GERALDINE BONNER – The Castlecourt Diamond Case. Funk & Wagnalls, hardcover, 1906. (“Published, December, 1905.”) First appeared in Ainslee’s Magazine, November 1905. Currently available in several different Print On Demand editions. Online edition: https://archive.org/details/castlecourtdiamond00bonnrich

   This is the second version of this review, In the first, employing suitable modesty, I credited myself with the discovery of Geraldine Bonner, an entertaining but (or so I thought) entirely forgotten writer. Having stated that Bonner is unknown, I then belatedly checked my facts … and I found that five years ago Kathi Maio praised another book by Bonner, The Black Eagle Mystery (1916), in Murderess Ink.

   Such are the perils of research.

   Ms. Maio says that Black Eagle is “a charming mystery” — a phrase that also describes Castlecourt Diamond. The story of the theft of the Marchioness of Castlecourt’s diamonds is told in six “statements.” The first, by the Marchioness’ maid, describes the theft, introduces the main characters, and mentions the two detectives, one official, one private.

   The second section is narrated by “Lilly Bingham, known in England as Laura Brice, in the United States as Frances Latimer, to the police of both countries as Laura the Lady.” It’s not much of a surprise that Laura stole the diamonds, though whether she was acting for someone else is not yet clear.

   On the whole, however, the mystery is primarily a vehicle for Bonner to produce a comedy of manners, and the interest in the second part is Laura’s successful attempt to plant the diamonds on an unsuspecting American couple, Cassius and Daisy Kennedy. The Kennedys have been courting London society (they already know “a bishop and two lords”) and thus can’t throw out Laura and her henchman when, pretending an invitation, they arrive for dinner.

   Two parts of the story are statements by the Kennedys, detailing their schemes to rid themselves of the diamonds and culminating in the theft of the jewels by a seeming sneak-thief. John Burns Gilsey, a private detective engaged by Lord Castlecourt, narrates a section that explains his deductions pointing to the Marchioness as the instigator of the plot, but the book concludes with a statement by the Marchioness showing that Gilsey was only partly correct.

   The Castlecourt Diamond Case is indeed charming, and it is made even more so by its brevity — with large type and margins it contains less than 30,000 words, a far cry from many Victorian and Edwardian detective novels, as anyone who has labored through, say, Lawrence Lynch’s novels with their 550 godawful pages will testify.

   I can’t claim to be the discoverer of Geraldine Bonner, but I’m happy to join Kathi Maio in recommending her works.

BIBLIOGRAPHY:   [Taken from the Revised Crime Fiction IV, by Allen J. Hubin]

       GERALDINE BONNER (1870-1930). Born in Staten Island, N.Y.

The Castlecourt Diamond Case (n.) Funk 1906.
The Girl at Central (n.) Appleton 1915 [Molly Morganthau (Babbits)]
The Black Eagle Mystery (n.) Appleton 1916 [Molly Morganthau (Babbits).]
Miss Maitland, Private Secretary (n.) Appleton 1919 [Molly Morganthau (Babbits)]
The Leading Lady (n.) Bobbs 1926.
-Taken at the Flood (n.) Bobbs 1927.

KAY CLEAVER STRAHAN – Death Traps. Doubleday Crime Club, hardcover, 1930. Reprint hardcover: Grosset & Dunlap, no date (shown).

   There are several mysteries about the shooting of Gilbert Dexter in San Francisco. Would his brother, Bob, have shot him? Would Bob have managed only to wound him at point-blank range? Were the French windows open or locked? Why were there two revolvers in the room? Further and deeper puzzlement develops when the next-door neighbors are found dead in their locked room with no sign of foul play and no explanation of their deaths.

   Since the head of the Dexter family is a retired judge, the authorities investigate the shooting in a gingerly manner, and, so it would seem, there is not much involvement by the police in the locked-room case. Fortunately, Bezaleel Lucky, millionaire former grocer and husband of one of Judge Dexter’s daughters, takes it upon himself to investigate in amusing fashion with his proverbs, his constant interruptions, and his complaint that all anyone, but not him, wants to do is talk.

   Sometime I will have to take another look at Strahan’s Footpnnts, which I vaguely remember as being one of those dreary psychological novels in which turning pages is a chore. Maybe I missed something.

