could be, but a sequel of any sort at all would have to be built on a new motivation. If not, there is no way possible it could have some of the impact built into this one. It is as if all of Stephens’ eggs were in but one basket.

      Rating: B

A LATER NOTE: I’ve since been informed that the author is also Stephen R. Donaldson, a new writer who has done a trilogy of well-regarded fantasy novels reprinted by this same publisher.

      The Brewster & Fistoulari series —

1. The Man Who Killed His Brother (1980)
2. The Man Who Risked His Partner (1984)
3. The Man Who Tried to Get Away (1990)
4. The Man Who Fought Alone (2001)