Tue 12 Aug 2014
by Walker Martin
I’m just back from PulpFest in Columbus, Ohio. Out of the six annual conventions which began in 2009, this one was the best. They seem to be improving each year and I’m compelled to file my convention report right away even though I’m exhausted from lack of sleep and the 10 hour ride.
Once again, four of us rented a van because we needed a bigger vehicle to carry all our books, pulps, and artwork. Coming back, we were worried about fitting everything in and a couple big boxes had to be mailed back by UPS. One of these days we might have to take a vote and leave one of our group of biblio maniacs behind due to lack of space!
Why do I consider this one to be the best of the six PulpFests? I never thought I would be praising the evening programming instead of just talking about the dealer’s room but this year set a standard for programming that will be hard to break in the future. During the three evenings we had over a dozen panels, tributes, and discussions:
Laurie Powers lecture at Ohio State about her grandfather Paul Powers
Frank Robinson Tribute
Nathan Madison and Ed Hulse discussing FAMOUS FANTASTIC MYSTERIES, one of the great pulps.
The Avenger’s Diamond Jubilee
FarmerCon panel on Philip Jose Farmer
And that was just Thursday night. Friday we enjoyed:
1939: Science Fiction’s Boom Year
STARTLING STORIES: An overview(Another great pulp)
Philip Jose Farmer’s Early Science Fiction
Pulp Premiums and Promotions by Chris Kalb
Eighty Years of Terror: The Weird Menace Pulps
1939: The Golden Year of ASTOUNDING STORIES
And then Saturday evening we had the auction plus:
UNKNOWN: The Best in Fantasy Fiction
John Newton Howitt: a discussion about the artist by David Saunders
Each night ended with a four chapter Buck Rogers serial.
I’ve spent some time listing the above in detail because the former Pulpcon conventions of 1972-2008 never really had such a great number of interesting and valuable programming. I attended almost all the conventions and each Pulpcon had evening events like the Guest of Honor speech, the banquet, an auction, a radio play, and at the most, a couple of panels.
But this year’s PulpFest had over a dozen programs on the schedule, including much needed discussions of such interesting and influential magazines as FAMOUS FANTASTIC MYSTERIES, STARTLING STORIES, TERROR TALES, ASTOUNDING, and UNKNOWN.
We need even more such panels and tributes because they are the real reason that we continue to meet at these conventions. We read these great pulps because they are filled with excellent fiction; we collect them because they are beautiful artifacts and we are obsessed by them; we talk and discuss and argue about them because they are important subjects in magazine history and popular culture.
I’ve spent my adult life reading, collecting, and discussing these magazines. When I think back over my life, I don’t think of myself as someone who worked as a supervisor and manager in business. No, I was, and I still am, a book, magazine and art collector who arises each day thinking of such subjects as listed above. We should all be proud to be called readers and collectors, especially in this busy modern world where we are constantly bombarded with electronic distractions.
Another great thing about this convention involved the awarding of the Munsey Award to Randy Cox, who has written several books about the pulps and dime novels plus being the editor of THE DIME NOVEL ROUND UP for around 20 years. He has long deserved this award and recognition.
Another pulp enthusiast and worker won the Rusty Hevelin award for service. Congratulations Barry Traylor, a long time committee member of both Pulpcon and PulpFest.
It’s always enjoyable seeing and speaking to such interesting collectors. I also was glad to speak with Mike Nevins, who showed me a proof copy of an upcoming book, and Gordon Huber, who is the only collector to attend every Pulpcon and PulpFest since the beginning in 1972. I was also glad to see Tom Krabacher who was wearing a great UNKNOWN T-shirt one day and an ADVENTURE related shirt the next. I asked if he could make me copies of these shirts and he agreed to try. I’ll be glad to add them to my collection of shirts I wear celebrating various pulp magazines.
In addition to this being the best PulpFest, issue number 23 of THE PULPSTER was the best of the Pulpcon and PulpFest convention magazines. The front cover shows a great Edd Cartier cover from UNKNOWN. Mike Chomko has a long article on the SF pulps, Don Hutchison discusses the weird menace magazines, Garyn Roberts talks about Ray Bradbury’s fanzine and other articles cover Argentine SF, horror pulps, Hannes Bok, Fritz Leiber, and Frank Robinson. Editor William Lampkin deserves our thanks for this excellent issue.
The auction was the best PulpFest auction also. For the first time all items had to have minimum bid of $20 and this kept out most of the trivial and less interesting items. A nice variety of magazines were auctioned but the most interesting items were several lots from the estate of an author by the name of Everil Worrell, who appeared in several issues of WEIRD TALES during the twenties, thirties, forties, and fifties. In addition to manuscripts there were several letters from editor Dorothy McIlwraith discussing such interesting subjects as WEIRD TALES art, problems with payments, and the changeover to the smaller digest format.
As usual I had a table in the dealer’s room and I sold several cancelled checks paying for stories in ADVENTURE MAGAZINE. I also sold DVDs, pulp related books, and magazines. But my main interest was in buying pulps and I found one of my major wants, the July 7, 1917 issue of ALL STORY. Not that it has much of interest but I’m close to completing my set of ALL STORY and now only need 3 issues of the over 400 published during 1905-1920. Frankly, when I started collecting the magazine decades ago, I never thought I’d come so close to completion simply because so many issues contain Edgar Rice Burroughs. A great magazine full of so many early science fiction classics.
Since the 1960′s, I’ve had all the ASTOUNDING back issues but I noticed a run of the years when John Campbell worked for the magazine in 1937-1943. 72 issues, most in fine condition, which is better than my set. Naturally I had to buy it and I now have two sets of the individual issues plus a bound set. You can never have too many sets of your favorite magazines! You know it’s true love when you buy duplicate sets, which I’ve done with such titles as ASTOUNDING, PLANET STORIES, UNKNOWN, and FAMOUS FANTASTIC MYSTERIES. My wife says it’s hoarding but we all know it’s collecting.
There were over 100 tables in a large room and attendance was between 450 and 500. This also makes it not only the best Pulpcon/PulpFest, but also the largest. The committee has already booked the Hyatt for 2015 and 2016, so we are set for the next two years. Speaking of the committee, I must thank them by name. Jack Cullers and his army of family volunteers, Mike Chomko, Barry Traylor, Ed Hulse, and Chuck Welch. Thank you fellow readers and collectors, for all your work done on this convention. I hope we all can continue to attend many more PulpFests!