Editorial Comment:  According to Hubin’s Crime Fiction IV, the detective of record in Death Traps, as he was in all seven of Kay Cleaver Strahan’s mysteries, was a fellow named Lynn MacDonald, whom Bill Deeck did not mention. If anyone reading this is familiar with the book, where does MacDonald fit in, and what kind of name is Bezaleel Lucky?

      The Lynn MacDonald series —

The Desert Moon Mystery (n.) Doubleday 1928.
Footprints (n.) Doubleday 1929.
Death Traps (n.) Doubleday 1930.
The Meriwether Mystery (n.) Doubleday 1932.
October House (n.) Doubleday 1932.
The Hobgoblin Murder (n.) Bobbs 1934.
The Desert Lake Mystery (n.) Bobbs 1936.

WILLIAM EDWARD HAYES – Black Chronicle. Doubleday Crime Club, hardcover, 1938.

   This, the third novel featuring private detective Arthur Halstead, begins with a remarkable coincidence. Into Halstead’s office comes a goon to employ Halstead to dig up dirt or invent some on Neil Allison. After the plug-ugly leaves, Allison himself arrives to hire Halstead to investigate two attempts on his life. It seems he is involved in, as Halstead puts it, the eternal triangle with a little reverse English on it.” Halstead declines to do anything.

   On the Eastern Shore of Maryland, however, the reverse-English part gets murdered by a cunning killer who, in the hope of disguising his crime, arranges to have the victim’s car run into by a train. Good planning, one would think, but there was no train scheduled for that time. Still, one does show up, sort of machina ex machinus, if I’ve gotten my Latin right. I will spare you the car that at one moment has snow chains on its tires and the next moment is ” roiling smoothly” down the road.

   Perhaps Halstead was delineated well in his previous investigations. Here he is a few idiosyncrasies in a semi-fair-play and rather dull novel.

BIBLIOGRAPHY:   All with PI Arthur Halstead.

      The Black Doll. Doubleday, 1936.   Film: Universal, 1938
      Before the Cock Crowed. Doubleday, 1937.
      Black Chronicle. Doubleday, 1938.

   Says Al Hubin of the author in Crime Fiction IV: Born in Muncie, Indiana (1897-1965?); had numerous jobs with railroad lines, then reporter and drama critic for New York Evening Journal; editor of Railroad Magazine; later executive with Rock Island Lines.

   When I drew up my rcent list of the “Twelve Best Essays on Crime Fiction,” I restricted it to literary essays. This is clear from the fact that almost all the essayists on that list have also written crime stories. I am now complementing that with a list of essays by academics.

   What characterises an academic essay? The knowledge presented, the content of the message, is more important than the formal beauty of the writing. It is not so much a matter of the essay providing reading pleasure, as of it stating the truth by putting forward a differentiated and critical analysis of crime fiction texts.

   The theses have to be defended by means of stringent arguments and text references. The sources of the knowledge should be referred to, preferably in the form of precise data in footnotes. The author of the essay must be familiar with scholarly methods. As a rule, he or she will already have recognised status in the academic field, for example, as a university professor. An important academic essay will be cited and discussed in academic writings and act as a stimulus for other essays on the topic, etc.

   In the following list I have only essays that appeared in print. For this reason an essay like “The Amateur Detective Just Won’t Do: Raymond Chandler and British Detective Fiction” published by Curtis Evans in his blog, The Passing Tramp, cannot be included. Online essays would require a list of their own.

   Now to the announced list, presented alphabetically by author:

Alewyn, Richard: “The Origin of the Detective Novel” in The Poetics of Murder, ed. by Glenn W. Most and William W. Stowe, Harcourt Brace Jovanovich, 1983.

   Alewyn puts forward the provocative thesis that the detective story had its roots not in the rationalist 19th century but in Romanticism and Gothic novels that revere the mystical and irrational.

Barzun, Jacques / Taylor, Wendell Hertig: Introductory in A Catalogue of Crime, Harper & Row, revised and enlarge edition 1989.

   In their introductory essay the authors make a knowledgeable and trenchant case for the refined literary art of detection in the tradition of the classical whodunit.

Deleuze, Gilles: “The Philosophy of Crime Novels” in Desert Islands and Other Texts 1953-1974, Semiotext(e) Foreign Agent Series 2004.

