HAL G. EVARTS – The Long Rope. Dell First Edition A172, paperback original, 1958. Pocket, paperback, 1973.
Long Ropestarts with the brutal massacre of a squatter family and the near-fatal wounding of luckless drifter Will Landry by persons unknown — but not for long. The scene quickly shifts to the modest cow town of Antelope, run by acting sheriff Roy Kell, who is holding Landry, with the narrative that he got shot while murdering the squatters and will be tried and quickly hanged as soon as he recovers.
Enter Dan Croft, an old trail buddy of Landry’s, keeping his cards close to his vest, playing it cool and cagey while he surveys the situation, figures out who he can trust, who really killed the squatters and why Kell is so anxious for Landry not to stand trial—even to the point of hiring Croft to kill him!
This first part of the book is confined to the town of Antelope, and I use the word “confined†advisedly because it reads more like a film noir than a western, as Croft walks mean streets knee-deep in double-crosses, trying to out-bluff adversaries who hold all the cards, and spring his buddy from Jail.
At which point (and I’m not giving away anything that ain’t on the back cover) the tale moves out into open country, and The Long Rope becomes a tale of pursuit and survival in the wilderness as the fugitives cross forests, snow-capped mountains, and dusty plains to escape a lawman bent on murder.
Evarts writes this just as vividly as he did the first part, with a keen appreciation of the rigors of the terrain and the vagaries of the chase, with Kell closing in, falling behind, and finally…
Well I’ll just say that The Long Rope comes to a terse and satisfying conclusion, and I’ll be looking for more by Evarts!
PHILIP WYLIE – The Savage Gentleman. Farrar & Rinehart, hardcover, 1932. Dell #85, paperback, 1945. Avon #390, paperback, 1952. University of Nebraska Press, softcover, 2011.
Betrayed by his wife, newspaper magnate Stephen Stone takes his small son Henry and with his trusted companion Jack, a giant black man, and with the Scotsman McCobb travels to a savage paradise where he runs his yacht the Falcon aground. “Suddenly I remembered this island … I knew then that my son was going to be brought up without the influence of women. Without the knowledge of women they imbue in men.â€
So the small group of men carve a world on the island and young Henry grows into manhood, a copper haired bronzed giant, perfect in mind and body, but a savage as far as the outer world goes. Eventually Stephen repents of his anger and madness and tries to make it up to Jack (respectfully written for the era, but unfortunately a sacrificial figure, a trope still too common), McCobb, and especially Henry, but dies before he can guide Henry’s entry into civilization. While he will be fabulously rich in the real world, is Henry ready for the modern world and is the modern world ready for Henry Stone, the savage gentleman?
Henry is none the less a superman in body and mind save for his one weakness, he is completely guileless when it comes to women, which is why when Henry meets Marian Whitney the daughter of his father’s attorney and oldest friend Elihu Whitney Henry is knocked for a loop.
His face was bloodless
The great muscles in his jaws were knotted.
His hands hung limp.
Henry isn’t just love struck, he practically has a stroke. It doesn’t help that the first thing Marian does is to enter the room laughing at the newspaper story about the recently rescued Henry Stone, a savage who probably will have to be locked up in the zoo.
If that all sounds vaguely familiar it must be pointed out that even Lester Dent admitted he had read Wylie’s Savage Gentleman. Henry may not trill when he’s thinking or be a polymath in all subjects, and he doesn’t have an Arctic fortress or five of the most brilliant men in the country as an entourage, but he is that favorite figure of the Twenties, the superman, and somewhere between Tarzan and John Galt, he hits New York by storm.
Of course Philip Wylie was an old hand at this. Science fiction pioneer, pulpster, sophisticated writer of stories for the slicks, literary maven, humorist, early environmentalist, philosopher, and gadfly, his career encompassed classics in all those genres.
