T. T. FLYNN “Barred Doors.” Short novel. Mike Harris & Trixie Meehan #7. First appeared in Detective Fiction Weekly, May 18, 1935. Probably never reprinted.

   I may be wrong, but whenever female private eyes have come up for discussion on this blog, especially those who primarily appeared in the pulp magazines, the name Trixie Meehan has never been mentioned. It’s true that she always played second fiddle to Mike Harris, her fellow operative for the Blaine Agency, but she’s her own woman with her own cases, and the fact that every so often she’s able to give Harris a helping hand is no reflection on her ability.

   In “Barred Doors” Harris is given the job of tracking down the secretary who seems to have disappeared with a half million dollars worth of unregistered Liberty bonds taken from the safe of the agency’s client, Sir Douglas Carter MacClain.

   Naturally there is a gangster involved and the gangster’s ex girl friend, who has lately been seen gong out on the town with the missing secretary. There is a kidnapping involved, and a strange form of blackmail, or so it is revealed, but with both Mike Harris and Trixie Meehan on the case, everything eventually works out justice finally prevails.

   The story is suitably complicated and well told, but to me, there’s just not enough zip to it to make it more than just a step above average, but above average it most certainly is. There doesn’t seem to be anything of a romantic nature between Mike and Trixie, just a lot of light bickering and back-and-forth banter, nothing more serious than that.

   Having sold off a large number of my DFW collection, I may not get a chance to read another of their adventures, but I’d like to. There were sixteen of them between 1933 and 1951, all but the last published in Detective Fiction Weekly. That final one appeared in Detective Tales, some ten years after the previous one. (It is possible that this last one is a reprint of an earlier story under a new title.)

FRANK GRUBER “The Sad Serbian.” Short story. Sam Cragg #1. First published in Black Mask, March 1939. Reprinted as “1000-to-1 for Your Money,” Ellery Queen’s Mystery Magazine, March 1950. Also reprinted in The Black Lizard Big Book of Pulps, edited by Otto Penzler (Vintage Crime, softcover, November 2007).

   I’d say that a skip-tracer definitely falls into the same category as a private eye, wouldn’t you? This was Sam Cragg’s only solo adventure. The very next year found him teamed up with Johnny Fletcher in The French Key (Farrar, hardcover, 1940) in the first of 14 novels they appeared in together.

   To tell to you the truth, though, I’m not at all sure the Sam Cragg in this story is the same Sam Cragg who teamed up with Johnny Fletcher in all those books. In this one he tells the story himself, and he’s both observant and articulate, while the Sam Cragg in the Fletcher books is little more than a second banana or even a musclebound stooge, if you will. Fletcher is the brains of the pair, Cragg is the brawn.

   And here’s another “to tell you the truth.” While always having an old pupwriter’s gift for words, Frank Gruber’s choice of stories to tell and I are often not entirely on the same wavelength, and “The Sad Serbian” is no exception. It has something to to with a Serbian prince and a scam of some kind he’s pulling on Chicago’s Serbian community, somehow in conjunction (or competition) with a giant 300-pound Amazon of a woman.

   The story’s both too complicated and worse, uninteresting, to me at least, a deadly combination in a story if ever there was one. One saving grace, though, is the interplay between Cragg and Betty, the secretary of the outfit he works for. There should have been more of it. Maybe in a followup story of Sam on his own there would have been.

[ADDED LATER.]   My review of The Limping Goose (Rinehart, hardcover,1954), including a list of all 14 Johnny Fletcher and Sam Cragg books can be found here.

  LESTER del REY, Editor – Best Science Fiction Stories of the Year: Second Annual Edition. E. P. Dutton, hardcover. 1973. Ace, paperback, December 1975.

   #11. PHYLLIS MACLELLAN “Thus Love Betrays Us.” Short story. First published in The Magazine of Fantasy & Science Fiction, September 1972. Reprinted in The Best from Fantasy and Science Fiction: 20th Series, edited by Edward L. Ferman (Doubleday, hardcover, 1973).

   I have been remiss. It’s been over a month since I reviewed the previous story in this anthology. At this rate, when I’m done, an event that is still four stories off, neither you not I (and especially I) will have any way to look back and put the book into any kind of overall perspective.

   But I can say this now. I admire Lester del Rey’s willingness to pick stories by authors who were not very well known then and even more so now. Phyllis Maclellan’s SF writing résumé consists of seven short stories and one novel, Turned Loose on Irdra (Doubleday, hardcover, 1970), which seems to escaped the notice of almost everyone.