   In this essay the famous French philosopher deals mainly with the difference between the traditional detective story and the crime novels of the legendary série noire, and at the same time makes interesting reading recommendations, such as James Gunn’s Deadlier Than the Male.

Eco, Umberto: “Narrative Structures in Fleming” in The Poetics of Murder, ed. by Glenn W. Most and William W. Stowe, Harcourt Brace Jovanovich, 1983.

   Eco came from scholarship to novel writing, including The Name of the Rose. Many of his essays are widely read and very well known, like this one about the James Bond stories.

Jameson, Fredric: “On Raymond Chandler” in The Poetics of Murder, ed. by Glenn W. Most and William W. Stowe, Harcourt Brace Jovanovich, 1983.

   Jameson, a literary expert above all on postmodern cultural phenomena, is also a considerable Chandler connoisseur. A more recent essay on Chandler is contained in the essay collection Shades of Noir, ed. by Joan Copjec, Verso 1993: “The Synoptic Chandler.”

Knight, Stephen: “The Golden Age” in The Cambridge Companion to Crime Fiction, ed. by Martin Priestman, Cambridge University Press 2003.

   Knight, who is renowned for his history of Crime Fiction, 1800-2000: Detection, Death, Diversity (2003), provides a balanced and in part critical survey of the golden age of whodunit fiction.

Lacan, Jacques: Seminar on “The Purloined Letter” in The Poetics of Murder, ed. by Glenn W. Most and William W. Stowe, Harcourt Brace Jovanovich, 1983.

   The typical detective-story reader will probably be disappointed by the essay or even hate it, as he or she may get the impression that Lacan projects his concept of psychoanalysis on Poe’s story, thus monopolising it for his own purposes. Nevertheless, Lacan’s essay is one of the most frequently cited and discussed essays on Poe’s detective story; a separate volume is devoted to it: The Purloined Poe, ed. by John P. Muller and William J. Richardson, Johns Hopkins University Press 1988.

Marcus, Steven: Introduction, in Dashiell Hammett: The Continental Op, Picador 1984.

   This essay is surely the most influential ever written on Hammett. The Columbia University professor shows that academic scholarship and literary form can go hand in hand.

Reddy, Mauren T.: “Women detectives” in The Cambridge Companion to Crime Fiction, ed. by Martin Priestman, Cambridge University Press 2003.

   The essay offers a critical survey of the most important women detective writers, from Ann Radcliffe’s precursor figure Emily, to Kathy Reichs’ Dr. Tempe Brennan.

Sebeok, Thomas A. / Seboek-Umiker, Jean: “You Know My Method: A Juxtaposition of Charles S. Peirce and Sherlock Holmes” in The Sign of Three: Dupin, Holmes, Peirce, ed. by Umberto Eco / Thomas A. Sebeok, Indiana University Press 1983.

   The surprising result of this comparison between the investigative methods of Peirce and Holmes is their great similarity.

Shklovsky, Viktor: “Sherlock Holmes and the Mystery Story” in Theory of Prose, Dalkey Archive Press 1991.

   Shklovsky is an outstanding representative of the Russian formalist school, which had a considerable influence on modern literary studies. His collection of essays dated 1925 contains the above-mentioned essay on Conan Doyle’s Sherlock Homes stories, which can only described as “ground-breaking.”.

Sturak, Thomas: “Horace McCoy’s Objective Lyricism” in Tough Guy Writers of the Thirties, ed. by David Madden, Southern Illinois University Press, 3rd printing 1977.

   A meticulous analysis, based on Sturak’s dissertation, of the specific literary achievement of an underestimated author.

   Some readers may find this list is missing academics who have rendered great service to the study of crime literature, like Francis M. Nevins, Lee Horsley, Robert Polito, Sally R. Munt, Dennis Porter, Kathleen Gregory Klein, Martin Priestman, Jochen Vogt and many more.

   For anyone looking to access the wide-ranging field of the academic essay on crime literature, I would suggest the highly representative essay collection The Poetics of Murder, which is also recommended by the British Queen of Crime, P.D. James in her book on crime fiction.

                  — Translated by Pauline Cumbers.

LYNTON LAMB – Death of a Dissenter. Gollancz, UK, hardcover, 1969. No US edition.