Even the most shallow of overviews of his career include Gladiator which inspired Jerry Siegel and Joe Shuster to create Superman, When Worlds Collide, which inspired Alex Raymond to create Flash Gordon (and its own strip Speed Spaudling), The Murderer Invisible (as much the inspiration of the Invisible Man films as H. G. Wells novel). the Crunch and Des stories that helped influence John D. MacDonald to create Travis McGee, and works such as Finlay Wren, As They Reveled, Generation of Vipers, They Both Were Naked, Triumph,Tomorrow, and The Disappearance. He was a respected science fiction author, mystery writer, and literary figure all the while letting his mind and imagination range free where ever it lead him (often as not into controversy).
Meanwhile Henry has returned to find his father’s newspaper has, under the guidance of corrupt newsman Voorhies, been commandeered by the forces of crime and corruption and of course Henry isn’t going to bother with the courts to take that on ending with a wild melee as Henry reclaims his legacy with fists flying amid a hail of gunfire.
As a wounded Henry lies in his hospital bed at the end, Marian comes to tell him she loves him, and in scene that will be copied in a million variations in countless Hollywood newspaper movies to come…
He lifted himself on his elbow “I don’t know what to say, I — yes I do — get me a stenographer! I’ve got to dictate an editorial! You can help me!â€
“But —â€
“Say! I’m a newspaper man now. Get a stenographer. But give me a kiss before you go and have another kiss ready when you get back!â€
Just how this one avoided Hollywood I don’t know. You can practically see it as you read it as a Frank Capra film with Gary Cooper or Joel McCrea and Jean Arthur or Carole Lombard. The Savage Gentleman is a relatively short book, very much a pulp adventure tale, and more of interest as a yarn than philosophy, but that is all to the good, and there is no such think as superficial Wylie, his active mind at work in even the simplest of tales his eye every bit as savage as his hero.
STUART PALMER & CRAIG RICE “Once Upon a Train.†Hildegarde Withers & John J. Malone. First appeared in Ellery Queen’s Mystery Magazine, October 1950. Original title or published later as “Loco Motive.†Collected in People vs. Withers & Malone (Simon & Schuster, 1953; Award paperback, 1965). Filmed as Mrs. O’Malley and Mr. Malone(MGM, 1950, with Marjorie Main as Harriet “Hattie” O’Malley and James Whitmore as John J. Malone).
In Ellery Queen’s introduction to the collection of Withers-Malone stories, of which there were six, they say that this was the first known collaboration between two mystery writers on a tale in which their respective primary characters showed up to solve a case together. This could very easily be true.
When Malone, a somewhat disreputable Chicago lawyer finds that his most recent client, a city official accused of embezzling $30,000 from municipal funds, and a man he has just gotten off from those charges, is on a train headed for New York City — and without paying him — what is there to do rush to the station and board the very same train.
Along with several other people crying for his scalp, as it is clear that the man’s innocence is still very much in doubt. It is no wonder that his body is found at length very much dead. And in whose train compartment? None other than the horse-faced schoolteacher Miss Withers, whose accommodation adjoins Mr. Malone’s.. As they furiously move the body back and forth between their separate compartments as needed, which is often, they still manage to find time to solve the case together.
Which case is one the screwballiest detective stories you can imagine, with a laugh or a chuckle every other paragraph, if not oftener.
When they made a movie out of this, they had to change Miss Withers name to Mrs. O’Malley for copyright reasons, and no, Marjorie Main is not my idea of Miss Withers, either, but James Whitmore did passably well as Mr. Malone, if not better.
H. A. DeROSSO – .44 . Lion #129, paperback original, 1953; Lion # 145, paperback, 1956. Leisure Books, paperback, 1998.
Harland is a reluctant gunfighter. He got sucked into it without wanting to. He beat a famous gunslinger in a drunken pique, and his reputation grew and followed him. He only wanted to be a hired hand. But anytime he got hired these days it was because the rancher wanted him to shoot somebody. They’d say he was just another hand. But they’d lie.
Finally he figured he might as well accept his fate. If he’s gonna have to gunfight, he might as well get paid for it.