   But even so, “Thus Love Betrays Us” is a good one, and is well worth being chosen for this Best of the Year anthology. When biologist Alex Barthold is dropped off by an exploratory ship on the planet Deirdre to learn what he can about it as a one man expedition, what he does not know is that the ship will never return. Until superiors realize that something has gone wrong, he will be as alone as he can be.

   This on a planet on which there is no day or night, only an ever present gloom on a place in which the only plant life is various forms of moss. He sends reports out, but replies never come back. He’s all alone on a world that seems to close in on him more and more every day.

   Until, that is, he comes across a strange truly alien being whose life he happens to save. They become friends, he thinks, but aliens are aliens, and friendship may or may not be friendship in the sense that Barthold assumes to be reciprocal. This, in the end, is the point of the story, most literately told. No Planet Stories tale, this.

          —

Previously from the del Rey anthology: C. N. GLOECKNER “Miscount.”

 MARTIN H. GREENBERG, Editor – Deadly Doings. Ivy, paperback original; 1st printing, 1989.

#7. HELEN NIELSEN “Woman Missing.” Novelette. First published in Alfred Hitchcock’s Mystery Magazine, May 1960. First collected in Woman Missing and Other Stories (Ace, paperback original, 1961).

   I have a confession to make. This is the first work of fiction by Helen Nielsen I have ever read. This in spite of some eighteen novels, some of which were reprinted in Black Lizard’s series of classic noir fiction in the 1980s, one story collection, dozens of stories for the digest mystery magazines of the 50s and 60s, including Manhunt, and a number of teleplays, including ones for both Perry Mason and Alfred Hitchcock Presents.

   The title of “Woman Missing” tells you exactly what the story is about. The wife of a man working the night shift is picked up by a strange man late in the evening, gets into a cab with him, and disappears. Her body is found only later, after much of the investigation by the police has already taken place.

   While it’s not clear at first that this is what it is, what this story eventually becomes is a straightforward police procedural. It’s very well written, but in a strictly non-emotional, non-sensational fashion. There are clues for deductions to be made from, but a lot of what’s accomplished is done by good old-fashioned police work. A routine kind of mystery, solved by dogged persistence, nothing more — but nothing less, either.

       —

Previously in this Martin Greenberg anthology: ERIC AMBLER “The Case of the Emerald Sky.”

CARTER DICKSON “Persons or Things Unknown.” Short story. First published in The Sketch, UK, Christmas 1938. Collected in The Department of Queer Complaints (Morrow, US, hardcover, 1940). Reprinted in Line-Up, edited by John Rhode (Dodd Mead, US, hardcover, 1940) as by J. Dickson Carr, and probably several other places as well.

   With only one possible flaw as far as I could see, and that one exceedingly non-major, this is one small gem of a story, especially if you’re as big a fan of locked room mysteries as I am. It’s a standalone story with none of Carr/Dickson’s favorite detective characters: Fell, March or Merrivale.

   The story is told instead by the owner of an old drafty manor house in England during a party he’s holding at Christmas time. It seems that there is a story attached to one of the rooms located upstairs, one dating back to the 1600s and the days of the Restoration. As recorded in an old diary and the coroner’s report at the time, it seems that one of two rivals for the hand of the then owner of the house was found stabbed to death in that room, while the other two were there with no other entry possible.

   But the lights had gone out before the fatal attack and no sign of the murder weapon could be found, no matter how hard they looked. It is obvious, so to speak, who the killer was, but without murder weapon to be found, he was never convicted.

   All the clues are there, and in plain sight — with a story from John Dickson Carr, you can count on that — and more than that, one suggestion from the current listeners to the story is made and immediately discounted. I’ve always thought using an icicle to kill someone without a trace would be a good basis for a short story (and it’s probably been done), but it was a warm day for Christmas, and there was a huge shortage of icicles to be used. Furthermore icicles are too fragile to be used very effectively as a weapon, especially many times over.

   As I said earlier, this is a small gem of a tale. My only wish is that it Carr hadn’t needed to tell it as a story within a story, a device I’m never all that crazy about, but that’s a small quibble about a story that’s as good as his one is.

  LOU SAHADI, Editor – An Argosy Special: Science Fiction. One-shot reprint magazine. Popular Publications, 1977.

#4. JOHN W. JAKES “Half Past Fear.” Short story. First appeared in Super Science Stories, August 1951. Otherwise never reprinted.