   Old Silas Finch doesn’t like the church bells ringing in the English village of Fleury Feverel, or anything or anyone else for that matter. He defiles the cricket field, threatens his neighbors, lets the air out of bicycle tires, and is accused of molesting a quite molestable young woman. So it is nothing of a surprise that he ends up dead, but quite astonishing that he dies in the church ringing chamber, where someone has apparently bashed him in the head with a bench.

   As the evidence accumulates, Detective Chief Superintendent Quill and Detective Inspector Bruce are somewhat dumbfounded to find that the facts point in only one direction: toward the rector of the parish, Frank Fenwick, an inveterate truth teller who says he didn’t do it.

   Fortunately for a U.S. reader, the cricketing is brief since, at least to me, it was quite incomprehensible. Also a problem is the local dialect, which is almost as impenetrable as the cricket and there’s more of it. To make up for that there is a great deal of humor, some fine writing, a solid investigation, information on campanology, and an unusual solution, which I guess is possible. All in all, a nearly first-class first novel, particularly if you understand cricket and the local dialect.

   By the way, could there really be such a thing as a Surveyor of Ecclesiastical Dilapidations?

         The Supt. Quill & Insp. Charles Glover series —

Death of a Dissenter. Gollancz 1969.
Worse Than Death. Gollancz 1971.
Picture Frame. Gollancz 1972.
Man in a Mist. Gollancz 1974.

PETER HUNT – Murders at Scandal House. D. Appleton-Century, hardcover, 1933; Dell #42, paperback, mapback edition, no date [1944].

   In this, the first novel featuring Alan Miller, chief of police of Totten Ferry, Conn., when he isn’t doing his various other jobs, Miller is on a vacation he feels he doesn’t need and is definitely not enjoying the Adirondacks. Who could blame him if his description of the mosquitos, flies, and gnats is accurate?

   In fact, the mosquitoes are the first murder weapon in the novel. Miller and a game warden check out some overactive buzzards and find a man tied to a tree, drained of blood and filled with poison by the mosquitoes. This is a first in my reading of mysteries, and I hope it’s a last. I can’t think of many less pleasant ways to die.

   The dead man was a chauffeur at the Balmoral Camp, inhabited by Lydia Whyte-Burrell, relict of the unlamented Edgar Burrell, infamous for his evil ways and his various by-blows, some of Burrell’s relatives, various hangers-on, and servants.

   Though not a genuine detective, Miller is asked to investigate since the police are focusing on the more obvious but unlikely suspects. When asked how he is going to operate, Miller replies:

   In a review of the second novel by Hunt, Murder for Breakfast, in another publication, I said that Miller, though out of his depth professionally — remember, he is only a part-time policeman — is nonetheless an intelligent man with a sense of humor. That is still true here in a not-strictly-fair-play novel.

   For those who may be interested, Hunt was a combination of George Worthing Yates and Charles Hunt Marshall.

NOTE:   The third and final book in the Alan Miller series was Murder Among the Nudists (Vanguard, 1934). (If the title sounds just a little intriguing, too bad. A quick check on the Internet showed that currently there are no copies up for sale.)

JEAN LILLY – Death Thumbs a Ride. Dutton, hardcover, 1940. Black Cat Detective Series #6, digest-sized paperback, 1943.

    “Two murders would probably have gone unsuspected during the last year if Eunice Hale had not eaten a chicken croquette of questionable virtue.” The two murders were the death of a woman, of apparently natural causes, at a tourist camp in the Adirondacks and the presumed hit-and-run death of a senator’s gardener in the same area.

   Even with the aid of the chicken croquette they would have remained unsuspected except for the interest of vacationing district attorney Bruce Perkins, who is asked to investigate a jewel theft but prefers to find the alleged hit-and-run driver and begins to doubt the naturalness of the woman’s death.

    While the opening sentence is a good one, the rest of the prose does not get any better than slightly above pedestrian and the characters are essentially lifeless. Lilly somewhat makes up for this with her primary setting, unusual in mysteries, I believe: a lower-middle-class tourist camp. (Could there be such a thing as an upper-class tourist camp?)

    Lilly also provides a, for the most part, fair-play mystery. For the most part, I say, since I could find no explanation, and I certainly couldn’t figure out how the gardener died, or even if it was murder. Maybe the Black Cat publication was abridged and the publisher neglected to mention it.

Bibliographic Notes:   Death Thumbs a Ride was the last of three recorded cases for DA Bruce Perkins, and the last of four crime novels written by Jean Lilly:

LILLY, JEAN (McCoy), 1886-1961. Born in Milford, Michigan; died in Wallingford, Pennsylvania.

