Science Fiction & Fantasy


ROBERT A. HEINLEIN “–All You Zombies–” First published in Fantasy & Science Fiction, March 1959 (after having been rejected by Playboy). Reprinted a number of times, including The Worlds of Science Fiction, edited by Robert P. Mills (Paperback Library, 1965), and Time Troopers, edited by Hank Davis & Christopher Ruocchio (Baen Books, 2022), among others. Collected in The Unpleasant Profession of Jonathan Hoag (Gnome Press, 1969) and 6 x H (Pyramid, 1961), again among many others. Film: As Predestination (Australia, 2014, starring Ethan Hawke). [See Comment #6.]

   The story begins in a bar, for no better reason that is where any story of its kind should begin, with a fellow who calls himself an Unmarried Mother (actually a writer for true confession magazines) telling his life story to the other fellow, the one on the other side of the bar. It’s a lengthy tale, and it includes the fact that the fellow telling the story was born as a girl.

   And this is the point in my telling you the story is exactly where I knew I was going to get stuck, as while I know many of you have read the story, I’m sure there still are several of you who haven’t, and by telling you anything more in any kind of detail, I’m going to end up telling you the entire story.

   There is no way I’m going to do that. Robert Heinlein did it a whole lot better back in 1959, and it’s still the best time travel story that I’ve ever read. It takes the fellow from the bar through a well charted trip across time and space and (in fact) his entire life It’s clean and smooth, and I can’t find a single flaw in it. What more can I tell you?

   I don’t rate many stories 10 stars out of 10, but this one deserves it.

PIERS ANTHONY & ROBERT E. MARGROFF – The Ring. Ace A-19, paperback original; 1st printing, 1968. Published as part of the Ace SF Special series. Cover art by Diane Dillon and Leo Dillon. Tor, paperback, 1986.

   A flawed Utopia, with a machine acting as conscience and punishment for wrong-doers; crime is rampant on Earth, although need is theoretically abolished – indeed crime is licensed through Vicinc, and inflation takes its usual toll from the average man. High-minded theory vs. ugly reality.

   This is the world Jeff returns to from the stars, with dreams of revenge against his father’s former business partner who was the cause if his father’s exile from Earth. But Jeff is caught before he can carry out his plans, tried, convicted, and sentenced to be ringed.

   The ring is an instrument of the Ultra Conscience, painfully enforcing firm ethical standards, But there are degrees if honesty, and the ring can be bio substitute fir human judgment: the concept of self-defense is not recognized, making the ringer the target for universal criminal attack. How can a truly ethical system be formalized as law? Is the ring the only answer? The ring can be effective with the proper programming. But who does the programming?

   Meanwhile, Jeff struggles within the restrictions of the ring to avenge his father, but he discovers he does not know the whole truth. Exciting, suspenseful writing. With imagination providing for a future society which is easily extrapolated from our own. Since the characters are easily translated to those of Tennyson, it is no wonder they interest the reader so deeply.

Rating: *****

— November 1968.

E. C. TUBB – The Space-Born. Ace Double D-193, paperback original; 1st printing, December 1956. Cover art by Ed Valigursky. Published back to back with The Man Who Japed, by Philip K. Dick (reviewed here). Equinox/Avon (SF Rediscovery, softcover, 1976.

   One page is enough to fill in the background of a ship heading for the stars, containing 5000 people living out their lives within its confines, making a 32 light-year journey in something over 300 years. But in spite of the obvious closeness to journey’s end, Tubb manages to breathe some life into the characters, unaware of the crisis coming upon them.

   The task of the ship’s Psycho-Police is to maintain the population at a constant level, with murder as the method at hand. Forty is the maximum age allowed. But positions of power lead to violations of that rule, as the instinct for survival bred into the ship’s inhabitants leads to restlessness, then corruption.

   But the journey is ending; warnings to that effect are readily apparent to the reader. Thank goodness the builders of the ship were so prophetically wise in preparing for all contingencies.

   A book easily forgotten, but one to get caught up on for a short while.

Rating: ***½

— November 1968.

PHILIP K. DICK – The Man Who Japed. Ace Double D-193, paperback original; 1st printing, December 1956. Cover art by Ed Emshwiller. Published back to back with The Space-Born, by E, C. Tubb. Reprinted several times.

   The society of the future that Dick pictures in The Man Who Japed is often depressing, a world where life is simple, yet complicated, and out of touch with the common man, who doesn’t really seem to realize it.

   There is a lack of individuality, and incapability for making decisions, that permeates their lives. And it may very well happen that in the days following the next war, a program such as Moral Reclamation will come to power: sole power.

   With morality in the hands of the state, neighbors pry on neighbors, and attend weekly block meetings to hear the lurid details of friends having gone astray. Purcell’s agency is one of several that prepare packets for Telemedia, which has control of all communications industries.

   As guardian of the public’s morality and ethics, the position of Director of T-M is of considerable importance, but when Purcell is offered the position, he does not what is answer should be. For Purcell himself is guilty of immoral behavior which he cannot control, of pranks violating the statue of Morec’s founder, of japing Morec itself.