His first hired kill is a man named Lancaster. He tracks down the man, out beyond the range in the middle of no man’s land. Betwixt some craggy straggly chasm. Lancaster stops and waits.
What are you following me for, asks Lancaster. I mean to kill you, Harland responds. You mean you were hired to kill me. Well go ahead and draw.
And they draw. And Lancaster has him beat. Handily. No doubt. But he sadly smirks and doesn’t fire. And Harland does, his finger jerks, the bullet flies, and Lancaster dies. Smiling.
Now Harland is wracked with regret. Why didn’t Lancaster fire? What was that sad smile about. What the hell is going on? So Harland he can’t let it go. He has to find out what was behind Lancaster’s desire to die.
Harland turns detective trying to figure out why he was hired to kill Lancaster. Turns out Lancaster and a couple of other men made off with $100,000 in a train robbery. Then Lancaster screwed his partners and made off with the plunder.
But the partners don’t want Lancaster dead — at least not until they get their grubby hands on the loot. So who was it then? Who is it that wants Lancaster dead, that already has their hands on the money, that made a gunfighter give up the ghost?
Harland can’t stop til he finds out, meanwhile falling in love with Lancaster’s widow. A woman who all the men fall for and long to protect.
HEC RAMSEY “The Century Turns.†NBC, 08 October 1972 (Season One, Episode One). Richard Boone, Rick Lenz, Sharon Acker, Harry Morgan. Guest star: R. G. Armstrong. Screenwriter: Harold Jack Bloom. Directors: Daniel Petrie, Charles Ziarko (uncredited). Most of the series is available on YouTube.
First broadcast in 1972, Hec Ramsey was part of the NBC Mystery Movie, a “wheel” series format, starring Richard Boone in the title role for ten episodes over two seasons, in a part that might have had viewers thinking that Ramsey was the lawman Paladin might have become when he got older. (I have read that this was denied by people involved in producing the series, but I’m sure they didn’t mind the publicity it generated.)
The premise behind itwas that the stories took place just after the turn of the century, with Ramsey showing up to be the new deputy for the police chief of a small town in Oklahoma after a long career of fighting outlaws with a badge and a gun. What takes the townsfolk by surprise, however, is that the aging Ramsey has learned new tricks: fingerprinting, ballistics and taking plaster casts of horseshoe prints at the scene of the crime.
In this, the pilot episode, he uses all three to catch a gang of outlaws who held up the stage he was riding in on his way into town, and to solve a pair of murders first thought to be a murder-suicide. It’s all told in a light-hearted way, beginning with the instant antagonism between Ramsey and his new boss, later giving way to mutual respect.
Western action fans need not have been worried. There’s a very good shootout at the en of the show as well. There is even a hint of romance between Ramsey and Sharon Acker’s character, but if so, it was decided early on not to have the show go in that direction. (She appeared in only one later episode.)
Richard Boone was in his late 50s at the time, but he was in fine form as always in playing the gruff, rumpled, non-compromising Hec Ramsey, never one to take fools seriously.
I somehow missed seeing any of the series at the time. What was I thinking? I enjoyed this one. Highly recommended!
THE DEVIL THUMBS A RIDE. RKO Radio Pictures, 1947. Lawrence Tierney, Ted North, Nan Leslie, Betty Lawford. Based on the novel (McBride, hardcover, 1938) by co-screenwriter Robert C. duSoe. Director: Felix E. Feist.
A traveling salesman, a happy-go-lucky sort of guy, with a good job and a wife waiting home for him, makes a serious mistake. He picks up a guy thumbing a ride. They then pick up two girls who are hoofing their way to Hollywood, then stop and have a party.
A deadly one. Lawrence Tierney is perfect in the role of a killer on the run.With his cold and shifty eyes, he was made for the part. Everybody is fine in their roles, even the minor ones. I even recognized the voice of Arthur Q. Bryan as a local cop. (Among others, he played the role of Fibber McGee’s friend Doc Gamble on the radio.)