       The Seven Sisters (n.) Dutton 1928 [Connecticut]
       False Face (n.) Dutton 1929 [Bruce Perkins; Academia]
       Death in B-Minor (n.) Dutton 1934 [Bruce Perkins; Long Island, NY]
       Death Thumbs a Ride (n.) Dutton 1940 [Bruce Perkins; New York]

    Thanks to Allen J. Hubin and Crime Fiction IV for the above information. Also note that the contemporaneous Kirkus review suggests that there are no loose ends, at least in the hardcover edition.

Asimov, Isaac: Mystery Tune (also: Death Song), in: Show Business Is Murder, edited by Isaac Asimov, Martin Harry Greenberg, Carol-Lynn Waugh, N. Y. 1983
Music: a simple melody. Crime: murder of a piano player.

Brown, Fredric: Murder Set to Music, in: The SAINT Mystery Library # 3, edited by Leslie Charteris, N. Y. 1959 (originally published as “Murder to Music,” in: The Saint Detective Magazine, January 1957)
Music: jazz standards. Crime: murder of an ex-jazz musician.

Chandler, Raymond: The King in Yellow, in: The Simple Art of Murder, Boston 1950; (originally published in Dime Detective Magazine, March 1938)
Music: jam session of “hot music.” Crime: revenge killing of a star trumpet player.

Christie, Agatha: Swan Song, in: The Listerdale Mystery, London 1934; reprinted in: Thomas Godfrey (ed.): Murder at the Opera, London 1989.
Music: opera La Tosca by Puccini. Crime: murder of a baritone.

Cody, Liza: Walking Blues, in: John Harvey (ed.): Blue Lightning, London 1998.
Music: rock music. Crime: overdose of a rockstar.

Deaver, Jeffrey: Nocturne, in: John Harvey (ed.): Blue Lightning, London 1998.
Music: Mozart; Smokey Robinson. Crime: robbery of a Stradivarius.

Gorman, Ed: False Idols, in: Ed Gorman (ed.): The Second Black Lizard Anthology of Crime Fiction, Berkeley 1988.
Music: rock’n’roll, especially Elvis Presley. Crime: murder of an old, nearly forgotten rock’n’roll singer.

Gruber, Frank: Words and Music, in Black Mask 22, No. 12 (March 1940); reprinted in: Frank Gruber: Brass Knuckles, Los Angeles 1966.
Music: a romantic hit-tune. Crime: poisoning of a song-writer.

Harvey, John: Cool Blues, in: John Harvey (ed.): Blue Lightning, London 1998.
Music: jazz, especially Duke Ellington. Crime: a series of thefts against women.

Hoch, Edward D.: The Spy Who Went to the Opera, in: Thomas Godfrey (ed.): Murder at the Opera, London 1989.
Music: opera La Gioconda by Ponchielli. Crime: espionage, attempt with a bomb.

Howard, Clark: Horn Man, in: Ed Gorman (ed.): The Black Lizard Anthology of Crime Fiction, Berkeley 1987.
Music: Traditional Jazz in New Orleans. Crime: murder of two lovers.

Irish, William (C. Woolrich): The Dancing Detective, in: The Dancing Detective, Philadelphia 1946 (originally published as “Dime a Dance,” in: Black Mask 20, No. 12 (February 1938)).
Music: jazz standards in a dance mill. Crime: a taxi dancer is strangled to death.

Leonard, Elmore: When the Women Come Out to Dance, in: The Best American Noir of the Century, ed. by James Ellroy & Otto Penzler, Boston, N. Y. 2010 (originally published in: Elmore Leonard: When the Women Come Out to Dance, London 2002).
Music: dance music for strippers, for example Bad Company. Crime: murder of a rich husband.

Mertz, Stephen: Death Blues, in: Ed Gorman (ed.): The Second Black Lizard Anthology of Crime Fiction, Berkeley 1988.
Music: Rhythm&Blues. Crime: attempted murder against a blues veteran.

Moseley, Walter: Blue Lightning, in: John Harvey (ed.): Blue Lightning, London 1998.
Music: blues, played with a trumpet. Crime: shooting of a woman.

Paretsky, Sara: Grace Notes, in: Windy City Blues, N. Y. 1995.
Music: sheet-music by Mozart. Crime: burglary.