   A society without a sense of humor can be toppled by a man who does. And this one is, or at least the foundation of moral righteousness, is weakened by the program aired by Purcell before he can be ousted from the position he decides to accept.

   Dick’s plots require involvement on the part of the reader; as a master stroke of genius, Dick provides for that involvement himself with the inner excitement of the stories themselves. This is one well worth reprinting, with a promise of the future resting in the hands of youth, questioning the present.

Rating: *****

— November 1968.

CLIFFORD D. SIMAK “Huddling Place.” First appeared in Astounding SF, July 1944. Collected in City (Gnome Press, hardcover, 1952) and in Skirmish: The Great Short Fiction of Clifford D.Simak (Putnam’s, hardcover, 1977; Berkley, paperback, 1978). Reprinted in The Science Fiction Hall of Fame, Volume One, edited by Robert Silverberg (Doubleday, hardcover, 1970), among others.

   Modern readers of SF and fantasy won’t remember Clifford Simak all that well, or even at all, but in his time, he was one of the lesser giants of the field. In my case, he was always one of my favorites, right up there with Robert A. Heinlein, Isaac Asimov and Arthur C. Clarke. Other authors came and went, but the stories of Mr. Simak have always stayed with me.

   A lot of fans and critics have described his work as “pastoral,” and so it was, and it still is. It is so true that Simak himself uses the word to talk about his work at least twice in the foreword to his collection Skirmish (1977), of which “Huddling Place” is the lead story. (Don’t make too much about this statement: the stories are arranged in chronological order.)

   But for example, the opening scene takes place in one of the most physically detailed settings for a funeral I can remember reader. It is of Jerome A. Webster’s father, who has recently died, leaving only Jerome, of a certain age himself, his son Thomas, now in his 20s, and his mother. These are the only remaining members of the Webster family, attended to only my robots, having moved a number of  years ago from the city to this country estate where they now live.

   And from which Jerome has come to realize he cannot leave. There is no need to. The story was written long before the Internet came along, but the equivalent exists when the tale takes place, and there is no need for him to leave. Not even to perform a life-saving operation on an old friend from Mars, which is where he lived for five years in his younger days.

   He tries, and he is ready to, but as chance would have it, in a sad ending well worth waiting for, he cannot. And he probably won’t. Ever. Leave.

   Interpretations I will leave for you. What I will say that this is a beautiful story, well deserving of its SF Hall of Fame status. Science fiction was growing up when this was published.

ROBERT SHECKLEY – The Status Civilization. Dell 8249; paperback; 1st printing thus, October 1968; cover art by Podwil. Published earlier as a two-part serial in Amazing SF. Aug-Sept 1960 as “Omega!.” First book publication: Signet S1840, paperback, September 1960.

   A standard plot: The static society of Earth is redeemed by the fresh enthusiasm of criminals escaping from the prison planet Omega. Will Barrent is a convicted murderer, sentenced to Omega, who survives the rigors of life there to be contacted by an inner group dedicated to return to Earth. But before the welcome return can take place, the subconscious hypnotic teaching of Earth’s classic school must be overcome.

   By itself, society on Omega is  self-destructive: laws are designed to keep population down, with murder the most prevalent method; the ideal citizen is the one who breaks laws successfully. This is what Earth, stifled by conformity, needs to continue man’s expansion to the stars.

   Memory is removed before sending a criminal to Omega, but evil still seems inherent in the criminal class as previously mentioned. It would seem that the question of evil by heredity or by environment could be investigated under such conditions, but Sheckley’s emphasis is on the law as it exists, independent of those who administer it or live under it, Yet laws of man would have to be less important than the basic laws of nature.

   The writing is mediocre, again especially in comparison to an author such as [John D.] MacDonald. The dialogue is occasionally  stiff and old-fashioned, while the action is rapid, taking place in flashing scenes, without really pausing to reflect on its consequences.

   Thus in many ways, Sheckley’s writing here is like that of an author from the thirties trying to pass for modern. The theme is up-to-date, however, which probably explains why this story hes been resurrected from oblivion.

Rating: **

— November 1968.

WORLDS OF FANTASY #1, 1968. Editor: Lester del Rey, Cover art by Jack Gaughan. Overall rating: ***½.

