Fri 13 Jan 2017
MORRIS HERSHMAN “Pressure.” First published in Manhunt, February 1958, as by Arnold English. Reprinted under his own name in Tales for a Rainy Night, edited by David Alexander (Holt Rinehart & Winston, hardcover; 1961; Crest d557, paperback, 1962).
Sometimes all that a compelling crime story requires is a scenario, a mere vignette in which two characters face off in primarily one location. This works best in “short and taut” stories, those that focus on a single character’s dilemma and are of a length of no more than 2,000 words or so.
Such is the case in Morris Hershman’s “Pressure,” a tense, albeit not overly memorable, tale about a gangster’s final confrontation with the police. Hershman conjures up the character of Dapper Phil Rand, an aging gangster from the Prohibition Era who has managed to survive well into the late 1950s. Rand’s gone to jail before and isn’t particularly afraid of going back. The one thing he simply won’t do is rat on the Syndicate.
Enter “Coffee,” a cop who is willing to offer Rand a deal of a lifetime: protection and relocation to South America if he’s willing to name names. But Rand’s not willing to do that, so Coffee decides he is going to have to play hardball and apply some pressure, albeit not the physical kind. Rather, he tells the press that Rand’s singing like a canary, that Rand is spilling the beans on the Syndicate. Then he lets Rand out of the police station.
What happens next tells us a lot about Dapper Phil Rand. Will he return to Coffee and catch a plane to South America or will he find a way to convince the Syndicate that it was all a ploy? What happens next is a portrait of a greying gangster under pressure.