   Before John Jakes hit it rich with his Kent Family Chronicles, he was generally regarded as an all-around hack, and rightly so. He wrote a couple dozen sci-fi novels, maybe a dozen more mystery and spy novels, of which his PI Johnny Havoc books may be the best remembered today, and even a half dozen “Man from UNCLE” stories for the magazine of the same name in the mid-60s.

   Of his fantasy and science fiction, his Brak the Barbarian pastiches of Robert E. Howard’s Conan tales are collectable now; the rest are safely forgotten. And the same can be said of “Half Past Fear,” his third to be published short story. In it a family of three takes in a strange traveler as a boarder, only to discover that he came from the past and that he is being pursued.

   Time travel tales are almost always fun to read — they make up one of my favorite subgenres in all SF — but this one is clunky and confusing, with one of the lead characters, unable to explain how things turn out, simply shrugs and calls upon the unexplainable “paradoxes of time travel” to bail out both the author and the story, and not at all succeding.

   One might be forgiven in thinking that this story was chosen for Jakes’ name only, to help sell the magazine, but if you take a look at the image at the upper left, you’ll see that none of the authors are mentioned, only the titles of the stories. A strange marketing device, indeed.

       —

Previously from this Lou Sahadi anthology: LEIGH BRACKETT “Child of the Green Light.”

 MARTIN H. GREENBERG, Editor – Deadly Doings. Ivy, paperback original; 1st printing, 1989.

#6. ERIC AMBLER “The Case of the Emerald Sky.” Short story. Dr. Jan Czissar #2. First published in The Sketch, 10 July 1940. Reprinted in Ellery Queen’s Mystery Magazine, March 1945. Collected in The Waiting for Orders (Mysterious Press, hardcover, 1993; published in the UK as The Story So Far (Weidenfeld, hardcover, 1993) with one story addded).

   When Asst. Commissioner Mercer receives the following card, he at first refuses to see the man waiting in his outer office:

   Now in England, and apparently having plenty of time on his hands, Dr. Czissar has interfered with one of Scotland Yard’s investigations on one previous occasion. That Dr. Czissar was right and Scotland Yard was wrong did not go over well with Asst. Commissioner Mercer, and only a phone call from a superior convinces the letter to let the former in.

   There is no action whatsoever in this short concise tale. The two gentlemen discuss the death of a mean man by arsenic poisoning, and at length, after going through all of the various forms of arsenic and how they affect the human body, Dr. Czissar prevails. Scotland Yard was wrong again! Deservedly so. They did a very inadequate job of investigating.

   And sad to say, this is not a story I can recommend. It’s lifeless and worse than that, it depends far too greatly on esoteric medical knowledge that no amateur armchair detective in the world could be expected to know. I wish I could be more positive, but I can’t.

       —

Previously in this Martin Greenberg anthology: WILLIAM CAMPBELL GAULT “Never Marry Murder.”

        The Dr. Jan Czissar series —

The Case of the Pinchbeck Locket. The Sketch, July 3 1940
The Case of the Emerald Sky. The Sketch, July 10 1940
The Case of the Cycling Chauffeur. The Sketch, July 17 1940; also as “A Bird in the Tree”.
The Case of the Overheated Service Flat. The Sketch, July 24 1940; also as “Case of the Overheated Flat”.
The Case of the Drunken Socrates. The Sketch, Julu 31 1940; also as “Case of the Landlady’s Brother”.
The Case of the Gentleman Poet. The Sketch, August 7 1940

  WYNDHAM MARTYN “The Shadow’s Shadow.” Novelette. Bentley Mayne & Captain Dashwood #1. First appeared in Flynn’s Weekly, 14 May 1927. Probably never reprinted.

   Wyndham Martyn was the pen name that author William Henry Martin Hosken (1874-1963) seems to have used more often than several others. While he produced dozens of short stories for the pulps and other fiction magazines in the teens and 20s, Martyn may be more well known, if at all, for his long series of hardcover thrillers published in the UK featuring a master criminal named Anthony Trent, whose specialty was solving mysteries the police are having trouble with.

   Other than three serialized novels for Flynn’s, Trent appeared in only one pulp magazine story. The private eye in “The Shadow’s Shadow” is a young fellow named Bentley Mayne, who has obtained a fine reputation for cleverness and success for the cases he’s worked on.

   Enter steel magnate John Dawbarn, who has been trying to convince someone in Washington that his new method of processing steel is something our country’s government ought to have. Fearing that the secret may fall instead into enemy hands, Dawbarn calls on Mayne, who is happy to take the case.