Rankin, Ian: Glimmer, in John Harvey (ed.): Blue Lightning, London 1998.
Music: rock music of The Rolling Stones. Crime: killing of a concert-goer.

Reeves, Robert: Danse Macabre, in: Black Mask 23, No. 12 (April 1941); reprinted in: Otto Penzler (ed.): Pulp Fiction The Dames, London 2008.
Music: Swing, torch-songs. Crime: murder of a dance hostess.

Stout, Rex: The Gun with Wings, in: Curtains for Three, N. Y. 1951; reprinted in: Thomas Godfrey (ed.): Murder at the Opera, London 1989.
Music: operas. Crime: killing of a tenor with a revolver.

Underwood, Michael: Death at the Opera, in: Hilary Watson (ed.): Winter’s Crimes, London 1980; reprinted in: Show Business Is Murder, edited by Isaac Asimov, Martin Harry Greenberg, Carol-Lynn Waugh, N. Y. 1983.
Music: operas by Richard Wagner. Crime: murder of a opera-goer.

NOTE: Earlier on this blog: MUSIC AND CRIME: 50 NOVELS, by Josef Hoffmann.

ALINA ADAMS – Murder On Ice. Berkley, paperback original; 1st printing, Nov 2003.

   What sport is more open to corruption (in terms of the judging) than figure ice skating? In terms of inside information, there is no one more likely to know than Alina Adams, also known in the real world as figure-skating expert Alina Sivorinovsky.

   Here’s a quote from page 3:

   Television sports network 24/7 is there to cover the action, and working for 24/7 as a figure-skating researcher is Rebecca “Bex” Levy, in whose lap falls the task of determining whether Silvana Potenza’s death was an accident, or if the fact that she voted with the Eastern European countries against the skater from the U.S. had something to do with it.

   Her investigation is something the skating federation would rather keep under wraps. From page 38, where she is talking to Gil Cahill, her executive producer:

   Politically correct, not. Adams also has a light touch that you could either find very amusing or wince at very easily. From page 114, as Bex’s investigation is starting to gain some headway:

   I’m inclined to go with the former — amusing, that is — until the thought struck me, around page 168, that first time authors really should not write nearly 300 page novels the first time they author a book.

   Humor is a tough commodity to maintain, in other words, and maybe I ought to be careful myself. The process of solving this case is also a matter of detection by gradual elimination, until there’s only one possibility left, and then Adams keeps you wondering because there is still plenty of book left when this crucial point in time occurs.

   Overall, though, this is a better-than-average debut, and I recommend it, leaving open only the question, if this is to be a series (which it is), how many murder investigations in the rather insular world of figure-skating can there be?

       The Figure Skating Mystery series —

1. Murder On Ice (2003)
2. On Thin Ice (2004)

3. Axel of Evil (2006)
4. Death Drop (2006)
5. Skate Crime (2007)

[UPDATE] 12-16-12.  So the answer is five, which is more than I would have guessed at the time I wrote this review, and all in all, a pretty good run. For more on the author, including her other, non-mystery work, check out her website here.

G. V. GALWEY – The Lift and the Drop. Bodley Head, UK, hardcover, 1948. Penguin Books, UK, paperback reprint, 1951.

   Since his theory of how to catch a murderer is examining the past of the victim, Chief Inspector “Daddy” Bourne has a real dilemma here. For there were six people in the lift at Pleydell House, home of The Voice and other publications, when it plummeted out of control from the sixth floor to the basement. If any of them were meant to die, which one was it? Or was it an act of mindless terrorism, since no murderer could be certain whom he or she might kill?

   A bit too much emphasis on the technical aspects of the murder, a lot too much on the seafaring aspects — I got quite lost as soon as water was approached — a nebulous political scheme, and a murderer with more hubris than I could accept are the weak points here. The strong points are the characters of Bourne and Sergeant Griffiths and their investigation. Well worth reading, and a nimbler mind than mine might find my objections not significant.

       The Inspector “Daddy” Bourne series —

Murder on Leave. Lane, 1946.
The Lift and the Drop. Bodley Head, 1948.
Full Fathom Five. Hodder, 1951.

NOTE: These were G. V. Galwey’s only works of mystery fiction. To find out more information about him, check out the Golden Age of Detection wiki here.