JOHN JAKES “Mirror of Wizardry.” Brak the Barbarian. Novelette. Brak the Barbarian is of course based on Conan, but that doesn’t make his adventures any less enjoyable. This time Brak’s escape through the mountains is hindered by a wizard hunting the girl he has befriended. (4)

BILL WARREN “Death in a Lonely Place.” A vampire who preys on prostitutes shows that he has a heart. (4)

ROBERT SILVERBERG “As Is.” Novelette. A computer salesman buys a car with a mysteriously sealed trunk. Easy to read, but not believable, with a miserable ending. (3)

MACK REYNOLDS “What the Vintners Buy.” Trust Reynolds to put a lecture on hallucinations into a fantasy. (2)

LIN CARTER & L. SPRAGUE de CAMP “Conan and the Cenotaph.” Novelette. According to [Webster], a cenotaph is a monument for someone whose body is buried elsewhere. The one Conan is lured to is magnetic, and the home of a slime-monster. (4)

PARIS FLAMMONDE “After Armageddon.” Suppose the last man in the world had happened to have found the Fountain of Youth. (3)

ROBERT HOSKINS “The Man Who Liked.” Before the bombs fell, Death was a happy person. (1)

ROBERT E. HOWARD “Delenda Est…” Hannibal’s ghost comes to life to help a barbarian’s attack on Rome. Obsessed with historical background. (2)

ROBERT LORY “However.” Novelette. Hamper the However’s trip from Balik to Overnon by way of [grath (?)] is hampered by his lack of magical powers, However, if people believe that one has these powers, what difference can it make? (3)

— November 1968.

ANALOG SF – October 1967. Edited by John W. Campbell. Covert art by John Schoenherr. Overall rating: **½

ANNE McCAFFREY “Weyr Search,” [Dragonriders of Pern] Short novel. Reviewed separately here.

TOM PURDOM “Toys.” A good idea, the effects of advanced toys on children, is completely wasted. Two policemen save hostages from kids holding them prisoner. Action, action, unreadable action. (0)

CARROLL M. CAPPS “The Judas Bug.” Novelette. A sense of paranoia pays off, as a member of Phase Two of the Expedition begins to suspect that the leaders of the original party are plotting against him. Is the author C. C. MacApp? (3)     [Answer: Yes.]

W. MACFARLANE “Free Vacation.” In a society run by consensus, dissenters are given the choice of rehabilitation or space exploration. The author has little sense of either description or dialogue. (1)

J. T. McINTOSH “Pontius Pirates.” Novelette. Pontius Pirates are cautious, looking both ways trying to be in the clear whatever happens. But IP agent Jack Sheridan’s suspicions of the girl who picks him up in a bar on the planet Molle tell him someone there has something to hide,. Amazing by-play that does not develop into anything serious. (3)

— October 1968.

FRED SABERHAGEN – The Broken Lands. Ace G-740. Paperback original, 1st printing, 1968. Cover art: Richard Powers. Baen Books, paperback, 1987. Collected in The Empire of the East (Baen, paperback, 1990; Tor, trade paperback, 2003).

   The are very few good examples of effective combinations of science fiction with swords-and-sorcery. This may be the best so far, better to my mind than anything by Andre Norton, for example. Since a sequel is definitely required, Saberhagen may have more in preparation, very good news indeed.

   Some large indefinite time in the Earth’s future, magic and sorcery have replaced science and technology in the scheme of things. Magic works, while science is regarded with superstitious awe. But the old things do work, and a nuclear-powered tank found buried under a mountain comes to life to help fulfill a myth, as an evil satrap is overthrown by the outlaw Free Folk.

   Try to imagine a Barbarian learning the operation of that tank, succeeding by trial and error. The fascination is so great that it truly comes as a disappointment when he is captured and the secret of tank’s existence is lost.

   Humor is present, too, as when instructions for a magic stone allowing its holder to escape go unread because of the very active requirements of doing so, ’Tis a very deep stone, too, to be able to determine which side of a barrier leads to the “outside” or to the “inside” …

   Not to be put down easily.

Rating: *****

— October 1968.

STARTLING MYSTERY STORIES, Summer 1968. Editor: Robert A. W. Lowndes. Cover art by Virgil Finlay. Overall rating: *½.

COL. S. P. MEEK “The Black Mass.” Originally published in Strange Tales, November 1931. The monastery of St. Sebastian is attacked by Asmodeus, the master of a c oven celebrating the Black Mass. Is not made believable. (1)

EARL PEIRCE, JR. “The Last Archer.” Novelet. First published in Weird Tales, March 1937. A hated Crusader Knight, put under a curse by a dying Saracen, is condemned to die only at the hands of the world’s greatest archer. An electronics expert is brought to his deserted island castle to help him killing himself as his mirror image. Effectively weird, in spite of diary format. (3)

JAY TYLER “The Sight of Roses.” Lester Morrow thinks he has contacted the Devil in his efforts to have his unfaithful wife done away with, but his perfect plan works too well. Uneven writing, some good, most terrible. (1)

FERDINAND BERTHOUD “Webbed Hands.” Originally published in Strange Tales, November 1931. A South African uses a monstrously deformed assistant to kill female relatives for insurance money. The author uses clumsy inverted sentence structure as he generally displays ignorance of the English language. (0)

PAUL ERNST “Hollywood Horror.” Dr. Satan #3. Novelet. Originally published in Weird Tales, October 1935. Dr Satan invents a ray that makes flesh invisible and uses it to threaten the motion picture industry, Not very scientific to be sure, but fun reading. (2)

— October 1968.

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