   But instead of working on it himself, he assigns an associate named Captain Dashwood to act as Dawbarn’s bodyguard. Dashwood is (um) a dashing Englishman in dapper dress and a monocle, and fits in well with Dawbarn’s society-minded wife’s life style.

   After the secret plans is a master criminal known only as The Shadow (no relation to the fellow who came along later). The problem is, no one knows what he looks like. He could be anyone. Now Dashwood is competent enough, but his eye is as much on Dawbarn’s daughter Betty as on ferreting out who The Shadow might be or where he may strike next, but happily to say, both halves of the story work out well.

   [PLOT ALERT] There is a strange twist in the tale that I ordinarily wouldn’t bring up, but since it may not be easy for yous to obtain the copy of Flynn’s the story is in, I have decided to tell you about it anyway. It seems that Mayne and Dashwood are one and the same. I haven’t decided what purpose the hoax is for — he doesn’t even tell Dawbarn what’s going on — but personally I think Dawbarn is something of a dolt to not to have recognized Mayne’s alter ego almost immediately.

   But now that the impersonation has been revealed, it might explain why this was Bentley Mayne’s first and last appearance. That and the fact that at story’s end, he and Betty seem to be on their way to settling down in fine matrimonial fashion.

  DONALD WOLLHEIM, Editor, with Arthur W. Saha – The 1989 Annual World’s Best SF. Daw #783, paperback original; 1st printing, June 1989. Cover art by Jim Burns.

#9. B. W. CLOUGH “Ain’t Nothin’ But a Hound Dog.” Short story. First appeared in Rod Serling’s The Twilight Zone Magazine, June 1988.

   This was Brenda Clough’s first published short story, after four novels, and it’s a good one. Most of her work has been fantasy, but even though it’s told in the style of an rural fantasy, this one’s definitely science fiction.

   It’s about the owner of a comic book store — one who also carries other popular culture memorabilia, as most owners of comic book stores have to do in order to survive — and he’s realizes that he’s found a pot of gold when he begins to get repeat orders, many times over, for the aforementioned memorabilia.

   Not comic books, but X-Men bumper stickers, fuzzy dice, lawn trolls, iron-on decals of Disney characters, commemorative liquor bottles, Deely-Bobbers, and anything at all associated with Elvis, including plush floppy-eared dogs that you could wind up to play … you guessed it.

   Thinking that his new patron– who pays only in cash, brand new twenty-dollar bills — must be a reclusive millionaire, and having never met a reclusive millionaire before — makes the trek out to the wildest part of West Virginia mountain country to pay him a visit.

   What he finds there is the crux of the story, and obviously I dare not tell you. I think I’d react differently than does the teller of this story, but on the other hand, maybe just maybe he’s on to something.

       —

Previously from the Wollheim anthology: FREDERIK POHL “Waiting for the Olympians.”

  LOU SAHADI, Editor – An Argosy Special: Science Fiction. One-shot reprint magazine. Popular Publications, 1977.

#3. LEIGH BRACKETT “Child of the Green Light.” Short story. First published in Super Science Stories<, February 1942; reprinted in the April 1951 issue. Reprinted in Classic Science Fiction: The First Golden Age, edited by Terry Carr (Harper & Row, hardcover, 1978). First collected in Martian Quest: The Early Brackett (Haffner Press, hardcover, 2002).

   There are science fiction stories so vast in scale it is next to impossible for the human mind to comprehend them, and even though this tale takes place within the orbit of Mercury in our own solar system, this is one of them.

   Son is a living creature — a mutation, perhaps — capable of existing in space without protection, the only living being in a junkyard of wrecked ships that his own space craft is part of. Nearby and at the center of this story is the Light, burning green in color, and the Veil, on the other side of which is Aona, a creature such as himself but obviously female.

   Coming to investigate the Light is, for the first time in a place where time and aging have no meaning, is a ship of seven humans and other intelligent aliens. It seems that a Cloud has passed through the solar system, changing the metabolism of all the creatures it touched. Destroying the Light is the only means of survival for billions of people.

   What has happened to Son to make him the being that he is? Is there any way for him to cross through the Veil to become part of the parallel universe where Aona is? And what about the one of the seven who sees Son as someone with powers that, if had them and the Light were destroyed, could rule the solar system?

   Whew! One thing you can say about this story is that has a cosmic Sense of Wonder, the secret ingredient of stories such as this one, and is the absolute epitome of Super Science.

       —

Previously from this Lou Sahadi anthology: CHAD OLIVER “The Land of Lost Content.”